The art of the tuning fork: the manifesto of the sound artist, performer and composer Nicolas Bernier.

A dialogue between the visual artist Margherita Morgantin and two musicians and sound makers.

The result of a remarkable editorial work whose graphic design is signed by Syndicat and Lucien Pelen, this first monograph brings together fifteen years of photographic and video production, unpublished contributions, texts and the making-of of the actions carried out by the artist.

An editoeducational project by Ensba Lyon, Ravisius Textor, Stuart Bertolotti-Bailey & The Serving Library, & 019 Ghent.

A South Korean wellness center designed as a mock-prison: a project initiated by artist Tyler Coburn on sensory deprivation, monastic life, the wellness industry, the prison-industrial complex, and the history of solitude.

Austrian artist and curator Anna-Sophie Berger here assembles a group of works, from Arakawa and Gins to Lyle Ashton Harris, that register the body as a habitat that can be imaginatively stretched, altered, modified, adorned, replicated or destroyed.

Afterall #53 "Medium/Metaphor/Milieu" looks at the exhibitionary in and beyond exhibitions. Gathered through the notions of medium and milieu, it looks at a range of practices and modes of thinking that foreground the exhibitionary in concrete, spatial, architectural and experiential terms.

The outcome of an examination of the collection of the Kunstmuseum Liechtenstein, and thus the history of the Museum, by four different contemporary artists.

As you go… roads under your feet, towards the new future is a long-term project and research inquiry that reflects on the Belt and Road Initiative and how it will alter the aesthetics and practices of everyday life in different local contexts.

Vanda Spengler; contemporary Arabic poetry: Rana Al Tonsi; interview with percussionist Lê Quan Ninh by Jérôme Noetinger; interview with David Chiesa and Nina Garcia, two of the 26 figures of the UN ensemble; interview with Lebanese musician, oudist and vocalist Youmna Saba; interview with Marion Camy-Palou by Michel Henritzi; Thierry Monnier (1972-2022) by Pali Meursault; RG Rough; 66 album reviews...

The fourth issue of the Catalogue Perpétuel documents the exhibitions, projects and concerts at the Consortium Museum from March 2020 to April 2021. It reviews exhibitions by Valentin Carron, Sean Landers, Adam Pendleton, Louise Sartor, New York: The Eighties, Sarah Lucas, Shara Hughes, Paloma Varga Weisz, Claude Rutault, and several Consortium Museum concerts.

Under a title in the form of an inventory that could list as many photographic subjects, this book exhaustively documents Pierre-Olivier Arnaud's work since the early 2000s.

An overview of the French mixed media artist's work, engaged with historical and found imagery.

Issue dedictaed to Éclat éclair (light-lightning) by Costis, his last poem, "an attempt at typographic transcription of lightning", with two texts by Pierre Restany.

First monograph of the artist, poet, and filmmaker Sky Hopinka whose work embraces Native American perspectivism and reverses the primacy of representation of non-Western identities.

Publication dedicated to the Jardin aux habitant·es, a work by the artist Robert Milin produced in collaboration with volunteers for the opening of the Palais de Tokyo, a community garden that brings together, since 2002, amateur gardeners, who are members of an association.

A retrospective monograph, La Gricole et ses dérives brings together fifty years (1970-2020) of Daniel Nadaud's pathways, loops, advances, drawings, sculptures, installations and notebooks, shaped by the presence of the agricultural world, by history and fragments of childhood.

The widest and most complete overview of Cinzia Ruggeri's career to date.

Alien Armpit brings together short texts and images that the artist Vanessa Safavi made between 2013 and 2022.

First monograph on the durational performance artist Melati Suryodarmo, one of the pioneers of performance art in Indonesia.

The catalogue of the 17th Geneva Biennial, dedicated to artists' film and video, curated by the New York-based collective DIS and Andrea Bellini.

This issue 34 of the Palais magazine accompanies and echoes the exhibition Scheherazade, at night presented at the Palais de Tokyo from October 2022 until January 2023, bringing together six international artists whose practice summons the tumult of the contemporary world through the political power of narrative and the imaginary.

This dense 11 disc retrospective of Pauline Oliveros' early and unreleased electronic work includes her very first piece made for tape in 1959.

Tarot deck of 78 cards drawn by Vincent Corpet from a series of paintings made in 2010.

A reevaluationof Surrealism since 1940: a large-scale, groundbreaking work covering seven decades, questioning the discourses, narratives, and debates on the poetic, political, and artistic commitments of the movement, in the context of the deep social and cultural mutations of the world of the second half of the 20th century.

The first publication on the archive created by the Swiss writer, painter, activist and prostitute Grisélidis Réal (1929-2005) since the 1970s, containing more than 10,000 documents that trace the international mobilizations for the rights of sex workers and their struggles against exclusion and stigmatization.

