Terrine, Gabi Losoncy, Nour Mobarak; focus Bruisme Festival; Augustin Bette; 20 Italian records; interviews: Thurston Moore by Jacques Debout & Michel Henritzi ; Michel Chion by Jérôme Noetinger; John Tchicai by Gérard Rouy; Pole Ka; books and records reviews...

Robert Longo, Ed Atkins, Pattern and Decoration, The Velvet Underground, Mona Hatoum, Jay DeFeo, Huguette Caland...

A series of interdisciplinary contributions around the political and social dimensions of ecology and its implications in the humanities and social sciences, artistic practices and design.

Between a film diary and a manifesto on the creative process, this book is a wild and enchanting journey in Karen Dalton's footsteps, the cult singer and her breathtaking voice, friend of Bob Dylan and forgotten muse of the '60s, and offers an investigation combining texts, photographs, drawings and archives, at the crossroads of the worlds of art, music and cinema.

The collaboration of two American greats: master of metafiction Robert Coover and graphic legend Art Spiegelman.

Through short poetic texts that are both humorous and insightful, Quebec artist Annie Descôteaux speaks to her ever-evolving art practice and relationship with the physical world, while also incisively critiquing the institution.

In an age characterised by the increasing dematerialisation of cultural production and transmission, Database, Network, Interface explores architecture's historical role in representing and organising information and knowledge.

Catalogue / artist's book with twenty-one colour illustrations of German artist Maximilian Kirmse's paintings, as well as several drawings.

Mark Leckey finally presents the soundtrack to his autobiographical allegory 'O' Magic Power of Bleakness', a mind sluicing fantasy/autobiographical narrative inspired by folklore and half-remembered tales of teenage life growing up in the Wirral, a personal history woven into screwed 808s, ringtones, sacred chimes, smudged synths, sirens and levitating ambience that sounds like nowt else.

Machines & Fictions is a monograph on the work of Spanish artist Félix Luque Sánchez over the last twelve years, in collaboration with fellow artists Damien Gernay and Íñigo Bilbao. The book includes texts by leading scholars, curators, and art critics who discuss Félix Luque Sánchez's artistic projects.

Artificial intelligence and temporality.

A work for underwater performance that literally immerses the listener into an acoustical substance, released in Sub Rosa's Early Electronic series.

An attempt to feel and investigate the quality of time, with references to Jonathan Crary, Paul B. Preciado, Charles Baudelaire, and Walter Benjamin.

The first new album in over 40 years by American composer, pianist, and digital audio pioneer Loren Rush: Bay Area experimentalism meets 20th century classical modernism.

décal'âge is a manuscript, reproduced here in facsimile, between intimate writings, working reflections, and diaries of thought. We find in it Claude Rutault's style, his familiarity with literature, the meditative density of his daily reflection.

An iconographic taxonomy—researched, conceived, and ideated by Wolfgang Scheppe, also author of the book's final essay—that traces the state and police visual control through almost 500 images from the May 1968 police archives in Paris.

Issues 31 to 34 of the critical review dedicated to graphic design.

Marcel Alocco's Events, some poem-scores to be performed in a real or imaginary space.

Between a film diary and a manifesto on the creative process, this book is a wild and enchanting journey in Karen Dalton's footsteps, the cult singer and her breathtaking voice, friend of Bob Dylan and forgotten muse of the '60s, and offers an investigation combining texts, photographs, drawings and archives, at the crossroads of the worlds of art, music and cinema. The book is accompanied by Emmanuelle Antille's film A Bright Light – Karen and the Process on DVD (special offer).

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

Rethinking the role of the museum today.

An analysis of the spatial representations using new digital location and mapping technologies, in the light of the political issues that accompany their multiple interpretations.

From the observation of a society of capuchin monkeys and thought experiments borrowed from theater, Zaven Paré, artist and researcher in interaction design, specialist in theater and robotics, attempts to dismantle the pitfalls of anthropomorphization, in an attention that seeks to preserve the irreducible character of an interspecific copresence.

