The Santos Silva / Zetterberg / Lindwall trio's second album takes the musical creation a step further by adding live electronics for real time sound treatment to an unique conceptual approach to composition & improvisation rooted in both free jazz and contemporary classical music.

In this brilliant intergenerational dialogue curator Camila Marambio and Cecilia Vicuña, one of the most intriguing Indoamerican artists of our times, converse about mestizaje/miscenegation, ecological disaster, eroticism and decolonization in their multilingual, subversive and irreverent humorous slang.

The catalogue of the Italian Pavilion at the 58th Venice Biennale investigates and develops the theme chosen by the curator Milovan Farronato for the exhibition: the labyrinth.

The thirteenth issue of Initiales is dedicated to Joséphine Baker, an eminently romantic character who crossed the twentieth century and the continents and who allows us today to reconsider the notions of identity and representativeness that occupy our contemporary world.

Blanquet's new notebook of fantastic and phantasmagorical drawings, in red ink mixed with green.

A film by artist Franck Scurti on Marcel Duchamp's masterpiece replica by Ulf Linde.

New monograph: a retrospective of Yan Pei-Ming's paintings and watercolors from 2006 to 2019, structured around the figure of disappearance and violence, and around the confrontation with the works of the masters of the past as well as with modern iconography, with essays by Franck Gautherot, David Liot, Xavier Douroux and Fabian Stech.

A special issue about Art and Activism: Claire Bishop on the art of political timing, Christopher Glazek on Nan Goldin and the Sacklers, and Joan Kee on law by art. Plus Ralph Runoff talks with Daniel Birnbaum about the 58th Venice Biennale, James Quant on Olivier Assayas's Non-Fiction, Summer Previews with 40 exhibitions worldwide and much more.

A visual and poetic proposal that looks back on the different journeys and collaborations realized by Marco Godinho during the preparation of his installation for the Luxembourg pavilion of the Venice Biennale 2019.

A travel diary / a screenplay.

The book “Fragments”, designed by Lebanese artist Rayyane Tabet as an installation, coupled with a performance, is inspired by a family legend about Tabet's great-grand-father. The book accompanies an exhibition at the Kunstverein in Hamburg.

A research on the borders between public and private space.

Special dossier devoted to Simone Fattal; Marina Fokidis; Peter Halley; Yto Barrada; Ghislaine Leung; Laure Prouvost...

Art and feminism in Italy in the Seventies.

First monograph dedicated to French artist, videographer, performer and poet Julien Creuzet.

Focusing on several major collaborative performance-videos by a figure of the British Black Art movement, this illustrated monograph includes a series of essays which interpret Boyce's interdisciplinary practice in the light of art history, and analyse her interest in black feminism, cultural studies, film studies, art history and critical theory.

A book of portraits with a difference, culled from a 2002–2018 photo archive of porn actors who resemble or actually even portray celebrities and public figures. Polish artist Piotr Uklański draws on a stock of hard and soft copies of “dirty” glossy men's magazines like Hustler and Loaded—as well as a plethora of meme culture material dumped on websites and blogs.

New monograph.

A pioneer of time-based media.

Mario Schifano's road trip in the United States.

First monograph.

Catherine Taft on Matthew Barney's new work, Melissa Anderson on the films of Christian Petzold, Kate Sutton on Gabriele Beverage, a special project from artist Paul Mpagi Sepuya, plus exhibition reviews from Paris, Milan, Berlin, Istanbul, Madrid, and more.

10th anniversary special issue.

Special dossier devoted to Etel Adnan; blackness in performance by Adrienne Edwards; Rosalind Nashashibi by Quinn Latimer; Gary Indiana by Eli Diner; ABBA by Kristian Vistrup Madsen; Huang Jing Yua by Kyoo Lee; a conversation between Tamara Henderson and Aaron Weldon; Thomas Lawson...

Chronotopic Traverses brings together unexpected arrangements of Haegue Yang's versatile sculptures of various materials against a backdrop of a panoramic and dramatic wallpaper Incubation and Exhaustion (2018).

New monograph, focusing on the ephemeral sculptures made by French artist Arnaud Vasseux in the context of recent exhibitions, at the end of which the works are destroyed.

This first monograph on Aslan Gaisumov borrows its title from a video work focusing on the traumatic aftermaths of post-World War II for the Chechen people under Soviet control. The publication documents in text and images this both historical and intimate project.

Part of The New Sanctuary, the Satellite Programme 12 devised by Laura Herman for the Jeu de Paume and the CAPC, Anna & the Jester in Window of Opportunity is published in conjunction with the exhibition of work by Julie Béna, which takes the form of an architectural tale.

A publication conceived by Portugese artist Francisco Tropa in collaboration with writer Thomas Boutoux and graphic designer Pedro Falcão, which adopts the form of magazine one flips  through in bars or in waiting rooms. A true/false weekly style magazine with refined imagery printed on glossy paper, The Mustache Hidden in the Beard is dedicated to cultural and scientific topics, design, life styles but also real estate through a series of cutting, quirky articles, investigations, portraits and reports.

The first French translation of Neuhaus's writings.

Designed under the direction of the artist, this monograph is devoted to Danh Vo's in situ installation at the CAPC museum, through which the conceptual artist explores the relationship between individual and collective history, and the notions of power and masculinity.

