This artist's book presents a recent series of works by Emil Michael Klein. These large-scale oil paintings on canvas, executed from 2013 to 2016, are transformed here by the medium, format and reduced size of the printed book. Designer Teo Schifferli has brought together the artist's own selection of 30 high-quality art prints of his paintings, including different takes and angles on those canvases, as well as other stand-alone works by Klein.

Collection of black & white photographs celebrating Italian actress and filmmaker Asia Argento in Paris. The volume is risograph-printed and enclosed in a silk-screened slipcase. With a quite striking foreword by no-wave priestess Lydia Lunch.

What defines cultures? How enduring are they over time? And where are the origins of the foundations of what we regard today as European culture? This catalogue examines questions that emerge as soon as the discussion turns to culture. It gathers works by Jonathas de Andrade, Lothar Baumgarten, Yervant Gianikian & Angela Ricci Lucchi, Friedemann von Stockhausen, Clemens von Wedemeyer, and Aimée Zito Lema.

This publication presents the goals and objectives of the The School of Missing Studies—a collaborative and experimental platform study on urbanism in transition.

This issue of Spike looks at the real as a fault-line of art and a utopian horizon of its agency. Welcome to the oasis of the real (featuring Francesco Vezzoli, Maria Hassabi, Asad Raza, Emily Jacir, Wayne Koestenbaum, Gabi Ngcobo, Tristan Garcia, Calla Henkel & Max Pitegoff…)!

A transdisciplinary study on the Tutsi genocide, tackling various issues related to the writing and the transmission of the genocide's history, to its political and judicial dimensions, and to its media and artistic representations.

Rémy Zaugg's complete writings in 10 volumes in a box set (new edition).

A B BC is an artist book by Sven Sachsalber which collects 150 collages made in the last five years out of the notorious Artforum's back advertising covers of Bruno Bischofberger Gallery.

In Western Australia, musician Ross Bolleter collects ruined pianos that he parks into open cemeteries and from which he draws his inspiration for his compositions. In this publication, Bolleter explains his musical practice and tells the unique story of these ruined pianos scattered in the heart of the Australian territory.

Students and teachers of the Fashion Matters masters program at Sandberg Instituut, Amsterdam, discuss innovative ways of designing, producing, promoting, financing, selling, and eventually consuming in today's fashion industry.

At the crossroads of theater, performance, and poetry, this collection of texts puts forward women's voice to express their power of resistance against their condition.

The origins of the digital in architecture in 14 case studies from the late 1980s to the early 2000s.

This publication documents a site-specific work by Giovanni Anselmo at the Carlo Scarpa space of the Querini Stampalia Foundation, in the framework of the Venice Biennale.The project takes the form of a route of trajectories and directions, weights and energies which represent five moments in which a meaning is implied: the visitors become participants. It is a work in progress because it is lived and lives through the viewer.

For two years, Laurence Rasti photographed Iranian homosexual refugees who transit through the city of Denizli in Turkey, waiting to join a host country where to live their sexuality freely. The resulting photographic series explores the sensitive concepts of identity and gender, while juxtaposing the gravity of the situation with lighter and hopeful moments.

Tricks brings together a new selection of works from the early 2000s through 2017 by Dutch photographer Bart Julius Peters. The book's starting point is a series of photographs taken in the spring of 2008 depicting the green landscape and the empty pavilions at the Venice Biennale's Giardini.

A striking selection of words extracted from the notebooks of Isabelle Champion Métadier during a journey in New York. These quotes are arranged and accompanied by unpublished photographs.

A striking selection of words extracted from the notebooks of Isabelle Champion Métadier during a journey in New York. These quotes are arranged and accompanied by unpublished photographs, with an original artwork signed by the artist.

Collection of handwritten sentences revealing a lesser-known side of Jean-Pierre Raynaud's personality and of his relationship to art.

Collection of handwritten sentences revealing a lesser-known side of Jean-Pierre Raynaud's personality and of his relationship to art, with an original collage signed by the artist.

The book of the 14th edition of the international exhibition, curated by Emma Lavigne, with more than 50 artists.

First retrospective catalogue devoted to Dutch painter Peter Schuyff, a prominent member of the Neo-Geo movement, Has Been presents a selection of works produced between 1981 and 1991 in New York. The publication reveals the many paths taken by the artist and exposes the myriad forms which pictorial abstraction can take. Two critical essays, historical reviews, as well as a text written by Peter Schuyff in 1991, shed light on the artist's work of this period and on the complexity of its referential relationships.

With this essay, Ute Holl analyzes in detail and deep historical context major works by Freud, Schoenberg, Jean-Marie Straub and Danièle Huillet, all inspired by the figure of Moses. The author offers a dynamic and comprehensive political and cultural theory of migration and violence.

Double QR-Code LP (an empty sleeve with no discs), edition of 100 copies. The recording to listen online is a 5-hour composition for computer voice, first presented in Paris on March 25, 2000: a deepening of the idea of a dematerialized disc.

Catalogue dedicated to a video project on the practice of gospel mime within the African-American church. This subject is an opportunity for Jemison to express her interest in language and gesture, and on the discursive dimension of African American culture.

