Celebrating ten years of artistic career, this catalogue reproduces a series of miniature replicas of mostly huge-format paintings by Norbert Bisky, repainted by the artist himself.

Second issue of the art history magazine published by the Mamco, Geneva.

Criminal news item as current version of the ready-made: relations between the history of avant-gardes and the aesthetics of murder.

A theory of contemporary art in response to our moment, when artists and critics must respond to art's unprecedented popularity (illustrated by Wade Guyton).

Towards the art world's inner contradictions between symbolic meaning and monetary value.

An essay on the reception of Jean-Pierre-Brisset's work among his contemporaries and successors, its relationship with futurism, pataphysics, surrealism, dada, etc., its sources and its offspring in the fields of literature, linguistics, psychoanalysis, science, philosophy and art.

A radicant thought extended to modes of cultural production, consumption and use, against the multiculturalist critical model.

First publication in French on a major figure of British Pop Art, this essay analyses notably the questioning of the contemporary appearances in Richard Hamilton's works.

Editor in chief, Kendell Geers subverts the code of the magazine and appropriates BC as a subversive hacker, saturating the pages of FUCK, sexes and crucifixions.

Monograph (available in English edition).

Conceived by the artist, an exhaustive monograph on Laurent Grasso's body of work, with texts, interview, documents and 300 color illustrations.

First issue of the art history magazine published by the Mamco, Geneva.

A sharp summary of contemporary art since Marcel Duchamp.

Kylie Minogue, Jasper Johns, Marcel Duchamp, Mario Merz, Damien Hirst, Jesper Just, Jeff Koons, Dominique Gonzalez-Foerster, Pierre Joseph, Guy de Cointet, François Curlet, Lothar Hempel, Yann Serandour, Philippe Decrauzat, Valentin Carron, Gilbert & George, John Armleder, Thomas Hirschhorn...

A collection of the painter's writings (poetry, interviews, chronicles, previously unpublished texts and documents) who, between the 1930's and the 1970's in St-Germain-des-Prés, never ceased to explore language and to work with words as if with an unprocessed and unlimitted material.

Recent works by American artist, with several illustrations and preparatory drawings, as well as an essay by Robert Hobbs and a biography.

A collection of texts and interviews by the art critic and independant curator (John Armleder, Mehdi Belhaj Kacem, Guy Debord, Jean-Luc Godard, Dominique Gonzalez-Foerster, Douglas Gordon, Carsten Höller, Michel Houellebecq, Pierre Huyghe, Jacques Lacan, Jean-François Lyotard, Olivier Mosset, Philippe Parreno, Andy Warhol...).

First monograph.

Two studies on the link between language, art and reality in Marcel Duchamp's work.

A new approach of Duchamp's keywords.

Miss Marie le Masson Le Golft (1749-1826) is known as the lady who noted Nature.

An essay on Paul Tisseyre Ananké, the military officer in saharian French colonies and writer, which proposes a linguistic and biographic approach, accompanying the reedition of Ananké's book, denouncing the horrors of the French colonisation in Africa.

A magazine printed with white ink on white paper (with Gilbert & George, Yoko Ono, Lawrence Weiner, Liam Gillick, Martin Creed, Christian Boltanski, Hans Ulrich Obrist, Niele Toroni, Art & Language, Steven Parrino, Maurizio Cattelan, Tom Morton, Swetlana Heger, Didier Marcel, Angela Bulloch, Daniel Buren...).

Dominique Gonzalez-Foerster's films and video works.

Dominique Gonzalez-Foerster's films and video works.

Jean Dupuy's anagrams in three volumes, with a selection of artworks.

This small book accompanies the video Belles Rives (2001), with a selection of screen shots.

A complete panorama of the astonishing personality of the unknown writer, grammarian, cosmologist and inventor.

27 interviews with Bertrand Lavier.

Unpublished text, signed original artwork, unique for each copy

Ron Arad has held a position of reference in the world of design since the 1980's. Coming from a sculptural tradition, his work, questioning both aesthetics and modes of production, has transformed the perceptions of professional designers (comprehensive monograph).

Ron Arad has held a position of reference in the world of design since the 1980's. Coming from a sculptural tradition, his work, questioning both aesthetics and modes of production, has transformed the perceptions of professional designers (comprehensive monograph).