Second volume of Ion Grigorescu's translated diaries, assembled like a small literary and art-historical sensation of the period between 1976 and 1979.

Building on the ground of many of the historic French electroacoustic pioneers connected to studios like Groupe de Recherches Musicales (GRM), while moving into new realms, this electroacoustic composition of sprawling scope weaves a free-standing world of texture and sublimated tonality to produce ambient expanses comprising pointillistic detail drawing on unplaceable generative sources.

The new collection of drawings by the Portuguese artist.

Unreleased 25'06 side A track (1979-80) + selected works circa 2000 by a key composer of Belgian electronic music.

A short essay on the concepts of "latent images" and "latency" based on the philosophy and history of the work of French artist Aurélie Pétrel.

A series of visual documents and theoretical inquires around the work rs548049170_1_69869_TT, a translation of artist Emilio Vavarella's genetic code into a fabric, using the 19th century Jacquard loom.

Created by the author-poet Frédéric Forte, the "Questions obliques" cards, with their three levels of difficulty, question the visitor of an exhibition on his perception of an artwork.

After the first two issues Mineral Pornography and Vegetal Trauma, the 3rd issue of Spectre invites contemporary artists to deliver their interpretation of contemporary ruins.

Thinkers revisit INTRA SPACE, an artistic research project that experiments with the substances, constructions, and manifestations of our bodies.

The twelfth volume of the Critical Spatial Practices series focuses on “Don't Follow the Wind,” the acclaimed collaborative project situated in the radioactive Fukushima exclusion zone.

A collective reflection on the richness of the untranslatable.

Artistic production as a tool of political and diplomatic influence during the Cold War.

Interviews with Addie Wagenknecht, Antonia Hernández, Elisa Giardina Papa, Finn Brunton, Mario Santamaría, Sung Tieu; articles: Muzak that listens, Just Say No...

Catalogue of a virtual exhibition of works by contemporary artists in response to the famous Neapolitan love song.

A review dedicated to drawing, that leaves the artists fairly free. A field for play, expression and creation based on a single color, the volume celebrating the 10th anniversary of The Drawer brings together around twenty artists and designers (Grégoire Alexandre & Christophe Brunnquell, Jacques Pyon, Fabio Viscogliosi, Philippe Dupuy, Ronan Bouroullec, Giorgio Griffa, Guillaume Leblon, Mathis Collins, Pierre Knop, Jeff Ladouceur, Siro Cugusi...).

The call is clear: Museums must change. Amid an ongoing global pandemic and growing demands for decolonization, racial justice, and economic parity, culture needs new tools for structural transformation. In the first of two special issues focusing on this urgent topic, Artforum has invited some of our leading theorists, curators, artists, and museum directors to consider how art institutions might evolve.

Bundle (special offer for the purchase of six issues of the contemporary art journal about sound).

Contemporary poetry in Arabic: Maya Abu-Alhayyat; "Jean-Michel Jarre or the time of the jesters", by Jérôme Noetinger; Takayuki Hashimoto; Louis Moholo-Moholo; Simon H. Fell; Titania Tapes; 60 album reviews...

How the organization of time structures the creative process and more broadly our relationship to the world.

A metaphysical poem divided into 21 chapters inspired by a series of researches performed among Iran, Armenia, and Ethiopia.

Can we recognize a book by its silhouette? (an artist's book about artists' books).

Devoted to the late work of José Clemente Orozco (1883–1949), a pioneering artist who founded the Mexican Mural Renaissance with Diego Rivera and David Alfaro Siqueiros, that illustrates the artist's career-long interests in human history and politics, surrealism, symbolism, abstraction and the human form, this catalogue also puts into dialogue the echoes of the painter's influence found in contemporary practices in the city of Guadalajara, where he has left an undeniable mark to our day.

Retrospective monograph, aiming to merge the artist's multifaceted output, playfully encouraging imagination and changes in perspective.

