Five immersive audiovisual works that combine digitally generated visuals by Kurokawa and sound explorations by Thanasis Kaproulias (working under the moniker Novi_sad). An impressive body of work which explores the aesthetics of data and the visual representation of economic crisis.

Animals questions through a poetic approach the modernist apprehension of time and locomotion, in the realm of today.

Andrew Berardini journeys into the heart of the work of conceptual artist Danh Vo to discover how historical forces find form in our individual lives.

Since the set up of Xavier Veilhan's The Monster in the center of Tours in 2004, the statue has been subject to various cultural appropriation by the locals. This book aims to document both the development of the project as part of the New Patrons program as well as the life of the statue within the city.

With this volume, Shahryar Nashat recalls the life and death of an iconic art object—a green dodecahedron called La Shape—operating in many of the artist's works since 2011.

At the heart of this book is a solo exhibition of the work of M'barek Bouhchichi in Rabat, and the artist's first attempt at directly confronting the wound of growing up black in Morocco. With contributions by an anthropologist, a filmmaker, and a writer from Africa, this volume puts recent transformations of Moroccan society into perspective. Beyond studying inequality and spatial segregation, what is at stake is the possibility of transfiguring the stigma of racism through art and research.

Reissue of a booklet from 1981, this suite of drawn charts and diagrams was originally published to accompany the films of Rat and Bear—Fischli & Weiss fictional alter egos, and symbols of Western culture's faith on contraries.

Inferno sheds a sharp light on the news of contemporary art and scenes. In this issue: Yoko Ono, Fischli & Weiss, Trajal Harrell, Jodorowsky, Cindy Sherman, Sigmar Polke, Dance in New York, Berlin special feature, Philippe Parreno, Paul McCarthy, Ai Weiwei, Castellucci's Moses und Aron, Arty Lisbon, Lyon and Istanbul's Biennials, Winter-Spring 2016 program...

Nora Schultz gathered digital associations made with Google's image search engine, and then asked nine other artists to build a series of textual and visual narratives around her results (an artists' book designed by Keren Cytter).

This publication documents the making of a sound mapping project of the city of Melbourne by artists Jean-Luc Guionnet and Eric La Casa.

Art education issue.

Over the past twenty years, Italian-born artist Rudolf Stingel has been expanding and redefining the scope of painting through innovative and radical processes. This catalogue features works from the pivotal Styrofoam and Celotex series and includes an essay by curator Francesco Bonami.

Published for the first time, a selection of notes from the artist's private diaries.

Monograph / artist's book.

Richard Wentworth plays the Drawing Room Confessions.

The small opera created by Nicolas Murer for Lili Reynaud-Dewar's installation presented at the 2014 Venice Biennale, sung by Lili Reynaud-Dewar, Nicolas Murer and the choir of HEAD, Geneva.

Letters from Panduranga evokes the fate of the Vietnamese Cham community, whose territory is threatened by the construction of two nuclear power plants. Acting as an ethnologist Nguyen Trinh Thi explores the issues related to speech and history as well as new forms of colonialism.

A disturbing view of the current state of affairs of the culture in which we live (catalogue).

An account of Lutyens' long-term Hypnotic Show at Documenta 13 in 2012.

Spells is the first collection of Irena Haiduk's writing, gathering her texts and limited-edition publications since 2007.

The Blue One Comes In Black offers a new contribution to the thinking around Liz Magor's long standing practice by gathering newly commissioned critical texts and creative writing, as well as texts by the artist herself, some of which were previously unpublished.This book not only highlights important works from throughout Magor's career but also present her latest work for the first time in a publication form.

This publication is the closing project of a series of recent initiatives around the works of American experimental composer Conlon Nancarrow, including a pirate radio station, an art journal, a museographical essay by Mario García Torres, and an exhibition.

Cady Noland, Robert Gober, Sturtevant, Angela Bulloch, Sigmar Polke, Hilary Lloyd, Jeff Koons, Stephen Felton, Avery Singer, 12th Sharjah Biennale, Oscar Tuazon, Olivier Zahm, William Pope L., William Leavitt, Ida Tursic & Wilfried Mille, the Picasso Museum photographed by Juergen Teller, Trisha Donnelly, “Disobedient Objects” by Bruno Serralongue, “Artists and Poets” by Marina Faust...

The fourth cahier of Dora Garcia's Mad Marginal project brings together essays by international authors that develop different threads pertaining to artist Dora García's practice.

