Theater of Exhibitions analyzes “art after the end of art,” questioning whether inherited frameworks of making, theorizing, and exhibiting art still apply to contemporary practice.

A new series of oil paintings by Swiss artist which unveils the strange and wonderful aspects of common life.

This substantial monograph gathers reflections on Ane Hjort Guttu's recent film projects and offers insight into the artist's work and methodology, and the potential of art as a critical and political tool.

This unique publication, filled with annotated images, presents an inventory of design, furniture, and textiles produced for Fogo Island Inn. Each piece is a collaborative effort between artisans and craftspeople living on the island and designers from various parts of the world who were invited to engage with the history and communities of Fogo Island and Change Islands in Newfoundland, Canada.

Five cinematic works examining how the artist approaches the relation of montage editing techniques with the concept of film and memorial and film as memorial.

The second volume of Sculpture Unlimited looks at the influence of new technologies on the practice of sculpture.

Through the use of a saturated blue color altered by light and demarcated by architectural forms, Haliti's installation for the Kosovo Pavilion at the 56th Venice Biennale reflects on the salient concepts of the border, freedom and mobility. This extensive documentation is an invitation to encounter a visual field in which territorial boundaries are referenced and mediated by the sensory.

This richly illustrated publication reviews the additions to the Generali Foundation collection made under Sabine Folie's leadership between 2008 and 2014.

Artist's magazine.

A collaboration between Toilet Paper and Kenzo (limited edition of 2000 hand numbered copies).

Cutting across diverse thematic interests and modes of investigation, the thirty-five essays in Realism Materialism Art (RMA) offer a snapshot of the emerging and rapidly changing set of ideas and practices proposed by contemporary realisms and materialisms, and examine their ramifications on the arts.

Three art historians offer perspectives and analyses on Monkman's work that address history and genre painting, the queered Romantic landscape, the shifting and unfixed subject, race, sexuality, conquest and sovereignty, and modern versus discontinuous temporality.

A collective work bringing together thirty contributors, based on an experimental research project conducted with artists and theoreticians (philosophers, sociologists, historians, scientists...) around the question of the formats of art, a forgotten yet decisive issue that crosses contemporary artistic practices in depth.

Art and the City 2.0.

New monograph.

New monograph.

New monograph.

An anthology of texts on the work of Sigmar Polke written between 1973 and 2000.

A drivel is a short story wrote by Keren Cytter in a style reminiscent of Witold Gombrowicz, though its meaning gets lost in the continuous intertwining of characters, their stories and their memories.

Reference monograph: an overview of Marie Bovo's work, juxtaposing her latest projects with her emblematic photographic series, inspired by Mediterranean cultures (each series being put into perspective with the corresponding exhibition views), with two essays and an interview.

Comprehensive monograph: this first retrospective publication gathers together Mančuška's work, which combined different media—literature, film, theater, installations, video, and text—was exhibited widely, from the second half of the 1990s to his last unrealized projects from 2011.

A documentation on Claude Closky's artwork commissioned by the Paste association as part of the New Patrons program.

A 300 page pulp book, compiling a series of 230 short texts by Justin Lieberman in alphabetical order, as well as an essay telling the story of a now-destroyed installation piece, to which the texts were originally related: “The Corrector's Custom Pre-Fab House”. The texts, with their sarcastic tone, can be read autonomously: they are a meditation on capitalism and material culture, between poetry, description and fiction.

Amar Kanwar's extensive project on the social struggles and expropriation issues which take place in the land of Odisha in east India (in collaboration with Sudhir Pattnaik / Samadrusti and Sherna Dastur).

Lester's second monograph is an alphabetical assortment of the artist's most prominent installations, interventions, sculptures, and films of the past fifteen years.

A series of photographs which dismantles stereotypes by documenting the actual realities of everyday life in Africa.

America's decoration frenzy: graveyard cemeteries, ghosts, guillotines, skeletons in coffins, dismembered body parts, giant spiders... Halloween horror-themed scenes shot at daylight (artist's book).

