Based on Brancusi's photographic archives, this publication reflects on the sculptor's influence on Minimalism and installation.

A comprehensive monograph covering Nannucci's whole career and presenting a selection of his major projects.

A tale on the search for an ancestral relic that has the power to annihilate the universe. At the crossroads of an adventure novel, a science-fiction narrative, and a punk story.

A series of short visual stories designed with refinement by Japanese artist Koyama, whose subtle's pencil stroke, narrative use of geometric forms and application to render textures contributed to build a most fascinating artist's book.

Sophie Agnel, Anne Montaron, Vivian Grezzini, frederic dumond, Kasper T Toeplitz on the notion of composition...

This broadsheet publication documents and extends the investigations initiated during the first edition of Screamscape, an informal international institute of creation and research on screaming.

Up to date / Art, biology, (Al)Chem(istr)y / Etre étonné, c'est un bonheur ! (Ardouvin, Bagot, Barbazanges, Brial, Chotard, Darrot, Davrinche, Pierre & Gilles, Rauzier, Rousseau, Villeglé) / Céleste Boursier-Mougenot / Jocelyn Robert / Pascal Pinaud.

Stéphane Calais, Jean-Charles de Castelbajac, Jochen Gerner, Jean-Charles Massera, Ed Ruscha, Robert Stadler, Laurent Tixador, Collection Antoine de Galbert...

An historical study on the legitimation process of drawing in contemporary art and curatorial practices.

An historical study on the legitimation process of drawing in contemporary art and curatorial practices.

The French translation of David Grubbs's long-awaited study of the role that sound recordings play in representing experimental music of the 1960s.

Eric Mindling, a self-defined potterologist has explored Oaxaca and its 70 plus pottery villages for more than twenty years. This experience has become Fire and Clay – The Art of Oaxacan Pottery, a panoramic vision of the past, present and future of Oaxacan pottery.

Anguish Language approaches language as a core aspect of the present social crisis. The project engages in solidarity with forms of self-publishing, poetry, criticism, experimental writing and declamation that have arisen in the wake of the 2007-8 financial crisis, considering language among and through the social struggles responding to its consequences.

This book is the result of four years of collaborative work that focused on topics of affect, the return of history, ecology, and art and its markets in today's power law–based economies. It attempts to shift practices of thought toward both critical realism and new materialism.

Eric Mindling, a self-defined potterologist has explored Oaxaca and its 70 plus pottery villages for more than twenty years. This experience has become Fire and Clay – The Art of Oaxacan Pottery, a panoramic vision of the past, present and future of Oaxacan pottery.

A look at contemporary visual culture and how it has been progressively mutating towards models where seemingly opposite dimensions come together to create hybrid forms: material and virtual, textual and objectual, organic and artificial, consumerism and spirituality have been merging and blurring previously defined boundaries (catalogue).

Second volume of the Toilet Paper book, gathering all of the images published in the last six issues of the magazine, also including a significant portion of previously unpublished images.

6th issue of the art and research magazine is dedicated to Jean-Christophe Averty.

A reference book, the first in French dedicated to the work of Pino Pascali, a central figure of Arte Povera and art of the 1960s.

This two-volume publication tells the story of Juhan Ojaste, an Estonian gay icon, and tackles the issue of homophobia in authoritarian political regimes. Not Suitable for Work attempts to create counter-narratives that recognize the inclusion of suppressed histories, communities, and identities (catalogue of the Estonian Pavilion at the 56th Venice Biennale).

This artist's book gathers a collection of interviews by artist Mathilde ter Heijne, exploring the idea of open-ended, collaborative art processes and their transformative potential beyond the confines of art.

Theater of Exhibitions analyzes “art after the end of art,” questioning whether inherited frameworks of making, theorizing, and exhibiting art still apply to contemporary practice.

A new series of oil paintings by Swiss artist which unveils the strange and wonderful aspects of common life.

This substantial monograph gathers reflections on Ane Hjort Guttu's recent film projects and offers insight into the artist's work and methodology, and the potential of art as a critical and political tool.

