Two short stories by Lucien Jean (1870-1908), accompanied by a mini CD slipped into the book: an unpublished atmospheric piece, recorded for the occasion, by Lee Ranaldo.

Issues 27 to 30 of the critical review dedicated to graphic design.

Four essays and one conversation with contemporary artists and curators from different backgrounds and origins (Jerusalem, Lebanon, Kuwait, USA, Egypt) discussing their experience of becoming mothers as professionals in the arts, its reality and effects.

Anne Dressen talks about her curatorial practice (and more broadly about the world in which it takes place); Nick Mauss, with whom the curator exchanges regularly, intervenes in her text, by insertions and echoes.

Julius Eastman's major yet long-forgotten ensemble piece from 1974, dense and hypnotic, played by Ensemble 0.

A rereading of the work of the great Franco-Swiss graphic designer, pioneer of minimalism and precursor in terms of typography.

New performative activities in the age of lockdown.

The dimension of the transitory in the fields of architecture, urbanism and design, as a new horizon of thought and action concerning all aspects of urban life, in its economic and ecological complexity.

This book examines the modes of execution in contemporary art from the viewpoint of production, by means of a series of eighteen interviews. It presents a plural and polyphonic thinking, bringing together the words of different participants concerned with the realisation of artworks and several generations of artists.

For the past ten years or so, several hospitals, art and design schools, social science researchers and design agencies have been mobilizing around the notion of care, a concept derived from American féminist philosophy. This publication aims to explore the place of color in this concept of care.

A study that explores the complex relationship between nationalism, traditionalism and the critique of modern culture in France in the decades preceding the First World War.

A reconstruction of the vast network of images and texts that give shape to Italian fascist totalitarianism.

This monograph showcases Elisabeth Wild's kaleidoscopic and vibrantly colored collages titled Fantasías.

A protean project embracing a reflection around the photographic medium and modes of understanding the world (artist's book).

New monograph, documenting a large-scale installation that reflects the artist's dreamlike aesthetic, his ongoing exploration of notions of movement, transition and vulnerability, and mythological narratives, offering a rare glimpse into Clemente's forays into the field of sculpture.

An unusual vantage on the history of cinematic production in the twentieth century.

The General's Stork explores historical accounts of biblical prophecies, colonial narratives, and the politics of technological warfare in the Middle East from a bird's eye view.

A new essay by curator and publisher Mathieu Copeland about Arnaud Labelle-Rojoux's reinvention of Allan Kaprow's environment The Apple Shrine and considering, more generally, the themes of reinvention in art and the exhibition form.

A piece made with materials from four artists (Arne Deforce and Deborah Walker, cello; Erik Drescher, flute; Dafne Vicent Sandoval, bassoon), recorded in Marcus Schmickler's studio in Koln, with a Brauner microphone.

An illustrated portrait of Laurent Le Deunff through interviews with various personalities, artists, filmmaker, philosopher and art critics.

Artist's book.

Julian Charrière's filmic journey to some of the most inhospitable areas of our planet.

A project developed by American artist Marianne Vitale around the history of an American hospital built in France during the First World War (with an essay by Rachel Valinsky).

A rich selection of archival material along with critical essays and the series of paintings and spatial intervention that Fredrik Værslev especially produced for his exhibition at the Kunstnerforbundet in Oslo.

Dieter Roelstraete deciphers the series of national flags painted by Norwegian artist Fredrik Værslev.

The drawing practice of Kara Walker.

A series of recent drawings by London-based artist Faye Wei Wei.

Cemetery. Journeys to the Elephant Graveyard and Beyond compiles a selection of the visual and research materials accumulated during the development of the film and project Cemetery (2009–2019).

A publication project about listening and sound relations.

The encounter between international artist Gary Hill and Martin Cothren, an Amerindian fisherman from the Yakama reserve, thrown in prison and died homeless shortly after his release: conceived by Gary Hill, this singular book alternates the story of their common history over twenty years, touching and tragic (an opportunity for Hill to look back on his own trajectory) and Cothren's letters, interspersed with his extraordinary naive drawings.

The encounter between international artist Gary Hill and Martin Cothren, an Amerindian fisherman from the Yakama reserve, thrown in prison and died homeless shortly after his release: conceived by Gary Hill, this singular book alternates the story of their common history over twenty years, touching and tragic (an opportunity for Hill to look back on his own trajectory) and Cothren's letters, interspersed with his extraordinary naive drawings.

With touchstones in electronic dance music, and forward-thinking, synthesizer based abstraction, Hampus Lindwall’s contribution to Matière Mémoire's MMXX Series weaves a singularly striking world of pulsing, organized sound.

Oh mio cagnetto is the artist's first book of writings, conceived as an artwork. It is a collection of 81 little poems that revolve around the missed and mourned figure of a puppy.

The early work of the doyen of Italian photography paint a striking portrait of Italy in the 1950s.

This catalogue demonstrates the complexity of Diego Perrone's practice with a thorough analysis of his work from the beginning to the present day.

An artistic research on the political construction of representations of socialist and capitalist modernity during the Cold War, through a history of exhibitions.

An exhaustive documentation on ZimmerFrei's eponymous trilogy of short films.

A series of “Outrenoirs” produced by Pierre Soulages between 1986 and 2018.

An anthology of the artists' zine.

Since 2015, Yann Toma and Antoine Mandel have been bringing artists and mathematicians together at the Sorbonne. From these encounters between the two extremes of the conceptual were born the texts presented here which highlight new forms of creation, representation and action on the real.

The efficiency of art in common.

"1 Million Roses for Angela Davis" traces Davis' immense influence and legacy as activist and scholar on contemporary artists today, while simultaneously teasing out the contradictions her presence and agenda posed to the GDR's interpretation and application of Marxism.

The radical feminist practice of the Italian art historian, art critic, poet, and feminist Carla Lonzi (1931–1982) and its potential relationship to both historical and contemporary art practices offers the contextual framework for the publication Deculturalize.

The ninth issue of the journal of the École Nationale Supérieure d'Architecture de Bretagne proposes to update the debate on the autonomy of architecture.

Double issue, including a dossier devoted to the case of Philip Guston's cancelled exhibitions.

Black Sifichi, Radio renversé by Elena Biserna & Carole Rieussec, Asmaa Azaizeh, Diamanda Galás, De l'utilisation de la musique sur les ondes by Jérôme Noetinger & Alphonsine Houëves, Cornelius Cardewby Matthieu Saladin, Lawrence D. “Butch” Morris, Akira Sakata, Le conservatisme musical (et la musique à venir ?) by Kasper T. Toeplitz...

A book about art, publishing and collaboration.

A history of the concept of data.

First comprehensive monograph.

“Just painting, without any pattern-pretext nor anecdote”: the first monograph of Moroccan abstract painter Fouad Bellamine.