A critical approach to visual communication and contemporary globalist aesthetics.

20 proposals for the intersection of artistic practice and research in academic milieu.

The Couples Issue (with Chris Kraus, Asa Seresin, Whitney Mallett, Alenka Zupančič, Johanna Hedva, Sam Kriss, Calla Henkel & Max Pitegoff, Genesis & Lady Jaye Breyer P-Orridge, Darian Leader & Jamieson Webster, Eva & Franco Mattes, Tea Hacic-Vlahovi...).

Pauline Oliveros and György Ligeti revisited by Ensemble 0.

Julius Eastman's Four Pianos (1979-80), performed by Melaine Dalibert, Stephane Ginsburgh, Nicols Horvath and Wilhem Latchoumia.

Two rare historical recordings (1983 and 1986) by the godfather of Dark Ambient, originally released as single sides and gathered here for the first time.

The culinary performances and installations of the Japanese artist based in Paris (book printed in fluorescent pantones).

Lily Van der Stokker's illustrated autobiography of her life in New York in the 1980s, when she opened a gallery in the East Village.

Kayode Ojo, Shuang Li, Colin Self, Keller Easterling, Xinyi Cheng, Catalina Ouyang, Hayden Dunham, Craig Green, Julien Creuzet, Janelle Reiring & Helene Winer...

The second part of the research and artistic experimentation project based on the observation of the evolution of landscapes and the consequences of climate change.

The different aspects of the work of Marcel Mariën (1920-1993)–member of the surrealist group of Brussels, poet, creator of images, publisher, theoretician and political activist, accomplice of René Magritte and Guy Debord.

How to teach art / can we become an artist?

A gallery of portraits of people listening to a work by Frédéric Acquaviva in progress, laid out like a flip book.

The third issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the manifold figure of the Bonimenteur, which is approached differently by the seven contributors.

An unusually intimate, close-quarters account of daily life in postwar communist countries.

Array expresses the experience of a remote Antarctic research station through the convergence of sound, site and performance. The result is an immersive and affective experience of the spaces, protocols and conditions comprising the bracing polar environment.

Art historian Raimund Stecker looks back at the ever-changing work of German artist Gregor Schneider, who has been transforming his own domestic world since his youth.

The first album in a new collaboration between Tokyo artist Teruyuki Kurihara and London drone pop band The Leaf Library.  

This first overview of Altmann's work to date, characterized by a strongly socio-critical consciousness, reveals the artist's influences and inspirations.

The first ever reissue of the piece recorded by Asger Jorn & Jean Dubuffet in 1960-61 in Paris.

A project for which Alessandro Pessoli brings together some previously created pieces and others made specifically for the spaces of the Cloisters of Sant'Eustorgio.

The last album, posthumous, of Ghédalia Tazartès, entirely conceived by himself: a melting pot of unreleased tracks which cover a large part of his career.

The last album, posthumous, of Ghédalia Tazartès, entirely conceived by himself: a melting pot of unreleased tracks which cover a large part of his career.

Dreamtime X is a diary kept between March 2020 and March 2021, capturing the conditions of lockdown as experienced by the author. Articulated in the form of 100 short poetic entries, the publication veers across a set of ambivalent perspectives.

The crazy story of the mythical avant-garde rock band Etron Fou Leloublan (1976-1985), pioneer of the European movement Rock in Opposition.

Edition at 1:1 scale of Lefevre Jean Claude's notebook insertions—an investigation into the work of art at work.

Technology, intimacy and alternative intersubjectivities.

The catalogue of the first edition of the Montpellier Biennale.

The tenth issue of the journal of the École Nationale Supérieure d'Architecture de Bretagne, on the theme of the never-finished city, in the context of the large-scale crises that overwhelm us and require us to imagine a new alliance of uses and forms to allow to think that the unforeseeable is possible.

Catalogue of the graduation exhibition 2020 "Centaur's Requiem" at MO.CO. Esba (Montpellier School of Fine Arts), curated by Céline Kopp).

Design creations made at the École nationale supérieure d'art et de design de Limoges, showing the area opened by ceramics to question the process of creation and the field of production of objects within an art and design school.

Iannis Xenakis by Kasper T. Toeplitz; interviews with Delphine Dora, Paul Lovens, J.A. Seazer, Frédéric Blondy; Fred Van Hove by Gérard Rouy; carte blanche to Julie Hascoët; reading notes and about sixty albums reviews; contemporary Arabic poetry: Mina Nagy...

2020, as Martial Raysse's most recent sculpture is about to be presented to the public for the first time, Jeanne Barral, who posed for it, traces in this fairy auto‑fiction the stages of her artistic collaboration with the master. How did the model become a subject?

Four artist's posters.

An inquiry into Zach Blas's singular practice through a series of newly commissioned essays, an interview and writings by the artist himself, expanding on the technological, queer, filmic, and cultural inquiries that comprise the rich world of Blas's practice, exemplary among his generation of digital artists.

The reissue of the compositions for tape and voice of Ursula Bogner (1946-1994), scientist, phamarcian, artist, "outsider" experimental musician fascinated by Wilhelm Reich's work, whose archives were mysteriously discovered Jan Jelinek, compiled by Andrew Pekler.

Giovanni Di Domenico adds another superb piece to his prolific discography with the first of his works to ever feature voice and language as foregrounding elements.

How research-led practices in the arts can develop legal frameworks for understanding the future of digital technologies and their relationship to airspace.

At the invitation of Frédéric Paul, nine artists from both sides of the Atlantic cast an eye on the work of American abstract painter Shirley Jaffe (1923-2016).

Transcripts of unpublished lectures and writings by the French architect-urbanist Marcel Lods (1891-1978).

A book of interviews with Sylvère Lotringer.

A poetic, "necropolitical" view of sociality in Mexico.

An evocative musical tribute to Greek architect and painter Dimitris Pikionis, based on field recordings and small "poor" objects such as tin whistles, music boxes and toy harmonicas: a meditative, whirring, vibrating and suspended sound piece, both "environmental" and particularly musical.

Through Kant, Nietzsche, and Heidegger, this seminar traces the development of the relation between the will and the law as self-given.

The first comprehensive survey of Ian Strange's architectural interventions exploring dislocation and social catastrophe.

Autobiography by Patrick Tuttofuoco is a visual consideration through the artist's eye about his autobiographical exhibition "like they were eternal" held in Milan at Schiavo Zoppelli Gallery. The collages and the images in the book were created by the artist starting from his installations in the space. The text by Umberto Sebastiano is a metephoric interpretation of the show.

The first official monograph project around Ramsès Younan (1913-1966), a major figure and member of the Egyptian surrealists group, this volume gathers an exhaustive catalogue of Younan's paintings, drawings and visual experimentations with an anthology of critical essays about and by the artist.

Through eleven collections and the exploration of two formats (aphorism and short prose), J.J. Zana intends, in this first book, to develop a writing that transcends the concept of genre—or gender.

Through eleven collections and the exploration of two formats (aphorism and short prose), J.J. Zana intends, in this first book, to develop a writing that transcends the concept of genre—or gender.

Issues 35 to 37 of the critical review dedicated to graphic design.