First English edition of a colossal volume on Pasolini's cinematographic oeuvre, first published in the 1980s in Italy: 2.000 film stills ranged under the categories of “bodies” and “places”, with analysis and a compilation of texts by Pasolini. A Pasolinian publication in terms of both content and form, as well as an indispensable tool for research. The book contains also the original text in Italian.

This issue celebrates the 50th anniversary of the magazine. It features texts and interviews that reassess key passages in recent art history, in each case using landmark content from Flash Art's archive as a point of departure (Piero Gilardi; Anarchitecture; the Soviet Nonconformist art; Jeff Koons and Maurizio Cattelan; the writings of Peter Halley; revisiting the pioneering exhibition “Aperto '93” with Helena Kontova and Hans Ulrich Obrist; Chinese art today; what's left of the Berlin art scene…).

Accompanying the eponymous exhibition project by Sophie Bélair Clément and Marie Claire Forté, this catalogue continues a polyvocal inquiry into the idea of being called upon and tasked with giving an account of oneself.

The 10th issue of the art and research magazine is dedicated to Italian pedagogist Maria Montessori.

Celebrating the 100th title in the “L'art en écrit” series, this leporello by Daniel Spoerri plays on the homonyms of the word “cent,” as a tribute to Marx Ernst.

Celebrating the 100th title in the “L'art en écrit” series, Daniel Spoerri plays on the homonyms of the word “cent,” as a tribute to Marx Ernst. Published as a leporello, this artist's book features an original artwork signed by the artist.

Exhibition catalogue dedicated to the meeting of two of the most innovative fashion designers in Japan, Keisuke Kanda and Kunihiko Morinaga.

A parallel side story of the steirischer herbst International Art Festival drawn from the back-sides of cut-out articles from the festival's press archives.

Bächli & Hattan's publication features the 1:1-scale reproduction of certain pieces exhibited during a joint show at Centre Culturel Suisse in Paris. The reproductions take the form of printed sheets that have been folded and inserted in a plastic sleeve. It comes with a booklet featuring an interview of the two artists by Jean-Paul Felley and Olivier Kaeser, along with a text by Patrick Javault.

In her brilliant essay, Helen Molesworth pinpoints the significance of the return of the handmade in Duchamp's artistic oeuvre of his later years and, at the same time, and for the very first time, makes this fundamental paradigmatic change the focal point of academic debate.

A selection of 175 texts by the writer, art critic and teacher at the school of Fine Arts of Nantes, Pierre Giquel, summerizing for the first time nearly 35 years of an intense and profuse literary activity. This voluminous publication is comprised of a folded poster dust jacket with watercolors by Fabrice Hyber.

Designed by the founder of Conceptual Art, this elegant and precious artist's book—and exhibition catalogue—serves as a visual analysis of the conceptual structures that interrogate the nature of color, form, space, and time, where the works and writings of Post-war artists such as Castellani, Fontana, Manzoni, and Klein, converse with Kosuth's statements, and the theoretical as well as personal account of curator Cornelia Lauf.

Halway between the catalogue and the conceptual publication, Road to Victory presents Pittas' re-reading of exhibition designer Herbert Bayer's 1942 eponymous propagandist show at MoMA. It gathers works by Pittas stemming from his reflection on this historical exhibition, archives, and an anthology of essays by acclaimed authors.

Weekly tear-off calendar featuring 52 drawings of a cartoon dog in a wide range of situations expressing the feelings and conceptions that our modern society associates with Sundays.

Catalogue dedicated to one of the pioneers of European conceptual art, whose work adopts a critical approach of the art world and the avant-garde. The publication offers an overview of the Belgian artist's career, and gathers texts by Jean-Michel Botquin from 1960 to 1980, and recent contributions by Nicolas Bourriaud, Denys Riout, Denis Gielen, and Serge Bonati.

Sylvain Chauveau plays reworkings of early music from the Spanish Renaissance Repertoire, with the Chant 1450 Renaissance Ensemble.

First monograph documenting a three-year research on the mineral mica that became the ground for multidisciplinary outcomes, including poems, intricate drawings, modular sculptures that form systems of display, and performances.

A conversation with artist, poet and choreographer Alex Cecchetti, creator of performances and idiosyncratic objects.

Monographic catalogue presenting a series of sculptures and a set of photographs by the Belgian artist. The two media enter in close dialogue with each other, thus exploring the potentialities of image and space. With a text by Michel Gauthier.

The “Mini” series is the natural extension of the magazine L'Incroyable. Each book immerses itself in the youth of artists through an interview about their teenage years. This second publication explores the paths of brothers and filmmakers Arnaud & Bertrand Dezoteux (interview by Jill Gasparina).

First major catalogue dedicated to one of the biggest representatives of Polish art and experimental cinema, Józef Robakowski. The publication presents some of the artist's most significant works and his research on the language of film and montage. It includes and interview with Marina Abramović, one of Robakowski's colleague at the time of the Soviet Union.

Searching for the present: an account of contemporaneity by the Dehli-based trio Raqs Media Collective.

The essays gathered in this volume explore interactivity in art, in a historical and interdisciplinary perspective.

A chronicle of self-organized art schools and artist-run education platforms that have emerged since 2000.

The monochrome paintings of Stéphane Bordarier are the result of a research based on the quality of the pictorial surface and the founding role of color. This monograph offers an overview of recent works, followed by two interviews with the artist.

