Slide Shows is a three-volume box set, with over 1.500 original drawings and texts in which Friedman gives his own personal understanding of the multiple ways of thinking the world through a series of “cartoons.”

The emergence of the new digital technologies and social media has transformed the very concept of the mass gathering. The present volume brings together a collection of studies that analyze this transformation and seize the opportunity to reevaluate the cultural and medial historiography of the masses.

Richard Serra, Mary Heilmann and Terry Winters on Ellsworth Kelly, Thomas Eggerer on Monika Baer, Douglas Crimp talks with Thomas Beard about “Queer Cinema before Stonewall,” Maggie Lee on her video Mommy, sex and art from Fragonard to Manet, Claire Bishop on Peter Fischli & David Weiss, and exhibition reviews from Los Angeles, London, Düsseldorf, Paris, Beirut, Hong Kong, Rio de Janeiro, and more.

The publishing project Ennesima interprets and investigates the multiple, extensive thematic content covered in the eponymous curatorial project of seven exhibitions spanning over fifty years of contemporary art in Italy, since the beginning of the sixties to the present day.

A photographic portrait of Kampala's bustling nightlife.

A photographic documentation from a field research on folk athletic contests in male rural Finland in the beginning of the 20th century.

The genesis and documentation of a video and mapping project on the detrimental effects of foreign authorities' actions in past and present Mexico.

Nicolaus Schafhausen interviews Goshka Macuga, Sam Thorne talks with Cally Spooner and Marguerite Humeau, Carol Bove and Tauba Auerbach exchange emails regarding work and life, Tara McDowell and Céline Condorelli in conversation, John Menick on A.I. and beauty, Rebecca Warren and Albert Oehlen, an essay on belly dancing by Martha Kirszenbaum, Joana Hadjithomas & Khalil Joreige, Sondra Perry...

Reissue of CoBrA co-founder's masterpiece of musique concrete.

Reissue of CoBrA co-founder's masterpiece of musique concrete.

A series of paintings by Swiss artist Emil Michael Klein.

The starting point of this publication and of the work it accompanies is travel, and more specifically, the wave of new perceptions that travel brings and the transformation that it causes. Artist Guan Xiao compares the volatility of this process with the fluctuation of the weather.

For nearly thirty years, Elio Montanari has been photographing artists at work—either producing or installing their artworks in the context of major exhibitions and international events. The photographs reproduced within this publication capture with full spontaneity the working process involving artists, assistants, curators and peers.

Special issue devoted to the theme of the drawing rituals.

Special Trans-and Posthumanism Issue: curator's key by Anselm Franke, 1992's “Post Human” group show, Hans Scheirl's Dandy Dust, eating the future: a roundtable, how to become an alien, portraits of Ian Cheng, Stelarc and Hannah Perry, Bernhard Willhem on the perfect body of the future, Transformers: an essay by Bryan Droitcour, Elisa Ambrogio's music videos, Guyotat's Eden Eden Eden…

Part four in the Selten Gehörte Musik reissue series, with a recording by Günter Brus, Hermann Nitsch, Dieter Roth, and Gerhard Rühm originally published as a 3LP-Box by Hansjörg Mayer in 1975. Apart from the group session this edition also includes a duo piano session by Dieter Roth and Hermann Nitsch recorded in Stuttgart in November 1975.

Transcript of a lecture given at the Musée de la Civilisation, Québec, in 1993, in which the scientist Ilya Prigogine suggests an understanding of time that isn't just a measuring variable but a real dimension whose most fertile property would be its irreversibility.

An attempt to define the spirit of an age: exploring how today's myths, identities, and cosmologies relate to current advances in technology—through reference to the material basis to our most developed weapons and tools; a class of seventeen rare earth elements from the periodic table—Rare Earth challenges the rhetoric of immateriality associated with our hypermodern condition.

Devoted to the graphic practice of the artist, Giorgio Griffa – Works on Paper points up the singularity and importance of drawing in Griffa's creative process while introducing a rare selection of drawings and watercolours.

The updated chronological compilation of Yona Friedman's plans, sketches, drawings, models, collages, installations, etc., since 1945: a monumental publication which offers a complete overview of the work of one of the greatest artists-architects and urbanist theoreticians today, in its many dimensions (urban, economic, ecological, cultural, social and political).

Shanghai special issue.

This publication showcases a selection of photographs taken by the artist, over a year-long period, in second-hand shops, flea markets, antique stores and auction houses in Berlin.

Through 650 images drawn from the French National Institute for typographic research unpublished archives, this catalogue tells the untold story of a period of profound technological change, exploring the little-known world of typography design through a diverse selection of projects drawing on both an age-old craft tradition and the most radical innovation.

