Hélène Frappat, Phia Ménard, Yasmine Hugonnet, the Syrian conflict onstage, urban psychoanalysis, interviews with Laurent de Sutter and Antoine d'Agata, when artists become filmmakers, British musical duo Autechre…

Andreas Tschersich's photographic portraits of peripheral areas around the globe capture the uniformity of these transitional spaces that form the hidden face of urbanity.

A photographic attempt to capture the elusive nature of the Californian landscape.

Bomb's Summer Issue: interviews with Lawrence Paul Yuxweluptun, Wadada Leo Smith, Dmitry Krymov, Patricia Treib, Lee Clay Johnson, Jesse Ball & Catherine Lacey, Jason Simon, Vince Staples, “artists on artists” section with Frederick Terna by Stephen Westfall, Brandan “Bmike” Odums by Zachary Lazar, Rebecca Smith by John Newman, David Brody by Elliott Green, portfolio by Steel Stillman, fiction and poetry, exhibitions and books' reviews…

A significant intervention into recent debates on the place of literature and writing in the context of contemporary art. Featuring essays on the highs and lows of the conceptual turn in poetics, avant-garde literary genealogies, and monographic pieces on Paul B. Preciado, Chris Kraus, and Pierre Guyotat, among others, Brutalist Readings explores the radical histories of writing, as well as its potential now.

Sol Carelo, Johannes Cladders' anti-museum, Dominique Gonzalez-Foerster by Jean-Max Colard, conversations with James Bridle, Alex Israel, Philipp Timischl, Rodrigo Hernández, and ÅYR, the sensorial motifs of Anicka Yi's work, Kevin Beasley, visual project by Amy Yao, emerging artists Debora Delmar Corp., Juliana Huxtable, Sophie Jung, Nancy Lupo…

This reader is the result of a series of public events, performances, and workshops which examined performative patterns and subvertive power in comedic and cartoonist practices.

The group exhibition “Fugitive Volumes” at Mohammed VI museum of Modern and Contemporary Art in Rabat presents three generations of artists trained at the Tetouan Institut National des Beaux-Arts, and in particular those who have flourished since the 1980s in the orbit of the artist-teacher Faouzi Laatiris, creator of the Volume and Installation workshop at the INBA in 1993. Beyond the documentation on the exhibition, this publication offers a critical and comprehensive archive on the “Ecole de Tetouan” and the history of a contemporary art in Morocco.

Issue 32 of the first biannual magazine thoroughly devoted to international contemporary artists' writings, including original texts by Julius Von Bismarck, Adrien Tirtiaux, Mayumi Kimura, Camille Henrot & Maria Loboda, Oier Etxeberria, and Mariana Castillo Deball.

Ten texts on the architecture of displacement set to music and sung by Albanian iso-polyphonic singers—commissioned for the Albanian Pavilion at the 15th Venice Biennale of Architecture (songs based on texts by Etel Adnan, Mourid Barghouti, Michel Butor, Claire Fontaine, Yona Friedman, Anri Sala, Michael Taussig, Yanis Varoufakis, Ornela Vorpsi, and Finn Williams).

The graphic tabloïd's brand new issue—for the first time in full color.

This catalogue brings together all support materials from Frac Franche-Comté's collective exhibition “Légende*” which focuses on the building of narratives and paratextuality in contemporary art. An “Erratum” brochure to be published at the exhibition's closure will complete this edition.

New monograph.

Ieva Misevičiūtė, prosthetics and sculpture, Anne Imhof, native North America, outsider aesthetics, New Scenario, a special section on artists curating exhibitions, Ronald Jones, Gary Indiana, Willa Nasatir, Ragna Bley, Noah Barker, Isiah Medina, the year 1972, relational ontologies, Geoffrey Farmer and Dora García, the emergence of the “Supergroup,” Cecilia Bengolea and François Chaignaud, radical domesticity: Morag Keil and Georgie Nettell, an essay on dress-up…

An acoustic-phonetic approach of book's corporeality in 38 tracks.

Theatrical rendition of an experimental international symposium centered around the topic of “presence” in arts, humanities and social sciences at Cabaret Voltaire.

Interviews with Steve Lacy, Guillaume Belhomme, Zëro and Jérôme Poret, a new section dedicated to sound arts studies, the practice of phonography, Henry Flynt, Steve Dalachinsky: a portrait…

Addressing fifteen years—from 1999 to 2014—of André Guedes's artistic practice, this monograph also proves to be the medium of a reflexion on anthological exhibitions.

