This publication presents a series of some forty autobiographical drawings in pencil, ink and watercolor. The artist chose to recount his life as a children's story, flicking through fleeting memories, dramatic events, and brief anecdotes.

First monograph: an overview of the artist's career, spanning more than a decade of work.

In 1991, German art group The Oval Language built a multimedia artwork exploring the irrational impact of Leipzig's Monument to the Battle of the Nations to German generations throughout the years. This LP reproduces the sound layer of the event and includes a recording of a live performance at the HGB Leipzig. Inner sleeve contains photos of each stage of the project and texts.

The encounters between the most prominent French philosophers of the 1960s and 1970s and the artists of their times, most particularly the protagonists of the Narrative Figuration movement.

The 2018 edition of the Jahresring, guest-edited and designed by Wolfgang Tillmans.

The 2018 edition of the Jahresring, guest-edited and designed by Wolfgang Tillmans.

Edition of poetic texts, illustrated with original works by Olivier Bringer.

Edition of poetic texts, illustrated with original works by Olivier Bringer.

From September 20 to November 8, 2013, the artist wrote and sent to his loved ones, day after day, each page of this intriguing short story, punctuated by the epiphore "frappe dans ses mains" ("clap your hands").

Field recordings and electromagnetic improvisations by French artist Pali Meursault.

Chantier is a collective project with Pascal Battus on found objects, Bertrand Gauguet on saxophone, and Eric La Casa on microphones. The trio's proposal is to develop a sound practice created on building sites, amongst the machines and the builders. The fourth part of this project was recorded on the building site of the Philharmonie in Paris.

An improvised musical piece recorded with the friends of Herman de Vries at his 80th birthday's summer party on June 18, 2011, in Eschenau. With liner notes by Herman de Vries and photos of the event on the back sleeve.

First monograph, spanning ten years of work by Senegalese artist Sheikh Ndiaye. This volume focuses more specifically on his installation practice, in particular the artist's Hippocampus project. It also features a text by Mamadou Diouf and an interview with Ndiaye.

Six essays dealing with still rarely discussed aspects of the work of Joseph Beuys, Max Bill, Fischli | Weiss and Ai Weiwei, but also Jules Verne, in their relationship with the various artistic concepts of Marcel Duchamp.

Monograph celebrating the practice of Swedish multidisciplinary artist Johanna Gustafsson Fürst. The publication is a true collaboration between the artist, her publishers, and graphic designer Jonas Williamsson. It includes a series of essays by artists, critics, and curators.

The 2018 edition of the Jahresring, guest-edited and designed by Wolfgang Tillmans.

Deriving from an eponymous audiovisual performance, this electroacoustic project by Sote (Ata Ebtekar) blends traditional music from Iran with hardcore electronics.

This catalogue documents three video works by the Belgian-American artist Cécile B. Evans, in which she explores the impact of digital technology on human condition.

Summer previews (Charles White at the Art Institute of Chicago; Bodys Isek Kingelez at the Museum of Modern Art, New York; Diamond Stingily at the Institute of Contemporary Art, Miami; Michael Jackson at the National Portrait Gallery, London; Anna Boghiguian at the Museum der Moderne, Salzburg; Xu Bing at the Ullens Center for Contemporary Art, Beijing…), Harry Cooper on Ellsworth Kelly's Austin, Chloe Wyma introduces Ebecho Muslimova, Superpower: Hannah Black on Black Panther, Tectonic Arts: Frank Gehry talks with Julian Rose, and more.

A detailed presentation of the main lines of research, workshops, major projects and invited designers of the Innovation & Savoir-Faire Chair created by the National School of Decorative Arts with the Bettencourt Schueller Foundation, whose aim is to develop innovation and research in art and design.

A poetic narrative in which the author, sound artist Émilie Mouchous, investigates her own psyche through an exploration of plants. The artist's first publication features a hyperlink to download the soundtrack of the poem, an 18-minute piece with voice and synthesizers.

Artist and photographer Gil Lesage brings together for the first time a selection of her personal work since the 1980s: a hundred black & white images of sheer intensity, combined with family archives (with contributions by Samuel Benchetrit, Jean -Charles de Castelbajac, Etienne Daho…).

60 original drawings by Lou Doillon in a luxurious notebook.

Final chapter of a publication series by Ugo Rondinone, this catalogue presents the artist's exhibition on the occasion of the reopening of the Bass Museum of Art in Miami. The volume also takes a look at the Museum's acquisition of Rondinone's Miami Mountain, which follows his iconic mountain series, recognizable for their brightly colored, fluorescent contrasting palates.

This publication gathers a series of photographs made during the artist's formative years. Between 2004 and 2008, Nadim Asfar photographed anonymous passersby from the balcony of his studio in Beirut. As faceless figures cast shadows under the hard city light, heading in undisclosed directions, their narratives are only announced, never told.