This unique publication, filled with annotated images, presents an inventory of design, furniture, and textiles produced for Fogo Island Inn. Each piece is a collaborative effort between artisans and craftspeople living on the island and designers from various parts of the world who were invited to engage with the history and communities of Fogo Island and Change Islands in Newfoundland, Canada.

Five cinematic works examining how the artist approaches the relation of montage editing techniques with the concept of film and memorial and film as memorial.

The second volume of Sculpture Unlimited looks at the influence of new technologies on the practice of sculpture.

Through the use of a saturated blue color altered by light and demarcated by architectural forms, Haliti's installation for the Kosovo Pavilion at the 56th Venice Biennale reflects on the salient concepts of the border, freedom and mobility. This extensive documentation is an invitation to encounter a visual field in which territorial boundaries are referenced and mediated by the sensory.

This richly illustrated publication reviews the additions to the Generali Foundation collection made under Sabine Folie's leadership between 2008 and 2014.

Artist's magazine.

A collaboration between Toilet Paper and Kenzo (limited edition of 2000 hand numbered copies).

Cutting across diverse thematic interests and modes of investigation, the thirty-five essays in Realism Materialism Art (RMA) offer a snapshot of the emerging and rapidly changing set of ideas and practices proposed by contemporary realisms and materialisms, and examine their ramifications on the arts.

Three art historians offer perspectives and analyses on Monkman's work that address history and genre painting, the queered Romantic landscape, the shifting and unfixed subject, race, sexuality, conquest and sovereignty, and modern versus discontinuous temporality.

A collective work bringing together thirty contributors, based on an experimental research project conducted with artists and theoreticians (philosophers, sociologists, historians, scientists...) around the question of the formats of art, a forgotten yet decisive issue that crosses contemporary artistic practices in depth.

Art and the City 2.0.

New monograph.

New monograph.

New monograph.

An anthology of texts on the work of Sigmar Polke written between 1973 and 2000.

A drivel is a short story wrote by Keren Cytter in a style reminiscent of Witold Gombrowicz, though its meaning gets lost in the continuous intertwining of characters, their stories and their memories.

Reference monograph: an overview of Marie Bovo's work, juxtaposing her latest projects with her emblematic photographic series, inspired by Mediterranean cultures (each series being put into perspective with the corresponding exhibition views), with two essays and an interview.

Comprehensive monograph: this first retrospective publication gathers together Mančuška's work, which combined different media—literature, film, theater, installations, video, and text—was exhibited widely, from the second half of the 1990s to his last unrealized projects from 2011.

A documentation on Claude Closky's artwork commissioned by the Paste association as part of the New Patrons program.

A 300 page pulp book, compiling a series of 230 short texts by Justin Lieberman in alphabetical order, as well as an essay telling the story of a now-destroyed installation piece, to which the texts were originally related: “The Corrector's Custom Pre-Fab House”. The texts, with their sarcastic tone, can be read autonomously: they are a meditation on capitalism and material culture, between poetry, description and fiction.

Amar Kanwar's extensive project on the social struggles and expropriation issues which take place in the land of Odisha in east India (in collaboration with Sudhir Pattnaik / Samadrusti and Sherna Dastur).

Lester's second monograph is an alphabetical assortment of the artist's most prominent installations, interventions, sculptures, and films of the past fifteen years.

A series of photographs which dismantles stereotypes by documenting the actual realities of everyday life in Africa.

America's decoration frenzy: graveyard cemeteries, ghosts, guillotines, skeletons in coffins, dismembered body parts, giant spiders... Halloween horror-themed scenes shot at daylight (artist's book).

Issues results from the invitation made to Sébastien Roux to compose from the six issues' collection of the contemporary art magazine about sound Volume, released between 2010 and 2013, using the textual corpus as a generator of scores to write and eventually have performed.

Avant-garde meets Cinecittà: in 1964, artists Baruchello and Griffi edit found footage of Hollywood films from the fifties in Italian version. This original assemblage seeks to disclose the formatting process in the Cinema Industry and offer a new meaning to images.