The meeting between the double bass player and singer Fantazio and the workers of a centre providing care through employment in Paris.

A picaresque tale of Clara Schulmann's often collective experiences.

The partitions, to be activated by the reader, by Marcel Alocco, Edouard Boyer, Matali Crasset, Jean-Claude da Silva, Frédéric Dumond, Jacques Jouet, Nicolas Richard, Sébastien Roux>, Yoann Thommerel, Éric Watier.

Retrospective catalogue spanning Morris's early years, covering the 1960s and 1970s through a selection of works, historical essays, interviews with collaborators, and texts by the artist.

New monograph.

An in-depth study of the diorama in the United States at the beginning of the 20th century, a place for the creation and mediation of knowledge but also for the political construction of history, between art, anthropology and natural sciences.

An ambitious and transversal study on the crisis of humanism resulting from modernity, and on the historical consequences of the universalist and absolute conception carried by Futurism and the Bauhaus, proposing little explored paths for a re-reading of the artistic stakes in the 20th century.

By renewing the dialogue with anthropology, this book invites the history of science to be refounded on other, more humanistic bases.

Conceived on the occasion of two exhibitions at CA2M Madrid and CRAC Alsace, this catalogue features extensive documentation and collages of the artist's evolving works as well as essays by the show's curators, Elfi Turpin and Daniel Steegmann Mangrané.

Monographic catalogue: for more than a decade, Israeli installation and performance artist Naama Tsabar subverts the gender roles associated with art and music, with a particular emphasis on rock'n'roll.

Catalogue of Soun-Gui Kim's retrospective exhibition in South Korea: an overview of her work since the late 1960s.

New catalogue.

First monograph: American artist Eamon Ore-Giron's hard-edge paintings combine Native American traditions and European abstraction. This publication offers a dialogue between his ongoing Infinite Regress series and the prose of poet and scholar Edgar Garcia.

Artist choreographer Myriam Lefkowitz talking to Susan Gibb and Julie Pellegrin about the evolution of her practice, and its turn to dance as a sensory trigger for relations between bodies and places.

This publication documents the artistic research for Sansour's project for the Danish Pavilion at the 58th Venice Biennale: a dark science fiction narrative set after an eco-disaster, evolving into an intimate dialogue about memory, exile and nostalgia.

An essay on art exhibition.

A score of performative gestures, drawn from the conceptual art and body art scenes from Central and Eastern Europe in the 1970s and 1980s.

Artist's book.

The inaugural publication of the “Research/Practice” series focuses on an artistic research by Michael Rakowitz on the aftermath of a canceled show by Leonard Cohen initially scheduled in Palestine.

Another pictureless, pocket-size book by Beni Bischof in his series. It is Bischof's personal presentation of his rich collection of catchy headlines and slogans, absurd comments and off-the-wall remarks. His text archives are a trove of inspiration for his pictures and titles.

An anthology of texts by the influential American critic and curator. The publication includes essays on artists, exhibitions, and curating, catalogue texts, and interviews.

Stemming from a series of works by Sidsel Meineche Hansen, this monographic catalogue offers a range of perspectives on urgent issues around gender, sexuality and labour in the digital age.

A collection of poems first published in 1972 by the French companion of the Beat Generation.

Artist and teacher-researcher Marie Preston speaks with Nora Sternfeld and Julie Pellegrin about her practice as a crossroads for art, education and cooperative working.

This catalogue presents the artist's recent works, tackling issues related to the plasticity of space and the creation of gaze. It brings together exhibition views and photographs, an essay by Florian Gaité and an interview with Marion Guilmot.

This catalogue documents a project for which Steegmann Mangrané intends to reframe the history of abstraction, inviting us to re-evaluate the traditional division between nature and culture. It features a selection of works inspired by the artist's readings, from Roger Caillois to Merleau-Ponty.

Four compositions by the electronic musician from Quebec, conceived during his studies at the Conservatoire de Musique de Montréal, from 2017 to 2019.

The third title in a series of publications dedicated to artists' residencies at Maison Bernard, a masterpiece of organic architecture carried out in the 1970s by Antti Lovag in association with Pierre Bernard. The book documents a site-specific project by photograph Yves Gellie, a work on light and perception.

Texts by / interviews with Chitra Ganesh, Tania Cypriano, Charles Atlas, Netta Yerushalmy, Vi Khi Nao, Amani Al-Thuwaini, Andrea Hasler, Bruce Boone.

A cross-disciplinary reader investigating dizziness in artistic, art-historical, philosophical and natural scientific sources.

A collection of conversations, essays, artists' projects, and inserts, critically reflecting on the concept of “exhibition history”.

Wolfgang Tillmans; Ben Russell; Philippe Descola; Exarcheia; Hasmik Tangyan; Rone & (La)Horde; the “bioartists”; Vaslav Nijinski...

The eighth issue of the journal of the École Nationale Supérieure d'Architecture de Bretagne focuses on the relationship between heritage, ecology and creation.

This book tiptoes between aesthetics and ethics; it proposes to rethink trauma in its necessity as well as impossibility to be represented and understood.

An in-depth history of the landmark situationist international periodical edited by artist Jacqueline de Jong from 1962–67. This lavishly illustrated publication features many previously unseen archival material, historical texts and new commissioned contributions.

This publication extends an exhibition program that examines the environmental challenges facing the art world and its institutions, drawing on the concept of “destructive plasticity” theorized by philosopher Catherine Malabou.

The catalogue of the 33rd Ljubljana Biennial of Graphic Arts, curated by art collective Slavs and Tatars, examines the relationship between graphic arts and satire.

This March in Artforum Chloe Wyma on the art of cover artist Agnes Pelton, J. Hoberman on Corneliu Porumboiu's The Whistlers, Hannah Black on Kandis Williams, plus Alex Jovanovic introduces an artist portfolio from Chason Matthams, James Meyer on Hans Haacke and exhibition reviews from Paris, Stockholm, Doha, Moscow, and more. 

Will Benedict, Kahlil Joseph, Mahfuz Sultan, Ari Marcopoulos, Lynda Benglis, Camille Blatrix, Jesper Just, Lex Brown, Matt Copson, Fin Simonetti, Autumn Knight, Iman Issa, Nevine Mahmoud, Berenice Olmedo, Igor Simić...

The content of this book is the result of a series of solo exhibitions; staged outside of any gallery space, visually undocumented, and taking place without visitors.

A retrospective look at the work of our contemporary art godfather.

A companion guide to Beutler's site-specific installation practice classifying each of his works according to the components, tools, and production methods used to create them.

A notebook based on Ursula Biemann's latest film, Acoustic Ocean, an expedition to the depths of the Arctic Ocean in search of interspecies communications.

An anthology of Claire Fontaine's texts.

A book of photographs and texts showing young people in their precarious work uniforms, drawing up a sensitive social chronicle of the precariousness of work among this generation.

A collection of photographs of former border regions around the globe and down through the course of human history.

Revised and expanded edition of the playful fanzine-manifesto for a rebellious art, presenting 66 more or less subversive artistic movements, to become a rebellious artist in less than a year...