A series of photographs taken in the margins of the 63rd Bilderberg conference, which brings together some of the most influential political and economic leaders of the Western world.

The artistic and pedagogical experimentations and the alternative networks developed in California from the late sixties.

This artist's book gives a photographic account of the Creech Air Force Base—a Drone Base set in Indian Springs, Nevada, which carries out military actions in the Middle East. Picture alteration plunges the viewer into an eerie, dreamlike narrative recalling the universe of J. G. Ballard.

Novelist, essayist and philosopher Michel Surya looks back on his past as an unwanted child and delivers powerful thoughts on hatred, death, and the will to live.

Artist's book (photographs and texts).

Special Protest Issue: French activists alternative lifestyle, Lisbon's music scene, experimental Japanese photography magazine Provoke, Marguerite Humeau and Ian Cheng, Mauro Herce' s Dead Slow Ahead, Tino Sehgal, Canada's new generation of Native American artists…

Set during the 2011 Occupy movement, the tell of a love revolution started by an army of activists willing to bring justice and equality for all on an intimate level.

Fall 2016 exhibition previews, featuring 45 noteworthy shows worldwide. Plus, Kerry James Marshall on Marvel's Black Panther, Alan Licht on Martin Creed's “The Back Door,” the art of Willem de Rooij, Amy Taubin on the art of Bruce Conner, a special dispatch on art in Dakar, Jill Magid discusses her new work, and Hannah Black reviews the 9th Berlin Biennale…

Interviews with Sarah Oppenheimer, Njideka Akunyili Crosby, Jen Bervin and Dianna Frid, Mel Chin, Marina Rosenfeld, Okwui Okpokwasili, Nell Zink, Laia Jufresa, “Artists on Artists” section with Audra Wolowiec by Emmalea Russo, James Esber by David Geers, Laura Owens by Claudia La Rocco, fiction and poetry, portfolio by Olga Chernysheva, books' reviews, end page by Jonathan Horowitz...

Proceedings of the 2015 National conference of the French Schools of Arts.

Taking the form of a dialogue between the philosopher Judith Butler and the anthropologist Athena Athanasiou, this thought-provoking book seeks to elaborate our understanding of dispossession outside of the conventional logic of possession, a hallmark of capitalism, liberalism, and humanism.

An overview of the fruitful long-standing collaboration between Amelia Cuni, specialist of Indian dhrupad singing, and minimalist experimental musician Werner Durand.

Artist's books and book history (new edition).

In this issue: Donald Trump's furniture, the opening of the Bir Zeit's Palestinian Museum, how digital technology renewed the art of painting, South Africa's student protests target colonial art in Universities, Rio beyond the postcard view, 1960's New York in photographs, culture and refugee crisis in Germany, the paranormal in early cinema, interviews with Jenny Holzer and Asli, and a portfolio by Roman Stetina.

Pauline Oliveros surrounded by Belgian Ensemble Musiques Nouvelles, performing 2 long pieces for orchestra.

A case study about concept cars and former modernist memories (artist's book).

Religious crimes, Rosetta spacecraft, Hillary Clinton, workers' struggle in France, Calais jungle: a critical commentary of the news by poet Julien Blaine.

Featuring: Medialabmx, The 3D Additivist Manifesto, Digital Technology and Stone Sculpture, interviews with Garnet Hertz, Darsha Hewitt, :vtol: (Dmitry Morozov), Dennis de Bel, Quayola, reports from Transmediale 2016 and Meta.Morf 2016, records and books reviews…

New Ways of Doing Nothing highlights artistic gestures challenging today's inclination towards productivity and growth (with Robert Breer, Claire Fontaine, Mathias Delplanque, Marina Faust, Ryan Gander, Karl Holmqvist, Jiří Kovanda, Superflex, Mario García Torres...).

Designed to be an artist's monograph as well as an artist's book, Parages unveils Guillaume Robert's practice as a video maker and a visual artist throughout seven chapters, with contributions by artists Louise Hervé & Chloé Maillet, Rémy Héritier, Marcelline Delbecq and Jean-Xavier Renaud.

Reprint of the multiple produced by Philippe Cazal in 1972.

Investigating the relationship between movement and sound, the duo has been developping installations to translate sound frequencies into vibrations. This double vinyl LP includes four recordings produced as part of this research project.

The AICA France Art Criticism Prize: a retrospective catalogue (2013-2015)

The political dimension of Visual Studies, between Francophone and Anglo-American studies.

First major monograph documenting the artist's main projects and interests for in situ approach, urbanism, ephemeral structures, gesture and materials.