A collection of texts on photography and photographers by Italian gallerist Massimo Minini. The publication also explores relationship between photography and sculpture through sections dedicated to Adolfo Wildt and Mimmo Paladino.

Questioning the meaning of one's existence with Martin Heidegger (an illustrated philosophy book for children).

Performer Anne Lise Le Gac; philosopher Daniel Adjerad; interviews with Rodrigo García and Oneohtrix Point Never; taxidermy and contemporary art; Cosey Fanni Tutti; the portrait of performer Pamina de Coulon; No Paraderan by choreographer Marco Berrettini; New York East Village; South India's film industry…

Sound artist Anne-F Jacques' first publication: an inventory of objects and materials with which she produces sound and kinetic assemblages. The book features a selection of recent drawings from the artist's notebooks.

Publication documenting the eponymous permanent installation by Kiefer at Pirelli HangarBicocca in Milan. First created in 2004, the work features seven “tower sculptures,” now combined with five large-format paintings, made between 2009 and 2013. The book gathers essays, a conversation with the artist, an exhaustive photographic documentation, description of the installation, and a bio-bibliography.

A French history of digital animation.

The first monograph of the artist, looking back at 20 years of artistic practice through her variable projects: paintings and drawings, installations, films and videos. The publication gathers texts by Patricia Falguières, Rabih Mroué, and Ghassan Salhab, as well as interviews with Lamia Joreige by Etel Adnan, Kader Attia, Lav Diaz, and Charbel Habre.

Border Thinking: Disassembling Histories of Racialized Violence aims to question and provide answers to current border issues in Europe. Central to this investigation is a refugee crisis that is primarily a crisis of global Western capitalism and its components: modernization, nationalism, structural racism, dispossession, and social, political, and economic violence.

Continuum is a catalogue dedicated to the first group exhibition set in the restored wing “Ala Scaligera” of the Borromeo Castle, on Lake Maggiore. It features an impressive combination of great artists, with Giovanni Anselmo, Vanessa Beecroft, Daniel Buren, Sheila Hicks, Anish Kapoor, Giulio Paolini, and Ettore Spalletti.

Learning jazz dance.

Publication documenting an innovative sustainable social housing project in a small village of south-central France, as part of the “New Patrons” program.

Myths of the Marble documents a 2017 group exhibition which reflects upon how the “virtual” has been engaged by contemporary artists as a way to consider the world as a site of possibility and limitation that both permeates physical space and online experience.

Exploring the potentialities of virtual reality: with Björk VR experiments; sound and VR; Michel Chion; interviews with Molleindustria, Viktor Timofeev, David Guez, Boštjan Čadež, Naotaka Fujii + Grinder-Man + Evala, WonJik Yang; reports on Temblor – 13 Bienal de Arte Mediales, and Gamerz 13 – Techno-esoteric visions…

This leporello artist's book is the last iteration of an ever-mutating project by artist Tanaz Modabber. It reproduces a sixty-meter-long drawing which was also used in the past as a score, and as a referential mapping. The work also refers to the links between poetry, music, architecture, and politics in Iran.

This catalogue documents a collective project intitiated by curator Natasha Ginwala entitled The Museum of Rhythm: a speculative institution that engages rhythm as a tool for interrogating the foundations of modernity and the sensual complex of time in daily experience. Deriving from an eponymous exhibition, the publication includes visual documentation of the exhibition as well as essays.

Tonaliens investigates the inner dimensions and outer limits of just intonation, exploring the harmonic space with voice, brass, invented instruments, sine waves and live electronics. This record brings together two live performances from 2015 in Amsterdam and Berlin. With liner notes by band tuba Robin Hayward, and detailed photos and screenshots.

Narrative essay developping the notion of abhumanism, a critical philosophy which questions the centrality of mankind in our relationship to the world. With illustrations by Camille Bryen and a foreword by Michel Giroud.

This artist's book gathers the 67 photographs that make up the contact sheet #234 of the photographs taken by Jef Geys during the 1969 Tour de France. Year of Eddy Merckx's first victory, the same day as the man's first step on the moon.

Publishing as an alternative artistic practice.

A global and transdiciplinary study on botanics.

A panorama of the world of do-it-yourself fanzines.

35 years after the release of their critically acclaimed albumVibrant Stapler Obscures Characteristic Growth the British dadaist group Hastings of Malawi have released a new album—an epic sound poem entitled Visceral Underskinnings. It is a 40 minute film without light that reflects on the human condition, on modern society, on the nature of telephony and electricity and an attempt to make sense of the world in which we live that provides no answers.

This catalogue surveys the work of object design creator Ineke Hans.

The artistic practice of Birdhead associates photography with particular collage skills and mounting technique. The publication is a visual diary of the duo's experimentation in Italy, accompanied with a dual language essay by art historian Maurizio Bortolotti.

A hundred black and white portraits of students from ECAL – University of Art and Design Lausanne, made between 2013 and 2016 by photographer and teacher Anoush Abrar.