The loving images by the eminent American set photographer.

Retrospective monograph.

French photographer Estelle Hanania sets the tone for her publishing house Myriorama's program, inaugurated with the singular work discovered in the shopping cart of Mrs. N., an artist on the margins who, at 78, sells her drawings on the sidewalks of Paris's southern suburbs on market days.

Artist's book, produced in limited print run in the Palais de Tokyo's risography micro-publishing workshop.

Artist's book.

Modernist architecture and the urban transformation of Maputo, Mozambique, between history and modernity.

Artist's book.

A critical reflection on memory and images through a collection of rare photography books produced as part of liberation movements in the former Portuguese colonies in Africa between the 1960s and 1980s, reflecting on the importance of visual culture in anti-colonial struggles and the early years of independence, between activism and formal experimentation closely linked to armed struggles.

This publication is a dynamic archive, the legacy of The Land Remembers, the Lebanese National Pavilion at the 19th International Architecture Exhibition of La Biennale di Venezia. Harnessing local knowledge, it responds with urgency to the intentional destruction of nature and societies in Lebanon.

The fifth issue of Typologie, a collection of design books about ordinary objects, is dedicated to the camping tent.

Through the operative concept of literary and political extremism, this volume explores the links between the revolutionary aspirations of far-left socio-political movements and the quest for a new articulation between literature and reality in 1970s Italy, a dynamic exemplified by poet and novelist Nanni Balestrini (1935-2019).

Ornella Volta's definitive posthumous book on Erik Satie, featuring all the composer's writings, largely unpublished documentation and biographical elements, for the first time precisely related to the works.

The first monograph devoted to the Swiss artist's immersive installations of found objects and sound machines.

Superior and Inferior presents a facsimile reprint of Italian abstract artist and feminist Carla Accardi's provocatory publication Superiore e Inferiore and the first ever English translation of the full text.

An overview of Nicolas Deshayes' work over a decade.

A mid-career retrospective of internationally renowned Greek-British artist Mikhail Karikis.

Compassion and Inconvenience combines artist Vika Kirchenbauer's 30-minute video work Compassion and Inconvenience (2024)—whit its script reproduced alongside stills and audio descriptions—and her essay Instituting Inconvenience and Colonial Relations: The Genesis of European Contemporary Art Institutions in Mid-18th Century London (2025).

With her debut chapbook, award-winning author and curator Legacy Russell returns to poetry with her GAY POMPEII, a collection of lyric poems that begin at the end of the world.

A look back at the approach and programming of the Basel-based modular independent art space, between living, working and exhibition space.

A project curated by American artist Oscar Tuazon, which explores water as a metaphor, as an element that resists any attempt at shaping, and as an essential medium for artists: a pure mirror.

The Um Slaim School forms part of a propositional pedagogy for contemporary urbanism in Riyadh, expanding on the National Pavilion of Saudi Arabia at the Biennale Architettura 2025, and the work of Riyadh-based practice Syn Architects (Sara Alissa and Nojoud Alsudairi).

The four seasons as a thematic underpinning to present a rich selection of Norwegian and international contemporary art from the Christen Sveaas Art Foundation.

This reader brings together artistic and theoretical contributions on the instertitial nature of sound. This issue is addressed through a variety of prisms, such as format, language, politics, or new technologies.

A joint exhibition by the Austrian artist and the Belgian artist and writer.

The first major monograph on Swiss-Uruguayan artist Jill Mulleady, whose paintings feature humans and animals enacting their instinctive psychological reactions to ever-present threats of danger.

First monograph.

PROVENCE UNCONSCIOUS deep dives into the cosmological pool that shapes the collective unconscious and takes a look at the relevance of Jung's ideas in relation to contemporary art and fashion.

Eight sound pieces delicately handcrafted like a game between inside and outside.

The first total survey of Jef Geys' work.

This enchanting convening of texts and images, diaries and epistles celebrates a unique voice and ongoing dialogue around the erotics of art.

