A collective and transdisciplinary reflection on the notion of distraction, thought both as the stigma of our societies and as its antidote.

Koma Kapital speaks of the violence of our society and the world of work on our individualities, and their ability to either shape us, or destroy us.

Koma Kapital speaks of the violence of our society and the world of work on our individualities, and their ability to either shape us, or destroy us. The limited edition, numbered from 1 to 20 and signed, contains an original artwork by the author (drawing on paper).

This poetic document is based on the archives of the personal procedure files of a military court in Algeria between 1954 and 1963. These files are exempt archives that the author, also a historian, was one of the first to consult. In line with objectivist literature, this book gives one the opportunity to read the words of French justice in Algeria.

Vladan Joler, Shinseungback Kimyonghun, Winnie Soon, Weidi Zhang, Trading Voices, Sonic Surveillance in the Age of AI, Through a Glass Darkly, Dither Studies and Straightened Trees, MNEMOSCOPIO & rs548049170_1_69869_TT (The Other Shapes of Me)...

A collection of interviews and studies of performances that constitutes a crossing of the contemporary theatrical and choreographic landscape, re-examining the critical and theoretical tools that allow us to apprehend and think about current scenic forms.

The relationship between art and cybernetics and their intersections in the past and present.

A collection of essays and honest conversations with practitioners around collaborative practices, at the intersection of art, education, and activism.

A photo book by Jacopo Benassi that brings together images in which the artist portrays and documents his own intimacy over a 25-year period, from the day he announced his homosexuality: a human journey comprising meetings that have left an indelible sign on his personal story as an artist. 

10 year anniversary edition of Jefre Cantu-Ledesma's landmark album originally released in 2010 on TYPE records, remastered by Stephan Mathieu.

An analysis of four museums by architectural historian Orietta Lanzarini, built between the 1940s and 1960s, and set up by four of the most groundbreaking Italian architects of the 20th century.

The Milanese photographer and long-distance traveler captures the light (and visual contrasts) of Rome while walking through the city.

A retrospective of Anne Van der Linden's paintings and drawings from 2015 to 2020.

A collective publication implementing the itinerant project of the School of non-work developed by the Geneva-based Argentinian artist Patricio Gil Flood, developed in always different forms, depending on the context where it settles and acts.

An investigation into the history of Tunisian filmmaker Habib Masrouki (1950-1980).

Stefan Römer's second deconceptual album: six gun shots and an algorithm.

A selection of works on paper by Swiss visionary outsider artist and healer Emma Kunz (1892-1963), close to geometric abstraction.

This major monographic publication is the first in-depth study of the oeuvre of Swedish artist Ann Böttcher.

Jupiter is the monograph of the artist Andreas Sell by the curator Joel Mu and the outcome of their collaboration. It includes a selection of Andreas Sell's work of the last fifteen years, an essay in five parts by Joel Mu, and a poem by Alice Heyward.

A number of more or less benevolent considerations on the work of Jacques Halbert.

Artists' book.

Four decades of incisive writing about contemporary art, fired by enthusiasm and scepticism alike, by the eminent German cultural critic and commentator Walter Grasskamp (essays on Joseph Beuys, Hans Haacke, Duane Hanson, Jörg Immendorff, Axel Kasseböhmer, Alex Katz, Anselm Kiefer, Per Kirkeby, Karin Kneffel, Eduardo Paolozzi, Sigmar Polke, Markus Raetz, Gerhard Richter, Sarkis, Aldo Walker, Ben Willikens).

Feathers presents a collection of notes written by the Swiss artist during the conception of an aborted documentary in 2005. Taking the shape of a diary, it offers a unique gateway into Manon's daily life, interweaving memories and reflections on her artistic practice.

This publication brings together the source material that has informed Marclay's visual practice over the past few years. It gathers nearly 600 black & white Xeroxes of found image collages compiled with the help of graphic designer Laurent Benner.

First French translation of the seminal essay on type in architecture by Spanish architect Carlos Martí Arís.

First English translation of the seminal essay on type in architecture by Spanish architect Carlos Martí Arís.

An exquisite study in dreamlike abstract ambience, a kaleidoscope of sounds and tones that engage the head and the heart.

How film may be a constructive tool to examine the state of the world and its cruelties, and how to form a more stable and supportive culture of film production and distribution.

Published on the occasion of the forty-year anniversary of Chantal Crousel Gallery, this extensive publication (more than 700 pages) traces the history of the gallery, a major actor on the contemporary art scene, in France and abroad.

Through a set of artistic proposals and a fictional conversation, this publication explores the ways in which individual and collective identities manifest and reconfigure themselves in the digital age and the health crisis.

Alan Michael, Jesse Wine, Beth Collar, Peter Fend, Tau Lewis, Robin Peckham, McKenzie Wark...

A curatorial project about concepts of hospitality and the triggers of hostility in hospitality.

A curatorial and research project that aims to move beyond insanity as the opposite of sanity, and imagine a space beyond what is understood as sane, i.e. ultrasanity—not a romanticization of madness or mental illness, but an effort to reconsider and challenge the notion of madness and the stigmas labelled on the so-called mad.

Azimuts #52 invites researchers to talk about their work and thinking, within and outside of their usual frameworks and fields of investigation, documenting a sensitive and critical perception of a reality on hold due to the pandemic.

Four artist's posters.

This book is a moving tribute to Jörg Binz's work, a selection from a great many paintings, especially portraits, and from his secret sketchbooks. It contains startling, bizarre, sublime works interspersed with literary and biographical texts that engage in an ongoing conversation with the paintings.

A selection of recently exhibited works of the Californian artist.

A series of cutouts from drawings made in graphite on 46 by 61 cm size paper, and which are part of the Fumées Sombres series (2020).

A collection of essays, librettos, lyrics, memories, photos, personal anecdotes by musicians, visual artists, researchers and archivers that pays homage to the work and life of African-American composer, musician, performer, activist Julius Eastman.

A complete study of Sylvie Fleury's installation, a tribute to Claes Oldenburg.

A reflection on the stakes of the analysis of dance works and the education of the gaze.

Hastings of Malawi's third LP—the antithesis of Christmas albums.

Olaf Holzapfel's and Guido Yannitto's textile works.

The first study of all the archives and documents relating to the artist's museum created by Martin Kippenberger.

An exploration of the synesthetic phenomenon, where language and perception interweave in poetical ways.

An extensive overview of Olivier Mosset's six-decade painting practice.

A manifesto for the right of exile: the foreigner is the future of the citizen.

Artist's book.

The work of Ceija Stojka (1933-2013) is considered today an invaluable testimony on the deportation and the holocaust of the Romani people during the Second World War. For the very first time, this publication considers equal to her graphic work the notes she wrote on the back of her drawings and paintings.

The first systematic and exhaustive study of the company named Readymades belong to everyone® with which Philippe Thomas radically questioned the author's figure.