Monograph with texts by Eva González-Sancho, Michel Gauthier, Line Herbert-Arnaud and Richard Klein, exploring different aspects of Downsbrough's work (movies, maps, space...).

Mark Lewis' location photographs.

First monograph devoted to the Spanish artist, between an artist's book and an exhibition catalogue.

Art as actions : a collection of Martel's essays and articles since the eighties.

First monograph of the artist, presenting her figures of unfired clay, which grotesquely exaggerate the characteristic traits and trademarks of female sexuality.

A philosophical essay on time, phenomenology and beyond, Daniel Birnbaum's Chronology was presented in frieze as a “compelling and sophisticated take on the common theme of Deleuzian immanence."

This small monograph follows the set-up of Daniel Buren's artistic programs within the corporate spaces of a bank and the ways he conceived simultaneously his site-specificity and his break away from this framework.

An essay on Paul Tisseyre Ananké, the military officer in saharian French colonies and writer, which proposes a linguistic and biographic approach, accompanying the reedition of Ananké's book, denouncing the horrors of the French colonisation in Africa.

A new approach of Duchamp's keywords.

First monograph of the futuristic artist / film-maker / documentarist.

Three interviews with the President for life of the Ouest-Lumière Company.

Writings and drawings.

Gathering images and texts, this artist's book sums up two years of work with French disabled war veterans.

When the personal becomes political.

Drawings.

Charley 04 (Checkpoint Charley) is born out of the reasearch conducted by the curators of the 4th Berlin biennal for contemporary art (2006) and brought together images of works produced by more than 700 artists.

A "copy and paste" fiction.

An assemblage of photographs taken from distinct series. The tensions and correspondences resulting from the editorial choices broaden the scope of images (artist's book).

Extensive monograph with serigraphs.

108 textual fragments of a journey through the Eastern United States.

The first comprehensive publication on Canadian artist Alex Morrison. Best known for his documentations on the skater culture, Morrison's videos, photographs and drawings reveal the growing aestheticisation of the political within the cultural spectrum.

An artist's book in the extension of an exhibition: a reflexion on global urbanisation.

Art and context.

A selection of photos of the town where lives the artist Francis Alÿs.

For this luxurious artist's book (transparent cover and pages, leaflets, inserted pages).

50 copies limited edition, signed by Gerhard Merz.

A tribute to the artist who passed away in 2004.

Mapping collaboration in Swiss art.

This artist's book presents a series of works by Joan Rabascall realized in small plastic TV screens, parodying the kitsch of TV series: a playful journey with the popular culture icons of the XXth century. Full colors photos are accompanied by a text by Masashi Ogura, evoking the determining place of the small screen in Japanese culture.

Philosopher and essayist Michel Onfray analyzes the nature of Bettina Rheims' photos, and develops the thesis of a work which, more than scandalous or sulphurous, introduces new models of representation of our society.

Films, videos, photographs and installations following the theme of landscapes and urban views, questioning our relation to city and nature.

John Armleder's book focuses on the origins of his playful use of multiple styles and devaluated decorative effects for a practice claiming to be anchored in the 20th century avant-gardes.

First monograph (works 1999-2004).

A collection of over 120 propaganda leaflets that have been dropped by the US Army on Afghanistan and Iraq.

Catalogue of the 13th RIAP in Quebec.

This first monograph documents the performance, sound, and video works of the Canadian multidisciplinary artist.

Turkish: A Dictionary of Delights is a sui generis work and lexical tour de force which uses the dictionary genre to inject polemic into certain forbidden discourses that are currently suppressed both within and around the subjects of Turkish language, politics, sexuality and history, making the book extremely timely in light of contemporary debates around the question of Turkey's entry into the EU. It also introduces the Turkish universe in all its intimacy from the perspective of a personal "Wirkungsgeschichte". The “definitions” are presented with a sense of wit and political incorrectness that one doesn't usually associate with sacred Ottoman subjects such as the hamman and revered political icons such as Ataturk. This explains why initial shipments of the book sent to Istanbul were refused by postal authorities, ironically contributing to the cult status the book quickly acquired in artistic circles of Istanbul, where the book can only be purchased “under the counter” at certain galleries. The authorship and origin of "Turkish: A Dictionary of Delights" are a subject of considerable speculation. There is some question as to whether the dictionary's putative author, Adnan Onart, even exists. The editor is Roger Conover, the well-known art publisher and secret author of a number of books which have been appearing over the years in such hidden contexts and limited print runs that they exist almost more as rumours than publications.

The Swiss Pavilion at World Expo 2005 in Aichi (Japan) in words and images.

First monograph of the activist-artist.

First monograph of the artist "hacking" the video game imagery..

New drawings, designs and an essay by American graphic artist and filmmaker.

This small monograph shows the realization of Liam Gillick's designs in conference rooms, corridors, and offices of a bank, coinciding with his sustained interest in the negotiation of a middle ground between corporate culture and contemporary art. The volume is accompanied by an artist's essay discussing the dissolution of the public/private dichotomy into a grey zone of semi-public/semi-private spheres.

Mike Kelley's major interviews and critical essays.

In Black is a Color, contemporary art historian and curator Elvan Zabunyan proposes a new approach to contemporary art and its history through the practice of Black American artists from the Harlem Renaissance to today.

In Black is a Color, contemporary art historian and curator Elvan Zabunyan proposes a new approach to contemporary art and its history through the practice of Black American artists from the Harlem Renaissance to today.

Various artists and authors use two writers' correspondence as a primary source to develop an artistic and literary falsification.

Catalogue.

An album of the “best images” gathered from the Visual Communication Department of ECAL, the dynamic art institute of Lausanne.

A source book of graphic design by one of the leading European art schools.