French artist Félicia Atkinson teams up with New York-based experimentalist Jefre Cantu-Ledesma with Comme un seul narcisse—an epistolar conversation of post-modern times.

The complete PDF edition of the avant-garde journal Change, created by Jean Pierre Faye in 1968: 42 facsimile issues in a 8482-page file with free-text search engine.

For Bunita Marcus is a piano piece recorded in 1986 by contemporary composer Morton Feldman. Guillaume Belhomme revisits the singular relationship he shares with this track and gives a sharp analysis of it. This reeissue is completed with a fictitious letter from Feldman to American painter Philip Guston entitled Une minute, une seule.

Animals questions through a poetic approach the modernist apprehension of time and locomotion, in the realm of today.

A tribute to Canadian pianist Paul Bley, a portrait of Polish musician Zenial, Parisian reference record store Souffle Continu, interviews with Art Kill Art, Sarah Hennies, Daniel Buess, carte blanche to multidisciplinary artist Noémie Sauve...

This publication is based on the albums the artist conceived during his tenure at the Bauhaus, and presents, for the first time, photographs and documents, personal as much as artistic, on this key moment of the modern period. It is also the first opportunity to discover this primary material, in a format reproducing the original albums.

French band Cabaret Contemporain revisiting New York underground legend Moondog with the two Swedish singers Linda Olah and Isabel Sörling.

French band Cabaret Contemporain revisiting New York underground legend Moondog with the two Swedish singers Linda Olah and Isabel Sörling.

Drawing relations between writers' quotes and the works of Céleste Boursier-Mougenot (with a text by Benoît Viguier).

New monograph.

Issues results from the invitation made to Sébastien Roux to compose from the six issues' collection of the contemporary art magazine about sound Volume, released between 2010 and 2013, using the textual corpus as a generator of scores to write and eventually have performed.

Avant-garde meets Cinecittà: in 1964, artists Baruchello and Griffi edit found footage of Hollywood films from the fifties in Italian version. This original assemblage seeks to disclose the formatting process in the Cinema Industry and offer a new meaning to images.

An extensive documentation on Céleste Boursier-Mougenot's installation for the French Pavilion of the 56th International Art Exhibition of the Venice Biennale.

A concrete / post-digital oratorio in 5 parts.

A concrete / post-digital oratorio in 5 parts.

A piece for voice(s) an dead electronics with Loré Lixenberg (mezzo-soprano).

Special offer: the two complementary monographs États seconds and Perturbations.

New monograph.

Comprehensive monograph: the first survey of first generation Bauhaus artist Xanti Schawinsky's extraordinarily prolific output over the course of five decades.

Published in homage to Pier Paolo Pasolini, this edition (conceived by Alfredo Jaar) features the poem imagined in 1954 by the Italian filmmaker while visiting the grave of Italian Marxist revolutionnary Antonio Gramsci. In this poem, Pasolini meditates on life in front of Gramsci's tomb, evoking themes such as politics, poetry, sexuality, and Italy.

An intimate portrait gallery of Ari Marcopoulos' brother (artist's book).

Second (and last) volume of the short retrospective of the blog Au grisli clandestin, a visual annex of the musical website Le son du grisli.

As a body of repertoire, these 150 pieces of Christian Wolff are remarkable for their freshness of musical thought and energy (John Cage considered Wolff to be the most “musical” of the experimental composers).

First monograph.

Lasse Marhaug, Les Instants Chavirés, William Basinski, Uzeste Musical / Cie Lubat de Gasconha, a history of musical destructions by Matthieu Saladin (on John Cage)...

Artist's book.

This artist's book / CD includes an innovative work made of sound and pictures related to an installation made by the artist in Japan in 2012.

On Art and Film, Art and Moving Images, Ross Birrell and David Harding, Yve Laris Cohen, Con Jobs, Douglas Coupland, Heinrich Dunst, Jimmie Durham, Ed Fornieles, Brennan Gerard and Ryan Kelly, Patrick Jackson, Wyatt Kahn, Amar Kanwar, Isabel Lewis, Liberation through Laziness, Heather Phillipson, Organic Photography, Torbjørn Rødland, Surrealism and Tags, Philippe Thomas, Brad Troemel, The Artist as Curator (Richard Hamilton and Victor Pasmore, John Cage)...

A short retrospective of the blog Au grisli clandestin, a visual annex of the musical website Le son du grisli.

An historical and theoretical investigation into art teaching and transmission.

Renunciation as an artistic practice.

Bernard Heidsieck's typescripts.

The first poetry book wrote by the visual and sound artist Felicia Atkinson.

Esther Ferrer, PaaLabRes, Eric Cordier, Le 102 in Grenoble, Lionel Marchetti, a history of musical destructions by Matthieu Saladin...

A retrospective overview of the 11th edition of the Lyon Biennale, curated by Argentinean curator Victoria Noorthoorn, with a focus on the two parallel programs “Veduta” and “Resonance”, held in the Lyon conurbation and its region.

An investigation into the uses of “sound document” in music, since the beginning of phonography.

Reference monograph, with an essay by Okwui Enwezor, images of the most recent exhibitions and public interventions, as well as a selection of the artist's emblematic installations and press works since the mid-1980s.

A text by Christof Migone on a history of sound art and its relation to performance.

The visual score of L'Étonnement sonore by Carole Rieussec, Johann Maheut, and Guillaume Robert; Faire un bruit qui me ressemble, Vomir and Francisco Meirino, by Kasper T. Toeplitz; John Cage's Williams Mix reinterpretated by Valerio Tricoli and Werner Dafeldecker; Anna Halprin and Morton Subotnick's Parades and Changes; Quelques compositeurs du Royaume-Uni by Tim Parkinson; Ring Modulation 3, la pensée électronique by KTT...

A new body of works.

Catalogue of the 11th edition of the international exhibition, conceived by Argentinean curator Victoria Noorthoorn, gathering 78 artists from all over the world.

The resurgence of Dada in the U.S. (a genealogy of American post-war experimental art).

A recording of John Cage's original text as read by a deaf individual (audio CD with booklet).

Marianne Pousseur sings John Cage and James Joyce, Morton Feldman and Rainer Maria Rilke, Hanns Eisler and Bertolt Brecht, Giacinto Scelsi, György Kurtág, Henri Pousseur and Friederich Hölderlin, Frederic Rzewski and Langston Hughes, E. E. Cummings, Michel Butor, Théodore Botrel, Rudolf Sieczynski...

A study of the musical (and political) aspects of one of the most subversive artistic movements of the 60's.

“Metal Machine Theory” par Mattin / chroniques / Mastering / Interfaces / L'interaction par et pour tous, Carole Rieussec / Cave12 / disques / notes de lectures / concerts / infos / index.

Chroniques / « Metal Machine Theory » par Mattin / Marc Namblard / Wandelweiser / Christian Zanési / L'interaction par & pour tous – Patricia Dallio / disques / notes de lecture / infos / concerts / index.

Essay.

The first retrospective monograph on Marcopoulos' work.

First publication dedicated to Christian Marclay's photographic practice.