A record of outsider music (sound objects and voices) made by patients at Le Havre psychiatric hospital, accompanied by Aude Romary on cello and Nosfell.

A selection of the artist's work from 2020 to 2023, accompanied by a text by Glenn Adamson.

Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.

A strange hybrid of Teletubbies and Videodrome in the age of algorithms, Telebodies is a techno-somatic, multifaceted endeavor referring to the ever-growing entanglement of our bodies with epistemic, cybernetic, and kinetic materialities.

A book about active mythic thinking and scientific storytelling, about fright, trauma, and potentials for transformation.

Works on paper by the Belgian artist.

The story of the Galerie Janine Rubeiz, a major venue on Beirut's cultural and artistic scene.

Eight Seconds: Black Rodeo Culture, the first book by Ivan McClellan, offers an inside look at Black cowboy culture across the United States in the 21st century, creating a bridge between present and past through sports, community, and love of the land.

Two mesmerizing works for carillon, the keyboard-controlled bell tower derived in the 16th century.

The first comprehensive monograph devoted to artist Bea Schlingelhoff.

The catalogue of Lisa Tan's first institutional show in Sweden tenders its own spatial logic through the metaphor of neurological disorders.

A hybrid between travel chronicle and studio process notebook, this artist book tracks the construction of a failed modernist fantasy in the island of La Palma and the hallucinogenic properties of wild plants that grow across the Canary Islands.

Photographer and filmmaker Manuel Wetscher brings together in an artist's book a unique archive of photographs by his father Richard Jenewein, discovered years after he died of AIDS. A universal family album documenting childhood, which questions the evocative power of an altered narrative and deals with the effects of a taboo and the poetic force of images.

In the long interview that forms the body of this publication, Éliane Radigue talks about her work, her reflections and underlying research, as well as her historical context. The publication also contains a commented list of works and Radigue's programmatic text on The Mysterious Power of the Infinitesimal (new expanded edition).

Charles Fourier or utopia as reality.

A series of exchanges relating to questions of gender, sexual difference and sexualities, enabling not only a rereading of Jean-Luc Nancy's corpus and its developments through the prism of what Nancy has called sexistence, but also the reinscription of the elaboration of this concept in a web of biographical elements and, hence, an exploration of the philosopher's actual sexistence.

An experimental fictional ("post-apocalyptic") anthropology of philosophy, focusing on the dialectic of master and slave, itself understood as myth.

This anthology brings together rare documents pertaining to so-called occult phenomena, most of them taken from little-known archives. In the course of three volumes, this series traces an audio history of parapsychology. The second volume si devoted to musician mediums.

The glass as a listening device.

A photographic investigation with around 50 New York artists still benefiting from the "loft" law, intended to protect financially troubled artists living illegally in the city's commercial and industrial lofts from eviction.

A zine and exercise book about the applied art of questioning, by the writer Cordula Daus and the choreographer Charlotta Ruth.

Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.

Antoine de Galbert offers a glimpse into his collection, freed from the traditional norms of art history: an immersion into his artistic universe, through a selection of over two hundred works presented without hierarchy or classification.

With the theme "Building," this issue is interested in the future of architecture as a practice of creating housing for the living within urban agglomerations. It questions the ways architecture, as the creation of living spaces, always requires collaboration with several participants including, hopefully, the users.

A genuine investigation, in the opposite direction to the narrative imposed by art historians, of artistic, cultural and political developments in the Western world after the Second World War, between Paris and New York.

The first book to draw a comprehensive cartography of the relationship between visual arts and digital culture since the early 2000s, tracing the history of memes "from Duchamp to TikTok."

This publication by avant-garde artist and cultural icon Yoko Ono combines never-before-published texts and invitation pieces written in 2016–2018 with drawings from the “Franklin Summer” series she started in 1994 (new edition).

The publication is the first institutional monograph on the multimedia practice of artist and director Ali Cherri. It aims to highlight the constellation of ideas, themes, and formal concerns running through his most recent, highly significant projects.

Massa Confusa is a combinatorial codex cataloguing João Maria Gusmão's recent material transformations in the studio, featuring an accompanying text by the artist and faithful reproductions.

Two previously unpublished interviews with Jim Dine, about his performances in New York City in the early 1960s, an important period in his career that the artist has so far rarely discussed.

The remastered anniversary reissue of the guitarist's first solo album, released in 1974, accompanied by a new album made by Fred Frith in similar conditions, celebrating the fifty years that separate them.

New electromagnetic recordings by Christina Kubisch: a suite of pieces focusing on the electromagnetic sound qualities of trams, buses and related infrastructure.

Artist and curator discuss the role and value of art in the 21st century, and the potential for artistic creation to contribute to the development of new knowledge.

First monograph.

Fan book parody, People Painting is an artist's book made up of a collection of found images of famous personalities (from the 1920s to 2020) painting or posing in their studios.

A conceptual punk re-enactment by The Curators.

An essay on the new challenges facing exhibition curators.

Two essays by psychoanalysts Angelo Antonio Moroni and Pietro Roberto Goisis on Rachel Whiteread's singular project and experience in Bergamo, Italia.

A selection of paintings by Cosima zu Knyphausen over a period of five years, accompanied by an essay by Rahel Schrohe, and a poem of the artist.

An archive of sounds for interspecies communication, stemming from Renato Leotta's research on Posidonia Oceanica, an underwater plant endemic to the Mediterranean Sea.

Kindling #1: Parazoan Mapping #2 by Taku Unami and Eric La Casa is the first edition of an ongoing series of artist-run digital+paper sound-art releases, only available as a newspaper plus digital file.

Curator, art historian, writer Chus Martínez and writer and curator Filipa Ramos bring together a group of artists who have been using clay, pottery and ceramics to imagine, project and shape the world they live in.

A collective manifesto for feminist art schools.

The challenges of participatory artistic research.

The "suspensive" artist Chloé Moglia invites authors and researchers to write with her, what the gesture of standing above the void generates as perceptions and thoughts. In this first issue of Feuilles (Leaves), through verticality, dizziness and risk, it is a question of strength and consideration.

This double issue aims to provide an "out of placeness" by looking beyond Western-centricity to a transnational, pluralist horizon, exploring the new imaginaries created by artists and thinkers from the "Global South", from Brazil to the Democratic Republic of Congo.

After Laughter Comes Tears, in its exhibition and book forms, brings together artists from different generations who are experimenting with the idea of the performative.

Gilles Aillaud, Andy Robert, Marisol, Ellen Gallagher, Giovanni Anselmo, Marjorie Welish...

Anna Oppermann, Benoît Piéron, Maria Toumazou, Coumba Samba, Kiyan Williams, Ali Eyal, Samuel R. Delany, Maryanne Amacher, Roe Ethridge, Aleksandra Kasuba...

The transdisciplinary journal continues its return around the theme of the chanson.