Keep Smiling! The Printed Universe of Pontus Hultén offers a portrait of visionary museum director Pontus Hultén (1924-2006) through over 200 printed works—posters, catalogues, film programmes, and invitations. Reflecting his playful, free-spirited take on anarchism, the archive highlights the bold collaborations he fostered with artists and designers throughout his career.

Keep Smiling! The Printed Universe of Pontus Hultén offers a portrait of visionary museum director Pontus Hultén (1924-2006) through over 200 printed works—posters, catalogues, film programmes, and invitations. Reflecting his playful, free-spirited take on anarchism, the archive highlights the bold collaborations he fostered with artists and designers throughout his career.

This inaugural retrospective volume unveils the œuvre of Lebanese artist Jamil Molaeb (b. 1948) and marks a seminal moment in the appreciation of his artistic legacy.

In an extraordinary feat of endurance and intellectual curiosity, curator and art historian Charles Moore conducted twenty-four back-to-back interviews over twenty-four hours, weaving a tapestry of voices that define contemporary art today.

First monograph.

A contemporary hommage of Jože Plečnik's oeuvre.

A selection of texts by Valentine de Saint-Point, emblematic of both the Belle Époque and anticolonial militancy.

Sabine Delafon's business cards signed by other artists.

This luxurious monograph reveals the strangeness of the Swiss artist's practice, which blends traditional painting techniques with digital technology, and captures the very special texture of the works reproduced on the glossy surface of paper.

A solo CD based essentially on sound recordings in commercial ports.

An investigation into how spontaneous play and public interaction in contemporary art can subvert societal norms, based on the work of Oslo-based Iranian artist Shahrzad Malekian.

A historical investigation into why Leonardo da Vinci's plans for the Château de Chambord were censored.

The first book dedicated to Cornelia B. Sage Quinton (1876-1936), this essay traces the visionary career of the first woman director of a major art museum in the United States.

New monograph.

New monograph.

A vast research on the notion of acoustic and sound ecology and its transition to a new sound ecosophy, integrating the multidimensionality of listening to propose to hear differently.

A philosophical reflection on the place of sound, from musical aesthetics to sound habitat, at the crossroads of sound, music and technology studies, and phenomenology.

On the relationship between architecture and design.

A scienticity reader of artistic, philosophical, theoretical moves on the epistemic instruments we spin to intimate the universe.

The implications of the digitization of image production and distribution on the contemporary ecology of the moving image.

This book brings together over 500 drawings from the Antoine de Galbert Collection, gathered over a period of almost 40 years. Works by 213 artists are presented in the form of an alphabet book, generating chance encounters.

A reflection on the experience and challenges of an artistic residency in a rural environment, nourished by the thought of re-habitation.

Lovett/Codagnone; Sabrina Tarasoff on Diego Marcon; Ikechúkwú Onyewuenyi on JJJJJerome Ellis; Cally Spooner and Hendrik Folkerts; Himali Singh Soin; Wendy Vogel interviews pioneering art historian, curator, and founder of Performa biennial RoseLee Goldberg; Shanzhai Lyric; Amelia Jones on queer feminist literary critic Eve Kosofsky Sedgwick; Dani Blanga Gubbay; Amanda van Hesteren by Olamiju Fajemisin; Thibault Lac by Skye Arundhati Thomas; Mira Mann by Nicholas Tammens; Claudia Pagès Rabal by Övül Ö. Durmuşoğlu; Binta Diaw by Camilla Paolino; Christine Sun Kim and Johanna Hedva discuss "mainstreaming," ableism, and the perils of "care"; books by Georgia Sagri...

How contemporary painting embraces the possibilities offered by digital technology.

A dialogue between art and quantum physics.

Some sixty artists from different generations not represented in galleries, selected and presented by 35 critics.

An invitation from Marie de Brugerolle to four artists of different styles, backgrounds and nationalities—Mads Lindberg, Kirsten Mosher, Martin Vongrej and Anna Wittenberg—to reaffirm the roundness of words and the world.

How AI can be used in the creative process in art and design.

First monograph.

The catalogue of the Lebanese-American artist's first exhibition in Italy.

Rediscovered and compiled for release shortly before her death in November 2023, Further Selections from the Electric Harpsichord presents a never-before-heard recording of composer and artist Catherine Christer Hennix's early magnum opus.

The first in-depth research on fanzines in Quebec.

A series of collaborative drawings by the two Swiss illustrators and artists during a stay in Los Angeles, confronting the city's demons and wonders with unbridled felt-tip pens and colored pencils.

Contemporary artist and composer Stefan Tcherepnin Stefan Tcherepnin—nephew of the inventor behind the Serge Modular system—meets electronic musician Anders Enge, on a suite of playfully haywire demonstrations of the vintage modular synth at EMS Stockholm.

Contemporary artist and composer Stefan Tcherepnin Stefan Tcherepnin—nephew of the inventor behind the Serge Modular system—meets electronic musician Anders Enge, on a suite of playfully haywire demonstrations of the vintage modular synth at EMS Stockholm.

A rich selection of around 500 drawings from the extensive archive of the collaborative artist collective from Norway.

A fictionalized biography of Guy de Cointet (1934-1983).

The first comprehensive presentation of Swiss artist Mahtola Wittmer's work.

In the last element of a triptych debuted by Cycles and Script, J.J. Zana stretches his research on form/emptiness and offers a collage of pieces written between 2016 and 2023. 

The first publication dedicated to the practice of Jonathan Uliel Saldanha, a central figure in the Portuguese art scene, both in exploratory music, performance, and visual arts.

An "ABC of the arts in transition" examining the ecological turn of the arts, the outcome of long-term collective research into the fundamental elements running through the art world and, more generally, the aesthetic and social universe in the current ecological crisis.

From the observation of a society of capuchin monkeys and thought experiments borrowed from theater, Zaven Paré, artist and researcher in interaction design, specialist in theater and robotics, attempts to dismantle the pitfalls of anthropomorphization, in an attention that seeks to preserve the irreducible character of an interspecific copresence.

An ethnographic approach to the zoo, revealing the tensions and contradictions of a cultural institution that inherited nature from the colonial exhibitions and has now entered the paradigm of biodiversity conservation.

A groundbreaking, multidisciplinary collection that rethinks our present moment and anticipates the key concepts that will shape and direct the twenty-first century.

Starting with a bold re-reading of Jacques Rancière, this essay unfolds a philosophy of experimentation, at the crossroads of life, politics and aesthetics, in search of new ways to explore, arrange and map the possible.

An original theory of power based on a dense and insightful inquiry into the consequences of the "Global War on Terror" and the security state, up to the imposition of neoliberal logic and the overflowing of the media made viral.

An experimental fictional ("post-apocalyptic") anthropology of philosophy, focusing on the dialectic of master and slave, itself understood as myth.

A very personal essay that provides a clear introduction to Gilles Deleuze's thinking through his relationship with cinema, seen as a field of experimentation (existential, conceptual and aesthetic) to resist death, disaster and the stupefaction produced by the “modern fact”.

A book of fiction that brings together two environmentalist literary “fantasies” by Matali Crasset, with line drawings.

A major milestone in the history of design, this pioneering work by Tomás Maldonado, published in 1970, lays the foundations for a critical and committed reflection, open to an ecological perspective, against the drifts of utopian regressions or exacerbated productivism.