Pauline Oliveros surrounded by Belgian Ensemble Musiques Nouvelles, performing 2 long pieces for orchestra.

From 2012 to 2016, Foreign Affairs, the international performing arts festival of Berliner Festspiele, and the Berlin University of the Arts (UdK) have been investigating the relations between the performing and visual arts. The festival has continuously produced projects with international artists that experiment with various institutional frameworks. This book is both a question and a manual, collecting ideas, knowledge and experiences that stem from the theory and practices developed over the past few years.

Kate Cooper stages CGI female models in a parody of lookbook. Reproducing the patterns of hypercapitalist aesthetics, her images underlie a powerful reflection on gender, representation, and the potentialities of the digital world.

New CD edition of a classic from Sub Rosa's catalogue.

Daniel Wilson's Radionics Radio project draws upon the fringe-science of “radionics”, with its invisible forces and psychic resonances, to spawn electroacoustic and electronic compositions employing very alternative tuning systems.

The 2017 Toilet Paper wall calendar features photographs conceived by Maurizio Cattelan and Pierpaolo Ferrari taken from their image-only magazine.

An analysis of new collaborative artistic practices interconnecting artists, designers, graphic designers, architects and researchers with different social and economic backgrounds, outside the strict boundaries of the art world.

A set of charades invented by Alain Séchas and illustrated with original drawings, with an original artwork signed by the artist.

Catalogue of a project designed for Maison de la culture du Japon in Paris as part of the “Transphere” Exhibition cycle. Atelier Bow-Wow and Didier Fiuza Faustino have long explored the issue of the habitat, inventing innovative and often provocative “machinery / habitats”. Here they have come together to create a “magical environment”.

A dialogue between the works of contemporary artist Amie Siegel and the historical spaces of the Villa Stuck in Munich (monographic catalogue).

Part monograph, part artist's book, a publication accompanying Ulla von Brandenburg's eponymous video work—a “danced film” dedicated to color.

A new artist publication coming in two different versions, revolving around Værslev's new series of “sunset” paintings.

This first monograph dedicated to Maxime Bondu's work includes an essay by Daniel Kurjakovic and focuses on nine of the artist's essential installations. Numerous sketches, drawings, mock-ups, archival material and exhibition views contribute to throw light on an experimental, speculative oeuvre that explores alternative readings of the world, history and society.

The catalogue of Metzger's first extensive overview: divided into sections—each of which is accompanied by a critical text—corresponding to those presented in the exhibition, the publication provides systematic insight into an artistic oeuvre considered as one of the most important in the 20th century (with texts by Mathieu Copeland, Hans Ulrich Obrist, Yoko Ono, Hermann Nitsch…).

A hybrid publication beween a catalogue and an artist's book, articulated on two different registers: a flip-book consisting of the frames of the two videos shown in the exhibition at MAXXI, published on all of the right pages in the book; and a section of critical texts and images documenting the exhibition, on the left.

New monograph: a photographic documentation on the site-specific works Under the Water at the Centre Pompidou Metz and gallery Kamel Mennour, completed with visual archives covering over thirty years of practice (1979-2015), and a focus on the artist's roof installations from 1995 to 2015.

Organised in 8 “episodes,” Brandon LaBelle's reference monograph guides us through a number of his installation works and scripts from 2003 to 2014, raising questions of space and community, and further, to the direction of the social and its political potential. Three essays and an interview, as well as the recording on CD of a recent live performance, complete the book.

The publication encloses a rich documentation on the design, construction and installation of an eponymous permanent work created by Liliana Moro for the seventh edition of “All'Aperto” (Outdoors) in Trivero, in the Piemonte countryside.

This publication documents a project initiated by Jay Heikes whose purpose is to reflect on collaboration as artistic practice.

The publication follows investigations lead by LOOP—a platform dedicated to the study and promotion of the moving image—and questions the act of collecting artists' films and videos.

Published on the occasion of the twenty-year anniversary of the non-governmental organization ART for The World, this publication presents the prestigious organization's activities during the period 1995 to 2016.

These volumes document Kunsthalle Lissabon's fourth and fifth year of activity, which happened between 2013 and 2014.

Road Back To Relevance gives insight into the last decade of Dan Rees's practice. It brings together groups of works—paintings, videos, installations, and photography—that have never before been viewed simultaneously, and reveals the complex nature of the artist's research.

This first comprehensive publication about the Silent University introduces the initiative—a solidary school by refugees, asylum seekers and migrants—and contextualizes it in the wider framework of both radical pedagogy and socially engaged art projects.

An artistic dialogue between German artist and computer composer Florian Hecker, and the late American sculptor John McCracken.