Monograph documenting a project undertook by the Swiss artist from 2009 to 2016, in which she examines the practice and tools of a center for fundamental research in the field of cognitive neuroscience. With texts by Joerg Bader, Pascal Rousseau, and Anne Immelé.

Researcher Juliette Volcler on sound in public space; on identities and influences in music; an essay by Kasper Toeplitz; carte blanche to Patrick Renaud; Summer festivals, disc reviews, and more.

This publication reproduces the experimental filmmakers' notebooks from their journey in the Soviet Union at the end of the 1980s. Gianikian & Ricci Lucchi undertook this travel to gather the memories of the cinematographic literary and artistic Russian avant-garde of the '20s and '30s, seeking out survivors and listening to their life stories.

How technologies of image-capture and the channels of communication have in recent years transformed the very terms of human rights.

The Second Sound is an imaginary conversation based on the testimonies of musicians and sound artists on the role of gender and sex within their field.

Published to document a project by the Dagestani artist Taus Makhacheva that consists of the video Tightrope and a series of three performances, this publication is built around a dialogue between Makhacheva and the protagonist of her film, the tightrope walker Rasul Abakarov. It offers insight into the artist's practice and elaborates on the topics she tackles in her works.

The interplay of literature and contemporary art.

This reader brings together American and French scholars to discuss the recent paradigmatic shifts from anthropocentric theories toward new models of realism, objectivity, and even metaphysics, occurring in the realm of contemporary art and philosophy—with the school of thought called New Existentialism as a guiding topic.

This collaborative journey between Brazilian artist Ernesto Neto and members from the Huni Kuin indigenous communities brings to the fore the concept of “ancestral futures” and extends the concerns that have been evident in Neto's oeuvre over the past 20 years: a celebration of the sensuality of being, the unity of bodies and nature, and a longing for spiritual vision.

Arcana 2 is the second volume of a series of books designed to mount an archive of the present through a collection of emblematic documents of the twenty-first century, culled from the media, advertising, and the Internet. Based on the Nordic myth of Odin, this volume investigates the contemporary representation of the male body.

Centro de Arte 2 de Mayo in Madrid invited Oriol Vilanova to intervene in the center's collection of graphic works. Developing its reflections on the modalities of exhibitions, Vilanova collected and exhibited empty window cases from Madrid's museums.

The second of a four-chapter publication series by Rondinone, Golden Days & Silver Nights documents a cycle of works recently made by the artist in Rome: the installation of white olive trees's mouldings among the ruins of the Trajan Forum, and the exhibition “Vocabulary of Solitude” at the MACRO Museum, where sculptures of forty-five clowns were accompanied by a multitude of rainbow drawings.

Produced in conjunction with two exhibitions, this monograph offers a rich critical overview of Parreno's work, with essays by Cyril Béghin, Molly Nesbit, Brian O'Doherty and Adam Thirlwell, and two interviews with Hans Ulrich Obrist and Andrea Lissoni. An invaluable research tool for studying one of the most influential and charismatic figures on the contemporary art scene.

This first volume gathers traditional music from different areas of the Indonesian archipelago, featuring music from Sulawesi, The Moluccas Islands (Spice Islands) and Central Java.

This second volume dedicated to traditional music from the Indonesian archipelago covers music from the vast island of Sumatra (West Indonesia), The Moluccas Islands and the island of Bali.

The first of a four-chapter publication series by Ugo Rondinone, this catalogue documents the installation Vocabulary of Solitude—an arrangement of his works inspired by the color spectrum. The centerpiece comprises forty-five life-size sculptures of passive and contemplative clowns, who together describe the anguish of human solitude.

Comprehensive monograph in the style of a catalogue raisonné, giving unique insight into the multidisciplinary practice of Reto Pulfer for the past fifteen years (with texts by Anselm Franke and Benoît Maire).

The fourth issue of Art Against Art is looking at the change in temperature that has occured since last fall and the challenges art faces such as the rise in nativism in the West, the naissance of the influence of A.I. in art and the growing influence of the Chinese art market.

Fashion designer Rei Kawakubo's solo show at the Metropolitan Museum of Art; interview with William Pope.L on the occasion of his sound installation/performance at Documenta 14; Lindsay Lohan as a cultural phenomenon; interview with Pier Paolo Calzolari; the enigmatic art of Rodrigo Hernández; the choreography of Ligia Lewis; the filmmaking of Park Chan-kyong; exhibition reviews.

Sculpture in a Digital World: “Digital Fabrications”; “Assembling the Post-Fordist Social Factory”; “Sculptors And Technology: Beyond The Digital”; Null Object: Gustav Metzger Thinks About Nothing by London Fieldworks; Jesse Colin Jackson's Marching Cubes; the 3D Additivist Cookbook; interviews with Grégory Chatonsky & Dominique Sirois, Erika Lincoln; the 6th edition of La Littorale; reviews and selected publications…

An account of a three-year research program focusing on working women's struggles in Britany: the publication provides an overview of the studies and artworks produced within the framework of the program, as well as extracts of lectures and a set of original archives.

Publication documenting an interactive installation by Samuel Bianchini commissioned by the Maison du geste et de l'image in Paris as part of the “New Patrons” program.

A collection of texts by researchers, artists and critics, exploring Morgan Fisher's filmography in relation to his other artistic practices.

Monograph dedicated to the Californian artist, whose work takes the city of Los Angeles as both iconographic source and main subject. This well documented and illustrated publication offers a chronological overview of Israel's heterogeneous projects—paintings, flashmobs, a brand of eyewear and its related advertising, a talk-show, interviews, webseries, sculptures, a movie—each introduced by a short text from the artist.

