Rene Ricard 1979-1980 is the first collection of American poet and artist Rene Ricard's poetry, first published by the Dia Art Foundation in 1979. This new edition presents, in a new format, both the original book design reproduced as a facsimile and the first French translation of Ricard's poems.

An anthology of texts devoted to cinematographic editing (Eisenstein, Tarkovski, Bazin, Godard, Wiseman, van der Keuken, Deleuze, Agamben...), from the beginning of the 20th century to today.

Alain Freudiger on Max Frisch, Camille Paulhan on Jérémie Bennequin, Estefanía Peñafiel Loaiza et Marianne Mispelaëre, Warren Lambert, Erik Bullot on Michael Snow, Sylvie Lagnier on Jean-Marie Pontévia, Jacques Sicard, Denise Le Dantec, Julio Ramon Ribeyro, Stéphane Marte, Baptiste Gaillard, Fabien Clouette & Quentin Leclerc ; dossier “The Skin” (Caroline Parietti, Heidi Bucher, Kazumichi Hashimoto, Jacques Roman, Christine Bergé, David Collin), Jean-Guy Coulange, Philippe Baudouin...

PARIS LA 16—a tenth anniversary special—focuses on the dual themes of fashion and writing.

Acousmatic Striptease, a performative text by Thibault Walter; Musique Action 2018; improvised music in the Netherlands; Ring-Modulation #28 by Kasper T. Toeplitz; interviews with Marisa Andersaon, Peter Ablinger, Christine Wodrascka; carte blanche to Richard Bokhobza and Thomas B.; chronicles and disc reviews…

An homage to William Burroughs' and Brion Gysin's eponymous book, this artist book of more than 300 pages is a huge cut-up of the artworks showcased during the group exhibition conceived by Ugo Rondinone at the Palais de Tokyo in 2007.

“Primitivism” as a tool for analysis of post-war French society, between a modernization and decolonization movement, and possible forms of resistance.

Following the opening up of Japan to the West in the 1850s, artists, designers and makers across Europe became gripped by a new fashion for “Japonism”. The catalogue of the Louvre Abu-Dhabi exhibition focuses on the pioneering group of Parisian artists Les Nabis, their fascination for Japanese prints, and the importance of this cross-cultural influence in the development of the decorative arts.

Following the opening up of Japan to the West in the 1850s, artists, designers and makers across Europe became gripped by a new fashion for “Japonism”. The catalogue of the Louvre Abu-Dhabi exhibition focuses on the pioneering group of Parisian artists Les Nabis, their fascination for Japanese prints, and the importance of this cross-cultural influence in the development of the decorative arts.

This publication provides an in-depth exploration of the artists joint project Olt, focusing on a 1967 promotional campaign by the French oil company Elf. The book highlights Mosset and Sauvage's common interest in graphic design and roadside art, and features a text by Jill Gasparina on the circle as a symbol of visual modernity, as well as an interview with the two artists.

Borrowing its title from an unfinished documentary film on post-independence Guinea-Bissau, this reader stems from a conference which brought together artists, writers and researchers to address issues related to the people's struggle for independence from Portuguese colonialism and subsequent nation building. The contributors also engage in a reflection on the experimental use of archives in their research.

Drawing relations between the works of Claude Lévêque and quotes from contemporary writers (Don de Lillo, Pierre Michon, Giorgio Agamben, Gilles Deleuze…), modern writers (Charles Baudelaire, Arthur Rimbaud, Jean Giono, Marcel Proust, Paul Valéry…), and classics (Shakespeare, Dante, Aristote…).

Nina Garcia, Clark Gable, the music of Jacob Ullmann, the end of musical boundaries by Kasper T. Toeplitz, a text by Jean-Léon Pallandre, interviews with Thomas Bonvalet (Ocelle Mare) and Emmanuel Lalande (PiedNu), chronicles and disc reviews…

Illustrator Soufiane Ababri; novelist Fanny Taillandier; a critic of the Anthropocene by historian Jean-Baptiste Fressoz; interviews with Lav Diaz and Gurshad Shaheman; models' rights advocacy organization Model Law; on the back side of Naoshima; dubbing in Quebec; Arles and the money issue; portraits of Maud le Pladec and Èlg; Portfolios of Marie Valognes, Mimosa Echard, Louis Canadas & Theophile Hermand; Gabriel Gauthier's poetry; chronicles and diary.

Stemming from a Public Art Zurich project, this publication gathers texts and international artists contributions exploring the condition of 21st-century cities in relation with contemporary art.

Publication reflecting on the work of contemporary artists who explore the collision between the digital and physical worlds. These artists take a step back, using decontextualization, rematerialization and displacement tactics to examine the future of our world. Through a collection of interviews with and essays by artists and theoreticians, this book develops the reflections generated during the eponymous exhibition.

The Toguna is a collective work co-created by craftsmen and visual artists, a space of conviviality and sharing in the heart of the Palais de Tokyo. This publication follows the project's genesis through texts and images, and addresses the questions raised by the collaboration between craftsmen and artists.

Naturalis Historia is the result of an ambitious multimedia research on the history of nature. Taking an encyclopedic approach, artist Pauline Julier explores several nature stories appealing to the arts and sciences to create this vast narrative. The 504-page edition includes a rich iconography, original texts as well as interviews with Philippe Descola and Bruno Latour.

Based on the writings of Carl Einstein, this comprehensive, richly illustrated reader examines how the artistic avant-gardes reacted to the multiple crises of European modernity around 1930. Structured around a glossary, the publication gathers commissioned essays, texts by Einstein, and documentation on the namesake exhibition.

