Artistic practices and psychotropic drugs: a recent history of psilocybe in art; Nan Goldin; Bryan Lewis Saunders: self-portraits under the influence; Colleen Wolstenholme; Jeremy Shaw; Christian Skjødt; reviews and selected publications…

A relecture of of the European Pop Art through a selection of works stemming from private collections.

This reader addresses the concept of “contemporaneity”, the temporal complexity that follows from the coming together of different temporalities in the same present. It asks how these temporal qualities can be made known in the context of contemporary art research and particularly through practices that involve exhibitionary forms.

A graphic examination of white in its entirety: as a matter, a surface, a space, a light, a movement, an idea.

3 vinyl LP edition presenting solely unreleased recordings of Panhuysen's famous long string installations. It documents the period 1982-2012, and includes a posthumous track from 2017. With liner notes by Rolf Sachsse and Stephan Wunderlich, and richly illustrated inner sleeves.

Fictionalized biography of Anita Berber, the sulphurous expressionist icon, dancer, actress, and muse.

A synthesis of the research conducted by the Italian composer since 1987 (new edition).

A collective reflection on the legacy of Max Neuhaus, the pionneer figure of sound installation art.

Issue coedited with Rachel O'Dwyer, media and communications Research Fellow at Trinity College Dublin; interviews with Olivier Sarrouy, Furtherfield (Ruth Catlow & Marc Garrett), Holly Herndon and Mat Dryhurst, Martín Nadal, Ami Clarke, Sarah Friend; A token called ART; How is the Blockchain Transforming the Art World?; reports on the Meta.Morf 2018 – the 5th Trondheim Biennale, and Transmediale 2018.

12-page special feature on Tony Conrad, with texts by Nora N. Khan and Charlemagne Palestine, on the occasion of his traveling retrospective; the Cultural Capital Cooperative; Tony Cokes's 1988 video Black Celebration; Raul Guerrero; the art of Tobias Kaspar; the minimalist tendency in Rasheed Araeen's work…

How is the social importance of VIPs defined, and what is an art institution's attitude towards this? The Korean artist Haegue Yang addressed this issue in developing the VIP's Union project, which she started in 2001. This catalogue reviews the work's development over the years, and includes iconographic documentation, genealogy, essays and an interview with the artist.

Second in a trilogy of children's books, The Brutal Turtle tells the story of a Turtle wandering in the desert, trying to reach the animal farm. Facing cruel obstacles during his journey, he becomes angry and terrorizes the farm's people once he arrives at the farm. A tale on power's relativity, hate, violence, and on the importance to be nice.

The last in a trilogy of children's books, this publication tells the story of a hamster stuck between the pages of a book. Wishing to escape to discover the animal farm, he will find the help of his own fleas. A story about caring and learning, by artist Keren Cytter.

This artist's book reproduces a series of comics made by Victor Man when he was a child in communist Romania in the early 1980s. These drawings reveal the artist's fascination for the then rare Western magazines. The publication opens with a letter from Victor Man to little Rózsa, to whom the book is dedicated.

New monograph.

This publication surveys the work of Italian critic, architect, and visual artist Gianni Pettena. Focusing on a rich ten-year period of production that began in the mid-sixties, it brings new attention to the artistic and intellectual practice of a figure known primarily as one of the main exponents of the Radical Architecture movement.

This comprehensive monograph on Teresa Burga acknowledges the recent reassessment of the multidisciplinary artist's work as a pioneering voice in Peruvian contemporary art.

This publication by photographer Giovanna Silva and writer Peter Fröeberg Idling retraces the history of Cambodia, creating a fictional and personal story that looks at the country through the eyes of the two authors. Today's Phnom Penh cityscape photographs take on a singular dimension in comparison to the ruins of Khmer temples, with a sense of emptiness and abandonment that resonates with the invasion of Phnom Penh by the Khmer Rouge in 1975.