This work is the result of a historiographical research work carried out to revive the highlights of the Centre d'Art Contemporain Genève since its creation in 1974 to the present day. Articulated in two sections, the book traces, through nearly 500 richly illustrated pages, the singular history and the moments of grace of the first Kunsthalle of French-speaking Switzerland.

This study addresses the scope of the use of found objects and garbage by the Nouveaux Réalistes in the 1960s.

Postmodernism and gift culture: everyday objects in contemporary art since the 1960s.

This artist's book compiles true propaganda photographs of the Third Reich with stills from actors playing Nazis in Hollywood movies: a radical commentary on our alarming present condition, in which the lines between populist and fascistic politics are increasingly blurring.

This publication stems from The Devil's Peak (in beige), an installation created in the Californian desert of Amboy by Maxime Bondu and Bureau A (Leopold Banchini & Daniel Zamarbide). The project deals with how the absence of water conditions life in the desert.

185 photographs of everyday objects secretly made by inmates in their cells.

What would a current-day demon look like? The Swiss artist playfully rehabilitates these evil figures in 170 minimalist portraits—rendering them as an ideal type of the postmodern, at once terrifying and comical.

Perfect Cherry Blossom presents the first and long-awaited collaboration between British artist Oliver Payne and Japanese pop artist Keiichi Tanaami. For this new series, Payne has reworked original drawings by Tanaami, adding stickers featuring motifs from Japanese “bullet hell” video games.

An in-depth exploration of the Canadian artist's anthropology-based research method in the form of a conversation with Corinna Ewald, Smaranda Olcèse, and Julie Pellegrin (inaugural title of the “Digressions” series initiated by La Ferme du Buisson in collaboration with Captures editions).

Since 2003, Bourouissa has been developing a multidisciplinary practice rooted in social reality, working primarily with representations of a contemporary urban environment. This catalogue accompanies the Franco-Algerian artist's exhibition at the Barnes Foundation, which gathers his most significant works to date—including Horse Day, his first project in the USA.

Instruments is the catalogue accompanying Ismaïl Bahri's exhibition of the same title at the Jeu de Paume. It is also his first monograph. Bahri's oeuvre, which dates back to the 2000s, is like a precise and sensitive record of events and experiments; its often mechanical kinetics are particularly evocative of the film process. His experiments are based on the tiny nuances and minute developments that occur when simple things are brought into contact with each other. They demand an acuteness of gaze that leads one to question the limits of perception and the visible.

This monograph dedicated to Wyatt Kahn encompasses his painting production from 2011 to 2017, and introduces his recent exploration of photography.

In (a, b, c) Ulises Carrión presents one if his early linguistic exercises in English, originally handwritten in green ink in 1972. The author observes and explores the structure of the sonnet. He develops fourteen interrelated sequences, which he uses as a key to codify a narrative. The text of each poem follows the schematic order of its title.

Publication reproducing one of Carrión's early linguistic exercises in English language, in which the conceptual artist dissects names of musical instruments to make sound appear.

Facsimile of the seminal magazine created by Ulises Carrión and Cres, originally published in 1979. In this photographic book—one of very few of Carrion's entire practice—the author is very critical about his own affiliation with the mail art movement. The book presents a series a photographs of his calling card filing box, which the author juxtaposes with witty and poignant captions.

Rrr reproduces typewritten pages written by conceptual artist Ulises Carrión in 1972. In his early linguistic exercises, Carrión played with the notion of learning by sounds and poetry. By creating his own onomatopoeia and sequences of repetition, he expresses his playful attitude towards poetry.

A complement to the project presented by the Vancouver-based artist at the Canadian pavilion for the 2017 Venice Bienniale, this publication includes over two hundred drawings by Farmer, at once perfectly readable and traumatic, and a glossary compiled by curator Kitty Scott.

First major monograph dedicated to the British artist, bringing together visual documentation, texts addressing the artist's multifarious practice over recent years, and a comprehensive chronology spanning his twenty-year career.

First monograph dedicated to the long forgotten German artist Josef Maria Schröder. Starting as a painter during the interwar period, Schröder then developed a ballpoint pen technique with which he produced intensely luminous abstract compositions and portraits of a surrealist/constructivist cast. These late works are featured in this volume, which includes original documents from the artist's estate.

Gathering works from 1994 to 2017, this new monograph focuses on the artist's fictional self-portraits from his lightbox series as well as on his musical production. It includes an iconographic documentation, essays by artists, critics, and curators, and a text by Graham himself.

The Liberated Page is an international union based in Geneva, Switzerland, which aims to support and promote the critical and intellectual dissemination of artists' books and independent editions across the world. A collective study gatheringthe thoughts of the union's actors on contemporary books and publishing (with Jungle Books, Footnotes, Edition Patrick Frey, Cadrat Éditions, Kodoji Press, edition fink, Nieves...).

This artist's book is characteristic of Jean-Michel Wicker's work with typography and graphic design. It features a series of graphic works, a “tree of life” produced in collaboration with Marlie Mul, a text by Harry Burke, and a recipe for Alsatian plum pie by Charlotte Wicker. The publication's inserts reproduce collages and paintings by Wicker.

For her show at Mamco, the French artist borrowed from the museum collections to reinterpret a series of artworks by Imi Knoebel, Steven Parrino, Frank Stella, John M. Armleder, Luciano Fabro, Robert Filliou, and Christian Robert-Tissot. Both a catalogue and an artist's book, this publication replays the exhibition much like a snapshot collection.

Discovering the id, ego, and superego with Dr. Freud (an illustrated philosophy book for children).

A collection of essays on art and literature—most of them unpublished in French—by the American poet, performance artist, and critic.

Catalogue documenting two projects by the Colombian artist—a photo essay and an artist's book—focusing on immigration and family ties.