The testamentary work of Jacques Sivan: a graphic poem on the body and its reincarnation through the language.

First monograph.

First monograph.

A conversation between painter Pierre Soulages and prehistorian Michel Lorblanchet about parietal art and the origins of art.

44 international artists deliver their vision of the fire of Notre-Dame de Paris.

Over the past decade, 21 poets have come to La Kunsthalle Mulhouse to immerse themselves in the art and spend time within the space composing original texts reflecting on their experiences and vision of the work surrounding them. These writings are now collected in this volume.

A retrospective of the work of one of the first artist-run spaces in Paris, offering an overall reflection on the emerging conditions of independent and collective spaces, and the way they have impacted the institutional and art scene.

Rendez-vous in Paris: Picasso, Chagall, Modigliani & Co (1900-1939) is a collaborative publication between Kaph Books, Louvre Abu Dhabi and Centre Pompidou, which serves to discover the Paris of the “Roaring Twenties”—a Bohemian hub for artists from across Europe. This group of artists came together at a moment of extraordinary creativity to produce some of the most innovative art of the 20th century.

New monograph (works from 2011 to 2019).

The letters of Maurice Blanchot to François Dominique, which illuminate one of the last editorial projects of Blanchot; “Maurice Blanchot, writing and power”; an unpublished letter from Blanchot on the Cuban Revolution; the 68 years of Blanchot...

Diaphanes is conjuring the ghosts of the avant-garde for its Summer 2019 double issue, including a 80-page insert with 155 photos by Antoine d'Agata and an essay by Mehdi Belhaj Kacem.

A short story by Pierre Loti (1850-1923), which tells the irremediable separation of a couple of beggars who have lived together for a long time, illustrated by a sound piece by Quentin Rollet and Romain Perrot (Vomir).

The fifth issue of the magazine for visual and experimental poetry and works inspired by Dada and Fluxus, directed by Jean-François Bory.

The story of fifty years of the international festival of photography.

The comprehensive catalogue of the 9th Busan Biennale, curated by Cristina Ricupero and Jörg Heiser, on the theme of divided territories caused by war, conflict, or colonization.

Sofi Hémon; interviews with Maria Chavez, Tori Kudo, Rudolf Eb.er and Anne-Laure Pigache; arcticles on Max Neuhaus and Tetsuo Kogawa...

Unreleased rarities from Ariel Kalma's personal archives recorded in the legendary GRM's Studio 116 during the 1970's.

Accompanying the first retrospective exhibition of the artist at Mudam Luxembourg – Musée d'Art Moderne Grand-Duc Jean, this monographic publication surveys Bert Theis' entire career.

An inquiry into the inadmissibility of the artistic exception today, and the importance of atypical individuals in the symbolic economy of a society.

Dedicated to the manifestation of sisterhood in art from the 1970s until today, All Men Become Sisters focuses on art that resonated with feminist perspectives on work, production, and reproduction.

Boxset containing a book and ten artist's films (Mali Arun, Ismaïl Bahri, Hicham Berrada, Antoine Danis, Maïder Fortuné, Ana Maria Gomes, Daphné Hérétakis, Joachim Olender, Clément Postec, Dania Reymond) on DVD.

Art, destruction and creation.

A collective reassessment of Gertrude Stein's relationship to the arts, allowing to understand the complexity of the relationship between writing and visual arts in her work.

Performance art with a “low artistic coefficient of visibility”.

A collective reflection on reciprocal relations between design and the ethics of care, in the areas of health, social innovation, objects, or the environmental issue.

Angéline Neveu, a figure of May '68 then of the French poetic underground, close to the Situationists, tells herself and offers a testimony on the years 1960-70.

An essay on Philippe Beck, Jean-Paul Curnier and Michel Surya.

This book traces the career of Kara Walker (born in 1969), the most internationally recognized African-American artist since Jean-Michel Basquiat, and explores the history of the reception of a work that faces the limits of representation, challenging the question of the figuration of the black body.

Told by Charles Berling, the film by Gilles Coudert juxtaposes the director's experience as an adolescent growing up in the biggest project ever built by Le Corbusier in Europe, in Firminy, France with insights from several contemporary artists including architects, a choreographer, a filmmaker, a designer and a composer. Architectural historian Jean Louis Cohen provides comment as do several inhabitants and users of Le Corbusier's complex.

First monograph on Swiss painter Sylvain Croci-Torti.

Perrotin's large hardcover Yearbook presents the gallery's activities across its six international locations over the course of 2018, bringing together exhibition views, conversations with the artists, photographs of workshops and events, and additional exclusive content.

A journal of critical and political poetry.

Can the modern uses of prehistory shed new light on the modern experience of time and, thus, the art of this period?

The development of photography in its first years of existence: an history of the dissemination of photography as a form of documentation and an instrument of discovering and understanding the world and its people, through a wide selection of historic images taken in the Americas, Africa, the Middle East and Asia, between 1842 and 1896.

The development of photography in its first years of existence: an history of the dissemination of photography as a form of documentation and an instrument of discovering and understanding the world and its people, through a wide selection of historic images taken in the Americas, Africa, the Middle East and Asia, between 1842 and 1896.

A collection of texts, interviews and testimonials about new teaching practices of design.

The book “Fragments”, designed by Lebanese artist Rayyane Tabet as an installation, coupled with a performance, is inspired by a family legend about Tabet's great-grand-father. The book accompanies an exhibition at the Kunstverein in Hamburg.

This publication brings together the communications material issued at Furkart, an ephemeral art laboratory opened every summer at the Furka Pass in the Swiss Alps between 1983 and 1996. These ephemera edited by Furkart founder Marc Hostettler are printed actual size and provide a chronological account of this unique adventure.

A dive into the world of fantastic realism through the works of some twenty contemporary artists.

This hybrid publication's starting point relies in ten years of activities of LiveInYourHead, Geneva School of Art and Design (HEAD)'s exhibition space. Between a catalogue, an archive and a collective publication, this book explores the relationships between art education and curatorial knowledge.

Reissue of the main publications by Angéline Neveu (1946-2011), a political figure of the poetic underground scene in France.

A magazine for visual and experimental poetry and works inspired by Dada and Fluxus, directed by Jean-François Bory.

100th issue, featuring: investigating the strange silence of the dance community about sexual harassment; Jean Nouvel and the “revitalization” of the Kasbah of Algiers; orthodox icons; Joël Pommerat; Amanda Piña; Lise Sarfati; Robert Aiki Aubrey Lowe...

Moving image artists (Daphné Nan Le Sergent, Marinella Senatore, Francis Alÿs, Jean-Christophe Norman); Tatiana Trouvé; Blaise Drummond; representations of the female body by Diana Quinby; Louise Aleksiejew and Antoine Medes; Mélanie Berger, Riccardo Baruzzi, Marie-Claire Mitout, Dirk Zoete; the collection of the graphic art cabinet of the Musée d'Orsay ; Charlène Levasseur; selection of books by Laurel Parker...

John Armleder, Fluxus and the Ecart group.

Maryanne Amacher, focus Bisou Records, interviews with Joe McPhee, Loren Connors and Bruno Billaudeau...

Focusing on several major collaborative performance-videos by a figure of the British Black Art movement, this illustrated monograph includes a series of essays which interpret Boyce's interdisciplinary practice in the light of art history, and analyse her interest in black feminism, cultural studies, film studies, art history and critical theory.