A collection of literary texts by contemporary writer Benoît Toqué. It brings together texts written between 2014 and 2017, and either performed at public readings or created during workshops.

This 4th issue of the anthropology journal explores the tension between indeterminacy and narrative in archaeology and art.

This publication is a literary narrative depicting radio projects on the landscape of French rivers Somme and Rance. It includes notes documenting the making of the two radio plays, as well as a series of 23 photographs.

An artistic, political and collective project by Nicolas Floc'h, based on a principle of participation and co-realization, which points, at different levels, to the multiple relationships between social groups and public institutions that structure and frame them, while also questioning the symbolic or economic value of an artwork.

Autobiographical fiction telling forty years of radio creation.

Kris Lemsalu by Andrew Berardini; Mitch Speed on the anti-power of the found object; an essay on photography and Instagram by Nick Currie; Sabrina Tarasoff on Beyond Baroque Literary Arts Center; Ana Teixeira Pinto on futurisms; the Women's History Museum; Ericka Beckman, Dara Birnbaum, Lynn Hershman Leeson in conversation with Emily Watlington; Bouchra Khalili; Kate Newby…

J.G. Ballard, Nicolas Ballet, Alexandra Bircken, Jimmy Desana, James Horton, Ana Jotta, Martin Laborde, Jonathan Martin, Sibylle De Laurens, Pascaline Morincôme, Clément Roussier, Catherine Roudé, Marion Scemama, William J. Simmons, Sabrina Tarasoff, Cosey Fanni Tutti, Charles Veyron, David Wojnarowicz.

This book revisits the oeuvre of Alain Séchas as a whole, with a particular focus on the works produced over the past decade—most notably his paintings and drawings.

This publication examines the role of natural resources in the occupation of the Western Sahara, a territory considered by the United Nations to still be awaiting decolonization. Its liberation from colonial rule has come to a standstill due to Morocco's continued military occupation of a part of the territory. The protracted conflict has dramatic consequences for the Sahrawi people of Western Sahara.

A trilogy on the artistic development in Asia from 1998 to 2018.

A visual overview of 40 years of concerts, exhibitions and events at l'Oreille est Hardie / le Confort Moderne in Poitiers: 512 pages of photographs, flyers, and clippings, superimposed in colorful layers to compose a hallucinatory anthology of images.

This issue is about the return of the family in neoliberalism, the influence of the political right on the arts, about #metoo, indie and Édouard Glissant, about young rappers and life in the commune. With Otto Muehl, Sandra Mujinga, Christoph Schlingensief, Anselm Franke, Aria Dean, Yewande Omotoso, Alison Gingeras, Seth Meyers, Liam Gillick, Dean Kissick, Alice Creischer, and many more.

This publication documents an audacious project by Julien Berthier, in the context of a workshop at Le Confort Moderne in Poitiers. The artist found a landlord willing to flip one facade of her house, in order to create a painting. The book features a text by writer and performance artist Daniel Foucard.

In the midst of a demographic crisis, the world witnesses the emergence of a new form of human life, the New Eve, whose particularity is to be transsexual… A tragicomic novel offering an unprecedented reflection on gender and totalitarianism.

This publication stems from the 2018 edition of ARCO – Madrid international contemporary art fair. Taking as a point of departure the exploration of the concept of “future,” Chus Martínez, Elise Lammer, and Rosa Lleó wrote essays discussing different topics (art fairs, human evolution, and experimental education). These texts are illustrated by works by nineteen artists featured at the Madrid fair.

Wheels gives a special overview of Olivier Mosset's career through the prism of his fascination for motorcycle and motor vehicles and their influence on his artistic practice.

Why has there been so much interest in “surplus value” in recent years? In “The Outside Can't Go Outside”, artist Merlin Carpenter considers how this term has been inserted into contemporary art theory following the financial crisis of 2007/8.

Art critic Rahma Khazam brings together a heterogeneous collection of authors offering a variety of interpretations on the work of artist and poet Franck Leibovici.

A long and vertiginous poem, virtually infinite, by Michèle Métail, built on the principle of concatenation and inspired by the editing techniques of electroacoustic music.

A long and vertiginous poem, virtually infinite, by Michèle Métail, built on the principle of concatenation and inspired by the editing techniques of electroacoustic music, with an original and unique artwork.

The contributions in this reader seek to understand how artists move through the world, and how that movement might necessitate other roles to pursue a project, a position, a politics, or a practice.

An interdisciplinary analysis of the city of Palermo commissioned by Manifesta 12 and undertaken by the Office for Metropolitan Architecture. The research explores the architecture, archaeology and anthropology of the city, its historical archives and personal stories.

A collection of visual incursions by Italian artist Emilio Prini in dozens of exhibition catalogues and print publications over the course of five decades. Meticulously researched, and yet necessarily incomplete, this book is a glimpse into the subtlety with which Prini turned each engagement with the world of ideas into a joust for mastery over space, time, and form.

