This publication is the outcome of a research project pursued by a group of artists, architects, and social theorists, who, in the face of exhilarating politics of accumulation and dispossession, explore commoning as the subject as well as the means of their collective study.

Reprint of a 2006 catalogue documenting the series of exhibitions and interventions curated by Hans Ulrich Obrist and Pedro Reyes at Casa Luis Barragán's in Mexico City (with Francis Alÿs, Daniel Buren, Gilbert & George, Dominique Gonzales-Foerster, Joseph Grigely, Rem Koolhaas, Lygia Pape, Anri Sala, Ettore Sottsass, Rikrit Tiravanija, Niele Toroni…).

This catalogue revolves around the transcript of a long length conversation between the French artist and art critic Irmeline Lebeer, structured as an illustrated abécédaire.

The third issue of Art Against Art is looking at art in a post-market culture in the face of the seismic political and economic changes in 2016. It features contributions by cybernetic art pioneer Roy Ascott, gallerist Mitchell Algus, philosopher Patricia MacCormack, writers Philip Sandifer and Iain Spence, artists Justin Shoulder and Manuel Gnam.

Anniversary issue concerned with performance acts in relation to the body as sculpture. Featuring essays on immobility in 1990s performance art, the deadpan inertia of the sculpture-body, immobility in the works of Gathie Falk and Megan Rooney, dialogue between the works of Kimsooja and Emma Hamilton, the relationship berween the human body and the object, the “cadaverous sculptures”, an interview with Sylvie Tourangeau, “Event” section, exhibitions and books reviews…

The use and status of literature and arts in Guy Debord's thought.

The museum of contemporary art in all its paradoxical characteristics.

First monograph.

First monograph.

Swiss-based artist Raffael Waldner is obsessed by car culture: its gloss, glamour and erotic undertones. In Salon, he focuses on motor shows, photographing—with superficial coolness––the hundreds of female models who act as car company ambassadors.

Three-volume box set dedicated to Peter Campus's work, one of the most important pioneers of video art (Catalogue of the first monographic exhibition of the artist in France at Jeu de Paume; facsimile of an out of print exhibition catalogue from 1974; Augmented Reality book including all Campus's work since 1971).

Trilingual monograph investigating five film-projects by the French-German duo. The publication features a series of essays and a high-quality photographic documentation.

This monographic publication delivers an in-depth exploration of Liz Magor's sculpture and installations produced over the course of 40 years.

Filmed inside a series of empty museum galleries across Paris, Ali Cherri's Somniculus articulates the tension between the lives of dead objects and the living world that surrounds them—thus highlighting their ideological value. This publication accompanies and complete the Lebanese artist's video project.

The words of Guillaume Belhomme inspired American musician Daniel Menche to create a 20-minute composition (mastered by Andrew Liles) which recalls the atmosphere of the French writer's text: a train on the move, a glass, the color of blood...

In Diary of a Leap Year, Lebanese artist produces 366 daily collages from political newspapers in Lebanon and the Arab World, as a protest to the violence taking place in this region.

This artist's book gathers an uncompromising collection of 200 found images and original work from Felicia Atkinson, composing a rasterized visual score.

This catalogue brings together works and archival material from Lassnig's New York days. Along with her paintings, watercolors and drawings, the publication gathers documenation on animated films she created in collaboration with the Women/Artists/Filmmakers, Inc. group. It also includes a text by Elisabeth Bronfen, “A Mysterious Point of Certainty: Maria Lassnig's Body-Awareness Painting.”

Artist's book containing a selection of 80 erotic drawings and watercolours taken from the 66 sketchbooks that the artist has used since 1972, and never previously published.

This book is the first compilation of the history of the Mamco; it offers a diachronic path through the institution's first 22 years of existence, from its foundation in 1994 up to 2016, and presents some one hundred exhibitions via illustrations, as well as a brief introductory text describing the characteristics and formats of the shows, and some of traces they have left in the collection (also available in English).

Bad dreams and ancestral fears play the leading roles in this first monograph rooted in darkness.

French illustrator Julien Brunet adopts the chiaroscuro style and the pointillist technique to create lascivious nudes of monstrous figures, evolving in a background of floral and organic patterns. His first monograph gathers a series of 36 ink drawings produced between 2010 and 2016.

