Catalogue.

A reflection on the value of speech and anonymity as well as on the authority at work in the distribution of knowledge.

This catalogue stems from an eponymous project on the Israel Museum in Jerusalem. The artist brought out an impressive photographic recension of artifacts, revealing the forgotten stories and fascinating polyphony of the museum's collections.

A photographic archive of the transgender community in Bologna in the 1980s. With critical texts by scholars and queer theorists.

This catalogue documents a research and exhibition project stemming from a fieldwork conducted by the artist on a palaeontological site in South Australia.

The new book from French photographer Estelle Hanania gathers over ten years of collaboration and archives revolving around the artistic universe of Gisèle Vienne.

A series of illustrations depicting automobiles set in a chaotic post-apocalyptic world, inspired by the dystopian aesthetics of the 1980s and 1990s.

This historical essay recounts the story of the EXAT 51 collective—the first Yugoslavian abstract art group—and how it shaped the idea of abstract socialism by associating socialist cultural politics and modernist artistic practice.

This autobiographical novel describes the author's esoteric quest and involvement with a shaman in the hope of saving his mother, diagnosed with terminal cancer.

Colorful characters express themselves through humorous signs.

A radio novel inspired by the author's previous publication, associating infuences from sound fictions, experimental music, sound poetry, and rap.

The best of 2019.

Four essays by philosopher and musicologist Peter Szendy on Anri Sala's recent practice. Szendy emphasises the key role played by music and sound in Sala's sensorial installations.

The new issue of the magazine dedicated to drawing, with height long-length interviews with Linus Bill, Adrien Horni & Joseph Allen Shea, Acacio Ortas, Olivier Lebrun, Éditions Peinture around Saeio, Hélène Bertin, Étienne Périn, Son Ni, Daniel Dewar & Grégory Gicquel.

Diaphanes #8/9 looks into curious loops of reproduced present, the integral of circular I-effects, the other side of the social Möbius strip. Is the self nothing but an echo? An effect without cause? The human being a message, an autoreply in the jargon of social-memes? Who or what massages the backchannel so astoundingly self-similarly, like an invisible hand?

Issues 16 to 18 of the critical review dedicated to graphic design.

Klima #2 focuses on the global ecological crisis, the impact of human activity on its environment and the interdependence between the entities that make up the Earth.

The first album of Ophelia, a band composed of the artist Emilie Pitoiset and two members of Aluk Todolo, Shantidas Riedacker and Matthieu Canaguier.

Thomas Krempke's photographic diary.

The fourth issue of Typologie, a collection of design books about ordinary objects, is dedicated to the wooden crate.

This double LP forms a tribute to Pizzica, an antique music from Southern Italy, used to heal people suffering from tarantism, a mysterious disease caused by a spider. It includes field recordings of musicians-exorcists in the 1950's in Puglia, and six reworks by contemporary electronic musicians.

What is, and what was luxury? This publication celebrates a world history of the lavish and the luxurious, through 350 extraordinary objects—fashion, jewellery, art, furniture, design and more. Discover how different cultures have defined luxury and the impact of such excess on the evolution of society, as a way to undermine or underline the status quo. Consider the the prominent role of women in defining luxury and wih it, the ebb and flow between excess and moderation.

Limited edition including a double LP compilation and a 168-page publication gathering a complete documentation on Tarantismo, a project dedicated to a centuries-old choreo-musical ritual from Southern Italy, to exorcise women of a mysterious evil caused by the bite of a spider.

Publication documenting a centuries-old choreo-musical ritual from Southern Italy, used to exorcise women of a mysterious evil caused by the bite of a spider. It gathers contributions by artists, sociologists, anthropologists, scientists, and priests, and features a large ensemble of photographs.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

The fourth issue of Typologie, a collection of design books about ordinary objects, is dedicated to the wooden crate.

A proposal for a radio project on the diffusion of world music in the digital age, focusing on the concept of “seismographic sound”.

