How film may be a constructive tool to examine the state of the world and its cruelties, and how to form a more stable and supportive culture of film production and distribution.

Published on the occasion of the forty-year anniversary of Chantal Crousel Gallery, this extensive publication (more than 700 pages) traces the history of the gallery, a major actor on the contemporary art scene, in France and abroad.

Through a set of artistic proposals and a fictional conversation, this publication explores the ways in which individual and collective identities manifest and reconfigure themselves in the digital age and the health crisis.

Alan Michael, Jesse Wine, Beth Collar, Peter Fend, Tau Lewis, Robin Peckham, McKenzie Wark...

A curatorial project about concepts of hospitality and the triggers of hostility in hospitality.

Azimuts #52 invites researchers to talk about their work and thinking, within and outside of their usual frameworks and fields of investigation, documenting a sensitive and critical perception of a reality on hold due to the pandemic.

Four artist's posters.

This book is a moving tribute to Jörg Binz's work, a selection from a great many paintings, especially portraits, and from his secret sketchbooks. It contains startling, bizarre, sublime works interspersed with literary and biographical texts that engage in an ongoing conversation with the paintings.

A selection of recently exhibited works of the Californian artist.

A series of cutouts from drawings made in graphite on 46 by 61 cm size paper, and which are part of the Fumées Sombres series (2020).

A complete study of Sylvie Fleury's installation, a tribute to Claes Oldenburg.

A reflection on the stakes of the analysis of dance works and the education of the gaze.

Hastings of Malawi's third LP—the antithesis of Christmas albums.

Olaf Holzapfel's and Guido Yannitto's textile works.

The first study of all the archives and documents relating to the artist's museum created by Martin Kippenberger.

An exploration of the synesthetic phenomenon, where language and perception interweave in poetical ways.

An extensive overview of Olivier Mosset's six-decade painting practice.

A manifesto for the right of exile: the foreigner is the future of the citizen.

Artist's book.

The work of Ceija Stojka (1933-2013) is considered today an invaluable testimony on the deportation and the holocaust of the Romani people during the Second World War. For the very first time, this publication considers equal to her graphic work the notes she wrote on the back of her drawings and paintings.

The first systematic and exhaustive study of the company named Readymades belong to everyone® with which Philippe Thomas radically questioned the author's figure.

Two short stories by Lucien Jean (1870-1908), accompanied by a mini CD slipped into the book: an unpublished atmospheric piece, recorded for the occasion, by Lee Ranaldo.

Issues 27 to 30 of the critical review dedicated to graphic design.

A curatorial and research project that aims to move beyond insanity as the opposite of sanity, and imagine a space beyond what is understood as sane, i.e. ultrasanity—not a romanticization of madness or mental illness, but an effort to reconsider and challenge the notion of madness and the stigmas labelled on the so-called mad.

A collection of essays, librettos, lyrics, memories, photos, personal anecdotes by musicians, visual artists, researchers and archivers that pays homage to the work and life of African-American composer, musician, performer, activist Julius Eastman.

Anne Dressen talks about her curatorial practice (and more broadly about the world in which it takes place); Nick Mauss, with whom the curator exchanges regularly, intervenes in her text, by insertions and echoes.

Four essays and one conversation with contemporary artists and curators from different backgrounds and origins (Jerusalem, Lebanon, Kuwait, USA, Egypt) discussing their experience of becoming mothers as professionals in the arts, its reality and effects.

Julius Eastman's major yet long-forgotten ensemble piece from 1974, dense and hypnotic, played by Ensemble 0.

A rereading of the work of the great Franco-Swiss graphic designer, pioneer of minimalism and precursor in terms of typography.

New performative activities in the age of lockdown.

The dimension of the transitory in the fields of architecture, urbanism and design, as a new horizon of thought and action concerning all aspects of urban life, in its economic and ecological complexity.

This book examines the modes of execution in contemporary art from the viewpoint of production, by means of a series of eighteen interviews. It presents a plural and polyphonic thinking, bringing together the words of different participants concerned with the realisation of artworks and several generations of artists.

For the past ten years or so, several hospitals, art and design schools, social science researchers and design agencies have been mobilizing around the notion of care, a concept derived from American féminist philosophy. This publication aims to explore the place of color in this concept of care.

A study that explores the complex relationship between nationalism, traditionalism and the critique of modern culture in France in the decades preceding the First World War.

A reconstruction of the vast network of images and texts that give shape to Italian fascist totalitarianism.

This monograph showcases Elisabeth Wild's kaleidoscopic and vibrantly colored collages titled Fantasías.

A protean project embracing a reflection around the photographic medium and modes of understanding the world (artist's book).

New monograph, documenting a large-scale installation that reflects the artist's dreamlike aesthetic, his ongoing exploration of notions of movement, transition and vulnerability, and mythological narratives, offering a rare glimpse into Clemente's forays into the field of sculpture.

An unusual vantage on the history of cinematic production in the twentieth century.

The General's Stork explores historical accounts of biblical prophecies, colonial narratives, and the politics of technological warfare in the Middle East from a bird's eye view.

A new essay by curator and publisher Mathieu Copeland about Arnaud Labelle-Rojoux's reinvention of Allan Kaprow's environment The Apple Shrine and considering, more generally, the themes of reinvention in art and the exhibition form.

A piece made with materials from four artists (Arne Deforce and Deborah Walker, cello; Erik Drescher, flute; Dafne Vicent Sandoval, bassoon), recorded in Marcus Schmickler's studio in Koln, with a Brauner microphone.

An illustrated portrait of Laurent Le Deunff through interviews with various personalities, artists, filmmaker, philosopher and art critics.

Artist's book.

Julian Charrière's filmic journey to some of the most inhospitable areas of our planet.

A project developed by American artist Marianne Vitale around the history of an American hospital built in France during the First World War (with an essay by Rachel Valinsky).

A rich selection of archival material along with critical essays and the series of paintings and spatial intervention that Fredrik Værslev especially produced for his exhibition at the Kunstnerforbundet in Oslo.

Dieter Roelstraete deciphers the series of national flags painted by Norwegian artist Fredrik Værslev.

The drawing practice of Kara Walker.

A series of recent drawings by London-based artist Faye Wei Wei.