Paris céramique is the result of a four-day ceramic workshop that took place in Paris in 2013 with Bastien Aubry, Dimitri Broquard, and Adrien Horni, following an invitation by Thomas Mailaender.

This first monograph on French-Algerian artist and performer Carole Douillard spans her entire work from the end of the 1990s and invites us to reflect on her performative and non-material practice, interrogating the forms and issues of contemporary performance.

This volume is a collection of dynamic and engaged writings by art historian John C. Welchman on a range of contemporary European artists that emerged in the late 1960s and 1970s. Welchman poses thoughtful and provocative questions about how artists receive and negotiate the social and aesthetic histories through which they live and work.

An historical account of Ben Kinmont's bookstore, from the structure's origin, the events and publications it has generated. Kinmont also demonstrates how this activity has contributed to his independence as an artist vis-à-vis the commercial art circuit.

The groundbreaking work of Masaki Fujihata presented as an immersive intermedia experience through augmented reality technology (retrospective monograph under the form of a ring binder, with a dedicated AR application).

French artist Jean Dubuffet and French art historian Hubert Damisch shared a long friendship between 1961—the year Damisch published his first essay on Dubuffet—and 1985—when the latter died. Entrée en matière gathers together all the texts written by Damisch on Dubuffet as well as a selection of their correspondence.

Location Scout is an artist's book by Emanuel Röhss conceived as part of a 2015 project that addresses the interrelation between the Ennis House built by architect Frank Lloyd Wright in Los Angeles in 1924 and the Hollywood film industry in particular and the production of pop culture at large.

A visual journey through ten years of Denis Savary's exhibitions (first-ever retrospective catalogue).

Benjamin H. Bratton's kaleidoscopic theory-fiction links the utopian fantasies of political violence with the equally utopian programs of security and control. Equal parts Borges, Burroughs, Baudrillard, and Black Ops, Dispute Plan to Prevent Future Luxury Constitution charts a treacherous landscape filled with paranoid master plans, failed schemes, and dubious histories.

A composition by Yannick Dauby built upon the eletroacoustic modulation of Japanese bats' ultrasonic voices.

Since the set up of Xavier Veilhan's The Monster in the center of Tours in 2004, the statue has been subject to various cultural appropriation by the locals. This book aims to document both the development of the project as part of the New Patrons program as well as the life of the statue within the city.

Eva Kot'átková's most ambitious publication to date, divided in two volumes, reflects her obsession with reshaping and hijacking pre-existing photographic images.

This publication is a continuation of Gabriel Sierra's site-specific installation project at the Renaissance Society in 2015. The book expands on and further examines the topics and ideas of the exhibition, that of the relation between the body and its spatio-temporal framework.

Ziad Antar experiments forms, colors and light with his lensless camera, during a long journey searching for the cities where mythology was born. At the core of his work is the questioning of the foundations of photography, through the destructuration of this art (monograph edited in collaboration with Hans Ulrich Obrist).

Projects, texts, visual essays and conversations with about thirty international artists, curators, critics and authors: Zoe Williams, Kynaston McShine, the exhibition as poem by Jean-Max Colard, Haim Steinbach's POP UP section investigation, visual projects by Slavs and Tatars and Puppies Puppies, Andra Ursuta, conversation between Simon Denny and Hans Ulrich Obrist, Cécile B. Evans, Emily Roysdon, Melanie Matranga...

This catalogue compiles individual collections from artists and considers the act of collecting as a portrait of its collector and also as an artistic method—as a process rather than an end result.

The new impact of corporations on both the state and the market as the new paradigm of neoliberalism.

This monographic catalogue collects the visuals of works focusing on the relationship between the activities of the intelligence agencies and magic practices during the Cold War era.

A series of paintings reproduced on different scales as if to emphasize the random dynamics and impenetrability at the core of the artist's pictorial practice.

Elisabeth Bronfen gives a clever analysis on one of the most influential show of the 21th century, arguing that, beyond the retro-revival, Mad Men builds a comment on the state of the US nation and on the mirage of the American Dream.

The ambition of design and its limits

An issue all about the end (with a sociological investigation by Bertrand Vidal into survivalism).

The eponymous duo's monograph explore desire in the context of our post industrial, post human society, between globalisation and sustainable development, in this “glocalisation” that produces new objects, new temptations and new perversions.

Felicity D. Scott reconsiders the learnings of Bernard Rudofsky on vernacular architecture in the light of his relation with Japan.

Tony Oursler and Greil Marcus on David Bowie, Jackson Pollock's late work, the Met Breuer, Cameron Rowland, an exclusive portfolio from Rosemarie Castoro, plus Magali Reus's Top Ten, the band Porches, and exhibition reviews from New York, Berlin, Lisbon, Milan, Prague, Athens, Delhi, Mexico City, and more.

Eva Grubinger's catatogue Black Diamond Bay explores the idea of psychological landscapes—a physical or mental journey—that evokes ideas of escapism and the search for the self.

