First monograph.

A "lyrical drama about the woman who invented chicory stockings": the libretto of a troubadour operetta for narrators, children's choirs, accordion, dessert and Vosges spruce.

A documentary fiction depicting the abstraction of tools and management and consulting.

44 international artists deliver their vision of the fire of Notre-Dame de Paris.

This catalog accompanies Zineb Sedira's exhibition at the Jeu de Paume, covering a period from 1998 to the present, and mediums as diverse as video, film, installation and photography.

Stafan Kalmár and Lia Gangitano on Lutz Bacher; Melissa Anderson on Lily Tomlin; Annie Godfrey Larmon on Beverly Pepper; Institute of Queer Ecology; 40 Fall 2019 exhibitions previews; Simmon Denny; Anthony Byrt; Sam McKinniss; Zarina; Diébédo Francis Kéré...

A experimental journey looking back over the work of interlocution between individuals based on artworks with a specific link to certain places.

Over the past decade, 21 poets have come to La Kunsthalle Mulhouse to immerse themselves in the art and spend time within the space composing original texts reflecting on their experiences and vision of the work surrounding them. These writings are now collected in this volume.

A series of drawings considered the starting point of the artist's mature work.

Zurich-based photographers Peter Gaechter and Bettina Clahsen document hairstyles from Switzerland's upscale salons, tracing hairstyle trends from the 1970s to the 1990s. The book collects their photographs along with texts by Bettina Clahsen and Swiss art historian and journalist Joerg Scheller.

A retrospective of the work of one of the first artist-run spaces in Paris, offering an overall reflection on the emerging conditions of independent and collective spaces, and the way they have impacted the institutional and art scene.

This publication reflects upon the exhibition of Stefan Brüggemann's nihilist statements read, sung, and screamed by Punk icon Iggy Pop, sculpting aurally the spaces of a seemingly empty gallery covered in densely painted black paneling paintings.

Sylvie Auvray's first publication, between an artist's book and a monograph.

Art in the Borda psychiatric hospital in Buenos Aires; in the ruins of the Soviet industrial dream in Georgia; the young Martinique artistic scene; Milo Rau and the NTGent theater; La Ribot; Mati Diop; Camille Blatrix; Clément Cogitore; Fanny Taillandier; Baptiste Lanaspeze and Éditions Wildproject...

Pati Hill, Greer Lankton, Lil Picard, Bern Porter, Tomás Cunha Ferreira, Alexandre Estrela, Wade Guyton, Seth Price & Kelley Walker, Merlin James, Carlo Pittore, Anne Turyn, Martin Wong...

Rendez-vous in Paris: Picasso, Chagall, Modigliani & Co (1900-1939) is a collaborative publication between Kaph Books, Louvre Abu Dhabi and Centre Pompidou, which serves to discover the Paris of the “Roaring Twenties”—a Bohemian hub for artists from across Europe. This group of artists came together at a moment of extraordinary creativity to produce some of the most innovative art of the 20th century.

New monograph (works from 2011 to 2019).

The publication developed from the exhibition and research project The Place Is Here (2016–19), which traced the urgent and wide-ranging conversations taking place between black artists, writers, and thinkers in Britain during the 1980s.

The ToiletMartin PaperParr wall calendar 2020 features photographs conceived by Martin Parr, Maurizio Cattelan and Pierpaolo Ferrari, a back-to-back of images made in collaboration between the three artists. In a hotly anticipated follow-up to the first ToiletMartin PaperParr magazine, this calendar presents a selection of the best images conceived by the three artists.

A closer reading of the late poetry of Jean Hans Arp (1886-1966), major figure of the Dada movement in Zurich, a friend of the surrealists, painter, sculptor, also author of an important bilingual poetic work, which covers more than half a century of creation (with a choice of poems previously unpublished).

A disappointing trip to Manaus capital of the Amazon during the rainy season becomes the opportunity for Jean-François Bory to deploy a text in lush color of vegetal letters.

