Publication documenting an eponymous video work by the Palestinian artist, in which she follows the matrix of hierarchies and relationships involved in an agricultural transaction of seeds between a Norwegian town the Bekaa Valley in Lebanon. This book includes an essay by historian Shela Sheikh and a text by the artist tracing the reflections that led her to her project.

Since 1953, the Kulturkreis der deutschen Wirtschaft has awarded the Ars viva Prize to young artists living in Germany. The 2018 edition goes to Anna-Sophie Berger, Oscar Enberg, and Zac Langdon-Pole.

Catalogue celebrating the first European retrospective of the artist and pedagogue Beatriz González: the publication explores 50 years of plural and polymorphic work, inspired by the historical and cultural realities of Colombia. It features a rich selection of images and a critical apparatus which explores the artist's career while revealing the contemporaneity of her work.

Jean-Marie Le Pen's far right music label; Rap Studies in Africa; Sampling in Palestinian rap; Bowie: the graphic art; Indie rock in Switzerland; Portugese punk rock; Multilinguism in French punk rock band Mano Negra… 35 authors have contributed to this “Varia” issue, which also inaugurates a new graphic design. Including special commissioned illustrations by artist Grégory Delauré.

The 10th issue of the art and research magazine is dedicated to Italian pedagogist Maria Montessori.

This series of photographs narrates Giovanna Silva's life among the Italian army in Afghanistan, while she worked on a commissioned project in honor of Italian journalist Maria Grazia Cutuli.

Anthology of selected commercial ads published within the US Playboy from 1960 to 2003, Boy constitutes a visual commentary on the normative representations of desire and on the masculine consumer's ideal of life at the end of the 20th century.

Searching for the present: an account of contemporaneity by the Dehli-based trio Raqs Media Collective.

This issue celebrates the 50th anniversary of the magazine. It features texts and interviews that reassess key passages in recent art history, in each case using landmark content from Flash Art's archive as a point of departure (Piero Gilardi; Anarchitecture; the Soviet Nonconformist art; Jeff Koons and Maurizio Cattelan; the writings of Peter Halley; revisiting the pioneering exhibition “Aperto '93” with Helena Kontova and Hans Ulrich Obrist; Chinese art today; what's left of the Berlin art scene…).

Catalogue dedicated to one of the pioneers of European conceptual art, whose work adopts a critical approach of the art world and the avant-garde. The publication offers an overview of the Belgian artist's career, and gathers texts by Jean-Michel Botquin from 1960 to 1980, and recent contributions by Nicolas Bourriaud, Denys Riout, Denis Gielen, and Serge Bonati.

Catalogue documenting the Lebanese-born artist's eponymous project, which started as a sonic experimentation project with objects from the Dahlem Museum in Berlin. This work, which was later contucted at the kurimanzutto gallery in Mexico and at the Tate Modern, gave rise to various events and interventions, concerts and workshops.

First monograph documenting a three-year research on the mineral mica that became the ground for multidisciplinary outcomes, including poems, intricate drawings, modular sculptures that form systems of display, and performances.

This issue addresses the shiver and explores the affective dimension in the field of art. With: Aseman Sabet on Stendhal syndrome; poetic images and waking dreams in contemporary art; the aesthetic shudder, from Nietzsche to Castellucci; Anicka Yi; Myriam Lefkowitz; interview with Sophie Jodoin; the Venice Biennale and Manif d'art 8; reviews and selected publications…

New monograph, documenting 21 installations conceived by Haegue Yang during the past decade.

Catalogue of the eponymous exhibition held at the Chiostri di Sant'Eustorgio museum complex in Milan: the works of Adrian Paci enter in dialogue with the frescoes and the space of the Diocesan museum, and draw on a narrative dominated by stories of migration and the relationship to religion.

Focusing on several major collaborative performance-videos by a figure of the British Black Art movement, this illustrated monograph includes a series of essays which interpret Boyce's interdisciplinary practice in the light of art history, and analyse her interest in black feminism, cultural studies, film studies, art history and critical theory.

Conversation on artist Éléonore Pano-Zavaroni and art historian Stéphane Sauzedde given by Martial Déflacieux (Artistes en résidence, Clermont-Ferrand) and Virginie Bobin (Villa Vassilieff, Paris).