Issue #10 of Bulletins of The Serving Library comes back with a new formula and draws up an overall review of previous issues.

A reflection on paper as a creative space (exhibition catalogue based on Frac Réunion's collection).

Artistic and literary creations on the theme “cyborgs and robots.”

Carlo Mollino's photographs of a Japan in between tradition and modernity during the 1970 Universal Exposition.

This book is an overview of the exhibition program of Bart van der Heide from 2010-2015, which he realised as the director of Kunstverein München. Each exhibition is presented by a corresponding booklet, containing all texts and images (with Silke Otto-Knapp, Tobias Madison, Keren Cytter, Willem de Rooij, Richard Tuttle, Simon Denny, Rebecca Warren...).

L'écho / ce qui sépare documents a personal and collective exhibition commissioned by Bruno Peinado where young artists were invited by Peinado to display their works with his own, thus reflecting the notions of space and network within the art field.

Filmmaker and writer Alexander Kluge combines fiction and reality to deliver one of the most striking testimonies that have been written about the bombing of German cities by the Allies.

Thomas Blanchard, Roberto Minervini's America, Sébastien Barrier, David Cronenberg's first novel, the Athenian cultural scene versus the economical crisis, Nòvia, drone rock and folk music, looking back on Hong Kong's umbrella movement, Pierre Godard & Liz Santoro's For Claude Shannon, portfolio, poetry, reviews, cultural agenda...

This publication chronicles the aspirations, methods, and projects of the first four years of Public Design Support—a joint venture between Goethe Institute's Urban Incubator and Hamburg University of Fine Arts established to offer free practical support to urban residents. It includes key project materials, scholarly essays, and significant historical texts.

A tribute to Canadian pianist Paul Bley, a portrait of Polish musician Zenial, Parisian reference record store Souffle Continu, interviews with Art Kill Art, Sarah Hennies, Daniel Buess, carte blanche to multidisciplinary artist Noémie Sauve...

Caroline Bosc & Jean-Sébastien Tacher / Mathieu Dufois / PhD in Theory and practice of artistic and literary creation (Walid Ghali, Aurore Guitry, Grégoire Lauvin, Lila Neutre, Émilie Perotto, Corine Robet, Javiera Tejerina-Risso, Mezli Vega-Osorno) / Maude Maris / Grégory Jégado.

In more than two hundred artworks, the American artist's reference monograph focuses on the fundamentals of her painting, strongly impregnated by notions of time, profusion, systemising and commitment.

The concept of time in art history.

A sound collage of night time ambiances from Guiana (France), focusing on the calls of amphibians.

35 year anniversary issue featuring interviews with Ryan Trecartin, Shezad Dawood, Sadie Benning, Wendy Ewald, Trevor Paglen & Jacob Appelbaum, Ivan Vladislavić, Álvaro Enrigue, Christopher Sorrentino, Vijay Iyer, Yorgos Lanthimos, artists on artists' section with Naufus Ramírez Figueroa by Regina José Galindo and Anna K.E. by Corrine Fitzpatrick, literary fictions by Alexander Kluge and Gerhard Richter, Kate Zambreno, Domenick Ammirati, poetry by Joan Retallack, John Ashbery, Eugene Ostashevsky, Daniel Poppick, exhibitions and books' reviews...

Foregrounds, Distances aims not only to offer the first comprehensive overview of Hohn's work, but also to contribute to a history of painting-based practices, which occupy a marginal place in the established narratives of the art of the 1980s and 1990s.

At the heart of this book is a solo exhibition of the work of M'barek Bouhchichi in Rabat, and the artist's first attempt at directly confronting the wound of growing up black in Morocco. With contributions by an anthropologist, a filmmaker, and a writer from Africa, this volume puts recent transformations of Moroccan society into perspective. Beyond studying inequality and spatial segregation, what is at stake is the possibility of transfiguring the stigma of racism through art and research.

Canadian native art today

Ambiguity is inherent in images because visual perception is an interpretative act involving memory and imagination. Modern art has made this aspect of perception crucial to its relationship with the viewer. Images potentielles (Potential Images), the first systematic exploration of this topic, considers those works of art that rely to a great degree on imaginative response.

For the past twenty years, Edith Dekyndt has been redefining the interdependence of the artwork and its exhibition context by relocating her work's experiments in a more extended spatiality and temporality—that of the world's ecosystem. This catalog offers a selective approach of her work on the occasion of a joint exhibition at Le Consortium and Wiels.

This volume, published in parallel to Exhibiting the Moving Image, extends the inquiry into the history, theory and practice of exhibiting artists' cinema, video, installation as well as advertising films, by focusing on the domains of performance and of the “expanded arts.”

The place of films and moving images in the field of contemporary art.

Collection of poems gathering texts on similar subjects, such as the unknown, violence and war, technology and information, phylogeny and the ontogenesis.

41 watercolors and two installations' views by Francesco Clemente created after the poem Omeros by Derek Walcott—for which he received the Nobel Price—including excerpts from the poem.