Barthélémy Toguo's address to the African Ministers of Culture for a better recognition of art and African artists on the Continent.

The role of infrastructure and logistics in today's art scene

Barthélémy Toguo's address to the African Ministers of Culture for a better recognition of art and African artists on the Continent, with an original artwork signed by the artist.

New monograph.

First monograph.

An historical and ethnographic investigation into the popular origin and environment of Cubist innovations.

This seventh and penultimate installment in the series Henri Pousseur had programmed around his experimental and electronic music features his earliest works—his first steps—starting in 1954, when at twenty-five he composed his first piece of electronic music in the studios of the Cologne radio, where Stockhausen had created most of his famous pieces.

This catalogue documents the encounter between Eliasson's sensorial artworks and the baroquean atmosphere of Prince Eugene's Winter Palace in Vienna.

With this volume, Shahryar Nashat recalls the life and death of an iconic art object—a green dodecahedron called La Shape—operating in many of the artist's works since 2011.

Paris céramique is the result of a four-day ceramic workshop that took place in Paris in 2013 with Bastien Aubry, Dimitri Broquard, and Adrien Horni, following an invitation by Thomas Mailaender.

This first monograph on French-Algerian artist and performer Carole Douillard spans her entire work from the end of the 1990s and invites us to reflect on her performative and non-material practice, interrogating the forms and issues of contemporary performance.

This volume is a collection of dynamic and engaged writings by art historian John C. Welchman on a range of contemporary European artists that emerged in the late 1960s and 1970s. Welchman poses thoughtful and provocative questions about how artists receive and negotiate the social and aesthetic histories through which they live and work.

An historical account of Ben Kinmont's bookstore, from the structure's origin, the events and publications it has generated. Kinmont also demonstrates how this activity has contributed to his independence as an artist vis-à-vis the commercial art circuit.

The groundbreaking work of Masaki Fujihata presented as an immersive intermedia experience through augmented reality technology (retrospective monograph under the form of a ring binder, with a dedicated AR application).

French artist Jean Dubuffet and French art historian Hubert Damisch shared a long friendship between 1961—the year Damisch published his first essay on Dubuffet—and 1985—when the latter died. Entrée en matière gathers together all the texts written by Damisch on Dubuffet as well as a selection of their correspondence.

Location Scout is an artist's book by Emanuel Röhss conceived as part of a 2015 project that addresses the interrelation between the Ennis House built by architect Frank Lloyd Wright in Los Angeles in 1924 and the Hollywood film industry in particular and the production of pop culture at large.

A visual journey through ten years of Denis Savary's exhibitions (first-ever retrospective catalogue).

Benjamin H. Bratton's kaleidoscopic theory-fiction links the utopian fantasies of political violence with the equally utopian programs of security and control. Equal parts Borges, Burroughs, Baudrillard, and Black Ops, Dispute Plan to Prevent Future Luxury Constitution charts a treacherous landscape filled with paranoid master plans, failed schemes, and dubious histories.

A composition by Yannick Dauby built upon the eletroacoustic modulation of Japanese bats' ultrasonic voices.

Since the set up of Xavier Veilhan's The Monster in the center of Tours in 2004, the statue has been subject to various cultural appropriation by the locals. This book aims to document both the development of the project as part of the New Patrons program as well as the life of the statue within the city.

Eva Kot'átková's most ambitious publication to date, divided in two volumes, reflects her obsession with reshaping and hijacking pre-existing photographic images.

This publication is a continuation of Gabriel Sierra's site-specific installation project at the Renaissance Society in 2015. The book expands on and further examines the topics and ideas of the exhibition, that of the relation between the body and its spatio-temporal framework.

Ziad Antar experiments forms, colors and light with his lensless camera, during a long journey searching for the cities where mythology was born. At the core of his work is the questioning of the foundations of photography, through the destructuration of this art (monograph edited in collaboration with Hans Ulrich Obrist).

Projects, texts, visual essays and conversations with about thirty international artists, curators, critics and authors: Zoe Williams, Kynaston McShine, the exhibition as poem by Jean-Max Colard, Haim Steinbach's POP UP section investigation, visual projects by Slavs and Tatars and Puppies Puppies, Andra Ursuta, conversation between Simon Denny and Hans Ulrich Obrist, Cécile B. Evans, Emily Roysdon, Melanie Matranga...

This catalogue compiles individual collections from artists and considers the act of collecting as a portrait of its collector and also as an artistic method—as a process rather than an end result.

The new impact of corporations on both the state and the market as the new paradigm of neoliberalism.

This monographic catalogue collects the visuals of works focusing on the relationship between the activities of the intelligence agencies and magic practices during the Cold War era.