A journey through the visual universe of Fabian Marti, whose mystical photograms celebrate the alteration of consciousness through substances and shapes.

What language should be used to describe a place? This question is the starting point and the core question of Claudia Losi's project and namesake book, a collection of transversal contributions, from art to geography, from semiotics to psychology, which interrogates the way we perceive places and the role of our imagination in such a process.

Documenting a video installation addressing the consequences of historical sea travel.

A sequel to Texte, Texte 2 is another pocket-size artist's book presenting a mix bag from Bischof's exuberant collection of headlines, slogans, jokes, junk mail, lyrics, dialogues from movie scenes, aphorisms and a whole lot more—a present-day selection and yet a subjective quintessence of the textual archive he has amassed over the years.

A notebook illustrated with photographs documenting an installation project inspired by relationships built by the artist with the local people from French region the Camargue between July 2013 and December 2015.

A manual / first monograph on Lara Favaretto's works comprising iconographic documentation and complementary essays by critics and specialists.

Documenting Ian Cheng's latest “live simulations”—virtual living ecosystems in autonomous evolution—this monograph engages in a dialogue between art, new technologies and neurosciences.

An interactive catalogue in the form of a map with replicas of the works exhibited by the artist at Turin's Palazzo Madama.

Catalogue of Vezzoli's double project at Museion: as guest curator, presenting an exhibition of the Museion collection, and as artist, with the first complete retrospective of his sculptural work.

My House is a Le Corbusier / Broken English is a two-sided book containing two different projects by Cristian Chironi. Intersecting and diverging, both projects raise questions surrounding communication, reading and interpretation and concomitant linguistic and socio-political implications. The double-cover book is divided into two specular sections so the reader can choose to begin with either of the projects.

This catalogue / artist's book interconnects disciplines to reflect upon the complex role of scent as a fluid vector of identity, myth and memory, post-evolutionary science, body-synthesis, capitalism, power and branding.

In specially commissioned essays, as well as interviews, archival material, and new texts by the artist, this first monograph addresses the in-depth investigation of Plender's research and artwork into educational models and their relation to social organization.

One of Matt Mullican's central and most consequential inventions, the so-called “Rubbings,” are a kind of “frottages,” a technique the artist uses to produce specific pictures. The book presents a catalogue of the Rubbings on canvas from 1984 to 2015. It comprises around 500 works, documented by images and catalogue entries (the book also contains an essay by Dieter Schwarz).

This catalogue documents the eponymous double exhibition examining the ambivalent notions of transparency and opacity in the globalized world and their reflection in the work of contemporary artists.

An impressive collection of essays offering a critical examination of representations of vision in motion—from early illustrations of plants to the avant-gardes, from gesture to cinema, from decapitation to dance, from David Hume to Bergson and Deleuze.

Vitrine is the catalogue of the namesake project organized by GAM museum in Turin. Beginning four years ago, “Vitrine” has as its primary objective the research in the field of contemporary art. The title of the 2015-2016 edition, “Possibilità” (Possibilities), refers to the transformations that take place during one's life and their fluid and uncertain nature which is retraced in art.

Amateur is the first comprehensive publication about Wendelien van Oldenborgh's moving image works, and their accompanying installations.

Art and Identity Special Summer (triple) issue.

Brazil's artists face multifront crisis, Jordan Wolfson's distressing robot ballet, official repression and crowd-sourced censorship against Istanbul's galleries and artists, interviews with Kaari Upson and Ian Cheng, Malick Sidibé's Bamako nights, Beyoncé's Swiss inheritance, architecture's charity cases, where not to eat in Paris, reviews from Boston, London, Los Angeles, and New York, and a portfolio by Pilar Mata Dupont…

The enticing story of fashion label Thema Selection and its founders, contemporaries and companions.

This catalogue documents Charlemagne Palestine's eponymous solo exhibition, including his early video works, sculptures, paintings, installations, and sound scores.

The third issue of Gong! brings the psychedelic tradition back to life with a series of handcrafted black & white illustrations by graphic designer Arnau Pi.

FAQ is an accordion-fold art publication edited by Maurizio Cattelan and Myriam Ben Salah and commissioned by Le Dictateur. Coinciding with the 10th anniversary edition of Le Dictateur, the first volume includes works by Thomas Bayrle, Neil Beloufa, Caroll Dunham, Andra Ursuta, Jon Rafman, Kathy Grannan, Llyn Foulkes, Camille Henrot, Steven Shaerer, Korakrit Arunanondchai, and Judith Bernstein among many others, and will expand into a yearly series.

An historical and theoretical account of painting as a privileged practice, discourse, and institution of modernity (contributions by Benjamin H. D. Buchloh, Sabeth Buchmann, Isabelle Graw, Jutta Koether, Jacqueline Lichtenstein, Matt Saunders...).

A selection of notes on Cally Spooner's forthcoming novel—shaped as a map of potential starts, plots and snippets of dialogue between possible characters.

