Autobiography by Jonathan Monk is the first attempt of display of the artist's collection of "Crackers" copies by Ed Ruscha.

The second issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the manifold figure of the Moped Rider, which is approached differently by the seven contributors.

Giovanna Silva paints a sinuous, compulsive, dizzying and poetic portrait of the city of Milan through several hundred series of detailed photographs of modern and contemporary building facades.

First retrospective monograph.

Flipbook.

Autobiography by Alessandro Pessoli is a mix of drawings and written words created specifically for the publication. The handwritten texts belong from some of the songs the artist is used to listen while at work.

A collection of twelve octosyllabic sonnets to accompany us throughout the year. The rhythm of the verses directly echoes the passage of time, days, weeks, months.

The third collaboration between Félicia Atkinson and Jefre Cantu-Ledesma—their first album produced together in the same studio: an electroacoustic, poetic, fluid and sensitive dialogue between the two experimentalists.

Modern Animal, a sort of anti-autofiction, knots together humans and animals, retelling interviews, folktales, memories, and visions of the people—bourgeois, urban, rural, Roma, working class—encountered on a multiyear journey through Ukraine.

A retrospective in images of the activities of the Compagnie Pitoiset in ten theatrical creations, with a long analysis by Daniel Loayza.

Autobiography by Nathalie Du Pasquier is a collection of materials that often return during her art practice, "materials constantly reused in different ways."

Monograph dedicated to the film series incorporating central Neanderthal figures produced by British artist Nathaniel Mellors since 2012.

New monograph.

A series of compositions using environmental sounds and field recordings from the five continents.

The report of a collective and immersive residency at the Lyon Museum of Contemporary Art.

The first of three issues of a periodical charting the artistic journey of Zineb Sedira in the run up to her presentation for the French Pavilion at the 59th Venice Biennale (2022).

The first of three issues of a periodical charting the artistic journey of Zineb Sedira in the run up to her presentation for the French Pavilion at the 59th Venice Biennale (2022).

Autobiography by Koo Jeong A is a collection of images chosen by the artist via Periscope. Each of them represents a work created by Koo Jeong A during her career.

The unexplored interactions between hypnosis, music and medicine in the 19th century, between the world of science and the world of art.

A work for underwater performance that literally immerses the listener into an acoustical substance, released in Sub Rosa's Early Electronic series.

A limited edition artist's book, Mnēmē presents the work of the Tunisian artist Nidhal Chamekh through thirty-four independent drawings collected in a luxurious boxed portfolio.

A work for underwater performance that literally immerses the listener into an acoustical substance, released in Sub Rosa's Early Electronic series.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition, accompanied by a libretto that gathers the transcriptions of the texts of the thirteen invited artists.

The first issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, explores the identity, role and position of the Professor (contributions by Uli Aigner, Lili Reynaud-Dewar, Jörg Heiser, Christian Nyampeta, Vivian Slee and Marjorie Senechal).

First monograph on artist and photographer Aurélie Pétrel.

First monograph on artist and photographer Aurélie Pétrel.

A portrait of Jean Dupuy through a film by Gilles Coudert and a collection of unpublished texts.

Part of Bodies of Water, the 13th Shanghai Biennale, and following its lines of research, this publication, a 354-pages book conceived as a unique and parallel platform to the exhibition, offers an ensemble of inspiring texts that reflect and extend the theme of the Biennale.

The catalogue of the 2021 Belgrade Biennale, exploring the space of dream as a metaphorical space of freedom, capable of re-reading categories, rules, and the most common certainties.

Published on the occasion of Cyprus' participation at the 17th Architecture Biennale in Venice, Anachoresis: Upon Inhabiting Distances gathers a collection of texts and visual material from a multidisciplinary group of Cypriot and international practitioners, including architects and designers, curators and writers, sound and movement artists.

The catalog of the third edition of the International Graphic Design Biennial, organized by le Signe, centre national du graphisme, questioning the role of virality in today's society (with Fanette Mellier, the Iranian studio Kargah, Michel Le Petit Didier, Michiel Schuurman...).

Morceaux choisis is the first seminal overview of Saâdane Afif's artistic practices. The publication features 48 exhibitions or performances organized in 28 separate sections, covering a period of 14 years.

Xavier Veilhan's drawings.

The Roman period (1974-1976) of the Swiss artist Hannah Villiger (1951-1997), some decisive years where she developed the sculptural approach to photography that would shape all of her later work.

Mediterranea 19 – School of Waters imagines a Biennale as a temporary school inspired by radical and experimental pedagogies and the way they challenge artistic, curatorial, and research formats.

Retrospective monograph.

On the occasion of Natures Mortes, her carte blanche at the Palais de Tokyo, the artist Anne Imhof is the guest editor-in-chief of issue 31 of the magazine PALAIS.

A history of dance in Lyon and in France over the last 40 years through the story of the various lives of Guy Darmet, director for 30 years of the Maison de la Danse and initiator of the first International Dance Biennale.

Mahalla – The Survey offers a scientific investigation and an artistic statement which aims at a critical reading and a tentative exploration of a fascinating Uzbek cultural heritage: the mahalla (luxury box set including numerous documents, a 7" vinyl record by Carlos Casas and exclusive art prints by Bas Princen).

A short essay on the concepts of "latent images" and "latency" based on the philosophy and history of the work of French artist Aurélie Pétrel.

A series of drawings, sculpture, and a new film, in which the artist explores the ideas of transformation and metamorphosis.

Jean-Luc Guionnet and Claire Bergerault have been working as an organ and voice duo in various churches since 2007. The challenge is, each time, to adapt to the configuration of the building and the organ, and then to stretch their music on the breach of this singularity.

The first complete inventory of Hubert Renard's work, between 1969 and 1998, includes all finished works, paintings, sculptures, installations, unique or multiple pieces.

This catalogue brings together a series of contributions taking as inspiration Polys Peslikas's painting at the Cyprus Pavilion at the 57th Venice Biennale, in 2017.

Second issue of the critical journal Dixit in which the words of the architect Yony Santos from the swiss architecture practice TYPICALOFFICE and of Marina Otero Verzier, director of research at Het Nieuwe Instituut (HNI), confront each other around the theme of “A Matter of Data”.

The collection of the Musée d'art et d'histoire de la Ville de Genève revisited by the transversal scenographic interventions of the Viennese artist and performer Jakob Lena Knebl, who turns perspectives upside down and radically renews our perception of the works.

A photographic journey through the architecture and history of the capital of Pakistan, built ex nihilo from 1961 to the mid 1970s.

An artistic project around the secret code of the Incas developed with a system of knotted cords.

Accattone #7 deals with open-air domesticity and the diplomatic hospitality of land. It presents intellectual and architectural projects, both contemporary and historical, for alternative modes of living.