Catalogue of three exhibitions about interactivity in digital arts: theoretical texts, notes, ionterviews and documents.

Reference monograph.

Monograph conceived by the artist, documenting a series of exhibitions and Leblon's video works.

Erotic drawings of the 60's and 70's in Leningrad.

159 minutes of minimal electronic music, readings, soundtracks from the archives of Angus MacLise 1963-1976.

A b/w movie realized in digital video, on the road and between machines.

A project by the Swiss artist for his exhibition at Pasqu'Art in Bienne.

Monograph.

36 studies from 1998 to 2002.

First monograph.

The book constitues the first « exhibition » of the drawings by the artist.

Leporello.

Artist's book.

The first English language monograph on Lo Savio.

First monograph on Korean artist, with installations views and two critical essays.

French edition (available in English).

First monograph on the artist / poster.

Unpublished text. Black monochrome, unique piece made with a spatula, dated and signed by the artist.

Gerard Malanga's first hand documents from his personal archives, with unpublished music by various personalities.

From “polemical” texts to extensive theoretical essays, passing through Ed Ruscha, Bruce Nauman or John Baldessari, these writings have proved to be among the most challenging ones.

First artist's book by Robert Morris.

Two artist's books reprinted with a third book never published.

Philippe Starck's legacy through the portraits of his former apprentices.

Philippe Starck's legacy through the portraits of his former apprentices.

The Rectange label "recycled" by eRikm.

A piece for string quartet, narrator and fixed sounds, guided by the texts of Edmond Jabès and Franz Kafka, in dialogue with those of Marc Feld and Michel Butel.

A surprising trio, initiated by Derek Bailey: Pat Thomas is here on electronics and Steve Noble, an outstanding drummer, plays only turntables. One of Derek Bailey's most abstract records.

Retrospective catalogue featuring a chronology of the artist's works, an introduction by Yves Aupetitallot and Lionel Bovier, texts by Mike Kelley, John Miller, and Nancy Spector, and an interview with the artist by Robert Nickas

First artist's book by Morris.

An essay to demonstrate Fourier's fundamental role in the emancipation of women and the transformation of society, "for the sake of imagination, of permanent interaction between sensitivity and reason."

Monograph.

The fourth and last poem by Kippenberger, written several days before his succombed to illness. A short letter of adieu, with two portraits of the artist by Elfie Semotan.

Booklet published on the occasion of a 1996 exhibition commissioned by Paul McCarthy and featuring the work of three European artists exiled in California: Guy de Cointet, Bas Jan Ader and Wolfgang Stoerchle. The publication includes texts by McCarthy and Cornelia Butler, biographical and bibliographical notes.

First retrospective catalogue: includes a chronology of the artist's works from 1967 to 1996, a bibliography, and texts by Yves Aupetitallot, Catherine Quéloz, Dan Cameron, and Ruppersberg himself.

Unpublished bilingual text, silkscreen print on rhodoid enhanced by hand and signed.

Five unpublished texts with an original lithograph signed by the artist.

For his first ever conceptual piece from 1990, Frédéric Acquaviva collaborated with Australian pianist Mark Knoop on the recording of all harmonic frequencies using only the damper pedal of a piano.

Five by seven, nine works by Richard Tuttle for Yvon Lambert.

The use of concrete in visual arts, until the late 1970s.