The unexplored interactions between hypnosis, music and medicine in the 19th century, between the world of science and the world of art.

A hybrid publication that gathers 18 architecture projects from the student collectives of Roberto Gargiani's Superstudio at the École polytechnique fédérale de Lausanne, 2020–2021, and a series of 13 theoretical, practical and historical reflections on (antagonist) rationalism in architecture.

A work for underwater performance that literally immerses the listener into an acoustical substance, released in Sub Rosa's Early Electronic series.

Retrospective monograph of the Greek painter Yannis Tsarouchis (1910-1989).

Biodiversity in nowadays' visual arts, featuring Pamela Rosenkranz by Nicolas Bourriaud, Agnieszka Kurant, Chitra Ganesh, Pan Daijing, Sex Ecologies: A New Consciousness by Mariana Lemos, Simone Forti, Nour Mobarak, The Cure of the Mind: On Taloi Havini's Answer to the Call by Chus Martínez, Free My Mind, Artpop: You Make My Heart Stop (For Lady Gaga) by William J. Simmons, Carol Bove, Virgil Abloh...

Portraits in 22 tableaux based on the works and words of Bertolt & George Brecht.

A counter-plunge into the thousands of annotated books in the personal library of the painter Jean-Luc Poivret.

A critical and nuanced overview of the figures of the sleeping in the art and thought of the Renaissance, a source of inspiration for artists—Mantegna, Dürer, Brughel, Michelangelo or Tintoretto—as well as theologians, doctors and philosophers (from Aristotle to Zwingli, via Augustine and Montaigne), beyond the negative definition and the traditional condemnation of inactivity and unconciousness.

Written by one of the pioneers of twentieth-century textile art, Anni Albers' 1965 seminal text offers a brilliant meditation on the art of weaving, its history, tools, and techniques, and its implications for modern design (new expanded edition, with three critical texts and color illustrations).

The essential place of writing in the work of Josef Albers (1888-1976), one of the most important artists, painters and educators of the 20th century.

Part of Bodies of Water, the 13th Shanghai Biennale, and following its lines of research, this publication, a 354-pages book conceived as a unique and parallel platform to the exhibition, offers an ensemble of inspiring texts that reflect and extend the theme of the Biennale.

A portrait of the Belgian architecture office BAUKUNST founded by Adrien Verschuere.

A portrait of Jean Dupuy through a film by Gilles Coudert and a collection of unpublished texts.

New edition of Thomas Köner's fourth album, recorded in 1994-1995.

New edition of Thomas Köner's fourth album, recorded in 1994-1995.

The first issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, explores the identity, role and position of the Professor (contributions by Uli Aigner, Lili Reynaud-Dewar, Jörg Heiser, Christian Nyampeta, Vivian Slee and Marjorie Senechal).

A rereading of the prematurely interrupted work of the Franco-Israeli artist Absalon (1964-1993) through the notions of body, performance and illness, detaching him from the architectural and post-minimal field in which he has often been included, proposing new interpretations via a selection of works by other artists of his generation and a network of conceptual and formal affinities.

An in-depth study of the elaboration of the functional architectures-sculptures of the American artist of Iranian origin Siah Armajani (1939-2020), between utopia and pragmatism, allegorizing as much the ideals as the contradictions of the American democracy before being dedicated to figures of the anarchy.

A look back in text and images at AA Bronson 's (collective) production between 2013 and 2018.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition, accompanied by a libretto that gathers the transcriptions of the texts of the thirteen invited artists.

Critical re-edition in French of an absolutely precursory and fundamental work for the inclusion of social and environmental issues in the design process: the manifesto of a radical reconfiguration of the field of design, of its forms but above all of its mission.

A project by contrabassist, composer and theorist of experimental and improvised music Christopher A. Williams, inspired by Kantian proposals for perpetual peace, applied to collective musical composition and performance.

A dialogue between the philosopher and the art historian around the encounter.