The first of three issues of a periodical charting the artistic journey of Zineb Sedira in the run up to her presentation for the French Pavilion at the 59th Venice Biennale (2022).

Autobiography by Koo Jeong A is a collection of images chosen by the artist via Periscope. Each of them represents a work created by Koo Jeong A during her career.

The unexplored interactions between hypnosis, music and medicine in the 19th century, between the world of science and the world of art.

A work for underwater performance that literally immerses the listener into an acoustical substance, released in Sub Rosa's Early Electronic series.

A limited edition artist's book, Mnēmē presents the work of the Tunisian artist Nidhal Chamekh through thirty-four independent drawings collected in a luxurious boxed portfolio.

A work for underwater performance that literally immerses the listener into an acoustical substance, released in Sub Rosa's Early Electronic series.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition, accompanied by a libretto that gathers the transcriptions of the texts of the thirteen invited artists.

The first issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, explores the identity, role and position of the Professor (contributions by Uli Aigner, Lili Reynaud-Dewar, Jörg Heiser, Christian Nyampeta, Vivian Slee and Marjorie Senechal).

First monograph on artist and photographer Aurélie Pétrel.

First monograph on artist and photographer Aurélie Pétrel.

A portrait of Jean Dupuy through a film by Gilles Coudert and a collection of unpublished texts.

Part of Bodies of Water, the 13th Shanghai Biennale, and following its lines of research, this publication, a 354-pages book conceived as a unique and parallel platform to the exhibition, offers an ensemble of inspiring texts that reflect and extend the theme of the Biennale.

The catalogue of the 2021 Belgrade Biennale, exploring the space of dream as a metaphorical space of freedom, capable of re-reading categories, rules, and the most common certainties.

Published on the occasion of Cyprus' participation at the 17th Architecture Biennale in Venice, Anachoresis: Upon Inhabiting Distances gathers a collection of texts and visual material from a multidisciplinary group of Cypriot and international practitioners, including architects and designers, curators and writers, sound and movement artists.

The catalog of the third edition of the International Graphic Design Biennial, organized by le Signe, centre national du graphisme, questioning the role of virality in today's society (with Fanette Mellier, the Iranian studio Kargah, Michel Le Petit Didier, Michiel Schuurman...).

Morceaux choisis is the first seminal overview of Saâdane Afif's artistic practices. The publication features 48 exhibitions or performances organized in 28 separate sections, covering a period of 14 years.

Xavier Veilhan's drawings.

The Roman period (1974-1976) of the Swiss artist Hannah Villiger (1951-1997), some decisive years where she developed the sculptural approach to photography that would shape all of her later work.

Mediterranea 19 – School of Waters imagines a Biennale as a temporary school inspired by radical and experimental pedagogies and the way they challenge artistic, curatorial, and research formats.

Retrospective monograph.

On the occasion of Natures Mortes, her carte blanche at the Palais de Tokyo, the artist Anne Imhof is the guest editor-in-chief of issue 31 of the magazine PALAIS.

A history of dance in Lyon and in France over the last 40 years through the story of the various lives of Guy Darmet, director for 30 years of the Maison de la Danse and initiator of the first International Dance Biennale.

Mahalla – The Survey offers a scientific investigation and an artistic statement which aims at a critical reading and a tentative exploration of a fascinating Uzbek cultural heritage: the mahalla (luxury box set including numerous documents, a 7" vinyl record by Carlos Casas and exclusive art prints by Bas Princen).

A short essay on the concepts of "latent images" and "latency" based on the philosophy and history of the work of French artist Aurélie Pétrel.

A series of drawings, sculpture, and a new film, in which the artist explores the ideas of transformation and metamorphosis.

Jean-Luc Guionnet and Claire Bergerault have been working as an organ and voice duo in various churches since 2007. The challenge is, each time, to adapt to the configuration of the building and the organ, and then to stretch their music on the breach of this singularity.

The first complete inventory of Hubert Renard's work, between 1969 and 1998, includes all finished works, paintings, sculptures, installations, unique or multiple pieces.

This catalogue brings together a series of contributions taking as inspiration Polys Peslikas's painting at the Cyprus Pavilion at the 57th Venice Biennale, in 2017.

Second issue of the critical journal Dixit in which the words of the architect Yony Santos from the swiss architecture practice TYPICALOFFICE and of Marina Otero Verzier, director of research at Het Nieuwe Instituut (HNI), confront each other around the theme of “A Matter of Data”.

The collection of the Musée d'art et d'histoire de la Ville de Genève revisited by the transversal scenographic interventions of the Viennese artist and performer Jakob Lena Knebl, who turns perspectives upside down and radically renews our perception of the works.

A photographic journey through the architecture and history of the capital of Pakistan, built ex nihilo from 1961 to the mid 1970s.

An artistic project around the secret code of the Incas developed with a system of knotted cords.

Accattone #7 deals with open-air domesticity and the diplomatic hospitality of land. It presents intellectual and architectural projects, both contemporary and historical, for alternative modes of living.

The misappropriated notion of care and the paths for its rehabilitation.

The text and photo diary of a forty-day journey on foot from Venice to L'Aquila, following the subterranean fracture where the European and African tectonic plates meet, in search of the symbolic dimension and the real effects of seismic waves.

Stronger than Bone draws upon the embodied strength, intuitive desires, and collective wisdom of feminists and non-binary protagonists to foreground the manifold dimensions of feminist politics and commitments.

The Milanese photographer and long-distance traveler captures the light (and visual contrasts) of Rome while walking through the city.

Publication based on the eponymous futuristic / dystopian project of the Italian artist and film-maker.

Newly remastered by Rashad Becker for this vinyl edition, “Echo” finds Félicia Atkinson synching her feelings into a watercolour suite of solo keys, voice and field recordings, unfurling 40 minutes of new breathtaking music.

Re-territorializing the public space.

This publication brings together the source material that has informed Marclay's visual practice over the past few years. It gathers nearly 600 black & white Xeroxes of found image collages compiled with the help of graphic designer Laurent Benner.

Artist's book.

A new essay by curator and publisher Mathieu Copeland about Arnaud Labelle-Rojoux's reinvention of Allan Kaprow's environment The Apple Shrine and considering, more generally, the themes of reinvention in art and the exhibition form.

The General's Stork explores historical accounts of biblical prophecies, colonial narratives, and the politics of technological warfare in the Middle East from a bird's eye view.

A look back at social and intimate history of the automotive industry in the 1960s and 1970s, between the USSR and Italy.

With touchstones in electronic dance music, and forward-thinking, synthesizer based abstraction, Hampus Lindwall’s contribution to Matière Mémoire's MMXX Series weaves a singularly striking world of pulsing, organized sound.

When she started writing the Corona Tales, Chus Martínez had been weighing how people and the media were addressing the outbreak of the virus as an unprecedented disaster. One possible contribution, as curator and writer, would be to write a short story a day and post it on an Instagram account that many could access…

Each of the stories that make up this collection of narratives has as its starting point a phrase that must be taken literally, in its literal sense. The writing then develops its poetic and imaginary potentialities.

A selection of around 60 rarely shown photographs by French artist Jean Chauvin (1889-1976), one of the pioneers of abstract sculpture of the early 20th century.