As a child in the 70's Daniela Comani travelled with her parents in their car where they used to past time jotting down the cars that drove by. 40 years later she found one of these old notebooks and researched photographs of the cars. The project now takes the form of this artist's book, which can be seen as an interesting social and historical study on style in the pre-globalized world and, above all, a kind of self-portrait.

This January Artforum looks at The Uses of Power: to picture our current life and imagine possible lives otherwise, Artforum invited seven artists and two writers—Nan Goldin, Adrian Piper, Sable Elyse Smith, Kia LaBeija, Donald Moffett, House of Ladosha, K8 Hardy, Johanna Fateman, and Paul B. Preciado—to consider how we can and should use power. Plus new Editor David Velasco on the Power of Good-bye, Azikiwe Mohammed talks with Claudia Rankine about Jimmy's Thrift of New Davonhaime, a preview of more than 40 spring shows worldwide, and more.

The third issue of Frédéric Acquaviva and La Plaque Tournante's audio / video hybrid magazine, featuring Frédéric Acquaviva, Lieutenant Caramel, Jean-Baptiste Favory, Joël Hubaut, Andy Ingamells, Eduardo Kac, Maurice Lemaître, Loré Lixenberg, and Christoph Ogiermann.

In its third edition, Diaphanes probes the (im)possibilities of coming to visual and conceptual grips with the present, and brings together artistic, literary, and critical positions and perspectives on imperative contemporaneity and absolute nowness (with Manuel Franquelo, Dietmar Dath, Nicole Bachmann, Maël Renouard, Esther Shalev-Gerz, Gilles Rotzetter, Alexander Kluge, Lucy McKenzie, Markus Proschek, Philip Topolovac, Ko Murobushi, Stephen Barber, Elena Vogman, Marcus Quent, Wolfgang Plöger, Jso Maeder, Luc Meresma, Dieter Mersch, Penelope Umbrico, Christine Tauber).

Publication gathering 49 posters representing photographs and film stills by the Danish artist. It also includes a booklet with comments by Villesen, and an essay by Joerg Franzbecker.

The third volume of a five-chapter publication series, this catalogue celebrates a new iteration of the artist's color spectrum series that congregates his art, the architecture of the Cincinnati Contemporary Arts Center, and the public as collaborators in an all-encompassing experience.

This publication is charting the Allan Sekula's research into and investigation of the oceans. It intersperses essays from scholars, historians, and thinkers with a selection of the artist's seminal texts and excerpts from his private notebooks.

The proxy—an intermediary for requests from clients—has become an emblematic word in our networked age. Edited by the Research Center for Proxy Politics, this publication uses the term as a dialectical figure to examine today's post-democracies politics.

A collection of textual and visual essays stemming from a series of lecture-performances in which artists and curators experimented with various strategies of reprise in the fields of publishing, visual arts, animation, new technologies and the law.

A collection of new writing and curatorial projects stemming from the activities of the Kunsthal Aarhus, Denmark, from 2013 to 2014. These projects reflected on the conditions for making curatorial “events” that are extended over longer durations to connect their constituent elements—exhibitions, texts, projects—across space and time.

The fourth of a five-chapter publication series by Ugo Rondinone, this catalogue documents the iteration of Ugo Rondinone's Vocabulary of solitude at the Berkeley Art Museum and Pacific Film Archive in the summer of 2017.

New technologies today make it possible to translate raw data into graphic representations. This action of translation has become essential in the era of big data. It forms the core of this publication, which presents the outcomes of an experiment conducted by conceptual artist Tyyne Claudia Pollmann at the Charite CrossOver Institute Berlin Mitte since 2013.

Grande poussière is the product of a collaborative poetic writing process carried out over the course of several years. Forms, approaches and sensibilities come face to face, an uneasy meeting of words and matter.

In February 2016, French astronaut Thomas Pesquet produced aboard the ISS an artwork by Eduardo Kac, entitled Inner Telescope. This film documents the conception and the realization of the very first artistic performance in Space.

An overview of the works of the avant-garde group Warsztat Formy Filmowej (WFF), pioneers of video art in Poland and structural cinema in Central and Eastern Europe between 1970 and 1977. The publication examines all of the aspects of the WFF's activity, as well as their pedagogical heritage.

Contemporary perspectives on artists' publications twenty-three interviews with twenty-five artists who make publishing an artistic practice).

The third issue of the erotic journal Féros, featuring Phoebe Clarke, Claire Dantzer, Victor Man, Anthony Pearson, Benoit Platéus, Georges Tony Stoll, Matthew Stone, Phillip Zach...).

Mouvement inaugurates its new formula: a new visual identity, new sections and 16 additional pages dedicated to photography. Contents: interviews with Jacques Rancière, Julien Gosselin & Aurélien Bellanger, Katsuya Tomita; portraits of Neïl Beloufa and Mette Ingvartsen; Pierre Ducrozet; Nik Void & Peter Rehberg; Ana Pi; Pauline Bayle; makers and sculpture in Sheffield; Iraqi cinema; portfolios, January-February agenda…

The publication traces the architectural program carried out by par Pierre Bal-Blanc at CAC Brétigny from 2003 to 2015, a series of site-specific projects with both creative and pedagogic purposes, favoring relations with the outside and the local residents.