A tiny notebook of fantastic and phantasmagorical drawings, in red ink mixed with blue.

Photographer Olivier Degorce brings together a series of fridge photographs shot from 1993 to 2017: Beyond the obsessive nature of the project lies the sheer diversity of individual eating habits in the form of contemporary still lifes.

A visual tour de force (artist's book).

This monograph presents a collection of texts and critical essays taking the form of an alphabet primer. Twelve art critics, curators or writers chose a keyword as starting point to write a commentary on Boris Achour's practice. The publication also includes an iconographic documentation offering an overview of the artist's works.

Ten texts on the architecture of displacement set to music and sung by Albanian iso-polyphonic singers—commissioned for the Albanian Pavilion at the 15th Venice Biennale of Architecture (songs based on texts by Etel Adnan, Mourid Barghouti, Michel Butor, Claire Fontaine, Yona Friedman, Anri Sala, Michael Taussig, Yanis Varoufakis, Ornela Vorpsi, and Finn Williams).

Artforum invited a group of writers, scholars, and activists—Adrian Piper, Michelle M. Wright, Charles W. Mills, J. M. Bernstein, Boaventura de Sousa Santos, MTL Collective and Jasbir K. Puar, and Sarah Nicole Prickett—to consider where, who, and when is Enlightenment; a series of essays on the late David Wojnarowicz + transcripts of the artist's audio diary and a portfolio of rare images; interview with Renzo Piano; Texas Isaiah; Michael Pareköwhai; Eugene Jarecki's The King; reviews from New York, Paris, São Paulo, New Delhi…

Sebastián Diáz Morales films and videos show that reality is nothing more than a figment of the imagination. Every figure and every narrative in them is a metaphor for the boundary between reality and fiction. This catalogue documents three recents video works by the Argentinian artist.

Initiales, the art and research magazine published by the École nationale supérieure des beaux-arts de Lyon, dedicates its eleventh issue to a major figure of contemporary sculpture, Isa Genzken.

Catalogue / artist's book gathering 137 anonymous works from the 16th century to nowadays coming from the collections of the MUCEM – The Museum of European and Mediterranean Civilisations in Marseille.

Questioning the meaning of one's existence with Martin Heidegger (an illustrated philosophy book for children).

First monograph, spanning ten years of work by Senegalese artist Sheikh Ndiaye. This volume focuses more specifically on his installation practice, in particular the artist's Hippocampus project. It also features a text by Mamadou Diouf and an interview with Ndiaye.

Six essays dealing with still rarely discussed aspects of the work of Joseph Beuys, Max Bill, Fischli | Weiss and Ai Weiwei, but also Jules Verne, in their relationship with the various artistic concepts of Marcel Duchamp.

This artist's book gathers the 67 photographs that make up the contact sheet #234 of the photographs taken by Jef Geys during the 1969 Tour de France. Year of Eddy Merckx's first victory, the same day as the man's first step on the moon.

Special feature on painter Jutta Koether (with Kerstin Stakemeier, Quinn Latimer…); Ericka Beckman on her pioneering works; Julia Phillips's sculptures; musician Kamasi Washington's unmistakable groove; Yngve Holen's new body of work Rose Painting; Tess Edmonson on adapting Archie in the CW's Riverdale; Alexandra Pirici's materiality-burdened performances; reviews…

The book “Fragments”, designed by Lebanese artist Rayyane Tabet as an installation, coupled with a performance, is inspired by a family legend about Tabet's great-grand-father. The book accompanies an exhibition at the Kunstverein in Hamburg.

This catalogue revolves around a project by Damir Očko inspired by the works of Brecht and Orwell. The Croatian artist produced a video collage reflecting on the impoverishment of language in the public space.

This publication features an unpublished series of artworks by artist Paolo Gioli based on polaroid images of etruscan funerary sculptures set in the Italian city of Volterra. The volume is supplemented by a text on Volterra by novelist D. H. Lawrence, and an essay by historian of photography Roberta Valtorta.

