Covering the past thirty years of William Scott's practice, this monograph offers the largest comprehensive selection of paintings, drawings, masks and architectural models, as well as an unique insight on his creative and transformative approach.

An experience of observation of contemporary African migratory approaches and new theological movements of Christianity on the continent and in particular in Morocco, through texts of researchers but also various testimonies and documents.

The catalogue of the 15th Triennial of Small Sculpture Fellbach exhibition, curated by Elke aus dem Moore.

A panorama of the multifaceted and transversal production of the Dutch-Jewish painter and composer Sedje Hémon (1923-2011), with fifteen essays.

As a cofounder of Cabaret Voltaire in 1916, Emmy Hennings, with her partner, the Dadaist Hugo Ball, is recognized as having established and environment for collective experimentation. This book gathers an extensive collection of Hennings's writings, ephemera, and art, to give shape to a practice and an individual so ofter flattened for the sake of art historical narrative.

The long term project of the Italian artistic duo around the trajectories of sound through the Mediterranean sea.

Adam McEwen's inkjet-on-sponge paintings, collected here in their entirety for the first time.

An inventory: Bibliothèque d'un Amateur. Richard Prince's Publications takes a look at Richard Prince's library and production of artist's books published between 1980 and 2020. (new expanded edition).

By photographing his sister Julia's adolescence over a decade, Antoine Seiter bears witness to the language that a face can develop by constantly raising the question of portraiture. Julia's story is interrupted by that of young Achilles, the hero of Marc Faysse's novel. Parallel to the photographic work in the theme of the passage to adulthood, the story is a homosexual love story that brings emancipation.

Through a ready-made exhibition of works made by animals, the poet Julien Blaine offers a vision as comical as it is tragic of the art world, while trying to "establish a communication between the lost world and the contemporary world."

One Thing I Know is Pati Hill's third novel, first published in 1962, when she was forty-one and had just given birth to her first and only child. It is the last novel she wrote before claiming to "quit writing in favor of housekeeping".

A feminist approach to broaden and challenge traditional art historical definitions of institutional critique.

This first meticulous revision of the artistic work by Guadeloupean artist Minia Biabiany points the reasons why her practice has become unavoidable to reflect on the continuous process of Caribbean colonization, by destabilizing colonial structures within the territory, body and language.

A series of drawings made during a field visit by the filmmaker, writer and artist Ahmed Bouanani. Here ethnographer and illustrator, Bouanani analyzes the construction of Berber jewelry by sketching a taxonomy and a geography of formal symbolism of Berber groups in Morocco.

A gallery of portraits of a hundred artists and music activists taken in Philippe Levy's Parisian apartment, turned into a studio, each guest choosing (and reviewing) a record from the photographer's vast personal record library for the shoot.

Four contemporary artists in touch with their territories (the catalogue of the exhibition at the Maison de la culture du Japon in Paris).

A musical project that investigates the perception of the otherness of the world of the crippled and their right to their own self-expression.

The current crisis of museums and the future of Institutional Critique.

Fulton and Höpfner's long-term correspondence on art, landscape, and the aesthetic and political dimensions of walking.

First monograph of Roma artist Małgorzata Mirga-Tas: an attempt to expand the Polish and European iconosphere and art history with representations of Roma culture.

Alternative forms of curatorial and institutional work suitable to our novel conditions, when the relationship between physical and online work must be revised.

Music, sound, memory and perception in Latifa Echakhch's practice and work.

From the prehistoric biface to the telephone interface, whose lightning diffusion concretizes a new anthropological threshold for humanity: a theoretical articulation of current global issues from prehistory, thought as the privileged site where to rest the questions of the technique, the language and the image, between archaeology of the media, anthropology, geology, biology and science-fiction.

Reissue of Volume A of Dominique Pasqualini's Editome, which explores the permanent state of testing of our lives and our relationship to technology.

A poetic and "environmental" record, weaving delicate instrumentals with spoken word.

Tennis Courts IV completes the subject of empty, abandoned courts, one after another like a long sequence shot through different seasons and different places.

The height entry in Blank Forms' ongoing series of anthologies is devoted to the Amercian experimental musician/composer/intermedia artist Jerry Hunt.

The final album released by the composer-performer Jerry Hunt before his death, Ground: Five Mechanic Convention Streams is a rare and foundational audio document of Hunt's compositional process.

Francisco López offers a brand new field recording composition based on the recordings he did in the island of Tenerife whilst visiting for a performance at the Keroxen Festival, 2020.

First comprehensive monograph of the Swedish queer and feminist performance artist.

An analysis of the relations created by the curatorial—relations that also constitute it.

A poetic and "environmental" record, weaving delicate instrumentals with spoken word.

The 15th issue of Nakako Hayashi's graphic journal, celebrating the 20th anniversary of the project.

The new meaning of craft.

The first in a series of publications emerging from the transoceanic platform Kal, Kal Rituals proposes queer and trans feminist ecologies, embodiments and mythmaking.

Premodern acoustic traces as the basis for new communities of thought in the present (a project responding to the work of the self-taught acoustic archaeologist Umashankar Manthravadi).

Through four case studies, Curating beyond the Mainstream researches decolonial and other non-hegemonic approaches to the profession of curating in Sweden from the 1960s to the early 2000s.

Through conversations with curators and participating artists, this book revisits some of the most groundbreaking yet under-researched European and US public art exhibitions of the 1980s and 1990s.

Summer issue, featuring Rhea Dillon, Ufuoma Essi, Matthias Groebel, Saodat Ismailova, Karla Kaplun, Reba Maybury, Michel Majerus, Niklas Taleb...

The archives of the 1970s.

A collection of contributions and works of about 15 international artists around the concept of "biomedia" developed and contextualized by Peter Weibel (ZKM), providing insights into mutual correlation between ecosystems and technology, and possible ways in which organic and inorganic life forms can coexist.

A radio creation around the materiality of sound and air.

The third issue of the annual graphic design journal, dedicated to image and print techniques, with Atelier Martial, Benrido, Erwin Blok, Lorenz Boegli, Kévin Bray, Alex Chavot, E + K (Élise Gay & Kévin Donnot), Rémi Forte, Nelly Gable & Annie Bocel, Ivan Murit, Peso Pluma, Service Local, Charles Villa, Jan De Vylder & Inge Vinck.

A retrospective of the "retinal" painter's work, since the early 1980s.

An exploration of the performativity of the law within Egypt's spectral legal reality.

An utterly essential document of early American minimalism, available on LP for the first time since it was originally released in 1984. Cut at Golden and pressed at RTI for maximum fidelity.

First monograph.

Previously unpublished performance of the internationally renowned dance band Selten Gehörte Musik (on this occasion: Christian Attersee, Gerhard Rühm, Oswald Wiener) at the closing event of the "Literanover" Festival at the Kunstmuseum Hannover, on November 16th, 1980. Close to two hours of very rarely heard dance music, indeed.

First monograph devoted to the postcolonial feminist approach of the Berlin-based South African artist.