Marc Kokopeli by Theo Belci, Art After Neoliberalism by Katy Siegel, Florentina Holzinger by Caroline Lillian Schopp, Duchamp v. Duchamp by David Rimanelli and Helen Molesworth...

The third issue, titled "Opacity", of Flash Art's yearly review.

The first retrospective of the work of Jean-Claude Guillaumon (1943-2022), a self-taught artist who defies categorization, associated with the French Fluxus scene, avid practitioner of happenings and other forms of ephemeral art.

Based on the relationship between the visible and the invisible in the development of Antoni Muntadas' projects, this publication examines the five series of works that bring together significant projects reflecting Muntadas's artistic approach since 1999.

The first reprint since its 1970 release of Bruno Munari's legendary artist's book Xerografia: an intimate look into Munari's groundbreaking experimentation with the Xerox machine, where technology becomes a tool for poetic and visual exploration.

The first reprint since its 1970 release of Bruno Munari's legendary artist's book Xerografia: an intimate look into Munari's groundbreaking experimentation with the Xerox machine, where technology becomes a tool for poetic and visual exploration.

The work of Sámi architect and artist Joar Nango, investigating indigenous spaces and their critical value in a contemporary cultural discussion.

An important collection of poems by Jimmie Durham (1940–2021).

An unapproved Wikipedia draft authored under the conceptual label Jeff Wall Production, initiated by curator and essayist Pierre Bal-Blanc.

An exciting exploration of the imaginary world of Belgian artist Panamarenko, who became internationally renown for his groundbreaking creations connecting art with science and technique.

Christiane Geoffroy’s "fragments" work through small touches, through trial and error. Their great temporal flexibility allows them to wander from the origins of the universe and life to generations not yet born. At times, they function as short performative poems.

Five stories set in a world in upheaval, taking us to the far reaches of Russia, Ukraine, South Africa, the Democratic Republic of the Congo... and the Botanical Garden of the National Museum of Natural History in Paris. Non-human beings are the central characters in these stories.

A book dedicated to the last drawings created between 2021 and 2022 by Gianfranco Baruchello, who passed away in January 2023.

On the forms of sabotage, insubordination, and invisible activity that evade the terrain of politics.

An artists' book in which Anri Sala interacts with the corpus of paintings by Edi Hila.

Conceived as a hybrid between an exhibition catalogue and a fashion lookbook, as well as a document of their practice and a sculptural object in its own right, the Women's History Museums' first publication interweaves newly commissioned texts with illustrated image spreads that reference iconic precedents, from Matsuda's 1990s lookbooks to early Vivienne Westwood.

A transcript of a lecture by Harun Farocki exploring the relationship between architecture and cinema.

A reflection on our present, through a series of portraits of contemporary artists.

A collection of portraits by Pieter Henket that focuses on a new generation of young Mexicans who are redefining contemporary expressions of gender, identity, tradition, and spirituality.

Why continue to produce objects today? In a world saturated with artifacts and facing ecological urgency, the very legitimacy of production seems to waver. Starting from this question, issue 61 of Azimuts brings together designers, researchers, artists, and students around contemporary object practices.

Leading contemporary artists and thinkers elaborate on how our increasingly networked societies are shaping—and shaped by—exchanges among people and machines.

A look at a href="index_theme.php?id=224&menu=4">South Korea's contemporary art scene through the medium of video art.

The Queen of Kitsch by Olivia Kan-Sperling, Palantir Goes to MoMA by Simon Denny, The Totemic Returns by Glenn Adamson, Ben Lerner's Devices by Gemma Sieff, Henrike Naumann by Alexander Koch...

22 new dreamlike (or nightmarish) living tableaux by Maurizio Cattelan and Pierpaolo Ferrari.

Why continue to produce objects today? In a world saturated with artifacts and facing ecological urgency, the very legitimacy of production seems to waver. Starting from this question, issue 61 of Azimuts brings together designers, researchers, artists, and students around contemporary object practices.

A poetic pathway exploring a series of stories related to the art produced in Brazil since WWII.

Scholar and curator Christine Eyene serves as guest editor for this special issue, featuring a central section dedicated to the work and place of women—particularly Lubaina Himid—within the Black Arts Movement.

Retail Vérité: Vancouverama is A Maior's second novella, and the outcome of writing workshops led by A Maior at Western Front in February 2025. Through a blend of improvisation, LARPing, and speed dating, the participants sketched the characters, narrative, and setting in real time.

The story of Tony the Donkey! A children's book illustrated by Artur Varela (1937–2017), completed shortly before the Portuguese artist's death, adapted and published posthumously by Daisy Publishing.

First monographie.

This revised edition of Louise Colet’s Voyage en Orient (1873)—a vivid account of the poet, novelist, and committed feminist journalist’s enchanted discovery of nineteenth-century Egypt—brings to light a passionate literary work that has long remained overshadowed by her famous, tumultuous romantic affair with Gustave Flaubert.

A text that is both humorous and political by visual artist and author Laurence Denimal.

Artist's book, produced in limited print run in the Palais de Tokyo's risography micro-publishing workshop.

Artist's book, produced in limited print run in the Palais de Tokyo's risography micro-publishing workshop.

First monograph on the Swedish artist.

Readers are invited into an immersive, oceanic way of seeing—where the boundaries between body, technology, and environment dissolve into continuous transformation.

P. Staff's first collection of poetry.

A renewed reading of Walter Pfeiffer's photographic practice.

Hosting Space explores how processes of hosting, such as access, support, and gathering, operate within the context of an art institution. It invites readers to reconsider how these activities are embedded in the spaces we inhabit and how they shape spatial practices.

Alexis Nouss's manual on cultural resistance in seven lessons.

By retracing the history of three colossal candelabras made by Piranesi (1720–78) from fragments of ancient Roman sculptures, Caroline van Eck introduces us to the complicated journey of art objects from their production to their reception, and tests the effectiveness of anthropological methods by isolating what relates to the commodification of art objects and their singularization.

The choreographic in cinema.

An exploration of the utopian labyrinth that has fueled the imagination and work of internationally renowned architect Rudy Ricciotti.

An exploration of the utopian labyrinth that has fueled the imagination and work of internationally renowned architect Rudy Ricciotti, through a quasi-cinematic montage of images and quotes, constituting a stroll through the mind of the “character” Ricciotti, each space visited punctuated—as in a voice-over—by a text by Jean-Louis Poitevin.

First monograph of pioneering Saudi artist Saad Almasari, tracing a practice shaped by place, memory, and the enduring logic of geometry.

Reference monograph.

A dialogue between the creations of the two designers.

A dialogue between the creations of the two designers.

A collaborative album born from a live performance rooted in a meticulous mutual observation of each musician’s playing style and setup: eRikm’s turntables, electronic devices, and vast sound library; and Pierre Bastien’s mechanical orchestra and range of acoustic instruments.

A comprehensive retrospective of the Spanish artist's work, covering his major exhibitions (Manifesta, Reina Sofia, MACBA, Raven Row, etc.) and including all of his texts published as fanzines over a period of twenty years, a new critical essay by Kim West, and a wide-ranging conversation.