An extensive documentation on Céleste Boursier-Mougenot's installation for the French Pavilion of the 56th International Art Exhibition of the Venice Biennale.

The European colonial heritage revisited: Meessen invited ten international artists to think the colonial modernity and connect it with the history of avant-garde, political and independence movements (catalogue of the Belgian Pavilion at the 56th Venice Biennale).

A volume of photographs by Heinz Peter Knes representing a small selection from his extensive archive of travel photography dating back to 2010.

When artistic gestures achieve the maximum effect through the smallest of means: the catalogue of the Lulennial, a biennial organized by Fabiola Iza and Chris Sharp at Lulu, a 9-square meter independent space in Mexico City, whose economy, “in the sense of doing a lot with a little or sometimes nothing at all,” is one of the founding principles.

A photographic account of Carsten Höller's journeys to the Democratic Republic of the Congo for the purpose of a film about Fara Fara music.

Mirror Landscape weaves together a rich documentation on the design, construction and installation of Two Way Mirror / Hedge Arabesque, the pavilion created by Dan Graham for the sixth edition of “All'Aperto” (Outdoors)—the art event organized by the Fondazione Zegna and curated by Andrea Zegna and Barbara Casavecchia—with a wider overview on the relationship between artwork, viewer and landscape, which runs through the entire production of the artist.

Special feature on Ecology, Nicolás Uriburu, interview with Edith Brunette, Kochi-Muziris Biennal, Ariane De Blois on the sculpted body, exhibitions and books reviews…

Artist's book.

A novel written orally by the artist Benjamin Seror.

A large survey of Monika Sosnowska's sculptural work.

The first issue of Even features New York Times classical music editor Zachary Woolfe on Björk and music in the museum; Elisabeth Lebovici on Joan Jonas, representing the US at the 2015 Venice Biennale, an interview with Luc Tuymans, reviews on São Paulo's galleries and museums today, Reena Spaulings, an avant-garde exhibition space in New Delhi...

New monograph.

A portrait of a divided Nicosia.

A lavishly illustrated monograph, structured around an extensive and thorough discussion between Lionel Estève and Herman Byrd, that works as an entry gate to the artist's work, which interrogates the multiplicty of infinity and reality.

Andreas Angelidakis, Art about Fucking, Art and the Construction of a Future Politics, Artistic Research: Belonging and Expanding, Adelhyd van Bender, Pia Camil, Corporations and the Exotic, Andrea Crespo, Simon Denny & Matt Goerzen, Cécile B. Evans, Urs Fischer & Adam McEwen, Parviz Kimiavi, James Lovelock, The Multiversalists, From the Naked Future, The Political Potential of the Unpredictable, Reading the Roster: the 56th Venice Biennale, Carolee Schneemann, Single-Origin Art, Jesse Stecklow, Daniel Steegmann Mangrané...

5th issue of the art and research magazine is dedicated to Andrea Fraser.

In 2011, Damien Beguet and P. Nicolas Ledoux purchase the name of artist Ludovic Chemarin after he decided to end his career in 2005. Since then, they have been exploiting his name through exhibitions, conferences, and interviews. This monograph gives an overview of the project, gathering exhaustive documentation and essays from critics, historians, and lawyers.

“Livre VI” of the (SIC) journal takes the form of a book by Dutch-speaking Belgian philosopher Dieter Lesage (director of RITS | School of Arts). “Art, Research and Politics. Essays in Curatorial Criticism (1999-2014)” spans fifteen years of Lesage's critical interventions in the field of art, politics, and culture, analyzing and unraveling curatorial rhetorics and strategies which during that period marked the so-called art world.

Monograph / artist's book based on seven films by the Canadian filmmaker, whose work creates a dialogue between film, photography and painting (with a script by Mark Lewis and an essay by Chantal Pontbriand).

A collaborative text born from the exchange and longstanding friendship between the artist Katrín Sigurðardóttir and the poet Kristín Ómarsdóttir.