This catalogue examines the role of the Museion Bolzano in the urban environment of Bolzano city in Italy by looking back at the museum's history and mission from the perspective of artists in all disciplines: architects, filmmakers, performers, musicians, composers, etc. These are joined by a number of major historical works that have inspired the exhibition throughout its conception and helped our understanding of museographic history.

This issue explores contemporary archetypes—the microcelebrity, the one-percenter, the refugee, the feminist, the sleeper, the saviour, and the thief—who likewise occupy a position between hyper- and invisibility within the social space.

Bringing together their shared and ongoing engagement with artistic practices from Latin America, Jens Hoffmann and Pablo León de la Barra have assembled one of the most significant contemporary survey's of recent art from the region.

Helge Mooshammer and Peter Mörtenböck analyze the networked spaces of global informal markets, the cultural frontiers of speculative investments, and recent urban protests, and discuss crucial shifts in the process of collective articulation within today's “crowd economy.”

A reader examining the curatorial approaches of New Institutionalism—which emerged in the 1990s to reshape the art institution into a more democratic and egalitarian public sphere.

A set of contributions that explore the conditions of possibility of speculative (and truly engaged) “gestures”, in the context of a widespread crisis of the modes of thinking of modernity (contributions by Didier Debaise, Donna J. Haraway, Bruno Latour, Pierre Montebello, Isabelle Stengers...).

The end of the “human world” A discussion-panorama of trends in current thinking (Badiou, Meillassoux, speculative realism, Latour, Stengers, Descola, Viveiros de Castro...) in Pierre Montebello's own metaphysical perspective.

A comprehensive monograph, including preparatory documents and two essays by Jens Hoffmann and Alessandro Rabottini to better understand the delicate paintings of Dutch artist Maaike Schoorel.

Comprehensive catalogue focusing on the ongoing series of monolithic stone figures the artist has been modelling since 2013.

A special summer edition dedicated to American artist Sterling Ruby—also guest editor.

A selection of radiophonic works from 2003 to 2011, completed with a 36-page booklet and 4 essays by Bosetti himself, Gregory Whitehead and Ksenija Stefanovic.

Taken at the height of the Assad days, the images of the photographer Giovanna Silva overlap in this publication with Syrian tourist guides' images and texts, creating a net of intended and unintended relationships and time interconnections.

The fictional diary of Gabriel Krampus, an artist who has been living with his artist wife on a deserted island of the Indian ocean for 44 years.

First bilingual comprehensive monograph on Wang Yuyang, these volumes delve into Wang Yuyang's practice, focusing particularly on his eponymous solo show at the Long Museum in Shanghai in 2015.

A manual for public art projects in Zurich.

A sourcebook / critical anthology of social art history.

A sourcebook / critical anthology of social art history.

First major publication to contextualize feminist artist Bernstein's vast oeuvre within the history of art, feminism, and the American socio-political climate of the late-20th century.

This artist's book presents the sum of a multitude of journeys, people and stories collected and edited by Donatella Bernardi and stemming from her own family archives. The artist connects this whole documentation with works by Lebanese artist Saloua Raouda Choucair and her daughter Hala Schoukair, as well as with the Swiss Confederation Fine Art Collection.

The first monograph dedicated to the chronicler of New York's underground, Still, Looking – Works 1969-2016 explores the interrelation between Sullivan's photographic work and his paintings & drawings. Includes essays by art historian William J. Simmons and critic Linda Yablonsky.

Botanical trajectories and symbolic dimensions of Merano's palm trees (artist's book).

Ten years of ceramic work by an important figure among post-war artists.

Nik Emch and Laurent Goei teamed up to form Minimetal back in 1994 and have been making sound-performances ever since. The publication contains 13 hours of their music, videos and 307 photographs—a collection gathered together in this photobook.

The publication is the first comprehensive review of Oskar Dawicki's oeuvre. Trained as a painter, it was his practice as a performer and as a post-conceptualist with a singularly fatalistic slant that brought him into the public realm.

A deconstructed overview offering the widest selection of Jodice's works ever presented: more than twenty years of eclectic art—alternating between photography, videos and installations.

The birth and life of video art.

Recording of Hermann Nitsch's mighty pipe organ concert in Berlin, January 22, 2016.

A kaleidoscopic collection of excerpts on music and instruments.

Dominique Pasqualini addresses his singular thoughts on photography and the impossibility of its exposure.

First monograph.

Homeschooling (parental education) is at the center of the performance and video work by Angela Marzullo, who, in analyzing critical texts from the '60s and '70s, recreates them involving her two daughters as protagonists. The publication presents a decade of Marzullo's works, highlighting the evocative value and content of images and text.