A very personal literary narrative, with a singular writing, of a migrant's experience of wandering and borders.

Maurizio Nannucci's "auto(biblio)biography" (artist's book).

The most accessible introduction to the life and work of James Lovelock (1919-2022), and a guide to address today's "polycrisis."

Natascha Sadr Haghighian charts modes of strategic ignorance and recognition that operate in structural racism.

The reprint of a document containing the script of Skip Norman's film On Africa (1970).

This publication features a selection of photographs by Lisetta Carmi, documenting the social transformations of Genoa during the 1960s. Carmi witnessed the economic boom of the city, but also its everyday life, including her famous photo series of transvestites which caused a scandal at the time (new edition).

Alice Anderson dialogues with the objects of the Fontevraud Museum of Modern Art, by placing her own works in the spaces of the permanent collections.

The form and identity of artistic practices.

The status of the face in a society of images.

This publication presents a group exhibition of eighteen young artists who graduated from Ensba de Lyon in 2020, in the context of a health crisis that did not allow them to show their work under the usual conditions.

The series of photographs taken by Jean-Luc Moulène of his partner of ten years, Laurence Lorenzi (1956-2004).

An Ongoing-Offcoming Tale comprises abstractions, subversions and poetic ruminations, housed within essays that engage with the lives and practices of over 30 artists.

Publication dedicated to Lebanese artist Nayla Romanos Iliya's "Small Characters" sculptures, inspired by and named after each of the 22 letters of the Phoenician Alphabet.

Three extraordinary texts—pitched between writing and image—that project Artaud's ferocious engagement with the act of drawing.

A series of images in deep blacks of an abandoned fortress near Siwa in Egypt, whose stone and salt walls have been eroded by rainwater, transforming this city into a mineral and sculptural monument.

A workbook by Flatform, a "collective artist" in the field of video and media art, at the border between experimental cinema and contemporary art, conceived and curated by Giuliana Prucca.

Available for the first time since its original 1980 release on ALM-Uranoia, New Sense of Hearing documents a collaboration between Takehisa Kosugi and Akio Suzuki, two luminaries of Japanese experimental music in the lineage of Fluxus.

Available for the first time since its original 1980 release on ALM-Uranoia, New Sense of Hearing documents a collaboration between Takehisa Kosugi and Akio Suzuki, two luminaries of Japanese experimental music in the lineage of Fluxus.

Retrospective monograph of the painter, sculptor and engraver Rubem Valentim (1922-1991), an emblematic figure of the Brazilian art of the 20th century.

The astounding reedition of seven albums exploring the electro-acoustic experiments of Texan composer-performer Jerry Hunt and others affiliated with his Irida label.

The English translation of Zdanevich's Dadaist autobiographical lecture in Paris in 1922, where he adopts the name Iliazda. In this entertaining lecture, the achievements of the avant-garde is presented as a combination of zaum, polymorphous sexuality, aleatory forms and scatological interpretation of culture.

Monilola Olayemi Ilupeju's debut collection of writing.

A collection of letters (from 1957 to 1995) that the famous brothers Jonas Mekas and Adolfas Mekas sent from America to Semeniškiai village, their homeland, all addressed to the most important addressee of their lives—their mother, Elzbieta Mekienė.

Sound American #29 celebrates Art Ensemble of Chicago founder and American iconoclast, Roscoe Mitchell.

An analysis of the failed experiment of an exhibition of the Situationists that ought to have taken place at the Stedelijk Museum in Amsterdam in 1959, and of the Situationist International's ambivalent relationship with the format of the exhibition, the museum and the institution.

An exploration of the shifting acoustic ecology of the Western Isles.

Publication based on a cycle of exhibitions and events conceived by curator and art critic Elsa Vettier, inspired by the narrative arc of Bruce Sterling's 1980 science fiction novel of the same name, around questions of visibility, artificiality, control, surveillance, seduction and disappearance.

The second issue of the magazine Bagarres, made of constraints and rules of the game.

A transdisciplinary investigation and a choreographic performance, between Umeå and Oslo, about ecological grief, cultural panic, and a feeling of collapse.

The Drawer #22 is dedicated to the drawing notebooks, gathering the notebooks of a dozen artists (Francis Alÿs, Michele Ciacciofera, Louise Hervé, Dominique Ingres, Théo Mercier, Karine Rougier, Ruytchi Souzouki...).

The best of 2022: a renowned group of critics, artists, and curators from around the world take stock of the year in art.

After a previous focus on questions of historiography and the archive, In Medias Res #2: Architecture in Motion continues Fluentum's ongoing investigation into the history of its grounds with a focus on its architecture and surrounding material culture, both past and present.

An anthology that traces the long legacy of interdisciplinary experimentations at the intersection of walking, listening, and soundmaking (new edition).

The 11th issue of the journal of the École Nationale Supérieure d'Architecture de Bretagne, on the theme of new fictions for architecture: how does fiction renew itself in contemporary architectural issues and approaches?

An exploration of the soundscape of coastal cities by the French-Lebanese artist.

Publication based on a project initiated by Dora Budor at Progetto (Lecce, Italy) in 2021 that began with detouring a solo exhibition onto a collaborative course to traverse the itineraries of work, leisure, and consumption in southern Italy.

The first monographic volume on the graphic work of Belgian artist Petrus De Man.

A set of sculpture-paintings, paintings and drawings of the artist made over the period 2020-2022, accompanied by a text by fashion historian and artistic director Olivier Saillard.

Giulia Essyad's Blueberry Studies, part of her Blue Period cycle, where blue skin is central.

A wild improvisation session by the Belgian experimental rock band born from the meeting of five artists with mental disabilities, with the guitarist and co-founder of Sonic Youth.

A wild improvisation session by the Belgian experimental rock band born from the meeting of five artists with mental disabilities, with the guitarist and co-founder of Sonic Youth.

Artist's book. Alain Snyers' Microgestes (Microgestures) are invitations to action, they can be practiced or read aloud. They form a set of 45 detailed instructions for all sorts of situations: becoming a cow painter, instructing a meringue, capturing a draft, forgetting tomatoes in the subway or opening a can of tuna with a pickaxe...

An installation by the artistic duo Tehnica Schweiz (Gergely László and Péter Rákosi) comprising a film and a porcelain sculpture collection: a re-examination of our relation to architectural and material cultural heritage.

First monograph.

An essay by Guillaume Belhomme on the singularly modern work of the painter Eugène Carrière (1849-1906), accompanied by a piece by Japanese saxophonist Harutaka Mochizuki, inspired by the master's paintings.

The most accomplished tale of Jean Lorrain (1855-1906), decadent dandy, ardent erotomaniac and corrosive pen, accompanied by a new piece by Nurse With Wound.

The diffusion and applications of Fourierist thought in the United States during the 19th century.

A manifesto for an activist neuroaesthetics, to make the processes of digital dominion and governmentalization—which are becoming more and more prominent in late-stage cognitive capitalism (or neural capitalism)—opaque, visible, and known (contributions by Franco Bifo Berardi, Yann Moulier Boutang, Bonaventure Soh Bejeng Ndikung, Warren Neidich, Slavoj Žižek...).

This book introduces camera-based practices at the intersections of artistic and ethnographic research that critically examine the means of their own production and social embeddedness.

The portfolio of the exhibition at the Jeu de Paume in Château de Tours, dedicated to autochrome, a technique patented at the very beginning of the 20th century by the Lumière brothers, which revolutionized the history of photography by introducing color, before falling into oblivion and then being rediscovered in recent decades by historians and collectors.