This Zine contains a selection of Dash Snow's critical Dada-esque collages, which range from cum-glittered tabloid covers starring Saddam Hussein to straight text pieces to sculptural works composed of items like books and skeletal fragments; and a smattering of the photographs and Polaroids that originally made Snow famous outside of street art culture, where he began writing graffiti.

Artist's book.

This publication documents the artistic research for Sansour's project for the Danish Pavilion at the 58th Venice Biennale: a dark science fiction narrative set after an eco-disaster, evolving into an intimate dialogue about memory, exile and nostalgia.

Artist choreographer Myriam Lefkowitz talking to Susan Gibb and Julie Pellegrin about the evolution of her practice, and its turn to dance as a sensory trigger for relations between bodies and places.

The inaugural publication of the “Research/Practice” series focuses on an artistic research by Michael Rakowitz on the aftermath of a canceled show by Leonard Cohen initially scheduled in Palestine.

A score of performative gestures, drawn from the conceptual art and body art scenes from Central and Eastern Europe in the 1970s and 1980s.

A project by Éva Le Roi & Pierre Burquel (drawings and sketches of São Paulo); hand drawings by Éva Le Roi.

Catalogue of the Estonian Pavilion at the 58th Venice Biennale.

The extension and finalization of a commission given to the artist Eulàlia Valldosera by the members of the association Les amis de la maison de la Mémoire du Royans, a community museum that they founded in Rochechinard (Isère, France) in 1979.

An anthology of texts on contemporary art during the second decade of the twenty-first century.

A detailed analysis of Franz Erhard Walther's pioneering Werksatz series of wearable fabric sculptures by Erik Verhargen, accompanied by a history of the piece by Thierry Davila.

Co-editors: Nicolas Maigret and Maria Roszkowska, intervioews with Špela Petrič, Tega Brain, Joyce Hinterding, Kat Austen, Thomas Thwaites, Melle Smets; The Sound of Disappearance and The Sonic Sublime; reports of ISEA 2019 Lux Aeterna, 58th Venice Biennale and Liechtenstein Brunch, 18th Media Art Biennale WRO “Human Aspect”.

How can we today situate the artist or, more broadly, the act of creation using artificial intelligence?

This issue of Flash Art explores a sort of archeology of images, aiming to reflect on issues of appropriation and authenticity in their most contemporaneous sense, whereby any original or preexisting artwork, image, or product can be invested with a multiplicity of meanings.

Full transcript of Mekas's Lithuania and the Collapse of the USSR: a five-hour-long film made up of footage from US television newscasts covering the independence of Lithuania and the collapse of the Soviet Union.

Catalogue of the artist's exhibition in the Portuguese pavilion at the 58th Venice Biennale: a sculpture project engaging the heritage of post-war Italy's architecture and Italian vernacular craftsmanship.

A collection of essays on audio archives of poetry.

Oiseaux-Tempête's first original soundtrack composed for the second feature film by critically-acclaimed Tunisian Director Ala Eddine Slim. Fully instrumental, this immersive film score is also their most electronic album to date.

Oiseaux-Tempête's first original soundtrack composed for the second feature film by critically-acclaimed Tunisian Director Ala Eddine Slim. Fully instrumental, this immersive film score is also their most electronic album to date.

This monographic volume dedicated to the work of Pedro Barateiro spans a period that dates back to 2008 and features extensive visual and written material of key projects presented in solo exhibitions, as well as other relevant installations, videos and performances.

New monograph.

The catalogue of the eponymous exhibition by Laure Prouvost at Pirelli HangarBicocca: a multimedia project—installations, videos and projections, sculptures and found objects—revolving around the story of Prouvost's “grandfather”, a fictional prolific conceptual artist.

The development of spatial and tridimensional drawing in American art, both in theory and in practice, from the 1960s through the 1970s.

A post-colonial pamphlet on the ethnological museums of Europe, primarily the upcoming Humboldt Forum in Berlin.

