Since 1991, Robert Milin has created artworks with guests invited to participate because of a practice they adopted in their daily life—as gardeners, cyclists, inhabitants of a village… In 2015, he decided to meet again with these people to give them the floor about this experience. The booklet features an interview with Robert & Delphine Milin and a chronology of the artist's works.

Catalogue of works by Chinese painter Yan Pei-Ming, gathering a series of landscapes, portraits, and historical scenes exposing the tragedy of our contemporary world. Featuring exhibition views, a text by Xavier Douroux, and an interview with the artist by Pascal Pique (catalogue of the eponymous exhibition at Centre Régional d'Art Contemporain in Sète, France).

10th anniversary box set gathering the complete collection of Sans niveau ni mètre (43 issues), the newspaper dedicated to the exhibitions showcased at Le Cabinet du livre d'artiste, a French-based space dedicated to artist's books since 2007.

Caroline Achaintre, Nikita Alexeev, Alain Bublex, Marie Cool Fabio Balducci, Duggie Fields, Jean-Luc Moulène, Cécile Noguès, Bruno Peinado, Christine Phung & Mathias Gervais de Lafond, Claude Viallat...).

Different perspectives (art history, philosophy, photography, film, architecture, history of science...) on the heterogeneous forms the discourse of pictures can take (an anthology).

An interdisciplinary reflection on the new figures of subjectivity in the digital age.

A critical analysis of Hijikata Tatsumi's Butoh dance.

A collection of original essays focusing on the specific interaction of dance and drawing during the second half of the 20th century.

A collection of original essays focusing on the specific interaction of dance and drawing during the second half of the 20th century.

Special dance & contemporary art issue: interviews with Anne Imhof, Ligia Lewis, Alex Baczynski-Jenkins; Francesca Gavin on dance in pop culture; FKA Twigs; Merce Cunningham; a round table with Maria Hassabi, Will Rawls and Cally Spooner; Peter Halley; Loretta Fahrenholz's Two A.M.; 1970s magazine Avalanche; Spyros Staveris; a conversation with Nobuyoshi Araki and Abraham Cruzvillegas; Bjarne Melgaard; an interview with George Condo by Maurizio Cattelan; an introduction to Lou Dallas; and much more (included a fanzine by visionary designer Rick Owens).

Artist's book focusing on Victor Man's series of paintings first exhibited as part of the 56th Venice Biennale in 2015, and later developed for a solo exhibition at Galeria Plan B, Berlin. The publication includes essays by poet and translator Bogdan Ghiu, curator Mihnea Mircan, and literary critic Laura Pavel.

This publication is the outcome of a research project pursued by a group of artists, architects, and social theorists, who, in the face of exhilarating politics of accumulation and dispossession, explore commoning as the subject as well as the means of their collective study.

Reprint of a 2006 catalogue documenting the series of exhibitions and interventions curated by Hans Ulrich Obrist and Pedro Reyes at Casa Luis Barragán's in Mexico City (with Francis Alÿs, Daniel Buren, Gilbert & George, Dominique Gonzales-Foerster, Joseph Grigely, Rem Koolhaas, Lygia Pape, Anri Sala, Ettore Sottsass, Rikrit Tiravanija, Niele Toroni…).

This catalogue revolves around the transcript of a long length conversation between the French artist and art critic Irmeline Lebeer, structured as an illustrated abécédaire.

The third issue of Art Against Art is looking at art in a post-market culture in the face of the seismic political and economic changes in 2016. It features contributions by cybernetic art pioneer Roy Ascott, gallerist Mitchell Algus, philosopher Patricia MacCormack, writers Philip Sandifer and Iain Spence, artists Justin Shoulder and Manuel Gnam.

Anniversary issue concerned with performance acts in relation to the body as sculpture. Featuring essays on immobility in 1990s performance art, the deadpan inertia of the sculpture-body, immobility in the works of Gathie Falk and Megan Rooney, dialogue between the works of Kimsooja and Emma Hamilton, the relationship berween the human body and the object, the “cadaverous sculptures”, an interview with Sylvie Tourangeau, “Event” section, exhibitions and books reviews…

The use and status of literature and arts in Guy Debord's thought.

The museum of contemporary art in all its paradoxical characteristics.

First monograph.

First monograph.

Swiss-based artist Raffael Waldner is obsessed by car culture: its gloss, glamour and erotic undertones. In Salon, he focuses on motor shows, photographing—with superficial coolness––the hundreds of female models who act as car company ambassadors.

Three-volume box set dedicated to Peter Campus's work, one of the most important pioneers of video art (Catalogue of the first monographic exhibition of the artist in France at Jeu de Paume; facsimile of an out of print exhibition catalogue from 1974; Augmented Reality book including all Campus's work since 1971).

