Monographic study on the work of artist Lawrence Abu Hamdan on the perception of language, sound, and listening.

This first comprehensive monograph details over ten years of work by Brazilian, New York-based artist, Valeska Soares.

This publication brings forward the continuous commitment of Lafayette Fondation towards artistic and interdisciplinary production, on the eve of its forthcoming opening in Paris.

This publication brings forward the continuous commitment of Lafayette Fondation towards artistic and interdisciplinary production, on the eve of its forthcoming opening in Paris.

A special section on Artists on Politics featuring Zoe Leonard, Dread Scott, and Wolfgang Tillmans, the architecture of Donald Trump, Johanna Fateman on Paul Verhoeven's new film Elle, a Top Ten from DJ collective Discwoman, and Joseph Gringley's portfolio “Soundscaping.” Plus, reviews from Tallinn, Washington DC, Munich, Sharjah, Paris, and more.

These notebooks gather texts and photographs documenting the creation process at the heart of Jean-Guy Coulange's radiophonic practice.

Istanbul's artistic scene and Erdogan's Purge, Jan Fabre, Thibaud Croisy & Bruno Le Maire, failure and the creative process, Hillel Kogan, Jean-Luc Verna, interviews with El Conde de Torrefiel, Albert Serra, Hélène Marquié, portfolio by Leonard Suriyajaya & Simon Collet...

Monographic publication on Hungarian artist Karina Mendreczky, the joint recipient of the 2015 Kunsthalle Wien Prize, who creates fictional landscapes using light and shadow with delicate lyricism.

Expanding its mapping of landmark exhibitions and curatorial history from the 1960s to today, the “Archives” series dedicates its fifth DVD to Sonsbeek, an art manifestation held in 1971 and 1986 in and around Arnhem (Netherlands). Mainly showcasing large installations and sculptures in natural surroundings, these two events are crucial to the history of outdoor exhibitions, shifting the boundaries of traditional sculpture.

Catalogue analyzing the oeuvre of Kosovan artist Petrit Halilaj from multiple perspectives, through a selection of essays by Andrea Bagnato, Leonardo Bigazzi, Adrian Paci, and Roberta Tenconi.

A polemical essay targeting the moral economy of indeterminacy in contemporary art.

A selection of trucks—coaches, tow trucks, merchandise trucks—drawn with ballpoint pen and pencil by underground legend Wesley Willis. Compiled from different notebooks, this series highlights an essential and almost obsessive motif in the visual work of the Chicagoan artist.

The publication sheds light on the 20-year history of the presence of French artists in Germany through the voices of selected representatives of the German art scene (on the occasion of the 20th anniversary of the Bureau des arts plastiques in Berlin).

Interviews with the artist Alain Bublex and the architect-designer-researcher Joseph Grima, a text by the designer and typographer François Chastanet on the graffiti of Los Angeles gangs...

Marxist geographer David Harvey opened his 2016 lecture at Harvard with a fact: between 2011 and 2013 China consumed 50 percent more cement than the United States had in the entire twentieth century. In Abstract from the Concrete, he asks why.

Transmitting specific technical skills in contemporary dance (an educational booklet).

Box set gathering 2 books / DVDs and one book.

An introduction to the notion of behavioral object based upon a case study on three emblematic works by Céleste Boursier-Mougenot.

Creating Bob: a food truck with a living, warm and hospitable public purpose, set close to Lille-Europe Train Station and commissioned as part of the “New Patrons” program.

Ben Vida's new LP represents the conclusion of one body of work, Damaged Particulates, and the beginnings of a new long form project titled Reducing the Tempo to Zero, in which the american artist return to the durational drone based forms that he first experimented with in his early days.

In 1987, Michel Redolfi hit the California Desert road during the Fall, to catch those hypothetical poly-sensorial desert tones. He visited the Mojave Desert, Death Valley, Palm Canyon and came back with an extraordinary album of early electronic music, sparse and bright to express the crude light and the divine silences.

In 1987, Michel Redolfi hit the California Desert road during the Fall, to catch those hypothetical poly-sensorial desert tones. He visited the Mojave Desert, Death Valley, Palm Canyon and came back with an extraordinary album of early electronic music, sparse and bright to express the crude light and the divine silences.

Reconstitution of a comic book appearing at the beginning of the film Fahrenheit 451 by François Truffaut. With this publication, Spanish artist Francesc Ruiz also questions the status of the comic book at the time the film was made and also within the dystopian universe originally created by Ray Bradbury.

I Want reviews the eponymous duo's double-projection film installation examining issues of gender, sexuality and performativity—and inspired by the words of punk poetess Kathy Acker and convicted whistle-blower Chelsea Manning.

