An overview of the French mixed media artist's work, engaged with historical and found imagery.

Issue dedictaed to Éclat éclair (light-lightning) by Costis, his last poem, "an attempt at typographic transcription of lightning", with two texts by Pierre Restany.

First monograph of the artist, poet, and filmmaker Sky Hopinka whose work embraces Native American perspectivism and reverses the primacy of representation of non-Western identities.

Publication dedicated to the Jardin aux habitant·es, a work by the artist Robert Milin produced in collaboration with volunteers for the opening of the Palais de Tokyo, a community garden that brings together, since 2002, amateur gardeners, who are members of an association.

A retrospective monograph, La Gricole et ses dérives brings together fifty years (1970-2020) of Daniel Nadaud's pathways, loops, advances, drawings, sculptures, installations and notebooks, shaped by the presence of the agricultural world, by history and fragments of childhood.

The widest and most complete overview of Cinzia Ruggeri's career to date.

Alien Armpit brings together short texts and images that the artist Vanessa Safavi made between 2013 and 2022.

First monograph on the durational performance artist Melati Suryodarmo, one of the pioneers of performance art in Indonesia.

The catalogue of the 17th Geneva Biennial, dedicated to artists' film and video, curated by the New York-based collective DIS and Andrea Bellini.

This issue 34 of the Palais magazine accompanies and echoes the exhibition Scheherazade, at night presented at the Palais de Tokyo from October 2022 until January 2023, bringing together six international artists whose practice summons the tumult of the contemporary world through the political power of narrative and the imaginary.

This dense 11 disc retrospective of Pauline Oliveros' early and unreleased electronic work includes her very first piece made for tape in 1959.

Tarot deck of 78 cards drawn by Vincent Corpet from a series of paintings made in 2010.

A reevaluationof Surrealism since 1940: a large-scale, groundbreaking work covering seven decades, questioning the discourses, narratives, and debates on the poetic, political, and artistic commitments of the movement, in the context of the deep social and cultural mutations of the world of the second half of the 20th century.

The first publication on the archive created by the Swiss writer, painter, activist and prostitute Grisélidis Réal (1929-2005) since the 1970s, containing more than 10,000 documents that trace the international mobilizations for the rights of sex workers and their struggles against exclusion and stigmatization.

A reflection on the domination of the software industry on our use of computers, which calls for a stimulating reinterpretation of materialism.

An intimate portrait of Joan Mitchell, one of the greatest American painters of the 20th century, through a collection of previously unpublished conversations with the artists, art historians and personalities closest to her, from Paul Auster to Zuka.

A transversal vision of the affirmation of a global Afro-Asian South through the anti-colonial resistance and war diplomacy of Algerians in Asia and Japan, bringing together history, politics, political philosophy, and poetics.

An essay on the concept of utopia today, more relevant than ever at the time of the economic, social, ecological and intellectual crisis.

Through a new reading of the Notebooks of Vaslav Nijinsky, who was described as "insane", and by taking them out of their reduction to a psychiatric diagnosis, Madeleine Abassade reveals the dancer's revolt against an established order of which he was the instrument and from which he sought to emancipate himself by creating his own choreographies.

Through a new reading of the Notebooks of Vaslav Nijinsky, who was described as "insane", and by taking them out of their reduction to a psychiatric diagnosis, Madeleine Abassade reveals the dancer's revolt against an established order of which he was the instrument and from which he sought to emancipate himself by creating his own choreographies.

In today's era of increasingly eroding certainties, Cura. 39 looks at artists that survey the fundamental questions of life and death, extinction and immortality (featuring Cyprien Gaillard, Marguerite Humeau, Pierre Huyghe, Korakrit Arunanondchai, Katja Novitksova, Mimosa Echard, Jakob Kudsk Steensen & Hans Ulrich Obrist, Elaine Cameron-Weir & Jodi Graf, Max Hooper Schneider by Nicolas Bourriaud...).

McKenzie Wark, Marlene Dumas, Tosh Basco, James Richards, Raimundas Malašauskas, Joanna Walsh, Kandis Williams, Mire Lee, Gustav Metzger, Rob Horning, Tea Hacic-Vlahovic, Constance Debré, Luca Lo Pinto, Simone Forti...

Monograph based on Carolyn Lazard's eponymous video installation drawing from the sensorial legacy of flicker films.

Alex Kitnick on the art of Wolfgang Tillmans; Natalia Brizuela and Julia Bryan-Wilson on the art of Jumana Manna; Alexandro Segade on the Ororocene; Travis Diehl on Alexis Smith's Same Old Paradise, 1987...