Trilingual monograph investigating five film-projects by the French-German duo. The publication features a series of essays and a high-quality photographic documentation.

This monographic publication delivers an in-depth exploration of Liz Magor's sculpture and installations produced over the course of 40 years.

The words of Guillaume Belhomme inspired American musician Daniel Menche to create a 20-minute composition (mastered by Andrew Liles) which recalls the atmosphere of the French writer's text: a train on the move, a glass, the color of blood...

Filmed inside a series of empty museum galleries across Paris, Ali Cherri's Somniculus articulates the tension between the lives of dead objects and the living world that surrounds them—thus highlighting their ideological value. This publication accompanies and complete the Lebanese artist's video project.

This catalogue brings together works and archival material from Lassnig's New York days. Along with her paintings, watercolors and drawings, the publication gathers documenation on animated films she created in collaboration with the Women/Artists/Filmmakers, Inc. group. It also includes a text by Elisabeth Bronfen, “A Mysterious Point of Certainty: Maria Lassnig's Body-Awareness Painting.”

In Diary of a Leap Year, Lebanese artist produces 366 daily collages from political newspapers in Lebanon and the Arab World, as a protest to the violence taking place in this region.

This artist's book gathers an uncompromising collection of 200 found images and original work from Felicia Atkinson, composing a rasterized visual score.

Artist's book containing a selection of 80 erotic drawings and watercolours taken from the 66 sketchbooks that the artist has used since 1972, and never previously published.

This book is the first compilation of the history of the Mamco; it offers a diachronic path through the institution's first 22 years of existence, from its foundation in 1994 up to 2016, and presents some one hundred exhibitions via illustrations, as well as a brief introductory text describing the characteristics and formats of the shows, and some of traces they have left in the collection (also available in English).

Bad dreams and ancestral fears play the leading roles in this first monograph rooted in darkness.

French illustrator Julien Brunet adopts the chiaroscuro style and the pointillist technique to create lascivious nudes of monstrous figures, evolving in a background of floral and organic patterns. His first monograph gathers a series of 36 ink drawings produced between 2010 and 2016.

The February issue of Artforum, with features on the art of Zhang Peili, Hanne Darboven, and Heather Phillipson, a conversation between Julia Bryan-Wilson and Miranda July on feminist film project Joanie 4 Jackie, Tim Griffin on HBO's The Young Pope, Bibiana Obler on Barbara Kruger in Washington, a Top Ten from Jun Takahashi, and reviews from New York, Miami, Hamburg, Stockholm, Baku, Mexico City, Johannesburg, and more.

How to organize introductory dance classes (educational booklet).

This publication is the result of a series of meetings and interviews with Michel Butor in Italy, between 2012 and 2016. It also features texts by Mireille Calle-Gruber, Paolo Fabbri, and Butor himself, as well as six unreleased photographs from 1952 to 1958, documenting the French author's travels in Italy. The accompanying DVD À propos de. Entre littérature et art, le paysage véritable is a video-essay by Isabella Bordoni, and one of Butor's final appearance.

Publication introducing the synthesis of a project inspired by the artistic and intimate experience of Hans Hartung and Anna-Eva Bergman on the island of Menorca, where they built a house-workshop and lived in from 1932 to 1934.

Special Music Issue (included a flexi disc by D.A. Spunt).

Four portraits depicted with four raw matters: the regular and expanded edition of a limited edition artist's book originally published in 2012.

This publication, conceived as an extension of the eponymous exhibition and its design, gathers scientific contributions from leading researchers and art and dance historians alongside in situ installation views, paying tribute to Léon Bakst, the greatest set designer of the modern era (new edition).

Limited edition, with an exclusive Toilet Paper tote bag included.

A new year's issue with strong political contents, featuring: Kelley Walker's new show, Oliver Payne, Jimmie Durham, Anna-Sophie Berger, Paul Pfeiffer, Sadie Benning, The Young Pope review, Victor Burgin's 1984 article “Yes, Difference Again,”—in addition to the usual contents.

A collection of previously unpublished texts and drawings (artist's book).

A collection of previously unpublished texts and drawings, with an original artwork signed by the artist (artist's book).

A meticulous survey of French photographer Valérie Belin's stunning series from Magicians, Bouquets and Lido to Brides, Bob, and Black Eyed Susan and continuing up to recent work including Super Models and All Stars.

A collection of texts by researchers, artists and critics, exploring Morgan Fisher's filmography in relation to his other artistic practices.

24 unpublished letters by Gustave Courbet.

Documentation around 17 commissioned artworks set in middle schools, as part of the Percent for Art Program established in the French Department of Seine-Saint-Denis.

A collection of notes written along the years by Spanish curator and Head of Institut Kunst in Basel Chus Martínez. Aimed at her students, this notebook gathers personal thoughts on artists who inspire Martínez's ongoing practice.