Vaginal Davis offers insights into her collaborative practice of making music in art-punk bands in Los Angles and Berlin.

Artaud's last unpublished work.

24 transcribed public conversations led by Xavier Le Roy with artists and cultural workers, creating a space where Le Roy's work meets the experiences of his guests.

International curator Cristina Ricupero uses the figure of Frankenstein as a common thread to explore and share her curatorial practice.

Gilles Aubry's composition "L'Makina" is a haunting soundscape that combines AI-generated sound textures with modular synths. Structured in two parts, the piece explores the spectral possibilities of a virtual sound model developed using a machine learning algorithm, in collaboration with Moroccan musicians Ali Faiq and Idr Basrou.

The first monograph, lavishly illustrated, with a preface by Martin Scorsese and numerous texts, devoted to the work of the astonishing American photographer who resurrects forgotten techniques to revisit the aesthetics of the early days of photography (and capture all its uncanny strangeness).

A publication that directs dialogue and points of exchange among art, science, and environmental justice in the Americas.

A selection of previously unpublished photographs from the Bolol project conducted by Eva Diallo since 2018 on the trail of overland migration routes from Africa to Europe.

Jérôme Game, a poet working at the intersection of words, sounds and images, has invited two of his stage partners, Chloé and Jean-Michel Espitallier, to create a duo piece with him for this sound poetry album, between beat inspiration, krautrock motorick and literary glitch.

Andrzej Karałow's piano metamorphoses in the cogs of Jérôme Noetinger's tape recorder, multiplying and playing with its distorted mirror: a journey through imaginary landscapes haunted by a ghostly presence.

People Like Us, the project of artist Vicki Bennet returns to Discrepant with a special vinyl release of "Copia". This album marks the first new musical material since 2018, delving into the profound realms of existential collage and sampling, celebrating these forms as expressions of timeless connectivity.

The relationship between quantifiable and experiential knowledge as entanglement of multiple temporalities.

Four texts by Teri Wehn Damisch, attending to the conception of her films on artist Robert Morris, photographer Gisèle Freund and anthropologist Françoise Héritier.

A double CD with Suite blanche, a musique concrète composition by Anouck Genthon (violin, sound recordings) and Lionel Marchetti (synthesizers, electroacoustics, sound recordings), and Angelica, a concert by the duo.

In Meta Cars, Beni Bischof transforms found images of cars into visual distortions. Through digital manipulation and radical simplification, the original shapes are abstracted—reduced to ghostly and ridiculous silhouettes that feel both familiar and alien.

Slavs and Tatars, Stephanie Comilang, Ho Tzu Nyen, Sohrab Mohebbi, Lauren Cook, Édouard Glissant, Mira Dayal, Elvira Dyangani Ose, Dani Blanga Gubbay, Ruoru Mou, Virginia Ariu, Bagus Pandega, Ceidra Moon Murphy, Oshay Green, Shafei Xia, Christian Rattemeyer, Lamm & Kirch...

A contemporary cabinet of curiosities, comprising the singular collection assembled by Jean Chatelus (1939-2021) over the course of his life: sculptures, installations, paintings, photographs, drawings by the greatest figures of the 20th century, as well as by outsider artists and "enfants terribles", pieces of non-Western art and objects from popular traditions, reflecting diverse aesthetics and voices.

A reflection on two essential formats in photographic production: the book and the exhibition space (featuring Christian Aschman, Julien Carreyn, Bertrand Cavalier, Wade Guyton, Pierre Hourquet, Aurélien Mole, Katja Stuke & Oliver Sieber, Batia Suter, Rebecca Topakian, Wolfgang Tillmans, and Ruth Van Beek).

Drawing together together numerous travesti writers, voices, performers, artists, and historians, this collection amounts to a narrative of survival.

Interviews with Dan Ploeger, Derek Curry & Jennifer Gradecki, Liz Pelly, Barnaby Francis & Bill Posters; Poetic Terrorism & Brand Sabotage; reports: xCoAx 2024, Konton-ni-Ai!, 7th International Digital Art Biennal...