This publication documents Eliasson's Green light project —an artistic workshop for refugees, asylum seekers, migrants, and NGOs, whose goal is to fabricate lamps for fundraising education. It provides testimonies, stories, and memories by Green light participants, founders, and organizers, as well as essays by art historians and theorists.

Monograph documenting an eponymous project in which the American artist explores the relationship between humans and nature by means of a sculptural assemblage made out of the skulls of Europe's largest animal species.

Published for the Estonian Pavilion at the 57th Venice Biennale, Katja Novitskova's catalogue addresses emerging potentialities between visual culture, big-data-driven processes, and ecology.

Featuring newly conceived works, hand in hand with some older works from the 1980s, this catalogue illustrates Dillemuth's exhibition at the Künstlerhaus Graz, in which he created a new way of presenting his oeuvre, setting up site-specific theatrical scenes.

At an Uncertain Distance from the Ground by Jordi Mitjà is structured around a series of notes, sketches and photographs taken by the artist between 2010 and 2015.

The first title in a series of publications dedicated to artists' residencies at Maison Bernard, a masterpiece of organic architecture carried out in the 1970s by Antti Lovag in association with Pierre Bernard. The book documents a site-specific project by Paul-Armand Gette, the first artist ever to exhibit at Maison Bernard.

A study on the relationship between literature and madness from the 18th century until now.

The catalogue is the first comprehensive survey about the works and projects by the Brazilian artist and activist, spanning 1991 until 2015. It also includes unpublished artist's text by Alves, and essays by Pedro de Llano and T. J. Demos.

An introductory examination of asylum art before the theorization of art brut, followed by a new critical edition of French alienist Marcel Réja's study on the “madmen's art”.

Publication based on the eponymous film by Etienne Chambaud and Vincent Normand in which the authors develop the concept of the “Decapitated Museum.” The voice-over in the film has been made into a one-edition book, which was rephotographed according to the technique the authors used to make the film. The outcome is a photography book that is as much a text document than an imaginary scene.

Conceptual art in the United States (1965-1975): theoretical tools and European influence.

Monograph dedicated to painter Martin Jannink by François Michaud, curator at Paris Museum of Modern Art. The rare and remarkable painting of the French-Dutch artist is figurative, both romantic and expressionist, full of melancholia, out of present time, with a delicate and disturbing strongness. The publication also documents Jannink's participation in the 1956 Budapest insurrection.

An examination of intersections of mass-population displacement and architecture through the twentieth century and into the present (with visual contribution by Omer Fast).

Reference monograph surveying ten years of work centered around painting, with forays in other forms of art. The Italian artist's conceptual universe interweaves personal experiences with references to art history, literature, and music as well as to cinema.

This artist's book questions the status of the image in the digital era through a reinterpretation of a classical subject in art history: flowers and the female figure. Images of flowers and women are associated with backgrounds of a city landscape, including photographs of the Capitol Records building in LA.

A poetical and political questionnaire focusing on social exclusion and isolation issues in a French ghetto.

First publication to gathers all theatrical works by artist Guy de Cointet, written between 1973 and 1983. 25 plays, published with an explanatory apparatus and numerous documents from the de Cointet Estate at the Centre Pompidou's Kandinsky Library.

First publication to gathers all theatrical works by artist Guy de Cointet, written between 1973 and 1983. 25 plays, published with an explanatory apparatus and numerous documents from the de Cointet Estate at the Centre Pompidou's Kandinsky Library.

The American illustrator's new series, field with characters that operate in a kind of abstract epic or post-Columbian codex that blurs pure myth and daily life. Leines' output reflects the 80's pop culture, modern art and a global range of graphic influences.

A well documented bilingual (English / Japanese) publication presenting ten recent paintings by the artist, and highlighting the special relationship between Pierre Soulages and Japan, where his work was exhibited very early in his career and quickly enjoyed significant recognition. A unique catalogue, published on the occasion of the opening of Perrotin Tokyo.

This study offers a reflexion on the complex temporality in the series Breaking Bad. The author develop her theories through examples coming from the show's various visual elements and masterful temporal and narrative structuring.

Publication documenting the pilot episode of a series of video works by Invernomuto that avails itself of the structure and production processes of a TV series. This episode deals with the true story of a conflict between natives and settlers in New Zealand during the eighties.

Why do computer games exist? A historical and epistemological study of the computer game.

Photographic book celebrating the collaboration between the “UrbEx” photographer Francis Meslet and the “Mind Travels” Series—a series of albums dedicaded to ambient, neo-classical, and industrial music produced by French music label Ici, d'ailleurs. Meslet's photographs of abandoned places give a special echo to the musical approach of the series. The publication is sold with an audio compilation of selected musical pieces taken in the “Mind Travels” Series.

Harmony Korine, Tokyo collective Chim Pom, Lascaux 4, the revival of a Basque village, portraits of Théo Mercier and Mohamed El Khatib, interviews with SMITH, David Dufresne, Tania Bruguera, and Karim Moussaoui, Braguino by Clément Cogitore, analysis, exhibitions, and portfolios by Hannah Whitaker and Stefano Marchionini.

The catalogue of the Albanian Pavilion at the 57th Venice Biennale presents the work of painter and video artist Leonard Qylafi, whose practice has recently been focusing on processes of change and recollection. The featured works investigate the history of Albania and reflect on the nature of the image as such.