The duo's second recording in the “Mind Travels” Series: Petitgrand's sumptuous melodies meet Geins't Naït's hypnotic industrial collages to form a listening experience both immersive and singular.

The first monograph dedicated to Landon Metz retraces the American artist's distinct practice examining four exhibitions from the past two years.

The exhibition Canto di strada placed Fulton's & Höpfner's work side by side identifying a common ground for comparison in a 14-day walking journey through the Supramonte and Gennargentu mountains in Sardinia. The artists undertook separate journeys, experiencing a total immersion in the harsh environment without even meeting each other. Their respective approaches have been documented in two separate booklets.

L'art de la fuite is a selection of first recordings originally released on selftitled homemade tape in 1995. Mainly composed with turntables and prepared records (with various other sources), these recordings have laid the foundation for his future work as turntabilist / improviser / composer. 20 years later, this unique blend of musique concrète and post-industrial still sounds fresh today.

Disembodied girls and sadistic imagery: the nightmarish and disturbing universe of The Pit. Perfect, graphically speaking.

Bernard Heidsieck's graphic ABC.

Box set including a book and a film on DVD.

First monograph.

Essays about the work of Victor Burgin.

An extreme experience seeking to hear the body's internal sounds. It uses both the medium of drawing and of writing to account for the metamorphoses produced by this sensorial experiment.

Five Pieces for Projection introduces recent projection work from 2010 to 2014, with an essay by Hanne Loreck, an afterword by Eva Schmidt and texts by Victor Burgin.

This book documents an installation by Eric Baudelaire revisiting the political and personal saga of the Japanese Red Army as an anabasys—an allegory of a journey that is both a wandering into the unknown and a return back home.

The first release in the “Mind Travels” Series, Je vous dis is a melancholic and sometimes terrifying record. Resembling the soundtrack of a situationist film, it is a true work of the mind, complex, poetic, and elegant, even in its darkest moments.

The first release in the “Mind Travels” Series, Je vous dis is a melancholic and sometimes terrifying record. Resembling the soundtrack of a situationist film, it is a true work of the mind, complex, poetic, and elegant, even in its darkest moments.

Artist's book based on the eponymous work by Franco-Algerian artist Mohamed Bourouissa, a series of photographs and a video made with the help of a prisoner from the jail in which he is held, an exchange via SMS and MMS using a mobile phone smuggled into the prison establishment.

Michel Parmentier's writings and interviews.

Numbered edition of Bernard Heidsieck's famous map of Vaduz.

A collection of original poems Leif Elggren wrote between 1970 and 2013 and translated for the first time into French. With illustrations by the author.

Bernard Heidsieck's typescripts.

The two dancers and choreographers share and compare ideas and references that underpin their respective work.

Following the lead of American objectivist poetry, Gaza, d'ici-là is a poetry-testimony based on an official document published by the UN on one of the military operations carried out in Gaza by the Israeli government.

An animated film by Robert Breer.

First monograph.

First monograph dedicated to Xavier Noiret-Thomé's pictural telescopings, between figuration and abstraction, between iconophilia and iconoclasm, between references to art history and borrowings from contemporary popular culture (with two essays and an interview).

New monograph.

First monograph dedicated to the young French artist's “sculpture at work”,, as fragile as spectacular, with an interview.

Monograph based on Swedish artist's project for the Nordic Pavilion at the 54th Venice Biennale.

English edition of the interviews with French dancer and choreographer Boris Charmatz.

Artists' book with new drawings.

Monograph.

Publication gathering all the texts and recordings of the Biopsies series (1965-1969).

Publication gathering all the texts and recordings of the Passe-partout series (1969-2004).

This publication brings together the sound poet's first work, published in 1955, as well as the entire Poèmes-Partitions series (1955-1965). It also includes 2 CDs with all the Poèmes-Partitions recorded in their time by the author.

First monograph (available in English edition).

First monograph.

This exhibition catalogue gathers together the visual works—collages, drawings and installations—of three major French experimental poets.

This book discusses Michael Sailstorfer's most recent work, with a special focus on issues of space and site specificity.

This poem by Bernard Heidsieck starts with Vaduz, the capital of Lichtenstein, and from it, lists all the people and ethnic groups of the world: a great humanist work and an extreme experience of poetry-action. The publication features a recording of the poem, read by Bernard Heidsieck.

The optical, spatial and sensorial exploitation of electric light within the field of contemporary art.

Artists' book with new drawings.

Monograph featuring works from 2001 to 2004.

An interview with French dancer and choreographer.

The book constitues the first « exhibition » of the drawings by the artist.

Leporello.

A surprising trio, initiated by Derek Bailey: Pat Thomas is here on electronics and Steve Noble, an outstanding drummer, plays only turntables. One of Derek Bailey's most abstract records.

The Rectange label "recycled" by eRikm.

Booklet published on the occasion of a 1996 exhibition commissioned by Paul McCarthy and featuring the work of three European artists exiled in California: Guy de Cointet, Bas Jan Ader and Wolfgang Stoerchle. The publication includes texts by Bas Jan Ader, Paul McCarthy, and Thomas Crow, biographical and bibliographical notes.

This monograph gathers a collection of essays which attempts to define the multi-form notion of “presence” formulated by Bustamante in his work.

This monograph gathers a collection of essays which attempts to define the multi-form notion of “presence” formulated by Bustamante in his work.