Paintings is both an artist's book and a document on the work of the New York painter.

Walsh has produced many artist's books and prints that function as an experimental field for his paintings. The first documentation on this body of work.

Haaning's project consists in a wall calendar similar in format and lay-out to the colorful ones you can buy in bookstores an shops. Instead of using popular images, it presents photographs of refugees, either alone or in small groups.

Pierre Huyghe / Claude Closky, Jim Shaw, Mike Kelley / Paul McCarthy, Philippe Parreno / Nicolas Bourriaud...

This is the first monograph of this photographic artist who, for the past ten years has investigated all the four corners of the planet.

Artist's book.

First monograph (available in English edition).

The first full length survey of the work of Kendell Geers.

Artist's book.

Texts and interviews by Eric Troncy.

Those who spread their image over Internet, what do they want? And what do those who view them get out of it? Numerous are those who jumped on the bandwagon of the webcam, pushing its spectrum of video-surveillance and condemning it to voyeurism or exhibitionism. Far beyond the simplistic idea of opposing exhibitionist / voyeur, actor / spectator, active / passive, the webcam serves as a meeting point of exchanges, complicity, views of or relationships with others, what Nicolas Thély terms as "web-intimacy".

Reference monograph.

An essay on Duchamp's readings, and a systematic chart of his personnal library.

Anthology of essays on Jack Goldstein's work (contributions by Hélène Winer, Laurie Anderson, Morgan Fisher, Douglas Crimp, David Salle, Thomas Lawson, Carter Ratcliff, Michael Newman, Jack Goldstein, John Hutton, Craig Owens, Therese Lichtenstein, Jean Fisher, Chris Dercon, Hal Foster, Jack Bankowsky, Rosetta Brooks, Philip Pocock, Bruce Greenville, Lionel Bovier, Fareed Armaly).

The first critical edition treating a fundamental text by one of the principle actors of Fluxus.

Monograph on the conceptual artist' early works.

New approaches to in situ, contextual and relational art.

With its comprehensive illustrations and essays, including a text by the artist, this book features Odenbach's most important works.

All black and white photographs reproduced in the book as well as the cover image were taken by Gygi during the winter 1990-1991. Immediately thereafter, the quasi totality of the negatives were stacked in a press and pierced with a drill. 4 - color leaflets present recent works of the artist.

A study on Elisabeth Ballet, Jessica Stockholder, Claude Rutault, Peter Downsbrough, Cécile Bart.

A free-cultural exchange between Quebec and Mexico art centers.

Non-Places questions the redefined relationship between public and private space as well as the phenomenon of modern “nonplaces,” which appear to be everywhere and nowhere at the same time: airports, shopping malls, anonymous new suburbs, or international franchise companies.

The magazine of Le Rectangle art center (Bernard Bazile, Claude Closky, Philip-Lorca Dicorca, Wang Du, Alesksandra Mir, Gianni Motti, Thomas Ruff, Franck Scurti, Bruno Serralongue).

Performances and actions by the twenty-four artists.

Exhibition catalogue (art & architecture).

The last document of the dadasopher of Berlin.

Bernard Réquichot is well enough known as a painter, but still unknown as a writer. This new posthumous publication of his writings reveals the singular vision of a recluse, close to Stirner.

An unknown, rarely published writer who nevertheless sent shock waves into the 60s and 80s by constructing a text worthy of a great rhetoretician on the game of alliteration.

The funny though serious inventions of the thinker, poet, prophet and annagrammarian.

Relations between society and artists.

A collection of texts and interviews of artists, musicians and art critics (Kim Gordon, Mike Kelley, Christian Marclay, John Miller, Bob Nickas...) based on the relationship between art, "rock" music and culture in the largest sense of the word.

A selection of essays by the artist, poet, writer, happening-maker, cinematographer, art and literary critic.

François-Timoléon de Choisy's writings (1644-1724), presented and illustrated with original collages by Gabrielle Wittkop.

Unpublished story illustrated with a virtual work in original signed lithograph.

Unpublished text, signed original work (original lithograph signed and enhanced, as well as a collage), unique for each copy

An anthology of texts around issues such as spatial politics of representation and identity, the public and the private, the space of art and culture, the memory of places and the inscription of remembrance, and the relations between utopias, heterotopias and the real.

Born in 1917, a friend of Dubuffet, Michaux and Jean Paulhan, Bettencourt was a writer, before being a publisher. This book, gathering thoughts and aphorisms through the definitions of a choice of words, reveals the artist (limited edition with an original serigraphy signed by the artist.

An anthology re-mapping the relations between the modernist utopia of neutrality and that of the psychedelic moment.

Foreword The Rodin Gallery has benn the site of an outstanding series of exhibitions featuring a wide spectrum of contemporary artists and including works such as The Gates of Hell and The Burghers of Calis by modern sculpture's seminal artist and master, Auguste Rodin. Thus it gives us great pleasure to develop for the first time a collaborative work with Le consortium, a leading contemporary art center in France on the occasion of the presentation of Wang Du's Disposable Reality. Wang Du, who was trained as sculptor in China within an academic tradition, works with images taken as readymade from newspapers, magazines and advertisements and transforms these two dimensional media images into three dimensional painted sculptural works with his own masterly skill. Through the information conveyed by articles on politics, economics, society, sports, leisure and fashion the artist expresses his feeling, often in a pointed, satirical manner, about the ordinary and our social reality. In this exhibition I believe there is special meaning in seeing the direct confrontation and dialogue between the works of Rodin, which deal with human emotions and those of Wang Du, which deal with contemporary issues in our daily life with sculptures as a common denominator. The vocabularies of contemporary art have expanded so much that somtimes we have a tendency to consider painting and sculpture to be outmoded media fot artistic expression. However, it is high time to demonstrate that it is not the medium which matters, but how it is used. Ra Hee Hong Lee Director, Samsung Museum of Modern Art

An essay on conceptual art.

Reprint of Kusama's porno-artistic tabloid of 1969.

A collection of entirely revised or previously unpublished texts.

The first English language monograph on Lo Savio.

French edition (available in English).

A selection of works by French artists: Christian Boltanski, Daniel Buren, Dominique Gonzales-Foester, Raymond Hains, Pierre Huyghe, Bertrand Lavier, Claude Lévêque, Annette Messager, Yan Pei-Ming, Philippe Parreno, Alain Séchas, Xavier Veilhan...

Catalogue / artist's book.

Charley 01 features 400 emerging artists from around the world, selected by a pool of international artists, curators, critics and art professionals (works by Martin Boyce, Mark Handforth, Olaf Breuning, Franz Ackermann, Christoph Büchel, Barthélémy Toguo, Jonathan Meese, Mathieu Mercier, Wade Guyton, Mark Leckey...).