A project by internationally working documentary photographer Claudio Cambon that tells the story of the last voyage, dismantling, and recycling of an American merchant vessel in Bangladesh in the late 1990's.

Featuring: Frances Stark, Rachel Rose, Christodoulos Panayiotou & Salvatore Settis, Valeria Luiselli, Heman Chong, the emerging art of India, Cameron Rowland...

Special “Migrations & Borders” issue: texts by Bernard Schütze, Geneviève Chevalier, and Michael Blum, Milutin Gubash by Chantal T. Paris, François Morelli by Bernard Lamarche, interview with Aram Han Sifuentes, Dominique Sirois-Rouleau's essay on outdoor art, the usual features…

A selected survey of Liam Gillick's groundbreaking projects, installations, methods, and practices, which challenged the orthodox presentation and reception of art through the 1990's.

This monographic publication delivers an in-depth exploration of Moon & Jeon's collaborative project “News from Nowhere” premised on a postapocalyptic scenario: humanity has been almost entirely wiped out and is forced to reconsider long-held convictions that may no longer be tenable.

This monumental first retrospective monograph dedicated to Louis Michel Eilshemius brings together works from over 70 institutions and private collections, providing the reader with a profound insight into the oeuvre of this unusual artist. In an expansive essay, Stefan Banz examines for the first time the questions of whether and to what extent Eilshemius influenced Duchamp's artistic thinking.

Filip Markiewicz presents a mental image of Luxembourg combined with a reflection on contemporary identity (exhibition catalogue for the Luxemburg Pavilion at the 56th Venice Biennale).

This artist's book by Elisabetta Benassi is a faithful reproduction of an original pamphlet by Mark Twain.

6th issue of the art and research magazine is dedicated to Jean-Christophe Averty.

Through the use of a saturated blue color altered by light and demarcated by architectural forms, Haliti's installation for the Kosovo Pavilion at the 56th Venice Biennale reflects on the salient concepts of the border, freedom and mobility. This extensive documentation is an invitation to encounter a visual field in which territorial boundaries are referenced and mediated by the sensory.

This two-volume publication tells the story of Juhan Ojaste, an Estonian gay icon, and tackles the issue of homophobia in authoritarian political regimes. Not Suitable for Work attempts to create counter-narratives that recognize the inclusion of suppressed histories, communities, and identities (catalogue of the Estonian Pavilion at the 56th Venice Biennale).

Artist's magazine.

A drivel is a short story wrote by Keren Cytter in a style reminiscent of Witold Gombrowicz, though its meaning gets lost in the continuous intertwining of characters, their stories and their memories.

In 69 / 96, Fredi Fischli, Niels Olsen and Bob Nickas enter an inter-generational dialog about exhibitions that is both personal and art historical, presenting works from 1969 and 1996 (catalogue).

A documentation on Claude Closky's artwork commissioned by the Paste association as part of the New Patrons program.

Reference monograph: an overview of Marie Bovo's work, juxtaposing her latest projects with her emblematic photographic series, inspired by Mediterranean cultures (each series being put into perspective with the corresponding exhibition views), with two essays and an interview.

The first book entirely dedicated to the sculptures of multimedia artist Doug Aitken, this volume offers an overview of his 3D works and includes a specially commissioned text by acclaimed novelist Steve Erickson.

Comprehensive monograph: this first retrospective publication gathers together Mančuška's work, which combined different media—literature, film, theater, installations, video, and text—was exhibited widely, from the second half of the 1990s to his last unrealized projects from 2011.

This reference monograph on New York artist Lisa Beck, who develops since more than 30 years an abstract language which is as playful and discreet as it is effective and sharp, presents a significant body of work ranging from the 1980s to the present, and also offers to revisit Beck' recent solo exhibitions (with essays by Samuel Gross and Bob Nickas).

An alternate temporal manifestation of the themes developped by artist Christodoulos Panayiotou and curator Omar Kholeif at the Cyprus Pavilion at the 56th Venice Biennale, in 2015.

With Rubber Man (2015), Khvay responds to the colonial legacy of land use and its effects on Cambodia's indigenous forests and culture today.

First monograph.

This luxury monograph focuses on Xavier Veilhan's Architectones project, a series of interventions started in 2012 in which the artist invests major modernist's architectural sites.

A concrete / post-digital oratorio in 5 parts.

A concrete / post-digital oratorio in 5 parts.

The catalogue of the Iraqi Pavilion at the 56th Venice Biennale.