Copies, appropriations, quotations in the collections of the Centre national des arts plastiques (also available in English).

Newly remastered by Rashad Becker for this vinyl edition, “Echo” finds Félicia Atkinson synching her feelings into a watercolour suite of solo keys, voice and field recordings, unfurling 40 minutes of new breathtaking music.

A polyphonic genealogy of the concept of contemporary African art.

An analysis of the exhibition pavilions (universal exhibitions and bienniales) from the point of view of their architecture, crossing the contributions of designers and architects, historians, philosophers and aestheticians.

This new issue of the CNES' creation magazine collects the individual mythologies of forty-five authors, artists and art critics and draws a subjective and engaged relationship to the space environment, often experienced as beyond the reach of ordinary mortals.

This biography of a fictitious artist constitutes a critical analysis of the professionalization of arts education as well as a support for reflection in favor of the socio-economic responsibilities of artistic practices.

Digital and data technologies are actively transforming the archives of contemporary warfare. Bringing together a range of scholarly perspectives and artistic practices, (W)archives investigates digital archiving as an integral technology of warfare and how artists respond to these changes.

Joan Mitchell, Louis Fratino, Cecilia Vicuña, Lorraine O'Grady...

Socialist realism and the relationship between the visual culture of the 1950s and the geopolitical "climate" of the time.

The possible role of weaving as a transgressive practice, as a weapon of protest and sabotage.

The first “Cahier Enseigne des Oudin” (Enseigne des Oudin's booklet) highlights three periods of Marcel Alocco's work in two volumes, emphasizing the scale of a mythological tale printed in every image the artist and poet has offered over a fifty-year period, through his Patchwork Painting and the ornamented unweaving on the canvas surface.

The writings of the artist Marcel Alocco, painter, writer and poet, presented in the chronological order of their writing, from 1963 to 2001.

Λ (Lambda) is an artist book by Micol Assaël which collects a series of 72 drawings made by the artist starting in 2011 as a reflection on light.

Monographic catalogue based on the project specifically created by Stéphanie Brossard for her native island of La Réunion: a deconstruction of common narratives and a creolisation of forms and thoughts, in a poetic gesture made up of skilful appropriations and wild reimaginings.

The series of works developed by Sara Enrico around the concept of the textile jumpsuit.

David Graeber's interviews (with Mehdi Belhaj Kacem, Nika Dubrovsky, and Assia Turquier-Zauberman) redefine the contours of what an anarchist morality could be today.

Can objects be traumatized? How does the commercial value of an art object relate to its aesthetic qualities? How do objects interact? These are some of the questions addressed by Graham Harman, the originator of object-oriented philosophy and a central figure of the Speculative Realism school of thought in contemporary philosophy.

Artist and writer Jenny Odell speaks about the role of design and observation in a fully virtual commencement ceremony for Harvard University Graduate School of Design.

Mario Pfeifer's most extensive monograph to date.

Two improvised concerts where are woven between the piano and the saxophone subtle games of harmonic textures, appearances of differential sounds, resonances and sometimes some more noisy sequences.

The volume New England brings together a series of portraits by Liu Xiaodong of homonymous subjects. The project represents the artist's search to portray a generation of young Chinese professionals who have moved to London to try and follow their dreams.

The publication studies four aspects of the practice turn in media studies: Media history from a praxeological perspective, the practice turn in religion and media studies, the connecting and dividing lines of media theories concerning gender and post-colonial agencies, and a historical and theoretical examination of the current relationship of media theory and practice theory.

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

A collective and transdisciplinary reflection on the notion of distraction, thought both as the stigma of our societies and as its antidote.

Koma Kapital speaks of the violence of our society and the world of work on our individualities, and their ability to either shape us, or destroy us.

Koma Kapital speaks of the violence of our society and the world of work on our individualities, and their ability to either shape us, or destroy us. The limited edition, numbered from 1 to 20 and signed, contains an original artwork by the author (drawing on paper).

This poetic document is based on the archives of the personal procedure files of a military court in Algeria between 1954 and 1963. These files are exempt archives that the author, also a historian, was one of the first to consult. In line with objectivist literature, this book gives one the opportunity to read the words of French justice in Algeria.

Vladan Joler, Shinseungback Kimyonghun, Winnie Soon, Weidi Zhang, Trading Voices, Sonic Surveillance in the Age of AI, Through a Glass Darkly, Dither Studies and Straightened Trees, MNEMOSCOPIO & rs548049170_1_69869_TT (The Other Shapes of Me)...

The relationship between art and cybernetics and their intersections in the past and present.

A collection of essays and honest conversations with practitioners around collaborative practices, at the intersection of art, education, and activism.

A photo book by Jacopo Benassi that brings together images in which the artist portrays and documents his own intimacy over a 25-year period, from the day he announced his homosexuality: a human journey comprising meetings that have left an indelible sign on his personal story as an artist. 

10 year anniversary edition of Jefre Cantu-Ledesma's landmark album originally released in 2010 on TYPE records, remastered by Stephan Mathieu.

An analysis of four museums by architectural historian Orietta Lanzarini, built between the 1940s and 1960s, and set up by four of the most groundbreaking Italian architects of the 20th century.

The Milanese photographer and long-distance traveler captures the light (and visual contrasts) of Rome while walking through the city.

A collection of interviews and studies of performances that constitutes a crossing of the contemporary theatrical and choreographic landscape, re-examining the critical and theoretical tools that allow us to apprehend and think about current scenic forms.

A retrospective of Anne Van der Linden's paintings and drawings from 2015 to 2020.

A collective publication implementing the itinerant project of the School of non-work developed by the Geneva-based Argentinian artist Patricio Gil Flood, developed in always different forms, depending on the context where it settles and acts.

An investigation into the history of Tunisian filmmaker Habib Masrouki (1950-1980).

Stefan Römer's second deconceptual album: six gun shots and an algorithm.

A selection of works on paper by Swiss visionary outsider artist and healer Emma Kunz (1892-1963), close to geometric abstraction.

This major monographic publication is the first in-depth study of the oeuvre of Swedish artist Ann Böttcher.

Jupiter is the monograph of the artist Andreas Sell by the curator Joel Mu and the outcome of their collaboration. It includes a selection of Andreas Sell's work of the last fifteen years, an essay in five parts by Joel Mu, and a poem by Alice Heyward.

A number of more or less benevolent considerations on the work of Jacques Halbert.

Artists' book.

Four decades of incisive writing about contemporary art, fired by enthusiasm and scepticism alike, by the eminent German cultural critic and commentator Walter Grasskamp (essays on Joseph Beuys, Hans Haacke, Duane Hanson, Jörg Immendorff, Axel Kasseböhmer, Alex Katz, Anselm Kiefer, Per Kirkeby, Karin Kneffel, Eduardo Paolozzi, Sigmar Polke, Markus Raetz, Gerhard Richter, Sarkis, Aldo Walker, Ben Willikens).

Feathers presents a collection of notes written by the Swiss artist during the conception of an aborted documentary in 2005. Taking the shape of a diary, it offers a unique gateway into Manon's daily life, interweaving memories and reflections on her artistic practice.

This publication brings together the source material that has informed Marclay's visual practice over the past few years. It gathers nearly 600 black & white Xeroxes of found image collages compiled with the help of graphic designer Laurent Benner.

First French translation of the seminal essay on type in architecture by Spanish architect Carlos Martí Arís.

First English translation of the seminal essay on type in architecture by Spanish architect Carlos Martí Arís.

An exquisite study in dreamlike abstract ambience, a kaleidoscope of sounds and tones that engage the head and the heart.