A non-relationalist anthropological approach to singularity.

Stéphane Blanquet's new facsimile sketchbook: drawings made on trains, public transport, notes, drawings everywhere.

An overview of the French artist's film remakes over a decade.

A long conversation about the work and life of Portuguese artist Ana Jotta, accompanied by 60 previously unpublished photographs of her homes (in Brazil, Morocco, and Zanzibar) and her years in theater in the late 1970s.

An artistic stroll with Vanessa Morisset.

Interview with one of the great figures of art photography today, in which Sophie Ristelhueber reflects on her own carrer and practice.

When considered in parallel, Sigmund Freud's study of Michelangelo's Moses and his private collection of antique statuettes reveal elements of visual psychoanalysis that contradict the supposedly iconoclastic nature of this science.

A series of short sound interventions, in pairs, in public spaces in Paris, both outdoors (passages, squares, esplanades, parks) and indoors (bridges, tunnels), from the Bois de Vincennes to La Défense, between May and October 2025.

On the occasion of Seasons, Maurizio Cattelan's exhibition at GAMeC, art historian Lisa Parola, investigates how contemporary art can redefine the idea of the monument.

The first English-language catalogue dedicated to the Guangzhou-based artist.

The prospects opened up for architectural education by the pioneering initiative of the Um Slaim school in Riyadh.

An inquiry into the potential regeneration of democracy: how artists can work towards a sense of collective relevance required to face the future's dark challenges.

Álvaro Urbano by Javier Montes, Togar by Hung Duong, Kerry James Marshall by James Meyer...

An invitation from Mudam Luxembourg to consider the place, role and future of cultural institutions in the twenty-first century.

The third of three projects to engage the resource industries of Vancouver Island, this publication responds to oceanic environments through contemporary art and writing.

Red Rubber Road; Fatena Abu Mostafa; Inner Lifts (Sissel Vera Pettersen, Randi Pontoppidan, CTM, Sissi Rada, Meriheini Luoto, Berlinde Deman, Claire M Singer, IKI, Bridget Ferrill); Erell Latimier; Claire Serres & les Sirènes; Xavière Fertin & Louis Frères; Seijiro Murayama; Sophie Agnel; Tom Johnson (1939-2025)...

Reflections by Alexandra Midal, Thierry Chancogne, and graphic design duo Syndicat on books and printed surfaces, based on the hundred or so publications produced by MAC VAL over two decades of commitment to contemporary graphic design.

Index #8 features all e-flux's commissioned pieces from March–May 2025. It includes contributions from 142 authors, artists, architects, filmmakers, poets, and educators, organized into eleven thematic snapshots.

The catalogue of the manifesto exhibition that seeks to lay the foundations for the conceptualisation of 21st-century extra-terrestrial art.

The editorial extension of a long-term art and performance program in Cologne's public space, on and around its seven bridges over the Rhine.

The fourth and final issue of the biannual magazine that extends and broadens the questions raised by the thematic program of La Criée art center in Rennes, imagining forms of resistance and alternatives to the various crises—ecological, as well as post-colonial, political and social—that punctuate and shape our globalised societies.

A spectacular journey through 80 major works of modern and contemporary art (by Picasso, Kandinsky, Joan Mitchell, and Hockney to Manal AlDowayan, Etel Adnan, and Imran Qureshi) in AlUla, an oasis located on the ancient incense route, taking the image of the "garden in the desert" as a starting point for artistic reflection on the evolving relationship between humans and nature.

Emerging from the curatorial project FUORI! (Bologna, 2022-2023), this book brings together a series of interviews with theorists, artists, and performers. It focuses on the political, social, and community-based role of contemporary art.

Spike #86 rehabilitates the entire younger generation.

An in-depth look at Carlos Bunga's multifaceted practice through a number of essays and a rich iconography including previously unpublished photos that reveal his working process.

Artist's book printed in risograph in a limited edition of 250 copies.

A retrospective tracing seventy years of work by Mario Ceroli (born in 1938), a central figure in 20th-century Italian sculpture.

First monograph devoted to the explosive and colorful abstract paintings of the Iranian artist.

Lorenza Longhi unfolds her strategies of subversion/reappropriation of the visual signs and codes of the society of control and consumption in the spaces of the Kunst Museum Winterthur.

How does photography depict our environment? How does it contribute to its destruction? This book explores this paradox through the analysis of the work of fifteen contemporary artists.

First comprehensive publication devoted to Turkish performance artist Moni (Salim Özgilik).

"Para- hosting" as a cooperative methodology for arts institutions.

Lina Pallotta's much anticipated Tongue on Flames captures the underground poetic energy that pulsed through New York from the early 1990s to the early 2000s in poetry and performance clubs that have become legendary, featuring Pallotta's immersive photographs and texts by key figures from that scene.

This first monograph on Italian artist Emilio Prini (1943–2016), a key figure of Arte Povera, explores his radical approach to art across five decades of work through texts, archival research, and artist interventions.

Reference monograph: a large retrospective of the work of Norwegian painter Leonard Rickhard (1945-2024) spanning more than half a century.

A photographic reflection on place and borders (artist's book).

The sixth volume in the collection published by the Antoine de the Galbert Foundation, dedicated to the artist Diego Vecchio.

The first ever published monograph on Gus Van Sant's paintings brings together a wide overview of his works.

The latest, massive volume in the Solution series of collected all-new and most recent landscape paintings by Aleksandra Waliszewska.

Over a decade’s worth of essays: movies of America in parallax view.

A reflection on what becomes of and what is produced by images displayed in public spaces.

The autobiography, translated into French for the first time, of Ré Soupault (1901-1996), trained at the Bauhaus, photographer, filmmaker, stylist, writer and traveler, translator of Dada and Surrealism, major protagonist of European artistic, literary and intellectual life, and companion of the avant-garde throughout the 20th century.

A cross-disciplinary and critical reflection on the philosophical stakes of so-called "artificial intelligence", from an epistemological, political and cultural point of view, beyond naive fascination and ignorant rejection.

Recorded live at Amsterdam's Oude Kerk during the 2024 Sonic Acts Festival, The Organ is the World's Greatest Synthesizer finds Charlemagne Palestine returning to the Staalplaat catalog. Taking its title and cover from a drawing made by Palestine during the performance, the work expands his singular mythology of sound and spirit (hand screenprited cover).

Published on the occasion of the Chilean artist's first institutional survey exhibition in Europe, this monograph is dedicated to Sandra Vásquez de la Horra's experimental practice and focuses on her spatial, energetic, and global thinking.

Rene Matić, Josiane M.H. & Emily Pozi, Olivia Kan-Sperling, Olivia van Kuiken, Tasneem Sarkez, alfatih, Ruoru Mou, Adam Patrick Grant, Siyi Li, Ruofan Chen, Megan Mi-Ai Lee, Tommy Xie, davi de jesus do nascimento, Zora Sicher...

Universality, multiplication of identities, and disappearance of otherness.

Retrospective monograph / artist's book.

New monograph by Paris-based British artist Charlotte Moth, conceived as part of her exhibition at MAMC+ Saint-Etienne.

A comprehensive overview of the unique work of the Italian artist born in 1931 and "discovered" late on the international scene, with numerous texts and an interview.