The “chairs-poems” conceived by the Quebec sculptor Michel Goulet for the Palais-Royal garden in Paris, with contributions from nearly 70 authors, visual artists, poets, critics, theoreticians, philosophers and thinkers.

120 true and oxymoronesque scores-instructions composed by Frédéric Acquaviva between 2015 and 2017 in Berlin.

120 true and oxymoronesque scores-instructions composed by Frédéric Acquaviva between 2015 and 2017 in Berlin. Luxury limited edition, signed, including an original artwork and the sound artwork “Oxymoron Music” on CD.

This book revisits the oeuvre of Alain Séchas as a whole, with a particular focus on the works produced over the past decade—most notably his paintings and drawings.

Bouchra Khalili's films, video installations, photographs and silkscreen prints suggest civic platforms, from which members of minorities perform their strategies of resistance to arbitrary power. This catalogue dedicated to the French-Moroccan artist spans ten years of creation.

A collection of 11 poems printed on single sheets that can be used as page markers to interrupt whatever else you are reading. Each poem is based on descriptions of natural phenomena, to talk about everyday situations of human social behavior.

This monograph presents a collection of texts and critical essays taking the form of an alphabet primer. Twelve art critics, curators or writers chose a keyword as starting point to write a commentary on Boris Achour's practice. The publication also includes an iconographic documentation offering an overview of the artist's works.

Space as a privileged place to think and question our place in the world.

The first volume of the retrospective catalogue of Le Consortium contemporary art center (new edition).

Artist and photographer Gil Lesage brings together for the first time a selection of her personal work since the 1980s: a hundred black & white images of sheer intensity, combined with family archives (with contributions by Samuel Benchetrit, Jean -Charles de Castelbajac, Etienne Daho…).

Initiales, the art and research magazine published by the École nationale supérieure des beaux-arts de Lyon, dedicates its eleventh issue to a major figure of contemporary sculpture, Isa Genzken.

Special issue dedicated to the May 1968 events in France, including texts by Paul Ardenne, Jacques Donguy, Victor Muñoz, Giovanni Fontana, Charles Dreyfus, Julien Blaine, an interview with Daniel Cohn-Bendit… Also on this issue: a special feature on Sociological art.

Publication documenting an innovative sustainable social housing project in a small village of south-central France, as part of the “New Patrons” program.

This catalogue documents a collective project intitiated by curator Natasha Ginwala entitled The Museum of Rhythm: a speculative institution that engages rhythm as a tool for interrogating the foundations of modernity and the sensual complex of time in daily experience. Deriving from an eponymous exhibition, the publication includes visual documentation of the exhibition as well as essays.

A collection of texts about space and artists working with it.

A multidisciplinary approach of ecosocial design.

This interview with Romain Kronenberg by curator Anne-Laure Chamboissier traces the filmmaker's progression, from his first projects to the most recent, including some currently in development. It reveals the complexity of a body of work where the relationship between image and sound is constantly reinvented with each new creation. (in the framework of the “Beyond Sound” interview series, dedicated to sound arts).

This interview with Romain Kronenberg by curator Anne-Laure Chamboissier traces the filmmaker's progression, from his first projects to the most recent, including some currently in development. It reveals the complexity of a body of work where the relationship between image and sound is constantly reinvented with each new creation. (in the framework of the “Beyond Sound” interview series, dedicated to sound arts).

This publication features an unpublished series of artworks by artist Paolo Gioli based on polaroid images of etruscan funerary sculptures set in the Italian city of Volterra. The volume is supplemented by a text on Volterra by novelist D. H. Lawrence, and an essay by historian of photography Roberta Valtorta.

Under the title of Merry Xenotism!, Diaphanes #4 directs its attention to everything foreign and different, to the other in the same and the same in the other. With contributions from art, literature, and discourse by Leonard Suryajaya, Slavs & Tartars, Lynn Hershman-Leeson, Yves Netzhammer, Jean-Luc Nancy, Tianzhuo Chen, Elena Dorfman, Maria Gabriela Llansol, A.K. Kaiza, Miguel Tamen, Lina Atfah, Michele Pedrazzi, Angelika Meier, Joseph Morder, Jordan Lee Schnee, Jochen Thermann, and many others.

Tribute to American sound poet Z'ev, interviews with Derek Bailey, Philippe Baudoin, Marc Sirguy from Modularsquare, illustrations by Richard Bokhobza and Thomas B, chronicles and disc reviews…

Issue devoted to the relations between art and fashion.

Music video culture.

A collective reflection on the historical stakes of French avant-garde movement Lettrism.

DVD gathering the video recordings of two musical performances by Frédéric Acquaviva, in French and English, made at EMS in Stockholm and La Plaque tournante in Berlin.

A piece for mezzo, mouths, skins and Buchla, recorded with mezzo-soprano Loré Lixenberg (vinyl sleeve with a CD inside).

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

The second volume of the publication dedicated to the French underground musical scene.

Crossing perspectives on the results of an educational project around textile design and architecture.

Pierre Alechinsky, Antonio Aricò, Katrin Bremermann, Jennifer Caroline Campbell, Corentin Canesson, Catastrophe, Carolin Eidner, Isabelle Ferreira, Louis Fratino, Yann Gerstberger, Clive Hodgson, Lisa Holzer, Alfie Kungu, Miki Leal, Camille Llobet, Alice Louradour, Ohad Meromi, Galina Munroe, Arkadiy Nasonov, Camila Oliveira Fairclough, Jon Pilkington, Jennifer May Reiland, Yannick Val Gesto, César Vayssié, Xavier Veilhan, and the Jean-Claude Sergues Collection.

A synthesis of the multiple dimensions of the protean oeuvre of a legendary artist, which we measure today to what extent they find an echo in contemporary environmental, cinematographic, aesthetic and social issues.