Two-volume catalogue of the Fifth Rennes Biennal (France): twenty-nine international artists were invited to construct an exhibition based on the particular issue of shaping emotions in a world which formulates them in terms of markets.

50 black & white photographs of post-war Italy taken by director Luigi Comencini shortly before his debut behind the camera. With a series of writings establishing connections between his work as a photographer and his cinematographic oeuvre.

The musical education of the dancer (an educational booklet).

This publication gives an overview of a series of signs stemming from Hungarian dance artist Rudolf Laban's notation system for human movement.

Special issue published to celebrate the 22nd edition of L'Étrange festival—dedicated to the strangest and most provocative cinema.

A richly documented publication (written contributions by artists and a thousand illustrations) celebrating a decade of art performance at French independent art-space Le Generateur.

Marocco 1971 offers an intimate, social, and aesthetical portrait of Morocco by Italian photographer Gabriele Basilico. Set during the Summer of 1971, the series also brings back the distinctive spirit of this era.

Claire Fontaine, Weed and the Practice of Liberty / Marina Vishmidt, The Paradox of Self-Abolition / Melissa Gordon, Presence and Absence / Anna De Filippi, Narrative Without End / Alex Martinis Roe, An Exercise in the Practice of affidamento / Lucia Aspesi on Marinella Pirelli / Claire Fontaine on Human Strike / Rhea Anastas, Introduction to Double Bind / LGG$B, insert / Jacob Stewart-Halevy on Marie Angeletti / Emmanuelle Chérel on Colonial Collect and Affect, Crawling Doubles / Jack Gross onHannah Black / Maija Timonen sur Jason Bourne / Kari Rittenbach on the 9th Berlin Biennale / Jeanne Graff, Short Story / Limited Edition: Hans-Christian Lotz.

This publication gives an overview of a series of signs stemming from Hungarian dance artist Rudolf Laban's notation system for human movement.

Writer Emanuele Trevi and photographer Giovanna Silva recount, each in their own manner, their journey with artist Luigi Ontani in Bali at the time of the preparation of the Ogoh Ogoh carnival procession. With original illustrations by Ontani.

Around the Palais de Tokyo's programme dedicated to urban art, Palais magazine is devoting its latest issue to artists whose work has been developed in the street.

An investigation of the role and function of the rehearsal in artistic production at large.

A mystery tale illustrated with artworks by twelve contemporary artists.

Reflecting upon the necessary conditions for the development of the New Patrons Protocol, the French conceptual artist calls for a better involvement of museums as well as for an art history that would relate creative processes with political conditions.

Reflecting upon the necessary conditions for the development of the New Patrons Protocol, the French conceptual artist calls for a better involvement of museums as well as for an art history that would relate creative processes with political conditions.

Publication documenting a series of sculptural works focusing on everyday items.

Limited edition box set with 43 instrumental tracks recorded with an alto saxophone, a radio and an electric toothbrush by Mart Küchen. The musical pieces are accompanied by four poems written by the Swedish musician and eight plates by Austrian plastic artist Johannes Heuer.

Books and Ideas after Seth Siegelaub spans an arc of tension between the works of Seth Siegelaub and contemporary cultural production. This highly documented publication features an interview with Seth Siegelaub, two essays by Regine Ehleiter and Michalis Pichler, and an extensively illustrated catalogue with bibliographic details.

Limited edition, cover by Ari Marcopoulos, with three stickers.

Catalogue of the Ars viva Prize who has been awarded annually since 1953 to young artists living in Germany whose work stands out for its innovative potential and high artistic quality. The recipients of the 2017 prize are Jan Paul Evers, Leon Kahane, and Jumana Manna.

A collection of essays that imagines the migration of cultural signs across borders, of body language as the inalienable signs we carry with us, even if they are the only luggage we are able to carry. By placing history alongside artistic mutations, Body luggage asks questions of how avant-garde forms transmit or are provoked.

Special color issue.

The first monograph to focus exclusively on Paul Sietsema's paintings and drawings.

First reissue of the 1981 album by the legendary Hastings of Malawi featuring a founding member of Nurse with Wound and Pat Simmons. Reissued on red vinyl, like the original pressing, this classic masterpiece sits on the end of a line from Dada through the Situationist International to punk rock.

Art magazines as exhibition objects and spaces.

Espace is a magazine dedicated to all art forms associated with spatiality. Its 114th issue focuses on the representation of the face in the arts. Contents include an opening text by Jacques Py, “The Native Mask as an Object to Read Identity” by Alexia Pinto Ferretti, “The Double-dealing of the Contemporary Face” by Marion Zilio, “Biometrics, Identity, and the Potential Of the Visage” by Vincent Marquis, “The Face: the Other Of the Portrait?” by André-Louis Paré, “Events” and “Public Artworks” Sections, exhibition reports and book reviews.