A collection of musical compositions derived from film interviews with conceptual artists, including Martha Rosler, Art & Language, Andrea Fraser, Ed Ruscha, Shilpa Gupta, Sol LeWitt, Lawrence Weiner and Yvonne Rainer.

Monograph dedicated to artist Brittany Nelson, who appropriates techniques from 19th century photography to create works of feminist science fiction and queer abstraction.

Artist's book.

Monograph dedicated to the films of the Israeli artist Assaf Gruber. Articulated around eight conversations related to the films' production, this publication reflects an important theme in Gruber's work: what effects can art have on individuals far removed from the artistic field.

A series of colorful invented landscapes, by American painter Shara Hughes.

A post-colonial pamphlet on the ethnological museums of Europe, primarily the upcoming Humboldt Forum in Berlin.

Reference monograph on the singularly radical work of Michel Parmentier—an important addition to the history of painting in the second half of the 20th century.

This bilingual publication retraces a journey and a set of studies, graphic creations and texts that lead to a process of drawing research in a digital environment.

A compilation of string compositions and collages by multimedia artist and composer Milan Knížák, performed by the fama Q string quartet.

This monograph documents a research on an abandonned site of the Swedish Defence Research Agency (FOI). For his investigation, artist Henrik Andersson relied on various public archives as well as on the FOI's astonishing art collection.

The heart of the political-aesthetic debate.

Comprised of a series of texts, drawings and photographs, this catalogue documents and expands on the multimedia installation by "Natascha Süder Happelmann" (Natascha Sadr Haghighian), an artistic reflection on ruinous space (catalogue of the German Pavilion at the 58th Venice Biennale).

Since 2016, choreographer Lenio Kaklea has been collecting the practices of Europeans. Taking to the streets and pathways of Athens, Aubervilliers, Essen, Guissény, Nyon, and Poitiers, she has gathered nearly 600 unique stories. This compilation testifies to the familiarity and diversity of habits, of rituals, and of trades that compose and distinguish these territories.

The everyday life of Stefan Marx in Berlin, in a 300-page volume of drawings.

Stefan Banz has brought together and evaluated all the relevant documents and sources relating to Fountain by Richard Mutt alias Marcel Duchamp. At least one thing is certain after reading them: Elsa von Freytag-Loringhoven had definitively nothing to do with the creation of Fountain. In addition, Banz has succeeded in writing a highly inspiring book containing many new and revealing ideas that present this work of the century in a much more differentiated light.

Celebrating the ten-year anniversary of the project A Collective Memory by Azin Feizabadi—a series of five narrative films—this publication features fictions by guest contributors who were asked to expand on their viewing experience of one of the films in the Collective Memory series.

Publication documenting a series of workshops involving Raumlabor, a Berlin-based group architects, and the youths of Barca, a neighbourhood in outskirts of Turin. The project, which advocates for the re-appropriation of the public space, saw the development of a series of inhabitable environmental installations.

The second in the series of publications "Notes on Archives" dedicated to archival practices, Culture is Our Business offers a comparative case study on the archival policies of a commercial agency and a non-profit independent organization through the example of a 1919 image by photographer Willy Römer.

The fourth in the series of publications "Notes on Archives" dedicated to archival practices, Dear Jadwa draws on a photographic archive from the Wadi Ara Valley in Israel to reflect on how visual archives can shed light on forgotten stories.

Une généalogie des grandes oreilles is the result of an iconographic research conducted by artist Lauren Tortil over the past three years on what she calls “Big Ears”: these military surveillance devices that call upon mediated listening – an increased listening through a mediator, such as a tool, an instrument, an architecture, a system, etc.—and that the modern man has relentlessly improved with the purpose of anticipating potential dangers.

Three unreleased field recordings from August 1990, documenting a sound installation made from a damaged piece of the Berlin Wall.

This monographs presents a decade of Wudtke's artistic work on gentrification in the city of Berlin.

Artist's book.