Cave is a series of publications dedicated to contemporary collecting. The first issue looks into the territory of the public collection considering it both a semantic ground for institutional collecting as well as political and cultural infrastructure.

Louise Bourgeois, Adel Abdessemed, Jan Fabre, Judy Chicago, Andres Serrano, Sara Favriau, Camille Henrot, Tino Sehgal, reviews of Angélica Liddell and Nadia Lauro plays, Brussels Kunstenfestival, festival d'Avignon, festival TransAmeriques…

Intersubjectivity is a collection of writings on the presence of language in the visual arts: the first volume makes a case in favor of concretism in contemporary artistic practices.

A list of titles for exhibitions available free of charge from the artist (artist's book).

A record of experimental electronic music that explores possible relationships between voice and modular synthesis.

Starting from the art collection of the museum M in Leuven, Vilanova reflects on the artof exhibiting and explores display modes from showcases to postcards.

An examination by artists, publishers, and scholars of recent publishing concepts emerging from the experimental literature and art scene.

The second issue features contributions by a range of authors from different fields such as art criticism, investigative journalism, postcapitalist economics, accelerationist philosophy and transhumanist theory. Featuring: Kenny Schachter, Linda Yablonsky, Michael Gross, Paul Mason, Natasha Vita-More, Armen Avanessian, Joseph Walsh, Casey Jane Ellison and Christian Haye.

Special issue featuring an original collection of 24 short literary works by visual artists and writers—in addition to the usual contents.

6th issue of the art and research magazine is dedicated to Nathalie du Pasquier.

First monograph.

New monograph.

This richly illustrated monograph documents a series of sculptural works engaging with the histories of 20th-century architecture, design and art—particularly the heritage of the Black Mountain College and the international Modern Movement.

A series of seven silk-screen prints depicting close-up images of Antunes's sculptures inspired by the works of Anni Albers and Lina Bo Bardi (artist's edition).

Poet Harry Burke recounts an extreme and barely legal experiment led by artist Raphael Hefti in a mountain village in Switzerland in 2008 (artist's book).

A compilation of insightful, first-hand accounts of art making, art criticism, and exhibition organizing from the early-1970s to the present.

This exhibition catalogue dedicated to Croatian artist Ivan Picelj provides a much needed closer look at the international neo-avantgardes of programmed art, taking a critically systematic approach to the investigation currently underway.

Retrospective monograph on all Beckman's video works since the 1970s.

Uniting the artist with two scholars of the Medieval Mediterranean, John Lansdowne and Christopher MacEvitt, this volume illustrates the movement of objects, images, people and places between Palestine and Italy.

Alexandre St-Onge pragmatically captures the ungraspable and hermetic sounds that emerge through the creative process.

The artist's own archive of phantasmagoria: a unique collection of objects and ephemera relating to magic, the paranormal, occultism, pseudoscience, technology as well as their cultural and media portrayals (new edition).

This artist's book presents a series of polaroids taken from inside a moving car's trunk portraying a dream-like sunbathed Los Angeles landscape, or indeed, an image that is now firmly imprinted in the collective imagination—asphalt, cars and palm trees silhouetted against expansive skies.

Caroline Sury's latest work: a series of phantasmagoric shadows cut out of black paper in a very refined mirror game.

Over 300 watercolors inspired by the film Rambo II (artist's book).

This volume documents a series of site-specific works by four artists looking at existence from an abstractionist point of view.

A swan song for Vienna's drinking dens.

Crisis Fashion by Daniel Horn / Mikael Brkic in conversation with DIS / Vêtements Fall-Winter 2016: Panel Discussion / The Modern Naked King by Taque Hirakawa / Women's History Museum / Stefan Kalmár / Bless in conversation with Anja Aronowsky Cronberg and Heinz Peter Knes / The Street by Tobias Kaspar & Tobi Maier / Interview with Kaspar Müller by Peter Fischli / On the Wardrobe of the Countess Greffulhe / Post-Hummannerism / Eric Sidner and Ryan Siegan Smith by Eric Bell / Mathieu Malouf by George Egerton-Waburton / Julia Moritz on Crystal Moselle's film The Wolfpack / Limited Editions: Julien Ceccaldi, Antek Walczak and Danny McDonald.

Hélène Frappat, Phia Ménard, Yasmine Hugonnet, the Syrian conflict onstage, urban psychoanalysis, interviews with Laurent de Sutter and Antoine d'Agata, when artists become filmmakers, British musical duo Autechre…

Andreas Tschersich's photographic portraits of peripheral areas around the globe capture the uniformity of these transitional spaces that form the hidden face of urbanity.

A photographic attempt to capture the elusive nature of the Californian landscape.

This book centers around the apple as an art object and as a case study in biodiversity under threat.

