Catalogue of the graduation exhibition 2020 "Centaur's Requiem" at MO.CO. Esba (Montpellier School of Fine Arts), curated by Céline Kopp).

Design creations made at the École nationale supérieure d'art et de design de Limoges, showing the area opened by ceramics to question the process of creation and the field of production of objects within an art and design school.

Iannis Xenakis by Kasper T. Toeplitz; interviews with Delphine Dora, Paul Lovens, J.A. Seazer, Frédéric Blondy; Fred Van Hove by Gérard Rouy; carte blanche to Julie Hascoët; reading notes and about sixty albums reviews; contemporary Arabic poetry: Mina Nagy...

2020, as Martial Raysse's most recent sculpture is about to be presented to the public for the first time, Jeanne Barral, who posed for it, traces in this fairy auto‑fiction the stages of her artistic collaboration with the master. How did the model become a subject?

Four artist's posters.

An inquiry into Zach Blas's singular practice through a series of newly commissioned essays, an interview and writings by the artist himself, expanding on the technological, queer, filmic, and cultural inquiries that comprise the rich world of Blas's practice, exemplary among his generation of digital artists.

The reissue of the compositions for tape and voice of Ursula Bogner (1946-1994), scientist, phamarcian, artist, "outsider" experimental musician fascinated by Wilhelm Reich's work, whose archives were mysteriously discovered Jan Jelinek, compiled by Andrew Pekler.

Reissue of a milestone of ambient music, produced and released by Brian Eno in 1978, featuring Marion Brown, Gavin Bryars, and Michael Nyman.

Giovanni Di Domenico adds another superb piece to his prolific discography with the first of his works to ever feature voice and language as foregrounding elements.

How research-led practices in the arts can develop legal frameworks for understanding the future of digital technologies and their relationship to airspace.

At the invitation of Frédéric Paul, nine artists from both sides of the Atlantic cast an eye on the work of American abstract painter Shirley Jaffe (1923-2016).

Transcripts of unpublished lectures and writings by the French architect-urbanist Marcel Lods (1891-1978).

A book of interviews with Sylvère Lotringer.

A poetic, "necropolitical" view of sociality in Mexico.

An evocative musical tribute to Greek architect and painter Dimitris Pikionis, based on field recordings and small "poor" objects such as tin whistles, music boxes and toy harmonicas: a meditative, whirring, vibrating and suspended sound piece, both "environmental" and particularly musical.

Through Kant, Nietzsche, and Heidegger, this seminar traces the development of the relation between the will and the law as self-given.

The first comprehensive survey of Ian Strange's architectural interventions exploring dislocation and social catastrophe.

Autobiography by Patrick Tuttofuoco is a visual consideration through the artist's eye about his autobiographical exhibition "like they were eternal" held in Milan at Schiavo Zoppelli Gallery. The collages and the images in the book were created by the artist starting from his installations in the space. The text by Umberto Sebastiano is a metephoric interpretation of the show.

The first official monograph project around Ramsès Younan (1913-1966), a major figure and member of the Egyptian surrealists group, this volume gathers an exhaustive catalogue of Younan's paintings, drawings and visual experimentations with an anthology of critical essays about and by the artist.

Through eleven collections and the exploration of two formats (aphorism and short prose), J.J. Zana intends, in this first book, to develop a writing that transcends the concept of genre—or gender.

Through eleven collections and the exploration of two formats (aphorism and short prose), J.J. Zana intends, in this first book, to develop a writing that transcends the concept of genre—or gender.

Issues 35 to 37 of the critical review dedicated to graphic design.

A new approach to psychological suffering, integrating non-Western knowledge with that of psychiatry and psychoanalysis, in order to rethink the cultural and linguistic heritages and crossings that constitute a plural universal.

American conflict photographers at the turn of the 21th century.

An journal of critical and political poetry: Leslie Kaplan, Rothenberg, arts and critical positions, an anthology of contemporary Central American poetry, a catalog of visual poetry, a dossier on the Brazilian concrete poetry group Noigandres, new translations of William Blake by Jean-Jacques Viton...

An alphabet book of the commonplaces of journalistic writing bringing forward its propagandist impact.

A conversation about science fiction and robotics, ecology and gender, Indigenous Futurisms and what it means to be human.

Global Tools 1973–1975 documents and narrates the story of the eponymous experience of Radical Design and its multidisciplinary school program "without students or teachers."

Lawrence Weiner, Daniel Hesidence, Bassem Saad, Gala Porras-Kim...

Afterall issue 52, entitled "New Politics", featuring: contextual essays by Natalia de la Rosa, Thomas (T.) Jean Lax, Pascal Gielen; Jonas Staal by Sven Lütticken, Jonas Staal by Kim West, Kapwani Kiwanga by Elvan Zabunyan, Aldo Tambellini by Hanna B. Hölling, Aldo Tambellini by Barrington Matthew, Feminist Art and Activism in South Korea by Hyeonjoo Kim...

Reissue of a milestone of ambient music, produced and released by Brian Eno in 1978, featuring Marion Brown, Gavin Bryars, and Michael Nyman.

Space in the feminine.

The little-known history of a major cultural encounter: a study of the reception of Chinese painting in the West and its artistic resonances, which underwent profound changes between the 19th century and the 1930s.

The art history reconsidered as a scientific discipline and form of discourse in the twentieth century, through a critical analysis of the work of Charles Sterling (1901-1991).

An essay to account for the architectonics of Aby Warburg (1866-1929) by resituating his work within his project of general anthropology of expression: Lara Bonneau shows, from a text as little known as it is important, that the invention of iconology, which made the art historian famous, was underpinned by an ontology drawing on various sources, philosophical, psychological and biological as well as historical.

An investigation of dubplate decay and the tactile relationship to the disc.

A reflection on the aesthetics of the fragment as a paradigm of memory, from the works of six women artists.

First monograph.

First monograph.

A collection of essays investigating predicaments of rootedness and rootlessness and notions of belonging and of displacement across different geographical and epistemological coordinates.

A unique live performance at Issue Project Room gathered the former Sonic Youth member and artist Kim Gordon and the legendary minimal blues master and artist Loren Connors in 2014.

A conversation between acclaimed Syrian artist Fateh Moudaress (1922-1999) and Arab poet Adonis, finally translated from Arabic to English, with 30 never seen before paintings and drawings by Fateh Moudaress.

A sort of anti-monograph in several episodes proposed by the artist Simon Nicaise around his project of Tour de France of trades and practices.

A series of drawings made on a digital tablet offering a detailed entry into the expanded universe of Hugo Pernet's painting.

An overview and perspective of the different aspects of Etienne Bossut's practice.

A new publishing project documenting the duo's artistic trajectory with a particular emphasis on their discursive production.

A political and aesthetic critique of racial capitalism and modes of social experimentation in the form of resistance to the colonial commons.

The story of a therapeutic experience with paper mache initiated in a Geneva shelter and which ended up "outside the walls", illustrating how another psychiatry is possible.

A series of in situ improvisations on Mount Tamborine in Australia.

The definitive edition of Fennesz's breakthrough album, newly mixed by himself.