Pilvi Takala's project for the Finnish Pavilion at the 2022 Venice Biennale.

The three issues of the periodical charting the artistic journey of Zineb Sedira in the run up to her presentation for the French Pavilion at the 59th Venice Biennale (2022), gathered in a box set.

The three issues of the periodical charting the artistic journey of Zineb Sedira in the run up to her presentation for the French Pavilion at the 59th Venice Biennale (2022), gathered in a box set.

An extension of Vladimir Nikolić's project for the Serbian Pavilion at the Venice Biennale 2022, this book explores publishing as an incubator for different forms of editorial, artistic and curatorial practices.

Summer 2022 issue: Biennals return: Venice, Whitney, Sydney; David Cronenberg; Lydia Ourahmane; Sonia Delaunay...

Poetics of the voice.

Autobiography by Micah Lexier is apparently just a blank pages book, but it is not. Each page is pierced, and at the back is printed the same colophon. That's because you can rip off every page of it and fix it everywhere. Micah Lexier identifies the holes as one of the main themes of his practice.

Retrospective monograh of the pioneer of Turkish contemporary and conceptual art, Füsun Onur.

New monograph.

This catalogue explores some of the pivotal themes of the artist's research, from her interest in crossing and redefining the border between interior and exterior to the relationship between the aesthetic object and its institutional context.

An experimental noise project that synchronises sound with image and takes the form of a durational solo performance as installation (the publication accompanying Marco Fusinato's immersive project for the Australia Pavilion at the 59th International Art Exhibition of La Biennale di Venezia, with texts by Branden W. Joseph, Elizabeth Povinelli, Chus Martínez, Thurston Moore, Stephen O'Malley, Bruce Russell, etc.).

The fourth issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the figure of the Fortune Teller.

Dixit Algorizmi. The Garden of Knowledge sets out to question the origin myths and narratives surrounding modern technologies, using the lens of contemporary artistic practices to explore their forgotten roots and overlooked resonances with distant places, times and cultures (catalogue of the Uzbekistan's pavilion at the 59th International Art Exhibition, Venice Biennale, 2022).

Autobiography by Claude Closky is a question about identity and social media. On a dark mode theme colored background, tens of "Claude" of different genres and identities are displayed in sequence. What is the real "Autobiography"?

First monograph, presenting four perennial works created by Christine Maigne as part of public and private commissions and which are organically articulated to the ground.

An artist's book disguised as a medical publication written by six fictional women characters from Morocco in free wheeling, Narrative Machines clothes truth with falsehood. With wry irony and Google English it comments on paranoia, fake news, patriarchy, power and media ganging together in the Maghreb...

An in-depth ex-post reflection on Documenta 14 by one of its curators, Pierre Bal Blanc, with the contribution of Adam Szymczyk.

At the time of Russia's invasion of Ukraine, Yevgenia Belorusets, Nikita Kadan, and Lesia Khomenko answer an age-old question: what is art to do in the face of war? (the culmination of Yevgenia Belorusets's war diary, alongside monumental work by Nikita Kadan, and Lesia Khomenko).

An exhibition by Matthew Burbidge scattered and reconfigured by its visitors turned collectors.

Monograph gathering together a selection of works by Miriam Cahn and the texts of authors such as Alberto Salvadori, Luigi Fassi, Carolin Emcke, Dieter Roelstraete, Estelle Hoy and Francesca Recchia.

Published on the occasion of the 59th International Art Exhibition, La Biennale di Venezia, in 2022, this retrospective monograph is the official catalog of the National Pavilion of the United Arab Emirates, which has chosen the Emirati artist Mohamed Ahmed Ibrahim to represent them.

Venice preview, Dan Graham, Basel Abbas and Ruanne Abou-Rahme, Nikita Kada, Titian's Poesie...

Autobiography by Jacopo Benassi is a series of self portraits taken during the night, during the lenght of a dream, described by the artist in the first page.

The third issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the manifold figure of the Bonimenteur, which is approached differently by the seven contributors.

How to teach art / can we become an artist?

Four artist's posters.

The catalogue of the first edition of the Montpellier Biennale.

How research-led practices in the arts can develop legal frameworks for understanding the future of digital technologies and their relationship to airspace.

Autobiography by Patrick Tuttofuoco is a visual consideration through the artist's eye about his autobiographical exhibition "like they were eternal" held in Milan at Schiavo Zoppelli Gallery. The collages and the images in the book were created by the artist starting from his installations in the space. The text by Umberto Sebastiano is a metephoric interpretation of the show.

A series of drawings made on a digital tablet offering a detailed entry into the expanded universe of Hugo Pernet's painting.

First monograph.

First monograph.

A reflection on the aesthetics of the fragment as a paradigm of memory, from the works of six women artists.

A conversation between acclaimed Syrian artist Fateh Moudaress (1922-1999) and Arab poet Adonis, finally translated from Arabic to English, with 30 never seen before paintings and drawings by Fateh Moudaress.

Autobiography by Jonathan Monk is the first attempt of display of the artist's collection of "Crackers" copies by Ed Ruscha.

The second issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the manifold figure of the Moped Rider, which is approached differently by the seven contributors.

Giovanna Silva paints a sinuous, compulsive, dizzying and poetic portrait of the city of Milan through several hundred series of detailed photographs of modern and contemporary building facades.

First retrospective monograph.

Flipbook.

Autobiography by Alessandro Pessoli is a mix of drawings and written words created specifically for the publication. The handwritten texts belong from some of the songs the artist is used to listen while at work.

A collection of twelve octosyllabic sonnets to accompany us throughout the year. The rhythm of the verses directly echoes the passage of time, days, weeks, months.

The third collaboration between Félicia Atkinson and Jefre Cantu-Ledesma—their first album produced together in the same studio: an electroacoustic, poetic, fluid and sensitive dialogue between the two experimentalists.

Modern Animal, a sort of anti-autofiction, knots together humans and animals, retelling interviews, folktales, memories, and visions of the people—bourgeois, urban, rural, Roma, working class—encountered on a multiyear journey through Ukraine.

A retrospective in images of the activities of the Compagnie Pitoiset in ten theatrical creations, with a long analysis by Daniel Loayza.

Autobiography by Nathalie Du Pasquier is a collection of materials that often return during her art practice, "materials constantly reused in different ways."

Monograph dedicated to the film series incorporating central Neanderthal figures produced by British artist Nathaniel Mellors since 2012.

New monograph.

A series of compositions using environmental sounds and field recordings from the five continents.

The report of a collective and immersive residency at the Lyon Museum of Contemporary Art.

The first of three issues of a periodical charting the artistic journey of Zineb Sedira in the run up to her presentation for the French Pavilion at the 59th Venice Biennale (2022).