A provocative and stimulating manifesto by Benjamin Bratton that promotes new ways of inhabiting (and artificialising) the planet, facing the environmental, economic and social crisis that radically belies the possibility of a continuation of the current globalised capitalist model.

The Louvre invites itself to Reunion Island: a dialogue between the collections of the island's five museums and those of the Department of Graphic Arts.

A punk philology (with Simon Critchley, Emanuele Coccia, Dennis Cooper, Cosey Fanni Tutti, Kim Gordon, Donatien Grau, Richard Hell, Paul McCarthy...).

The catalogue of the 2021 Belgrade Biennale, exploring the space of dream as a metaphorical space of freedom, capable of re-reading categories, rules, and the most common certainties.

An in-depth research project by Elena Mazzi in dialogue with the Mapuche spiritual leader, silversmith and activist, Mauro Millán and Argentinean artist, Eduardo Molinari, about the cultural resistance of the Mapuche people to neo-colonialism in Chile.

Artforum turns to efforts by artists, historians, and curators to rethink the underpinnings of the museum institutions.

A documentary and speculative publication on a genealogy of political, social, ecological and identity-based struggles in the Brittany region and the West of France, from the 1960s to the Zone to Defend of today, based on numerous documents and films made by filmmakers and collectives.

A series of essays and visual contributions critically reflecting on the questions of hospitality safety, security and care.

Momentography of a failurebrings essays, timelines, film, photography, and a series of conversations together to deal with Ethiopia's controversial urbanisation and the transformative space of the city.

The first issue of the annual magazine that promotes know-how and technique in design, craft or industry, dedicated to molding.

Eight artists, among the many who have been profoundly marked by the work as rare as it is decisive of James Bishop (1927-2021), share their perspectives on the American painter.

Artist's book.

An ongoing series of figurative oil-on-canvas paintings by Swiss-born London-based artist Mathis Gasser, decontextualizing in the same gesture characters of the popular culture and figures of the history of the art.

An intimate portrait of the psychoanalyst Roland Gori, of his thought and his fights against the commodification of health, education and culture.

Reference monograph: a selection of 320 works, 30 texts and interviews, 150 archive photographs.

A collection of texts by the artist and quotations through which Jaana Laakkonen develops reflections on her own practice and on the challenges of her work.

Five rare pieces from the minimalist "rhythmic drone" period of the early 1980s of the ensemble founded by Paul Panhuysen, Remko Scha and Jan van Riet, reissued for the first time.

A trove of unseen and uncommon Ansel Adams photographs, assembled by Mike Mandel from archival collections.

First French translation of José Esteban Muñoz's field defining work—an intellectual inspiration for a generation of LGBTQ scholars.

First monograph on artist and photographer Aurélie Pétrel.

First monograph of the French-Swiss artist Delphine Renault, presented by a critical essay by Karine Tissot.

First monograph.

Mehdi Belhaj Kacem and Bernard Stiegler talk about what links them to philosophy.

Drawings and paintings.

A retrospective of the last ten years of the Italian artist's graphic and sculptural work, often deployed in extensive programmatic ensembles concerned with memory and archaeology, a sense of history and passing time, that highlights his major contribution to the reconstruction of a trans-Mediterranean imaginary.

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

Jack Smith (Michael Krebber, Felix Bernstein, Enzo Shalom, Branden W. Joseph), Gary Indiana, Bruce Hainley and Sohrab Mohebbi, Jean-Luc Godard by Ferdinand Gouzon, Leilah Weinraub by Juliana Huxtable, Nina Könnemann by Megan Francis Sullivan, Louise Lawler by Nick Irvin, Claire Fontaine by Anita Chari, Robert Malaval by Valentin Gleyze, Afuma (Stefan Tcherepnin & Taketo Shimada) by Keith Connolly, Park McArthur by Noah Barker, Ken Okiishi by Felix Bernstein...

An original multidisciplinary study of the text-image pair in its political dimension, from the militancy of the early twentieth century to the struggles for "visibility" of minorities.

First French translation of a seminal text of media theory, which this edition contextualizes, notably through the debate it provoked with Baudrillard.

A long poem that questions our being in the world with a freedom that is both new and timeless, as if these words came from the origins.

Limited edition, numbered from 1 to 20 and signed, contains an original artwork by the author.

First monograph on artist and photographer Aurélie Pétrel.

The first issue of the annual magazine that promotes know-how and technique in design, craft or industry, dedicated to molding.

The first photographic book by agnès b., reinterpreting two portraits by Claire Tabouret, displayed in the fashion designer's garden.

A series of failed, rejected, or unused animals from Rop van Mierlo's archive; the reserve bench animals.

The portfolio of the exhibition at the Jeu de Paume: a panorama of the visual inventions of the photographic avant-gardes, in the heart of MoMA's modern photography collection.

Xavier Veilhan's drawings.

The photographs of Christophe Brunnquell, a French multidisciplinary artist, photographer, designer and artistic director, capture models whose faces he has covered with paint, creating a strange, fantastic universe, both morbid and comic.

The Roman period (1974-1976) of the Swiss artist Hannah Villiger (1951-1997), some decisive years where she developed the sculptural approach to photography that would shape all of her later work.

Morceaux choisis is the first seminal overview of Saâdane Afif's artistic practices. The publication features 48 exhibitions or performances organized in 28 separate sections, covering a period of 14 years.

A reference book containing all the transcripts of Simone Forti's News Animations.

Retrospective monograph.

The report of the third edition of The Experimental Education Protocol, an alternative educational model imagined by the artist Angelo Plessas, organized in the form of a sailboat cruise in the Aegean Sea.

A poem first published in 1975 by Bern Porter, presented in alphabetical order, with the same number of acts for each letter. This new edition presents an additional introduction, transcribed from a reading given by Bern Porter on May 19, 1985, in Madison, Maine.

Drawing as a sculptural medium.

The masterpieces of classical antiquity revisited by Daniel Arsham: pursuing his fictitious archaeological approach, the American artist offers through his reappropriation of the Venus de Milo or Michelangelo's Moses a reflection on our relationship to time.