On the occasion of her carte blanche at the Palais de Tokyo from 18 October 2017 to 7 January 2018, French artist Camille Henrot is the guest editor-in-chief of this issue 26 of the magazine Palais, devoted entirely to the exhibition “Days are Dogs.”

The Curious Mr. Pettena recounts various steps along a journey, through cities and wide open natural spaces, undertaken by the anarchitect Gianni Pettena at the start of the 1970s across the United States.

Ricocheting quietly between photographic landscapes, drawn abstractions and poetic recollections, this artist's book assumes the form of a deferred performance. Serving as a kind of response to the French artist and experimental musician's recent sonic and visual output, the book comprises a series of film stills shot during her travels to New Mexico and Arizona, overlaid with a collection of at once crude and delicate drawings made in Australia.

Tricks brings together a new selection of works from the early 2000s through 2017 by Dutch photographer Bart Julius Peters. The book's starting point is a series of photographs taken in the spring of 2008 depicting the green landscape and the empty pavilions at the Venice Biennale's Giardini.

This publication documents a site-specific work by Elisabetta Di Maggio at the Museum Portego of the Querini Stampalia Foundation, in the framework of the Venice Biennale. Ivy plants invade the palace's private rooms and create a relationship with past and present time, placing the viewer inside a visual alienation.

This publication documents a site-specific work by Giovanni Anselmo at the Carlo Scarpa space of the Querini Stampalia Foundation, in the framework of the Venice Biennale.The project takes the form of a route of trajectories and directions, weights and energies which represent five moments in which a meaning is implied: the visitors become participants. It is a work in progress because it is lived and lives through the viewer.

This issue of Spike looks at the real as a fault-line of art and a utopian horizon of its agency. Welcome to the oasis of the real (featuring Francesco Vezzoli, Maria Hassabi, Asad Raza, Emily Jacir, Wayne Koestenbaum, Gabi Ngcobo, Tristan Garcia, Calla Henkel & Max Pitegoff…)!

Published for the Estonian Pavilion at the 57th Venice Biennale, Katja Novitskova's catalogue addresses emerging potentialities between visual culture, big-data-driven processes, and ecology.

The Contour Biennale offers a platform to curators and artists working with different forms of moving image, from film and video to installation. This reader accompanies the 8th edition of the biennale, dedicated to the notions of evidence and testimony. It includes texts and illustrated contributions by international artists, writers, poets, anthropologists, and filmmakers.

In their September 2017 issue Artforum look ahead at 40 exhibitions worldwide, Huey Copeland and Frank Wilkerson on museums, monuments, and race, reviews on the 57th Venice Biennale, Documenta 14, and Skulptur Projekte Münster, Amy Taubin on Top of the Lake: China Girl, and more.

The catalogue of the Albanian Pavilion at the 57th Venice Biennale presents the work of painter and video artist Leonard Qylafi, whose practice has recently been focusing on processes of change and recollection. The featured works investigate the history of Albania and reflect on the nature of the image as such.

Catalogue of the 15th Geneva Biennial, dedicated to artists' film and video. The publication documents 27 commissionned works through a series of interviews with participating artists by international curators and producers (from November 9, 2016, to January 29, 2017).

The catalogue of the Irish Pavilion at the 57th Venice Biennal presents a video project by Jones in which Korean actors reenact a 1970s documentrary of a “conflict resolution therapy session” with individuals who experienced the conflict in Northern Ireland.

This publication documents Eliasson's Green light project —an artistic workshop for refugees, asylum seekers, migrants, and NGOs, whose goal is to fabricate lamps for fundraising education. It provides testimonies, stories, and memories by Green light participants, founders, and organizers, as well as essays by art historians and theorists.

This recording is the sonic counterpart to Dutch artist Paul Panhuysen's last visual work Oog & Oor—a colorful design whose structure was built from sudoku puzzles. Panhuysen used the same principle to compose these sudoku-based pieces in collaboration with carillonneur Rosemarie Seuntiëns.

This manual accompanies the installation The Aalto Natives realised for the Finnish Pavilion at the 57th Venice Biennale by artists Nathaniel Mellors and Erkka Nissinen. It reveals the full story of Geb and Atum, two terraforming mythical creatures who are floating through space in a vessel shaped not unlike the structure of the Aalto Pavilion.