Issues results from the invitation made to Sébastien Roux to compose from the six issues' collection of the contemporary art magazine about sound Volume, released between 2010 and 2013, using the textual corpus as a generator of scores to write and eventually have performed.

Avant-garde meets Cinecittà: in 1964, artists Baruchello and Griffi edit found footage of Hollywood films from the fifties in Italian version. This original assemblage seeks to disclose the formatting process in the Cinema Industry and offer a new meaning to images.

A tribute to François Ristori (new monograph).

Mario Bellini and his “Kar-a-sutra” space-mobile take a wild photographic ride in America during the seventies.

Inspired by Persian tapestry, Kour Pour's paintings are highlighting the artist's interest in the cyclic life of images, shifted back-and-forth between the online realm and the material world. This first monograph includes images of all the paintings on display, some installation views and a photographic documentation of the art work's making process, along with an essay by the curator Nicola Ricciardi.

Taking the historical account of philosopher René Descartes' creation of an animatronic effigy of his deceased young daughter as its foundation, Descartes' Daughter explores the traditional divide between conceptual and expressive works, those dealing with either the mind or the body (catalogue).

A sequel to Kadath Fatal: drawings inspired by H. P. Lovecraft (artist's book).

Featuring: interview and portfolio by Michel Houellebecq, Bouchra Ouizguen in Marrakech, which cultural life in New Orleans, 10 years after Katrina? (reportage), a portrait of Tiago Rodrigues, director of the National Theatre of Lisbon, Titus Andronicus's punk opera...

The first book entirely dedicated to the sculptures of multimedia artist Doug Aitken, this volume offers an overview of his 3D works and includes a specially commissioned text by acclaimed novelist Steve Erickson.

Sur vol. II invites a series of encounters between artists, writers, and curators working in the Middle East and in Mexico to explore the rich, relatively uncharted history linking both places, especially around the notions of utopia and exile.

A touring exhibition which explores the existing and sometimes hypothetical connections that led four Chinese artists to settle down in Eighties' New York.

Drawing relations between writers' quotes and the works of Céleste Boursier-Mougenot (with a text by Benoît Viguier).

A collection of texts connecting ancient Chinese culture and contemporary art in search of a better understanding of our relationship with nature.

First monograph: an overview of the evolution of New York-based artist Michael Williams' work.

Light, skin, titan and body-consciousness to navigate between shelter and space: this artist's book shows collages of objects layered around in life size, then spreads out into the book space and installation works using photography and film.

This seventh issue gathers six polymorphic texts about the many aspects of drunkenness and intoxication in art and society (with Sébastien S. Th. Biset, Antoine Boute, Emmanuel Giraud, Pierre Hemptinne, Tom Marioni, Véronique Nahoum-Grappe).

In 69 / 96, Fredi Fischli, Niels Olsen and Bob Nickas enter an inter-generational dialog about exhibitions that is both personal and art historical, presenting works from 1969 and 1996 (catalogue).

Musician Kamran Sadeghi took field recordings from an anthropological research on Tierra del Fuego as a starting point to compose his digital musical score for a video installation by Mario Pfeifer.

This book discusses preservation and outcomes of design-related objects in artistic collections taking the example of Dieter Roth's works inside the Frac Bretagne's collection.

This collection of photographs was made following an assignment commissioned to eight photographers from eight different neighbourhoods in Geneva. Their photographs were initially exhibited on billboards for the “Vis-à-vis” event. The editorial process resulted in a book on its own, in which various gazes “derive” within their own variations of urban space.

First monograph. An overview of French artist Corinne Laroche's work and artistic process since 1995, with two essays and an interview.

Stephen O'Malley, Julien Palomo / Improvising Beings, the Polish scene by Kasper Toeplitz, a history of musical destructions by Matthieu Saladin...

This artist's book documents a dialog, exchange, and collaboration between Per-Oskar Leu and Benjamin Tiven, from summer 2013 through the winter of 2015.