Nina Canell's artistic practice does not revolve around the finished artwork; instead, it foregrounds process and synergy. This artist's book/catalogue is based on an experiential installation that considers the material vitality of calcite.

For its fall issue, Flash Art looks at how artists navigate and draw upon the creative industry known as "fashion".

The hypothesis of a renewal of the world's habitability, questioning the links between ecofeminism and artistic practices, but also another relationship, more collaborative than separative, to the living world.

The 11th issue of the biannual magazine of the ECAL (Lausanne University of Art and Design), inaugurating its new formula, with NORM, Feng Li, Marco De Mutiis, Zachary Lieberman, Maïwenn, Lionel Baier, Abel Ferrara...

Publication based on a film by Stephen Loye about the micro-stories that emanate from the territory where the Germanwings A320 crash took place on March 24, 2015.

Frédéric Acquaviva, as Mozart of the assize court, questions, in this only known example of judicial sound art, justice and its functioning, but especially insists on the fragile barrier which separates criminals from honest composers.

The various dimensions of the landscape—mental, cultural and ideological, real and pictorial—in the emblematic works of Poussin, Le Lorrain, Bourdon and their contemporaries of the 17th century.

The Drawing Centre Show brings together 62 international invited to produce a series of three drawings, selected by four curators (including two artists, also participating): Gene Beery, Katherine Bradford, Joe Bradley, Roberto Cuoghi, Steve DiBenedetto, Carroll Dunham, Rachel Feinstein, Bruno Gironcoli, Sophie von Hellermann, Charline von Heyl, Jacqueline de Jong, Martin Kippenberger, Maria Lassnig, Tobias Pils, Gerwald Rockenschaub, Lily van der Stokker, Betty Tompkins, Franz West, Heimo Zobernig...

A bilingual text by Alessandro De Francesco that blurs the boundaries between art and poetry.

roygbiv&b is Marina Rosenfeld's first book publication, documenting her eponymous performance for the exhibition Instructions Lab at the MoMA (NY) in 2011, and includes gate-fold renderings of the score pages, a "User's Manual" by the artist, photos from the several performances of the work, and a foreword by musicologist Benjamin Piekut.

A collection of texts about time and artists working with it.

A collection of texts about space and artists working with it.

Monograph dedicated to the productions made in the early 1970s by major Swiss painter of Pop Art and Narrative Figuration Peter Stämpfli, period from which he devotes himself to the figure of the tire.

Catalogue gathering the series of works realized around the furniture by two artists of different generations but having in common a same refusal of the authority, the paintings of Enrico Baj produced at the beginning of the years 1960 meeting the new sculptures of Martin Kersels.

The first release to document the variety and playfulness of the concerts that Arnold Dreyblatt and Paul Panhuysen's Duo Geloso performed throughout Europe in 1987-88.

A complete overview of the vast cinematographic project of the Italian artist and director around the "Arab Spring".

The seventh and last issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif is dedicated to the character of an Acrobats ("who are two but together as one," as Thomas Clerc says in his play, The Heptahedron).

By defining a concept of architecture based on the tactile experience and not on construction, this book allows us to explore both discursive practice as the study of architectural art and the integration of architectural art as a discourse of spatial practice.

Chronicles Vol. 3 combines Kim Gordon's Real Estate Paintings with staged canvases photographed by Josephine Pryde in vacant apartments and offices in and around Kriens and Lucerne. The photos, which were taken using purely analog technology, create a disturbing and enraptured atmosphere.

Art critical essays focusing on artworks that, in various ways, convey a sense of unheroic "trouble."

Combining art and activism, semiotics and capitalism, art and finance, control and subversion, Monitoring Control by Paolo Cirio represents a critique of the social manipulation imposed by new technologies, while examining the counter-control that individuals can implement to dismantle these forces, sabotage them, and protect themselves.

Six unreleased piano pieces by Milan Knízák, written between 1991 and 2021, played by Czech piano virtuoso Miroslav Beinhauer.

Everyday life on the Haight: previously unseen portraits from the hippie epicenter by the acclaimed documentarian.

This artist newspaper, edited by Asad Raza and Mathew Hale, accompanies a new work by Raza of the same name, which redirects the river through Portikus and invites the public to interact with and dip in the waters of the Main (contributions by Keren Cytter, Emily Dickinson, Dan Graham, Rufus Hale, Catalina Imizcoz, Wolfram Lotz...).

The first study devoted to the American ecological art movement.

This monograph dedicated to Ivan Argote presents the richness of the Colombian artist's work. Using photography, film, sculpture, as well as painting, he invites us to rethink the links between the intimate and the political and to question the proponents of dominant ideologies.