This series of photographs narrates Giovanna Silva's life among the Italian army in Afghanistan, while she worked on a commissioned project in honor of Italian journalist Maria Grazia Cutuli.

This November Artforum looks at Art and Virtual Reality: Douglas Coupland talks with Daniel Birnbaum about the future of technology and desire and Alyssa K. Loh discusses virtuality and empathy. Plus Cheryl Finley on “Soul of a Nation: Art in the Age of Black Power,” Greil Marcus on Slash: A Punk Magazine from Los Angeles, 1977-80; Jackie Neudorf on Donna Deitch's Desert Hearts, and more.

Fifty years of graphic and editorial production of one of the most visionary artists of his generation—Enzo Cucchi. The catalogue includes more than a hundred plates, ordered chronologically, photographic reproductions, detailed information, and a series of essays by reknowned contributors.

This publication documents the first iteration of Belgian artist David Claerbout's project Olympia, a digital simulation of the Olympic Stadium in Berlin.

The fifth publication in the On the Table series, that explore the encounter between food and art, Bon! Bon! uncovers the wonderful world of all things sugary through surprising anecdotes and historical accounts, each accompanied by delectable recipes that are sure to satisfy any sweet tooth.

Music score for four toy pianos, revolving around four notes—A, B, C, and E. Inscribed in the minimalist aesthetic of contemporary music, the piece was inspired by the rhythm of traditional Moroccan ceremonial music. With an essay by video artist and writer Laëtitia Laguzet.

A timeless photographic ballad, through a few shots taken in the archeology museum in Athens.

Ymane Fakhir's project “The Lion's Share” combines sculptures, video, photography, and text, to narrates the story of a bereaved Muslim family and their share of the inheritance. An algebra lesson in which the Moroccan artist examines the place of women in the Muslim family—and beyond.

An electroacoustic psycho-geographical composition made from field recordings collected from 2011 to 2016.

Published in conjunction with the eponymous exhibition at the Galerie Perrotin in Paris, this monograph features historical works by Julio Le Parc, as well as his most recent paintings, showing an undeniable interest in the study of light and movement. The publication also contains a text by Hans Ulrich Obrist, an interview by Jerôme Sans and a chronology written by the artist.

Anthology of selected commercial ads published within the US Playboy from 1960 to 2003, Boy constitutes a visual commentary on the normative representations of desire and on the masculine consumer's ideal of life at the end of the 20th century.

First French translation of the famous 1966 interview with the American saxophonist by writer and jazz specialist Frank Kofsky.

A collective essay focusing on the intersections between contemporary dance and literature.

This book of interviews and conversations with today's most compelling living and resurrected artists and thinkers seeks to address the relevance of Russian cosmism and biocosmism in light of its influence on the Russian artistic and political vanguard as well as on today's art-historical apparatuses, weird materialisms, extinction narratives, and historical and temporal politics.

At the crossroads of an artist book and a graphic novel, Fawda is an ode to Casablanca's life, presented through a non-linear narrative inspired by vox-pops.

The “Mini” series is the natural extension of the magazine L'Incroyable. Each book immerses itself in the youth of artists through an interview about their teenage years. This inaugural issue is dedicated to filmmakers couple Alain Della Negra & Kaori Kinoshita.

In Japan, what is left of Butō?; Qatar, the young painter and the Emir's portrait; John Maus; F. J. Ossang; the new generation of French graffiti artists; interviews with Anders Petersen, Michael Foessel, Vincent Macaigne, Lola Gonzalez; Crowd by Gisèle Vienne; Mount Olympus by Jan Fabre; the oppressive mutations of urban lighting; portfolio by Fumi Ishino & Thomas Koenig.

The fourth issue of the annual research book-magazine at the intersection of architecture, art and economy, explores the figure of the living as the key to contemporary challenges. Contributions by experts in different fields of knowledge offers the opportunity to rethink our relationship to the ecosystem and the new technologies, and to bring forward the essential notion of cohabitation.

Catalogue of the eponymous group exhibition on the theme of romantic relationships in the digital age. Curator Cloé Perrone's introductory text is followed by a series of works by Antoine Catala, Catharine Czudej, Cecile B. Evans, Pakui Hardware, Camille Henrot, Ingo Niermann & Alexa Karolinski, Lili Reynaud-Dewar, Avery Singer and Anna Uddenberg.

Three interconnected essays on typography.

How media and new technologies affect our sense of the present.

This voluminous publication gathers 818 drawings by Dutch artist Michael Tedja, along with a series of commissioned texts by critics and curators. It highlights Tedja's practice as hypersubjective and all-encompassing, as well as predicated on studying the circulation and recycling of images.

This publication is the first outcome of an ongoing series of seminars at the Bergen University of Fine Arts, developping critical and creative perspectives on invisible practices. These essays and works seek to investigate the operations of visibility by highlighting the unseen, the camouflaged, the immaterial and the erased as particular aesthetic strategies, and to reflect on the possible outcomes of such strategies on the socio-political realm.

French translation of the Tulane Drama Review's 1965 issue on the happening (with John Cage, Dick Higgins, Allan Kaprow, George Maciunas, Robert Morris, Claes Oldenburg, Yvonne Rainer, La Monte Young…).

An ethnological study of witchcraft in West Africa, based on field research conducted in five countries between 1994 and 2000.