The February issue of Artforum, with features on the art of Zhang Peili, Hanne Darboven, and Heather Phillipson, a conversation between Julia Bryan-Wilson and Miranda July on feminist film project Joanie 4 Jackie, Tim Griffin on HBO's The Young Pope, Bibiana Obler on Barbara Kruger in Washington, a Top Ten from Jun Takahashi, and reviews from New York, Miami, Hamburg, Stockholm, Baku, Mexico City, Johannesburg, and more.

This publication, conceived as an extension of the eponymous exhibition and its design, gathers scientific contributions from leading researchers and art and dance historians alongside in situ installation views, paying tribute to Léon Bakst, the greatest set designer of the modern era (new edition).

How to organize introductory dance classes (educational booklet).

This publication is the result of a series of meetings and interviews with Michel Butor in Italy, between 2012 and 2016. It also features texts by Mireille Calle-Gruber, Paolo Fabbri, and Butor himself, as well as six unreleased photographs from 1952 to 1958, documenting the French author's travels in Italy. The accompanying DVD À propos de. Entre littérature et art, le paysage véritable is a video-essay by Isabella Bordoni, and one of Butor's final appearance.

Publication introducing the synthesis of a project inspired by the artistic and intimate experience of Hans Hartung and Anna-Eva Bergman on the island of Menorca, where they built a house-workshop and lived in from 1932 to 1934.

Special Music Issue (included a flexi disc by D.A. Spunt).

Four portraits depicted with four raw matters: the regular and expanded edition of a limited edition artist's book originally published in 2012.

Limited edition, with an exclusive Toilet Paper tote bag included.

A new year's issue with strong political contents, featuring: Kelley Walker's new show, Oliver Payne, Jimmie Durham, Anna-Sophie Berger, Paul Pfeiffer, Sadie Benning, The Young Pope review, Victor Burgin's 1984 article “Yes, Difference Again,”—in addition to the usual contents.

A collection of previously unpublished texts and drawings (artist's book).

A collection of previously unpublished texts and drawings, with an original artwork signed by the artist (artist's book).

A meticulous survey of French photographer Valérie Belin's stunning series from Magicians, Bouquets and Lido to Brides, Bob, and Black Eyed Susan and continuing up to recent work including Super Models and All Stars.

A collection of texts by researchers, artists and critics, exploring Morgan Fisher's filmography in relation to his other artistic practices.

24 unpublished letters by Gustave Courbet.

Documentation around 17 commissioned artworks set in middle schools, as part of the Percent for Art Program established in the French Department of Seine-Saint-Denis.

A collection of notes written along the years by Spanish curator and Head of Institut Kunst in Basel Chus Martínez. Aimed at her students, this notebook gathers personal thoughts on artists who inspire Martínez's ongoing practice.

Photographic inventory of the rural landscapes of Switzerland and France, combining original photographs and found pictures customized by the artist. An ethnological and sociological approach which culminates in a poetry of the ordinary.

Be Polite follows the exhibition of largely unseen works on paper by one of Australia's most visionary and critical artists, Gordon Bennett. Including drawings, acrylic/gouache and watercolor paintings, poetry, and essays—the exhibition and publication are the first to present the work of Bennett since his death, and to pay homage to a figure of the post-colonial thought.

British artist Monica Ross (1950-2013) left behind forty years of socially engaged, feminist, and performative artwork, which has had a deep effect on contemporary art and society. This fully illustrated publication documents Ross's works from 1970 to 2013.

A visionary essay on the notion of artistic composition in a world spinning into a confused chaos.

This artist book is at the intersection of art, archaeology and genetics. It translates several years' research in the fields of archaeology, genomics and ethics into a publication at the interface of art and science. It consists of three essays by specialists and an interview, images from the Inrap collection and views of the artist's installation at La Maréchalerie, a contemporary art center in Versailles, France.

Monographic catalogue showcasing the under-recognized work of Brazilian-Japanese artist Lydia Okumura, who, for almost fifty years, has explored the realm of geometric abstraction

Catalogue documenting a video installation in which the British artist pursues her investigation on the translation of elusive, natural phenomena into formal language. Structured rhythmically around the pattern of a foghorn sounding, Grey Light finds its origins in the notion of the foghorn as an auditory marker for opacity.

Collection of poems and drawings by the Korean artist.

This publication is the result of a sound improvisation project by audio artist Alexandre St-Onge. It gathers a collection of hermetic poetry texts and 13 tracks of experimental sounds to download.

Gathering Pascal Pinaud's most recent works, this monograph features numerous exhibition views highlighting the artist's scenographic qualities and his relationship with design, furnishing and architecture. This edition includes two essays and a long interview.