Catalogue of the second edition of Lulennial, a biennial organized in the small space of gallery Lulu, in Mexico City. The twenty-two artists invited by curators Chris Sharp and Andrew Berardini met around one subject matter: fruit.

What can art do to relieve pain and heal wounds? This issue's main section addresses these questions through an examination of works by Kader Attia, Emily Falencki, Eric Fischl, Berlinde De Bruyckere and Teresa Margolles, as well as two essays by Édith-Anne Pageot and Mirna Boyadjian. Other features includes an interview with Marion Zilio, followed by the usual sections “Interview”, “Events” and “Reviews”.

This extensive volume spans the drawings of Argentinian artist Guillermo Kuitca from 1971 to 2017. Gathering together for the first time more than 650 works on paper selected from a body of more than 3,000 produced over the course of 40 years, the book lies somewhere between a catalogue raisonné and an artist's book.

The second book in a series dedicated to the installations exhibited in the nave of the CAPC, De la source au poème documents artist Rosa Barba's eponymous video installation: an investigation on cultural legacy and spaces of memory. Designed as an artist's book, the publication offers a rich and poetic journey to the heart of the exhibition, and features an interview with Barba.

This book, the first major publication in English devoted to the Korean critic and art historian Lee Yil (1932-1997), is a collection of texts on aesthetics, theory and history of art by the main observer of “Dansaekhwa”, or Korean monochrome. It also brings together essays and monographic prefaces that gave wide coverage to artists who had been active from the end of the Korean war up until the mid-1990s.

Artist Oraib Toukan presents an informal register of modernist Palestinian architecture—an assemblage of images and stories collected from 2013 to 2015 in the cities of Nablus, Ramallah, Jerusalem, Bethlehem, and Jericho.

The review of the Museum of Contemporary Arts in Grand-Hornu (MAC's) inaugurates its new formula with the theme of the museum and its criticism by artists. This issue showcases a selection of contemporary and international artistic projects reflecting on the concept of museum. With artists Yto Barrada, Christoph Büchel, Jacques Charlier, LaToya Ruby Frazier, Tamar Guimarães, Jompet Kuswidananto, Wesley Meuris, Rei Naito, Ryue Nishizawa, Noah Purifoy, Dayanita Singh, Fiona Tan, and Fred Wilson.

Current technological issues and new boundaries of human corporeality.

Improvised trio featuring sound engineer and Synthi player Jean-Marc Foussat, and father and son Christian and Quentin Rollet. Free music with a wide dynamic range and wild acoustic and electronic spaces.

First comprehensive monograph dedicated to minimalist pioneer and postcolonial artist Rasheed Araeen. The publication gives an overview of 60 years of career, encompassing Araeen's visual art, writing, editing, and curatorial work. It includes scholarly essays, surveys, and documentation spanning every aspects of the artist's oeuvre, from his early works to his political engagement to today's ongoing Homecoming series.

A collection of textual and visual essays stemming from a series of lecture-performances in which artists and curators experimented with various strategies of reprise in the fields of publishing, visual arts, animation, new technologies and the law.

This publication documents a research made by Dora García for a video project on Oscar Masotta, pioneer of Lacanian psychoanalysis in Latin America and influential art critic. It features a selection of Masotta's writings as well as contextual essays on his work.

Sun-blasted organ music from Australia.

Mike Bourscheid takes aim at social mores by humourously exploring society's codes and behaviours (catalogue of the artist's exhibition for the Luxembourg Pavillon at the 57th Venice Biennale).

Since 2012, Mathieu Copeland et Philippe Decrauzat produce videos stemming from “a desire to film sound, record places, and dive into the process of a material construction and destruction.” This publication—between artist's book and critical essay—considers all films produced until then by the art critic and the artist, and offers a basis for reflexion and work for those to come.