Jean-Luc Guionnet and Claire Bergerault have been working as an organ and voice duo in various churches since 2007. The challenge is, each time, to adapt to the configuration of the building and the organ, and then to stretch their music on the breach of this singularity.

Visual Cultures as Time Travel proposes a notion of time travel in the aftermath of transatlantic slavery and in the moment of mass illegalized migration, of wildfires and floods, of lost and co-opted futures.

Changes in Direction – A Journal provides multivocal and transnational African-European statements to current decoloniality debates from different perspectives.

The male nude by Ida Tursic & Wilfried Mille (signed serigraph printed at 120 copies).

The female nude by Ida Tursic & Wilfried Mille (signed serigraph printed at 120 copies).

Swiss photographer Christian Lutz documents right-wing populist people, movements and hot spots all over Europe.

New monograph.

The Polish artist's memorial archive traces a history of homosexuality and queer culture in Eastern Europe and opens up possibilities for the future.

The first complete inventory of Hubert Renard's work, between 1969 and 1998, includes all finished works, paintings, sculptures, installations, unique or multiple pieces.

A new interpretation of the explosive frog breeding phenomenon.

Twenty-two drawings made during four months by the Mexican artist from his own observations of the evolution of a forest landscape written on a single day.

First issue of the annual review of the École des arts décoratifs de Paris, devoted to the challenges of contemporary decor.

The tenth issue of the journal-collection that brings together academic writings, interviews with artists, critical essays and artists' interventions in the form of inserts, with & about Sara de Chiara, Moyra Davey, Jana Euler, Sylvie Fanchon, Jim Fletcher, Alexander García Düttmann, Jeanne Graff, Martin Laborde, Liz Magor, Nick Mauss, Edith Schloss, Albert Serra, Pierre Thévenin, Emily Wardill...

A polyphonic investigation that reveals the potential of fictional and philosophical suggestion of the animation of things, questioning the persistence of forms of animism within the project of modernity, in the horizon of a questioning of the anthropocentric foundations of the Western culture.

A journal of critical and political poetry.

The first volume of a new series of publications by the collective Wages For Wages Against that reports on active research engaged within the artistic professions and institutions since 2017. Its aim is to question the underlying neoliberal logics in the contemporary art world, by orienting its object of study towards the struggles that impact it.

The first-time vinyl edition of CC Hennix's 2014 piece "Blues Alif Lam Mim in the Mode of Rag Infinity/Rag Cosmosis," intended to reveal the blues' origins in the eastern musical traditions of raga and makam.

A poetic and scientific meditation on the artist's iconic cinematic installation exploring post-human mythologies, future archaeology, and the invisible structures that enfold us, from the cosmic and geologic to the ecological and political.

The necessary new paradigms to invent in architecture and design in the context of the environmental crises.

Everything Passes Except the Past takes an artistic and discursive approach to coming to grips with a colonial past that remains present in ethnographic museums, public space, and image archives.

A “minimal encyclopedia” for ideas and visions beyond the pandemic, that also contributes to a polyphonic and polysemous vision of contemporary Italian artistic production.

Change Agents is the seventeenth print issue of PARIS LA magazine. The special 300-page edition features a portfolio of work by fifty contemporary artists whose practices reflect our current times as they move the culture forward. Plus: a collection of conversations, visual essays, and texts.

Archival documents and new writings on the intermedia collaborations of avant-garde jazz trumpeter Don Cherry and textile artist Moki Cherry.

Julius Eastman's Four Pianos (1979-80), performed by Melaine Dalibert, Stephane Ginsburgh, Nicols Horvath and Wilhem Latchoumia.

An exquisite corpse (four pieces resulting from a process of musical exchange between Jean-Philippe Gross and Jérôme Noetinger).

The partitions, to be activated by the reader, by Mette Ingvartsen, Violaine Lochu, Sonia Chiambretto, Garance Dor, Aurélie Noury, Melaine Dalibert, Didier Aschour, Roland Sabatier, Vincent Menu, IKHEA@SERVICES, Florent Delval & David Liver, Pierre di Sciullo.

First monograph.