Comprised of a series of texts, drawings and photographs, this catalogue documents and expands on the multimedia installation by "Natascha Süder Happelmann" (Natascha Sadr Haghighian), an artistic reflection on ruinous space (catalogue of the German Pavilion at the 58th Venice Biennale).

This catalogue explores how miracle making—making the impossible possible—is reflected in artistic practices today. It includes commissioned essays and poetry by the Miracle Workers Collective and writers close to the collective (catalogue of the exhibition at the Finnish Pavilion at the 58th Venice Biennale).

Stefan Banz has brought together and evaluated all the relevant documents and sources relating to Fountain by Richard Mutt alias Marcel Duchamp. At least one thing is certain after reading them: Elsa von Freytag-Loringhoven had definitively nothing to do with the creation of Fountain. In addition, Banz has succeeded in writing a highly inspiring book containing many new and revealing ideas that present this work of the century in a much more differentiated light.

Both a journal and a photographic report, this publication documents Luca Vitone's travel from Italy to India, in the footsteps of the first Roma migrations between the eighth and fourteenth centuries.

Reference monograph on the singularly radical work of Michel Parmentier—an important addition to the history of painting in the second half of the 20th century.

The catalogue of the Second Yinchuan Biennale articulates itself through the themes of the desert, nomadism, and ecology. Taking the form of an illustrated atlas, the publication documents works by more than 90 participating artists.

Cable cuts, energetics, and gunk: moving back and forth between a group of core subjects, Reflexologies converts the past five years of Nina Canell's sculptural work into a 384-page book.

Monographic catalogue dedicated to the life and practice of Christoforos Savva, whose oeuvre was unparalleled in the incipient Cypriot art scene of the 1960s (catalogue of the exhibition at the Cyprus Pavilion at the 58th Venice Biennale, honoring the 50th anniversary of the artist's death).

A compilation of press archives related to Cypriot artist Christoforos Savva, selected in the Cypriot press and literary periodicals between 1954 and 1968.

Part of The New Sanctuary, the Satellite Programme 12 devised by Laura Herman for the Jeu de Paume and the CAPC, A False Weight is published in conjunction with the exhibition by Daisuke Kosugi, an intimate project on the disabled body, supported by a reflection on the architecture of the home.

The first part of a larger novel in several episodes: a text about the perception of time and how some places mark people's minds.

Superimposing different sources—background sounds, recordings of a charivari in the streets of Lyon, bird songs or rhythms and melodies of amateur or professional musicians—Paul Elliman's vinyl record can be experienced as a form of sound loitering, each track composed by the transformation of different audio materials into unique musical collages.

The development of the ideology of transparency within aesthetic modernity and the importance of being able to circumvent it.

Where does escape end and escapism begin?

In 2018, Italian photographer Giovanna Silva photographed the streets of Tehran and collected archival documents from the infamous American embassy in the capital of the Islamic Republic. The image-based work is part of a multilayered narrative that encounters the words of architect, researcher and educator Hamed Khosravi.

A series of drawings considered the starting point of the artist's mature work.

A new series of photographic works by Shirana Shahbazi.

Igor Grubić's project for the 58th Venice Biennale, Traces of Disappearing in Three Acts (2006–19).

A experimental journey looking back over the work of interlocution between individuals based on artworks with a specific link to certain places.

An idiosyncratic investigation of curatorial practice.

Fanzine / artist's book.

Part of The New Sanctuary, the Satellite Programme 12 devised by Laura Herman, The Arcadia Center is published in conjunction with the exhibition of work by Ben Thorp Brown, which calls for an architectural experience inspired by ancient mythology and the fields of psychology and neuroscience.

The French musician, poet, and visual artist blends cut-up poetry, ASMR, Satie, Ravel and Debussy, on her new album.

The French musician, poet, and visual artist blends cut-up poetry, ASMR, Satie, Ravel and Debussy, on her new album.

A face to face between the great works of Gustave Courbet and new paintings by contemporary artist Yan Pei-Ming, specially created for the bicentenary of the birth of Courbet.

The second issue of Le Consortium's magazine, documenting L'Almanach 18, as well as the two previous editions of this biennale exhibition.