Peeping Tom's Digest is an experimental, empirical and subjective publication dedicated to contemporary artistic practices. This issue, dedicated to Paris, teases out an offbeat and distanced portrait of the Parisian and French scene

Peeping Tom's Digest is an experimental, empirical and subjective publication dedicated to contemporary artistic practices. This issue, dedicated to Paris, teases out an offbeat and distanced portrait of the Parisian and French scene

Considering the relations between art and football through the example of an artwork commissioned by the Red Star Football Club as part of the “New Patrons” program, initiated and supported by the Fondation de France: a polyptych composed of eight oil paintings on wood panels, offering different viewpoints of the stadium and the life of the club.

This applied research project and publication deals with archival practice and its spatial repercussions. Inquiring whether any accumulation and organization of knowledge is productive—to the effect that it generates a narrative and / or history—the project focuses specifically on archives becoming productive due to their spatial framework.

Limited edition, with Toilet Paper fan included!

Dedicated to the long-lasting ties between Mexico and France, this survey catalogue's common thread is the foundation of a Fourierist-inspired community in Jicaltepec in the 19th century. The historical event interacts throughout the volume with the works of artists questioning the notions of travel, exile, relationships and utopia.

A photographic artist's book focusing on a former cement factory in Sweden. Kriemann's concern with archaeology, archival materials, and lost narratives is once again affirmed in this publication which came as the result of a residency program in Gotland Island and for which she collaborated with poet Maria Barnas and writer Kirsty Bell, among others.

A collection of texts defining utopia as a place existing only within the domain of language, Utopia gives a synthesis of historical utopias and a snapshot of the 1970-1980's poetic scene.

A collection of 70 penis drawings inspired by the borough of Manhattan. Made in one day in 1978, this early work forms a singular, ecclectic and playful guided tour of the city—including drawings and series such as Phallic buildings form 7th Ave., Drawing Penises in front of Tiffanys, Penis with doors – Carnegie music hall, The best place to draw penises, Self portrait at home…

The book documents a mixed-media installation by Sam Falls where the artist explores ways of faithfully representing time and understanding it through art. For Falls, time is elusive and the future is “filled with meaning” only when it becomes “now”. The present, divided between past and future, has the optimism of production and the melancholy of aging.

This catalogue presents an art-historical angle on Chen Zhen's unique way of questioning his experience of globalization through art.

A collection of unpublished or rare texts by architect and theoretician Frederick Kiesler written between 1927 and 1957.

22 new dreamlike (or nightmarish) living tableaux by Maurizio Cattelan and Pierpaolo Ferrari.

Umberto Eco's open work theory, David Hammons, Bret Easton Ellis and Alex Israel's collaborative text paintings, individuality and community in Mélanie Matranga's environmental art, Bill Kouligas's Berlin-based record label PAN, åyr art collective, Martine Syms's inquiries into representations of blackness, a late-in-life interview with William N. Copley, reviews…

Counterculture & cyberculture: exploring human potential from psychotropic substances to technological advances.

Special feature on Fetishism (ready-mades, the aesthetics of commodity, Benoît Pype and Kapwani Kiwanga, interview with Musa paradisiaca…), “Events” section honours artist Mathieu Lefèvre, essay by Jean-Alexandre Perras and Érika Wicky on Tate Britain's exhibition “Sensorium,” exhibitions and books reviews…

Side Effects follows an international artistic exchange born from questioning the “sides effects” of artistic activity—sideline jobs, multiple works, choice, accident. This hybrid publication contains archives, photographs, notes and drawings as well as texts, interviews and images from art historians, sociologists, critics and artists.

The catalogue of Daito Manabe & Motoi Ishibashi's first exhibition in France. On this occasion they created an installation using LED lights and smartphones—a new work combining the real and the virtual, the seen and the unseen. This volume also gives an overall comprehension of Manabe and Ishibashi's practice: together they merge art and technology in projects that are at the cutting edge of innovation.

Combining the artist's early works and the most recent series inspired by van Gogh's oeuvre, this monograph underlines the variety of Brown's practice as well as his exceptional way of interpreting and appropriating the Old Masters.

Vortex Populi is a visual essay focusing on five works by Didier Fiuza Faustino in which the French artist and architect reflects on public space and popular struggle through an examination of the use of crowd control barriers in clashes between protestors and authoritarian forces.

The reference monograph on the work of artist Agnes Denes, this profusely illustrated book aslo gathers an extensive selection of the artist's texts and manifestos.

A photographic documentation of an installation work by Abraham Cruzvillegas as part of his “autoconstrucción” project referring to the concepts of incommunicability and intelligibility through the figures of Mexican composer Julián Carrillo and Günter Grass's fictional character Oskar Matzerath.

This monographic catalogue focuses on the artist's ongoing Kassetten (cassettes) series, initially begun in 2012. Spanning back to 1996, the book features abundant documentation of the various manifestations of the works, visual references, and other recent sculptures as well as texts by Lulu co-founder Chris Sharp.

Echoing his exhibition in the Château de Versailles, Xavier Veilhan opens the doors of seven modernist houses, from California to Europe. Through his contemporary works he creates a dialogue with the singular architecture of these places (original soundtrack by Nicolas Godin / Air).

French artist Félicia Atkinson teams up with New York-based experimentalist Jefre Cantu-Ledesma with Comme un seul narcisse—an epistolar conversation of post-modern times.