A comprehensive survey of visual studies and visual culture, from its origins in art history to the current perspectives opened by new technologies, virtual reality and artificial intelligence.

Art historian and philosopher Horst Bredekamp reveals the importance of visual analysis and the central role of images in the development of the philosophical thought of Gottfried Wilhelm Leibniz (1646-1716). Relying mainly on the Leibnizian concept of the monad and on the Theater of Nature and Art, elaborated by the German philosopher and scientist from 1671 until his death, Bredekamp places Leibniz as a precursor of the theory of the image.

Innovative hybridizations between research, creation (theater and performance) and pedagogy.

An anthology of text and graphic scores to be used while walking, from Fluxus to the critical works of current artists, through the tradition of experimental music and performance, gathered and presented by Elena Biserna.

A reflection on asceticism in architecture.

The second issue of the annual magazine that promotes know-how and technique in design, craft or industry, dedicated to weaving.

Avenues for engaged pedagogies, collective learning, and artistic ecologies that can engender new institutionalities.

An indispensable introduction to the wonderfully moving and expressive parlour music of Dominique Lawalrée (1954-2019).

The sixth issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the figure of the coalman.

Persistence of Sound presents a new album from one of British sound art's most original voices.

A lavish, riveting and monumental collection of works and exhibition from 2007–2021, accompanied by newly commissioned texts, on 500 pages.

Persistence of Sound publishes the new solo record by Natasha Barrett, known internationally for her intense explorations of the movement of sounds through space.

A retrospective of immersive performances and installations with which the Israeli sound and visual artist, composer and musician explores the physicality of sound.

A survey of the abstract and contemplative work of Pakistani artist Imran Mir (1950-2014), with fifteen essays.

Collection of recordings made at the Friedrichshof commune between 1982 and 1990. Includes actionist group-music, improvised conceptual pieces, and barpianist-songs.

A survey of the pictorial work of the Afro-Brazilian artist, writer and activist, with fifteen essays.

Covering the past thirty years of William Scott's practice, this monograph offers the largest comprehensive selection of paintings, drawings, masks and architectural models, as well as an unique insight on his creative and transformative approach.

Autobiography by Ignasi Aballí is made up of 64 "años" (years), one for each of the 64 pages. Casually, the artist was born in 1958, it means that he has 64 years old at the time of the publication of the book.

An experience of observation of contemporary African migratory approaches and new theological movements of Christianity on the continent and in particular in Morocco, through texts of researchers but also various testimonies and documents.

A feminist approach to broaden and challenge traditional art historical definitions of institutional critique.

This first meticulous revision of the artistic work by Guadeloupean artist Minia Biabiany points the reasons why her practice has become unavoidable to reflect on the continuous process of Caribbean colonization, by destabilizing colonial structures within the territory, body and language.

A series of drawings made during a field visit by the filmmaker, writer and artist Ahmed Bouanani. Here ethnographer and illustrator, Bouanani analyzes the construction of Berber jewelry by sketching a taxonomy and a geography of formal symbolism of Berber groups in Morocco.

A panorama of the multifaceted and transversal production of the Dutch-Jewish painter and composer Sedje Hémon (1923-2011), with fifteen essays.

As a cofounder of Cabaret Voltaire in 1916, Emmy Hennings, with her partner, the Dadaist Hugo Ball, is recognized as having established and environment for collective experimentation. This book gathers an extensive collection of Hennings's writings, ephemera, and art, to give shape to a practice and an individual so ofter flattened for the sake of art historical narrative.

One Thing I Know is Pati Hill's third novel, first published in 1962, when she was forty-one and had just given birth to her first and only child. It is the last novel she wrote before claiming to "quit writing in favor of housekeeping".

The long term project of the Italian artistic duo around the trajectories of sound through the Mediterranean sea.

Adam McEwen's inkjet-on-sponge paintings, collected here in their entirety for the first time.

By photographing his sister Julia's adolescence over a decade, Antoine Seiter bears witness to the language that a face can develop by constantly raising the question of portraiture. Julia's story is interrupted by that of young Achilles, the hero of Marc Faysse's novel. Parallel to the photographic work in the theme of the passage to adulthood, the story is a homosexual love story that brings emancipation.

Through a ready-made exhibition of works made by animals, the poet Julien Blaine offers a vision as comical as it is tragic of the art world, while trying to "establish a communication between the lost world and the contemporary world."

The catalogue of the 15th Triennial of Small Sculpture Fellbach exhibition, curated by Elke aus dem Moore.

An inventory: Bibliothèque d'un Amateur. Richard Prince's Publications takes a look at Richard Prince's library and production of artist's books published between 1980 and 2020. (new expanded edition).

A gallery of portraits of a hundred artists and music activists taken in Philippe Levy's Parisian apartment, turned into a studio, each guest choosing (and reviewing) a record from the photographer's vast personal record library for the shoot.

Four contemporary artists in touch with their territories (the catalogue of the exhibition at the Maison de la culture du Japon in Paris).

A musical project that investigates the perception of the otherness of the world of the crippled and their right to their own self-expression.

The current crisis of museums and the future of Institutional Critique.

Fulton and Höpfner's long-term correspondence on art, landscape, and the aesthetic and political dimensions of walking.

First monograph of Roma artist Małgorzata Mirga-Tas: an attempt to expand the Polish and European iconosphere and art history with representations of Roma culture.

Alternative forms of curatorial and institutional work suitable to our novel conditions, when the relationship between physical and online work must be revised.

Music, sound, memory and perception in Latifa Echakhch's practice and work.

From the prehistoric biface to the telephone interface, whose lightning diffusion concretizes a new anthropological threshold for humanity: a theoretical articulation of current global issues from prehistory, thought as the privileged site where to rest the questions of the technique, the language and the image, between archaeology of the media, anthropology, geology, biology and science-fiction.

Reissue of Volume A of Dominique Pasqualini's Editome, which explores the permanent state of testing of our lives and our relationship to technology.

A poetic and "environmental" record, weaving delicate instrumentals with spoken word.

A poetic and "environmental" record, weaving delicate instrumentals with spoken word.

The 15th issue of Nakako Hayashi's graphic journal, celebrating the 20th anniversary of the project.

The height entry in Blank Forms' ongoing series of anthologies is devoted to the Amercian experimental musician/composer/intermedia artist Jerry Hunt.

The final album released by the composer-performer Jerry Hunt before his death, Ground: Five Mechanic Convention Streams is a rare and foundational audio document of Hunt's compositional process.

Francisco López offers a brand new field recording composition based on the recordings he did in the island of Tenerife whilst visiting for a performance at the Keroxen Festival, 2020.

First comprehensive monograph of the Swedish queer and feminist performance artist.

An analysis of the relations created by the curatorial—relations that also constitute it.

The new meaning of craft.