L'herbier: marcher, classer, nommer le paysage / Où donc est passé le réel? (Valérie Belin, Damien Cabanes, Philippe Cognée, Esther Ferrer, Christian Lhopital, Philippe Ramette...) / Sophie Matter / Linda Sanchez / Myriam Mihindou / Farah Atassi / DVD Galeries Nomades 2014, Institut d'art contemporain, Villeurbanne (four exhibition films): Adélaïde Feriot, Maxime Lamarche, Nicolas Momein, Daniel Otero Torres.

“Diorama” special feature (studies on Xu Zhen's Starving of Sudan and Kent Monkman's Bête Noire, essays on Dominique Gonzalez-Foerster and the Persistence of the Diorama, the Diorama as artistic process, Vicky Sabourin's stagings), interview with Nathalie Heinich— in addition to the usual contents.

First monograph.

A “monologue” by the Cambodian photographer who offers an intimate reflection on the traumas of the recent history of his country.

The never-before-published selection of Carlo Scarpa's writings and illustrations (photographs, architectural plans, sketches, etc.): an invaluable tool to understanding exhibition history and the importance of the architectural conception of exhibitions.

CvB Singles Uptown Remix presents a survey of work created since 2000—rags, mushrooms, a “soft” fence, an enormous octopus and other curious objects from Cosima's diverse oeuvre.

A suite of musique concrète composed in the personnal studios of the composers from 2013 to 2015.

An historical-critical recontextualization of the artist's figure with an important tool of documentation on his work from 1973 to 1979.

This catalogue-reader accompanies Armando Lulaj's project for the Albanian Pavilion at the 56th Venice Biennale. A time capsule of the country's past, presenting strange memorabilia and trophies that tread the line between fact and fiction.

This artist book is composed of the observations, texts and images that Durham collected during a Venetian stay, pointing out the complex relationship between the tourism industries, the stories of local workers and Venice's history.

An adventure exploring drifts in translation (artist's book).

Limited edition (20 copies) of Roberto Cuoghi's artist book, accompanied by an offset printing in colors + selective varnish laminated on Dibond (27 x 40 cm), numbered and signed by the artist.

An in-depth critical examination of the Piotr Uklański's ongoing series of abstract “blood” and “ink drop” paintings.

First vinyl LP edition by Dutch sound and visual artist Paul Panhuysen since 1986 (sound installation).

Artist's book.

Artist's book.

Comprehensive monograph: a focused look at the artist's graphic work from 1964 to 2004.

The tenth volume in the Solution series edited by Ingo Niermann: a speculative novel that accompanies “Friday in Venice,” a transmedia storytelling project about a possible Europe.

First monograph.

A replay of the collection of the FRAC Champagne-Ardenne by Swiss graphic design studio Gavillet & Rust.

Facsimile of a book of drawings made between 1979 and 2010.

A book that documents an oral presentation given by Pierre Bal-Blanc to a jury of professionals, as part of his application to curate the 7th Berlin Biennale. Devised as an exhibition in several acts, the session adheres to the rules of a score performed by its author or by a third party.

New monograph (available in English edition).

New monograph.

Camille Pamela Rosenkranz, Tauba Auerbach, Renzo Piano, the 12th Lyon Biennale, Thomas Hirschhorn, Palm Springs, the 14th Venice International Architecture Exhibition, Camille Henrot, Mathias Faldbakken, Milan Kunc, Katharina Fritsch, Richard Artschwager, Haim Steinbach, Collier Schorr...

The role of history and commemoration in Germany today.

Soun-Gui Kim engages her collaborators—philosophers Jacques Derrida and Jean-Luc Nancy, and John Cage—in conversation about contemporary art and the relationship of artists to the globalized art world and market, from the perspective of Eastern thought.

Through the notion of ecology of art, Des récits ordinaires (On ordinary conversations), a project by Grégory Castéra (curator), Yaël Kreplak (linguist) and Franck Leibovici (poet and artist), attempts to vizualise the various modes of existence of artworks.

4th issue of the art and research magazine is dedicated to the “realized” utopia of Monte Verità.

A monographic book presenting the cumulative result of a three-partite project by Daniel Gustav Cramer and Haris Epaminonda.