The never-before-published selection of Carlo Scarpa's writings and illustrations (photographs, architectural plans, sketches, etc.): an invaluable tool to understanding exhibition history and the importance of the architectural conception of exhibitions.

A compilation of Rudy Ricciotti's opinion pieces about 59 artists and personalities.

A compilation of Rudy Ricciotti's opinion pieces about 59 artists and personalities, with an original artwork signed by Ricciotti.

Seven essays about Marcel Duchamp's work.

Thierry de Duve's writings on Marcel Duchamp.

Does Mona Lisa deserve her mustache? An erudite review of 180 pre- and post-Duchamp caricatures and misappropriations.

Science and Pataphysics, volume I: the history of the origin myths—how science is torn from what is now defined as pseudo-science.

Science and Pataphysics, volume II: the birth of linguistics, as an academic field, in France, and the ideological and political issues that contribute to this implementation.

The first instance of considering Okiishi's work from the last fifteen years as a heterogeneous whole.

Through the notion of ecology of art, Des récits ordinaires (On ordinary conversations), a project by Grégory Castéra (curator), Yaël Kreplak (linguist) and Franck Leibovici (poet and artist), attempts to vizualise the various modes of existence of artworks.

An innovative examination of Jeff Wall's photography.

A collection of essays that reveals layers of unknowing and open-endedness within a diversity of contemporary art practices since the 1970s.

Imposture, falsification and diversion.

A collective examination of the relationship between surrealism and the “splendid nineteenth century” (André Breton), and changes that have occurred in the field of political ideas, industrial development, psychiatry, philosophy or morality, between appropriation, misappropriation and rejection.

An innovative examination of Jeff Wall's photography.

Taking as its starting point a pilgrimage that takes place in Italy during the day of the dead, this publication is part of a collective and multidisciplinary project which aims to reflect upon death, to more deeply celebrate life.

An overview of current research in the broader field of human sciences in Switzerland.

An "archaeology" of contemporary art, between Matisse and Duchamp, between art and philosophy: a book to deconstruct the aesthetic regime of the image, for a new diagrammatic thinking, after Deleuze and Guattari.

Jean Dupuy's anagrams, from the 1970's to the present day (artist's book): 160 series of works accompanied by the artist's notes, with texts by Arnaud Labelle-Rojoux and Emmanuelle Lequeux.

Herminie Hanin (a figure of art brut, “fou littéraire” with a tendency to paranoia, inventor of the plane trap) inaugurates the series “Les Hétéroclites” (“Heterogeneous”), created by Marc Décimo to explore the relations between literature, art, insanity and creation.

First publication ever to be devoted entirely to Duchamp's Broyeuse de chocolat, this volume also documents the event organized by the Kunsthalle Marcel Duchamp on the occasion of the 100th anniversary of this iconic work.

Godard and Corman have worked concurrently on the same themes and subjects, using similar stylistic devices and production techniques. The fact that this affinity has so far remained undiscovered has its explanation in hard-set opinions and judgment criteria. Harald Harzheim has now succeeded in breaking this mindset, enabling us see the work of these radical independent filmmakers in a completely new perspective.

Benjamin Sabatier shells over the alphabet the founding principles of his work.

Benjamin Sabatier shells over the alphabet the founding principles of his work. This limited edition is accompanied by a can compression, a unique signed piece.

The work of Raymond Roussel as a point of departure for an oblique and transversal reading of 20th century art.

In 1984, John Cage gave a concert at the Akademie der Künste in Berlin. Thomas Wulffen seized the opportunity to talk to him about his work, about Berlin, and about Germany. The hitherto unpublished interview shows this major avant-garde artist in a relaxed mood, perfectly at his ease, though not without a light touch of irony. An historical document.

Catalogue documenting a unique installation born from the colllaboration of two major artists of the twentieth century.

The 5th issue of the art history magazine published by the Mamco, Geneva, is entirely dedicated to Philippe Thomas.

Five essays.

A unique testimony to Duchamp's personality, to his relationship to his friends and to his works, and to the slow reception of his works in France and in the U.S.

The final opus and the prologue of the Palais de Tokyo's annual publications series.

First issue of the experimental music annual review.

First issue of the experimental music annual review.

First issue of the experimental music annual review.

A utopian and subversive take on how to make objects talk.

The extended new edition of the out-of-print publication of the same name, from the year 1996, appears on the occasion of the death of Friedrich Kittler. Along with an introduction, it contains an extensive and unabridged interview with Stefan Banz and Kittler's unusual text Skiagraphia, die Schattenschrift (the shadowed text) from 2005.

Thirteen texts (including an unpublished essay by Georges Didi-Huberman) to think art and history together, from the tools developed by the theorist of the future of images.

1st issue of the art magazine published by M19, gathering works, articles, documents, and lists, featururing 42 artists, curators, art historians, critics, choreographers, musicians, plus one chef.

This collective essay examines the crossroads between creation and business through various analyzes and case studies on Marcel Duchamp, Bertrand Lavier and the Brancusi trial.

The resurgence of Dada in the U.S. (a genealogy of American post-war experimental art).

An interview with Jean-Christophe Ammann.

This second issue brings together contributions reflecting on the political commitment and literary work of Jean-Marc Rouillan, and shedding light on three of Rouillan's most important influences today: philosophers Daniel Bensaïd and Henri Lefebvre, and activist Pierre Goldman (with contributions by Véronique Bergen, Charles Pennequin, Julien Blaine, Rada Ivekovic, Pierre Linguanotto, Laurence Denimal, Stéphane Nowak Papantoniou…).

Caroline Bachmann and Stefan Banz have designed a photographic and pictorial artist's book which focuses on Berlin cemeteries. In a combination of photography and painting they consider the uniqueness of the park-like cemeteries in Berlin, which are used as leisure and recreational areas. Bachmann and Banz turn these places of melancholy and calm into an aesthetic experience by “making emotions visible”.

This mini, compact catalogue, accompanies the eponymous exhibition at CAPC museum of contemporary art of Bordeaux.

Celebrating ten years of artistic career, this catalogue reproduces a series of miniature replicas of mostly huge-format paintings by Norbert Bisky, repainted by the artist himself.

Second issue of the art history magazine published by the Mamco, Geneva.

Criminal news item as current version of the ready-made: relations between the history of avant-gardes and the aesthetics of murder.

A panorama of Ben's conflicting ideas and various activities since 1959.

A theory of contemporary art in response to our moment, when artists and critics must respond to art's unprecedented popularity (illustrated by Wade Guyton).

Towards the art world's inner contradictions between symbolic meaning and monetary value.