Issues 13 to 15 of the critical review dedicated to graphic design. Compilation includes studies on Peter Bil'ak's essay on the exhibition of graphic design; the posters produced by M/M (Paris) for CDDB-Théâtre de Lorient; and the collaboration between studio Spassky Fischer and Marseille's MUCEM.

A compilation of Lina Bo Bardi's tenure as director of Habitat, a publication self-dubbed “the magazine of the arts in Brazil”. Between 1950 and 1954, Habitat documented Bo Bardi's early thoughts on Brazilian culture, as well as reflecting her very personal take on modernism. Edited and designed by Julia, with contributions by Tamar Guimarães, Claudia Leisinger, Tony de Marco, Lara Viana and Tuca Vieira.

Ten texts on the architecture of displacement set to music and sung by Albanian iso-polyphonic singers—commissioned for the Albanian Pavilion at the 15th Venice Biennale of Architecture (songs based on texts by Etel Adnan, Mourid Barghouti, Michel Butor, Claire Fontaine, Yona Friedman, Anri Sala, Michael Taussig, Yanis Varoufakis, Ornela Vorpsi, and Finn Williams).

This collective publication discusses the renewed encounter between dance and performance and the institutions of global contemporary art, marking one of the most significant set of developments in the art field over the last decade.

The current panoply of private initiatives in the museum world.

Special feature on painter Jutta Koether (with Kerstin Stakemeier, Quinn Latimer…); Ericka Beckman on her pioneering works; Julia Phillips's sculptures; musician Kamasi Washington's unmistakable groove; Yngve Holen's new body of work Rose Painting; Tess Edmonson on adapting Archie in the CW's Riverdale; Alexandra Pirici's materiality-burdened performances; reviews…

Special issue dedicated to the May 1968 events in France, including texts by Paul Ardenne, Jacques Donguy, Victor Muñoz, Giovanni Fontana, Charles Dreyfus, Julien Blaine, an interview with Daniel Cohn-Bendit… Also on this issue: a special feature on Sociological art.

Young architects, researchers, artists, designers, and students took part in a residency program for five years at the French ski resort Les Arcs. They prospected and conducted projects in order to renew this unique site, and to perpetuate its modernist heritage. This publication documents their collective adventure.

Initiales, the art and research magazine published by the École nationale supérieure des beaux-arts de Lyon, dedicates its eleventh issue to a major figure of contemporary sculpture, Isa Genzken.

The history of capitalism of the 1960s revisited in the light of the artworks that challenged it.

An in-depth and circumstantial study of the work of Franz Radziwill (1895-1983), a major and controversial representative of “magical realism” in painting.

Throughout the twentieth century, critical art history often chose to ally itself with a restrictive brand of formalism. Therefore, critical analyses regularly reduced the artwork to its material and its social use. Based on this observation, historian Sebastian Egenhofer takes Deleuze's readings of philosophers as a starting point to renew the narrative of art history since the 1960s.

A collection of texts about time and artists working with it.

A collection of texts about space and artists working with it.

This artist's book gathers the 67 photographs that make up the contact sheet #234 of the photographs taken by Jef Geys during the 1969 Tour de France. Year of Eddy Merckx's first victory, the same day as the man's first step on the moon.

Pascal Pinaud's drawings and paper works.

Catalogue / artist's book gathering 137 anonymous works from the 16th century to nowadays coming from the collections of the MUCEM – The Museum of European and Mediterranean Civilisations in Marseille.

The catalogue published on the occasion of Navas' first institutional exhibition continues her research on art and design, which deals with phenomena such as memory, translation, interpretation and authorship and documents a wide exchange of images and ideas. A collection of photographs the artist received from friends and acquaintances provides an insight into how her work is influenced and understood by others under the motto “I had to think of you”.

This publication presents a series of some forty autobiographical drawings in pencil, ink and watercolor. The artist chose to recount his life as a children's story, flicking through fleeting memories, dramatic events, and brief anecdotes.

First monograph: an overview of the artist's career, spanning more than a decade of work.

An improvised musical piece recorded with the friends of Herman de Vries at his 80th birthday's summer party on June 18, 2011, in Eschenau. With liner notes by Herman de Vries and photos of the event on the back sleeve.

In 1991, German art group The Oval Language built a multimedia artwork exploring the irrational impact of Leipzig's Monument to the Battle of the Nations to German generations throughout the years. This LP reproduces the sound layer of the event and includes a recording of a live performance at the HGB Leipzig. Inner sleeve contains photos of each stage of the project and texts.

The encounters between the most prominent French philosophers of the 1960s and 1970s and the artists of their times, most particularly the protagonists of the Narrative Figuration movement.

The 2018 edition of the Jahresring, guest-edited and designed by Wolfgang Tillmans.

The 2018 edition of the Jahresring, guest-edited and designed by Wolfgang Tillmans.

Edition of poetic texts, illustrated with original works by Olivier Bringer.