In 1918, art historian and cultural theorist Aby Warburg emerged from a severe episode of psychosis. At about the same time he gave a conference on the Hopi nation's ritualistic snake dance. Focusing on his bout with mental illness, the film melds the aftermath of the Great War with his hopes for eventually recovering.

Vincent Barras's poems-scores; the music of David Jackman and Organum by Paul Hegarty; Ring-Modulation # 25: "Some Classicism" by Kasper T. Toeplitz; 30 years of Metamkine: interview with Jérôme Noetinger and Franck Laplaine; carte-blanche to Patrick Renaud; chronicles and disc reviews…

The third volume of a collection of papers on cognitive capitalism in relation with the conditions of mind and brain in the Information Age.

This catalogue is part of a project investigating the decentralization of the hegemonic and indisputable model of western artistic modernity in the current geo-political scenario. It attempts to reflect on the construction that the West has made of Africa through works from major collections on Italian colonial history, as well as from Fondation Cartier in Paris. It also includes texts from key postcolonial figures W. E. B. Du Bois, Édouard Glissant, and Léopold Sédar Senghor.

The first French translation of the landmark work by media theorist Friedrich Kittler.

First French translation of this much noted collection by the London-based writer and performer.

This collection of texts offers a philosophical and textual analysis of the work of butō dance creator, Hijikata Tatsumi. The author, the philosopher and translator Uno Kuniichi, gives a deterritorializing reading of the Japanese dancer and choreographer, linking him to figures like Genet or Artaud, while restoring his own specificity.

This publication presents the outcomes of Romana Schmalisch's long-term project, the Mobile Cinema, an itinerant apparatus somewhere between urban model, cinema, and plate camera. The artist constructed the Mobile Cinema and used it to present films created during her travels, mobilizing film extracts and archive material.

The first four issues of the critical review dedicated to the analysis of Graphic design, published by Empire books (studio Syndicat). Each publication documents a specific object, addressed by a renowned author: the Rouge-gorge series at Éditions Cent pages by S.P. Millot; the database colorlibrary.ch by studio Maximage; the monograph Recollected Work by Mevis & Van Deursen; and the invitation cards by the artist Stanley Brouwn.

Catalogue accompanying a selection of works by the German artist showcased at Castello di Rivoli. Weisz combines references to Renaissance art, psychoanalysis, memories and the female body, creating complex and poetic installations, inspired by a text by poet Paul Celan.

A collaboration between Toilet Paper and Martin Parr.

A collaboration between Toilet Paper and Martin Parr, in a limited edition, with an exclusive tote bag included.

First comprehensive monograph on British experimental filmmaker Ben Rivers.

Novel.

Monograph devoted to Georges Tony Stoll's painting, with a hundred reproductions, a long essay by Éric de Chassey and eight unpublished texts by the artist.

This publication documents a research made by Dora García for a video project on Oscar Masotta, pioneer of Lacanian psychoanalysis in Latin America and influential art critic. It features a selection of Masotta's writings as well as contextual essays on his work.

After the long acclaimed Nova Sodomia opus (Une indécence française), S.E. Otto is back with this oversized book (A3 format) Colossale finesse (Colossal Fineness – The women of cockaigne). Otto pays hereby a thundering tribute to all things fleshy, ample, in a single word: to abundance.

Artist's book: an illustrated collage-book made up of recurring visual elements from Franco-Belgian comics. The publication is designed in the traditional format of the bande dessinée.

Reference monograph, lavishly illustrated, with a preface by Philippe Dagen and a long analysis by Xavier-Gilles Néret of Daisuke Ichiba's work (based on unpublished interviews with the artist), placed in the double context in which it emerged, the Japanese and French graphic underground scenes.

A list of 112 artists names modified with Open Office corrector (artist's book).

Texte 3 is another pictureless book by Beni Bischof, printed in standard pocket size. It is Bischof's personal presentation of his rich collection of catchy headlines and slogans, absurd comments and off-the-wall remarks. His text archives are a trove of inspiration for his pictures and titles.

Mike Bourscheid takes aim at social mores by humourously exploring society's codes and behaviours (catalogue of the artist's exhibition for the Luxembourg Pavillon at the 57th Venice Biennale).

An unpublished talk given by Harun Farocki in 1987 at the event "Films that Think in Images" at the Akademie der Künste, West Berlin. The typescript was found among Farocki's papers after his death.

Catalogue of the namesake exhibition dedicated to artists' calendars, featuring a text by the project's curator Marie Boivent, interviews with Matthieu Saladin and Claude Closky, plus a selection of works with explanatory notes.

Carlos Bernal Ferrara illustrates the fluctuations induced by the printing of a PDF file by printing a square repeatedly until a grid is obtained. From the immaterial plane image to the printed tangible notebook, the physical factors related to the printer or the paper moved the lines. Through this gesture of repetition, the artist demonstrates that we will always obtained a different result even if the file is the same.

A self-portrait (a collection of Robert Breer's interviews, correspondence and statements over fifty years).

This book forms part of Liv Bugge's artwork To accept theirs, to make it mine, to wish it for myself developed and produced under the auspices of Public Art Norway (KORO) in connection with the construction of new cell blocks at Eidsberg and Ullersmo Prisons.

Artist's book exploring the notion of rigor in experimentation through the constraints of the grid and structure.

A collection of amateur photographs selected from more than ten thousand digital photos retrieved from found SD cards.

A series of images from a movie shot in Super8 format, on an industrial cod-fishing trawler in Terre-Neuve.

Artist's book.