Jeffrey Weiss, Carolee Schneemann, and Simone Forti on the passing of Robert Morris, editor Lauren O'Neill Butler on the art of fierce pussy, Wayne Koestenbaum on the art of David Gilbert, a special dispatch from Thailand by David Teh, plus exhibition reviews from Paris, Berlin, Prague, Zurich, New York, and more.

An investigation into the artistic and political issues of participatory art since the 1990s.

The publication presents a series of works and two critical texts stemming from Bertrand Lamarche's project on the occult figure of Baphomet.

Félicia Atkinson and Jefre Cantu-Ledesma have thought of this new collaboration as a series of soundscapes filled with literary and cinematographic references, from Sylvia Plath's poetry to the films of Hal Hartley and Wong Kar Wai. The album carries a strange echo of the 1990s, materialized in Julien Carreyn's cover photograph.

Catalogue of the first international retrospective dedicated to Brazilian-Italian painter Alfredo Volpi: a thorough exploration in words and images of the painter's peculiar life and career—from the bounds and relationships with the Brazilian art community, to his special link to the city of São Paulo and his adopted country, leading to the development of his unique artistic language.

The best of 2018: a renowned group of critics, artists, and curators from around the world—Kerry James Marshall, Johanna Fateman, Helen Molesworth, Douglas Crimp, Eungie Joo, Jack Bankowsky, David Rimanelli, Catherine Wood, Caroline Busta, Lanka Tattersall, Harry Cooper, Pauline Yao, and Claire Tancons—take stock of the year in art. 38 artists from around the world choose the most striking work, event, or exhibition of the year with responses from Kerry James Marshall, Barbara Kreuger, Genesis Breyer P-Orridge, and more. Plus, Top Tens on the best in film, music, books, and performance from John Waters, Vaginal Davis, and Melissa Anderson, and a special section on “The Year In Monsters.

For its twelfth issue, Initiales pays tribute to Sylvère Lotringer who, in the 1970s, imported the French Theory in the United States.

A collaborative 2-CD album by Japan noise legend Masami Akita alias Merzbow and Czech seven-member ensemble Opening Performance Orchestra. The first CD features four folk-inspired Merzbow compositions. The second CD gathers two live recordings of the Opening, made in Tokyo and Prague.

Epistolary portrait of a seaman by his daughter (artist's book).

Reissue of the CD released on the label Chloë (USA) in 2002, recorded in July 2001 in the Paris metro station, during the last two hours of service. A reference, between site-specific improvisation and sound art.

The most important monograph to date on Stéphane Blanquet: designed by the artist, the publication gathers ancient works and new ones, created for his exhibition at Auberive Abbey in France. Drawings, terracotta, tapestries, lithographs, photographs… This monograph provides a broad look at Blanquet's erotic and nightmarish universe.

First publication dedicated to Jamaican-born American photographer Percy Rainford, a longtime collaborator of both Marcel Duchamp and architect Frederick Kiesler. Drawing from extensive archival research and interviews, author Michael R. Taylor showcases the work of this remarkable avant-garde photographer, while also shedding new light on his collaborations with Duchamp and Kiesler.

This November in Artforum we ask: repair or revolt? We invited Charles Gaines, Ed Ruscha, Jim Shaw, and Sue Williams to create projects on politics. Ewa Lajer-Burcharth reflects on the art of Eugène Delacroix, Rachel Churner on the art of Maren Hassinger, Ian Volner on the Venice Architecture Biennale, Melissa Anderson on Luca Guadagino's Suspiria, plus exhibition reviews from Paris, Vienna, Ho Chi Minh City, Johannesburg, and more.

Special feature on Judy Chicago (with contributions by Géraldine Gourbe, Viki D. Thompson Wylder, William J. Simmons, Stephanie Seidel); Thomas Duncan on the work of Antek Walczak; Agnieszka Gratza interviews Tania Brugera on “10,142,926”; Tiana Reid on landscape and the figural in the sculptures of Tau Lewis; Kerstin Stakemeier on Amy Sillman's new paintings; Fanta Sylla speaks to artist and filmmaker Cauleen Smith; exhibitions reviews.

As her first comprehensive publication, this catalogue surveys the multi-facetted oeuvre of the Greek artist/social activist Georgia Sagri. Across performance, video work, and sculpture, she explores the murky relationships between the artist's body and her body of work, subjectivity and persona, original and reproduction with equal parts humor and severity.

This catalogue focuses on a series of paintings made of discarded euro banknotes. These imposing fields of colour produced by the synthesis of the original banknotes are part of a greater investigation that seeks to remobilise devalued material. With a foreword by Jean Capeille.

Catalogue of the American artist's exhibition at Galerie Chantal Crousel: the publication presents a series of new works (neon, painting, drawing) inspired by texts by Gertrude Stein and Pier Paolo Pasolini, and by the artist's reflections on language, race and gender. The book includes poems by writer, artist and Act Up activist Gregg Bordowitz, and an essay by teacher and writer Sara Nadal-Melsio.

This trilingual catalogue documents nine essential works from the Taiwanese artist through nine interviews with curators and institution officials, illustrated with archives and exhibition views.

Artforum invited Ken Okiishi, Jacolby Satterwhite, and Paul McCarthy to reflect on the work of Bruce Nauman in honor of his first comprehensive retrospective in 25 years; Sam McKinniss on the art of John Waters; Alejandro Segade on queer Chicanx zines; Lynne Cook on Anni Albers; Madeleine Schwartz on the 10th Berlin Biennale; plus reviews from Paris, Riga, Milan, Zurich, and more.