Special 30th anniversary issue, including an audio CD.

Accattone #6 explores a renewed relationship with land, matter, “nature” and localities against the backdrop of the new climatic regime.

New monogaph.

An electroacoustic piece based on a recording of a Curling match, which reveals its unsuspected dramatic tension...

A collection of sound situations possible on a Serge analog modular synthesizer system.

The contemporary return to universal claims and concepts in the fields of art, architecture, and urbanism.

Igor Grubić's project for the 58th Venice Biennale, Traces of Disappearing in Three Acts (2006–19).

Stud compiles photographs that Aurélie Jacquet and Aurélien Mole shot while they were students at the French National School of Photography.

An idiosyncratic investigation of curatorial practice.

Diaphanes is conjuring the ghosts of the avant-garde for its Summer 2019 double issue, including a 80-page insert with 155 photos by Antoine d'Agata and an essay by Mehdi Belhaj Kacem.

A sound and photographic project about the disappearance of the Aral Sea in Kazakhstan.

The story of fifty years of the international festival of photography.

The singer Christophe puts to music Olivier Mosset's interviews.

New monograph, presenting over thirty new works produced specifically for a large-scale curatorial project, with an in-depth essay by Tristan Garcia.

A face to face between the great works of Gustave Courbet and new paintings by contemporary artist Yan Pei-Ming, specially created for the bicentenary of the birth of Courbet.

Catalogue of Driant Zeneli's multidisciplinary film and sculpture installation for the Albanian Pavilion at the 58th Venice Biennale.

Focusing on the American South, Andrew Moore's "Blue Alabama" depicts the economic, social and cultural divisions that characterize the South and the love of history, tradition and land that binds its citizens.

First monograph dedicated to the American artist, offering an in-depth investigation of his work. The book assembles more than 65 artworks and three essays, by Kenneth Goldsmith, Jo Melvin and Balthazar Lovay, as well as an interview with Gene Beery by Gregor Quack.

Part of The New Sanctuary, the Satellite Programme 12 devised by Laura Herman, The Arcadia Center is published in conjunction with the exhibition of work by Ben Thorp Brown, which calls for an architectural experience inspired by ancient mythology and the fields of psychology and neuroscience.

Sugimoto's majestic images of classic modernist buildings.

Magic Centre revolves around the Indonesian publishing company of the same name, which was mostly active in the 1960s. It serves the artist as a lens through which he examines the social and political changes that reshaped his country during the years Magic Centre was in business.

Travis Jeppesen's Bad Writing is a collection of interconnected essays and “fictocriticisms,” many appearing in print for the first time, that etches a pathway for a truly radical “bad” modernism in art and literature. Erudite, witty, and occasionally controversial, Bad Writing reinvigorates the too-often staid medium of art criticism as an iconoclastic and inventive literary art form.

The French musician, poet, and visual artist blends cut-up poetry, ASMR, Satie, Ravel and Debussy, on her new album.

The French musician, poet, and visual artist blends cut-up poetry, ASMR, Satie, Ravel and Debussy, on her new album.

Prominent voices of the debate on transdisciplinarity in a transdisciplinary manner.

An autofiction by Erik Niedling, interpolated by manifestos and proposals by Ingo Niermann and expanded by Austrian-American poet Ann Cotten and German novelist Jakob Nolte.

This book is a three-part report on the long-term collaboration between artist Pope.L and curator Dieter Roelstraete which revolves around issues of connectedness, home, and migration, while addressing art's relationship to knowledge.

The catalogue of Alban Muja's project for the Kosovo Pavilion at the 58th Venice Biennale.

Commissioned by the Ruya Foundation for Contemporary Culture in Iraq and published on the occasion of the 58th Venice Biennale, Fatherland presents the work of Kurdish Iraqi artist Serwan Baran and his investigation of the concept of “fatherland” as opposed to what we traditionally understand as “motherland.”