A source book of graphic design by one of the leading European art schools.

A reproduction of handwritten notes, accompanied with sketches, in which Fabrice Hyber explains his conception of the role of art and artists. The limited edition is accompanied by an unique artwork, made on its case.

A reproduction of handwritten notes, accompanied with sketches, in which Fabrice Hyber explains his conception of the role of art and artists.

An exploration of the body in contemporary culture (artist's book / collection of texts).

Artist's book born from the encounter between Charles Pennequin's texts and the intimate immediacy of Pascal Doury's sketchbooks. The DVD features the film Je me jette as well as four other videos.

A collection of artist's writings about literature, semantics, dreams, poetry, photography, women...

A collection of artist's writings about literature, semantics, dreams, poetry, photography... (limited edition accompanied by a hand-enhanced photograph).

Art and glamour as spaces for transformation of the self.

An urban journey.

Exhibition catalogue (with John Armleder, Maurizio Cattelan, Stéphane Dafflon, Philippe Decrauzat, Sylvie Fleury, Mike Kelley, Bertrand Lavier, Sherrie Levine, Allan McCollum, Sarah Morris, Olivier Mosset, Olaf Nicolai, Daniel Pflumm, Daan van Golden, Kelley Walker, Lawrence Weiner...).

Reference monograph.

First monograph.

Some 45 narratives by children presented in the form of a monologue. Edited from numerous interviews and conversations recorded on playgrounds in South Africa, Peter Friedl creates a hybrid genre that is both fictionalised speech and serious counter-voice.

The art of postproduction as a response to the proliferating chaos of global culture in the information age (also available in English edition).

The 1990s in eleven "Date Paintings" As one of the most important Conceptual artists, On Kawara features in most of the surveys on post-war art. This book, conceived in close collaboration with On Kawara himself, takes a very intimate form in comparison to many monographs published recently. This seems an appropriate manner in which to discover eleven paintings created over a decade, letting the viewer complete their reading with personal associations, historical events, or academic interpretations. “Perhaps,” writes Thierry Davila in his text, “art is simply a particular way of taking time … So the work, the on-going creation is essentially a question of using time … ” Seen from this perspective On Kawara has invented a simple and striking way to make art, by taking time, taking his time. He found a way to use the calendar to make a kind of “non-individual” art work. In his Date Paintings, time itself has become a piece of art. The work is pure realism, the existence of time put in painting, thus rendering it—up to a certain point—viewable and readable.

A video triptych.

German artist's "word-images" (early works).

An imaginary odyssey through Réunion Island and Antarctica, inspired by the life of explorer Ernest Shackleton.

Marcel Duchamp “laid bare” by Marc Décimo who talks about the creative process in this essay on the father of conceptual art.

Honegger' eclectic writings since 50 years.

Two texts by Jean-Charles Agboton-Jumeau et Marion Hohlfeldt on Lefevre Jean Claude, with some “inserts” by the artist on divider pages.

Monograph.

An electric rock performance seen as an attempt to free literature from the realm of the book (illustration cover by Thomas Hirschhorn).

This first monograph (both a study and an essay) highlights the diversity and span of Adrian Schiess' work.

The correspondance between Otto Muehl and Erika Stocker forms an intense journal of Viennese actionism, and more particularly of the artist's work.

Otto Muehl was condemned to 7 years of prison in 1991. He exchanged letters with his family and friends, he painted.

An anthology of the artist's important essays, published between 1978 and today in the pages of Artforum, Flash Art and Lawson's own magazine Real Life.

Fully illustrated monograph, with three essays and a chronology.

Documentation of the O-ist religion created by Shaw.

The most comprehensive monograph on Oehlen's paintings.

Artist's book (photographies).

This book gives life back to 72 aborted projects by publishing the preliminary works—plans, schemes, drawings, graphics, photographs, writings—kept by invited artists.

82 photos taken in bathrooms (Bettina Rheims, Araki, Jacques-Henri Lartigue, Bertrand Desprez, Giselle Freund, Pierre & Gilles...), with an essay by Jean-Claude Kaufmann, half-way between voyeurism and sociological commentary

A retrospective catalogue of the exhibitions organized by the FRAC Champagne-Ardenne in Reims, as well as an exhaustive presentation of the collection with reproductions, index, comments and analyses.

Inside the artist's apartment and studio.

Images and associated texts on a same level for a strange universe evoking our audiovisual and virtual culture

Conceived as a textbook with images rather than an exhibition catalogue, the book reflects on the diversity of fundamentalisms, a phenomenon that is not confined to particular cultures or modes of thought; its intention is to explore the concept in its many forms and multiple origins.

Filmed installations and interview.

Catalogue of three exhibitions about interactivity in digital arts: theoretical texts, notes, ionterviews and documents.

An “anti-humanist” musical piece, overlaying Klaus Weber's voice and frequency ranges defined in relation to the hearing of cricket (limited edition).

A complete documentation on the artist's project at the Whitechapel Art Gallery, London.

DVD-book including all the exhibition films and discussions of 3 workshops at the 2004 International Biennale in Venice, on the theme of sustainable development and urban metamorphoses (a programme of about 2h).

Catalogue of an exhibition at the JFK airport, closed by the authorities just after the opening night party (with Vanessa Beecroft, Douglas Coupland, Kendell Geers, Dan Graham, Fabrice Gygi, Mark Handforth, Ryoji Ikeda, Jonathan Monk, Tom Sachs...).

Joe Scanlan, Jeremy Deller, Joep van Lieshout, David Robbins...

Reference monograph.

Fluxus special issue: texts by theoreticians and artists (Conz, Ucciani, Giroud, Donguy, Martel, Chopin, Heidsieck...), documents (Dupuy, Knowles, Ben, Williams...) .

Marcel Duchamp> met Lydie Sarazin-Levassor at the end of March 1927. On 7 June, they were married. Francis Picabia acted as a witness and the ceremony was filmed by Man Ray. On 25 January 1928, they divorced. Lydie Sarazin-Levassor tells the story of their marriage, presents us with “her” Marcel, and relates her encounters with Jacques Doucet, Constantin Brancusi, Henri-Pierre Roché, Man Ray and Kiki de Montparnasse, Jean Cocteau, the Ballets Russes, the Duchamp family, Jean Crotti, Mary Rumsey, Katherine Dreier and Robert Desnos, and describes the atmosphere at the Villons' (in Puteaux, just outside Paris), the Picabias' (at Mougins, in the South of France) and the Sarazin-Levassors' (in Étretat, on the Normandy coast).

Script of the movie by Liam Gillick, adaptation of Underground Man - Fragments of Future Histories, by Gabriel Tarde (1896).

Essay.

First monograph.