A reflection on the domination of the software industry on our use of computers, which calls for a stimulating reinterpretation of materialism.

An intimate portrait of Joan Mitchell, one of the greatest American painters of the 20th century, through a collection of previously unpublished conversations with the artists, art historians and personalities closest to her, from Paul Auster to Zuka.

A transversal vision of the affirmation of a global Afro-Asian South through the anti-colonial resistance and war diplomacy of Algerians in Asia and Japan, bringing together history, politics, political philosophy, and poetics.

An essay on the concept of utopia today, more relevant than ever at the time of the economic, social, ecological and intellectual crisis.

Through a new reading of the Notebooks of Vaslav Nijinsky, who was described as "insane", and by taking them out of their reduction to a psychiatric diagnosis, Madeleine Abassade reveals the dancer's revolt against an established order of which he was the instrument and from which he sought to emancipate himself by creating his own choreographies.

Through a new reading of the Notebooks of Vaslav Nijinsky, who was described as "insane", and by taking them out of their reduction to a psychiatric diagnosis, Madeleine Abassade reveals the dancer's revolt against an established order of which he was the instrument and from which he sought to emancipate himself by creating his own choreographies.

In today's era of increasingly eroding certainties, Cura. 39 looks at artists that survey the fundamental questions of life and death, extinction and immortality (featuring Cyprien Gaillard, Marguerite Humeau, Pierre Huyghe, Korakrit Arunanondchai, Katja Novitksova, Mimosa Echard, Jakob Kudsk Steensen & Hans Ulrich Obrist, Elaine Cameron-Weir & Jodi Graf, Max Hooper Schneider by Nicolas Bourriaud...).

BODIED unites an internationally diverse group of artists who, in positioning the body at the centre of their work, explore how our physical forms are shaped by the social worlds around us.

McKenzie Wark, Marlene Dumas, Tosh Basco, James Richards, Raimundas Malašauskas, Joanna Walsh, Kandis Williams, Mire Lee, Gustav Metzger, Rob Horning, Tea Hacic-Vlahovic, Constance Debré, Luca Lo Pinto, Simone Forti...

Monograph based on Carolyn Lazard's eponymous video installation drawing from the sensorial legacy of flicker films.

Alex Kitnick on the art of Wolfgang Tillmans; Natalia Brizuela and Julia Bryan-Wilson on the art of Jumana Manna; Alexandro Segade on the Ororocene; Travis Diehl on Alexis Smith's Same Old Paradise, 1987...

Nina Canell's artistic practice does not revolve around the finished artwork; instead, it foregrounds process and synergy. This artist's book/catalogue is based on an experiential installation that considers the material vitality of calcite.

For its fall issue, Flash Art looks at how artists navigate and draw upon the creative industry known as "fashion".

The hypothesis of a renewal of the world's habitability, questioning the links between ecofeminism and artistic practices, but also another relationship, more collaborative than separative, to the living world.

The 11th issue of the biannual magazine of the ECAL (Lausanne University of Art and Design), inaugurating its new formula, with NORM, Feng Li, Marco De Mutiis, Zachary Lieberman, Maïwenn, Lionel Baier, Abel Ferrara...

Publication based on a film by Stephen Loye about the micro-stories that emanate from the territory where the Germanwings A320 crash took place on March 24, 2015.

Frédéric Acquaviva, as Mozart of the assize court, questions, in this only known example of judicial sound art, justice and its functioning, but especially insists on the fragile barrier which separates criminals from honest composers.

The various dimensions of the landscape—mental, cultural and ideological, real and pictorial—in the emblematic works of Poussin, Le Lorrain, Bourdon and their contemporaries of the 17th century.

The Drawing Centre Show brings together 62 international invited to produce a series of three drawings, selected by four curators (including two artists, also participating): Gene Beery, Katherine Bradford, Joe Bradley, Roberto Cuoghi, Steve DiBenedetto, Carroll Dunham, Rachel Feinstein, Bruno Gironcoli, Sophie von Hellermann, Charline von Heyl, Jacqueline de Jong, Martin Kippenberger, Maria Lassnig, Tobias Pils, Gerwald Rockenschaub, Lily van der Stokker, Betty Tompkins, Franz West, Heimo Zobernig...

A bilingual text by Alessandro De Francesco that blurs the boundaries between art and poetry.

roygbiv&b is Marina Rosenfeld's first book publication, documenting her eponymous performance for the exhibition Instructions Lab at the MoMA (NY) in 2011, and includes gate-fold renderings of the score pages, a "User's Manual" by the artist, photos from the several performances of the work, and a foreword by musicologist Benjamin Piekut.

A collection of texts about time and artists working with it.

A collection of texts about space and artists working with it.

Monograph dedicated to the productions made in the early 1970s by major Swiss painter of Pop Art and Narrative Figuration Peter Stämpfli, period from which he devotes himself to the figure of the tire.