Mexican conceptual artist Mario García Torres examines the space of arrival as a complicated and disjointed nexus between departure, displacement, and return, in a series of works that reflect on the European migrant crisis.

A series of unpublished photographs by Brigitte Bauer: the German artist's images recall with distance and sensibility the uprooting and the transition to adulthood.

The catalogue of Claude Closky's exhibition of artists' books at CDLA, as part of the 40th anniversary of the Centre Pompidou. Kalavryta—the font used in the publication was created specially for the occasion by the French artist.

Taking the form of light and acoustic installations, video projections, slide shows, publications and photographs, the work of Meris Angioletti questions the mechanisms of perception, memory and the psyche. This first monograph devoted to the Italian artist presents an overview of her practice from the past ten years.

This catalogue discusses the symbolic of the red thread in the work of the Chilean artist and poet. The publication includes a special documentation on quipus—large-scale immersive installations of thread, wool, and yarn—poetic texts and narratives by Vicuña, and two essays that shed light on a ritualistic symbolism relating to the function of textile, language, and menstrual blood.

The Painter is a robot programmed to paint and to improvise and generate unexpected narratives—in response to visitors entering. It is center piece of a larger project lead by Italian artist Piero Gola at the Kunsthaus Baselland—documented in this publication. Includes a text by Ines Goldbach, and an interview with the artist by Jonathan Monk.

Study book made by artist George Trakas in response to a commission issued by inhabitants of the Lamelouze commune in the southern French region of Gard, north of Alès (as part of the “New Patrons” program, initiated and supported by the Fondation de France).

This publication reproduces the experimental filmmakers' notebooks from their journey in the Soviet Union at the end of the 1980s. Gianikian & Ricci Lucchi undertook this travel to gather the memories of the cinematographic literary and artistic Russian avant-garde of the '20s and '30s, seeking out survivors and listening to their life stories.

A non-hierarchical selection of photographic works created over the past ten years by the Iranian artist (catalogue).

The catalogue of the Malta Pavilion at the 57th Venice Biennale takes readers on a poetic journey through the volatile territories of national and cultural identity of Malta. Gathering contributions by authors, artists, and travelogues, the publication presents ample proof of the rich, complex, and continuing history of the maltese people and its diaspora.

The catalogue of the Pavilion of Iraq at the 57th Venice Biennale, this book presents eight Iraqi artists of different generations, together with work made by Francis Alÿs when he was embedded with a battalion of Peshmerga near Mosul, and a stunning collection of artefacts from the Iraq Museum of Baghdad.

Propaganda issue, with Italian sociologist and marketing strategist Andrea Natella as special editor: interviews with Natella, Fatima Al Qadiri, Brandalism, Jonas Staal; Is there something outside the hyperstition? On accelerationism and propaganda; Mapping the “Alt-Right;” Insider Trading Terrorism; Bello Figo, the Italian Pop Star of Over-Identification; reports from WRO 2017 Biennale and Transmediale 2017.

In this new book time and space, which are fundamental aspects of Arena's work, are encapsulated in six horizons, six roads and ten landscapes. Essays by Mario Fortunato and Andrea Viliani, together with statements written by Arena himself on each work here published, examine in depth the practice of one of the most interesting artists in the Italian and International artistic scenes.

This 2nd issue is dedicated thematically to the conjunctive binding of individuals within groups, collectives and swarms in the interplay between art and society, utopia and theater (with Artur Żmijewski, Mohamed Bourouissa, Jelili Atiku, Aernout Mik, Alexander García Düttmann, Mário Gomes, Eric Baudelaire, Agnieszka Kurant, Beni Bischof, Public Movement, Ann Cotten, Diane Williams, Stephen Barber, Clémentine Deliss, Milo Rau).

Researcher Juliette Volcler on sound in public space; on identities and influences in music; an essay by Kasper Toeplitz; carte blanche to Patrick Renaud; Summer festivals, disc reviews, and more.

Publication documenting an interactive installation by Samuel Bianchini commissioned by the Maison du geste et de l'image in Paris as part of the “New Patrons” program.

An in-depth exploration of the Canadian artist's anthropology-based research method in the form of a conversation with Corinna Ewald, Smaranda Olcèse, and Julie Pellegrin (inaugural title of the “Digressions” series initiated by La Ferme du Buisson in collaboration with Captures editions).