Bomb's Summer Issue: interviews with Lawrence Paul Yuxweluptun, Wadada Leo Smith, Dmitry Krymov, Patricia Treib, Lee Clay Johnson, Jesse Ball & Catherine Lacey, Jason Simon, Vince Staples, “artists on artists” section with Frederick Terna by Stephen Westfall, Brandan “Bmike” Odums by Zachary Lazar, Rebecca Smith by John Newman, David Brody by Elliott Green, portfolio by Steel Stillman, fiction and poetry, exhibitions and books' reviews…

A significant intervention into recent debates on the place of literature and writing in the context of contemporary art. Featuring essays on the highs and lows of the conceptual turn in poetics, avant-garde literary genealogies, and monographic pieces on Paul B. Preciado, Chris Kraus, and Pierre Guyotat, among others, Brutalist Readings explores the radical histories of writing, as well as its potential now.

Sol Carelo, Johannes Cladders' anti-museum, Dominique Gonzalez-Foerster by Jean-Max Colard, conversations with James Bridle, Alex Israel, Philipp Timischl, Rodrigo Hernández, and ÅYR, the sensorial motifs of Anicka Yi's work, Kevin Beasley, visual project by Amy Yao, emerging artists Debora Delmar Corp., Juliana Huxtable, Sophie Jung, Nancy Lupo…

This reader is the result of a series of public events, performances, and workshops which examined performative patterns and subvertive power in comedic and cartoonist practices.

The group exhibition “Fugitive Volumes” at Mohammed VI museum of Modern and Contemporary Art in Rabat presents three generations of artists trained at the Tetouan Institut National des Beaux-Arts, and in particular those who have flourished since the 1980s in the orbit of the artist-teacher Faouzi Laatiris, creator of the Volume and Installation workshop at the INBA in 1993. Beyond the documentation on the exhibition, this publication offers a critical and comprehensive archive on the “Ecole de Tetouan” and the history of a contemporary art in Morocco.

Issue 32 of the first biannual magazine thoroughly devoted to international contemporary artists' writings, including original texts by Julius Von Bismarck, Adrien Tirtiaux, Mayumi Kimura, Camille Henrot & Maria Loboda, Oier Etxeberria, and Mariana Castillo Deball.

Ten texts on the architecture of displacement set to music and sung by Albanian iso-polyphonic singers—commissioned for the Albanian Pavilion at the 15th Venice Biennale of Architecture (songs based on texts by Etel Adnan, Mourid Barghouti, Michel Butor, Claire Fontaine, Yona Friedman, Anri Sala, Michael Taussig, Yanis Varoufakis, Ornela Vorpsi, and Finn Williams).

The graphic tabloïd's brand new issue—for the first time in full color.

This catalogue brings together all support materials from Frac Franche-Comté's collective exhibition “Légende*” which focuses on the building of narratives and paratextuality in contemporary art. An “Erratum” brochure to be published at the exhibition's closure will complete this edition.

New monograph.

Ieva Misevičiūtė, prosthetics and sculpture, Anne Imhof, native North America, outsider aesthetics, New Scenario, a special section on artists curating exhibitions, Ronald Jones, Gary Indiana, Willa Nasatir, Ragna Bley, Noah Barker, Isiah Medina, the year 1972, relational ontologies, Geoffrey Farmer and Dora García, the emergence of the “Supergroup,” Cecilia Bengolea and François Chaignaud, radical domesticity: Morag Keil and Georgie Nettell, an essay on dress-up…

An acoustic-phonetic approach of book's corporeality in 38 tracks.

Theatrical rendition of an experimental international symposium centered around the topic of “presence” in arts, humanities and social sciences at Cabaret Voltaire.

Interviews with Steve Lacy, Guillaume Belhomme, Zëro and Jérôme Poret, a new section dedicated to sound arts studies, the practice of phonography, Henry Flynt, Steve Dalachinsky: a portrait…

Addressing fifteen years—from 1999 to 2014—of André Guedes's artistic practice, this monograph also proves to be the medium of a reflexion on anthological exhibitions.

This catalogue examines the role of the Museion Bolzano in the urban environment of Bolzano city in Italy by looking back at the museum's history and mission from the perspective of artists in all disciplines: architects, filmmakers, performers, musicians, composers, etc. These are joined by a number of major historical works that have inspired the exhibition throughout its conception and helped our understanding of museographic history.

This issue explores contemporary archetypes—the microcelebrity, the one-percenter, the refugee, the feminist, the sleeper, the saviour, and the thief—who likewise occupy a position between hyper- and invisibility within the social space.

Bringing together their shared and ongoing engagement with artistic practices from Latin America, Jens Hoffmann and Pablo León de la Barra have assembled one of the most significant contemporary survey's of recent art from the region.

Helge Mooshammer and Peter Mörtenböck analyze the networked spaces of global informal markets, the cultural frontiers of speculative investments, and recent urban protests, and discuss crucial shifts in the process of collective articulation within today's “crowd economy.”