A visual record of a research undertaking, an exhibition, workshops, and a series of performances that invite artists, activists, scholars, and people from other walks of life to imagine new forms of cultural and political resistance through diverse emancipation projects, past and present, taking as point of departure the philosophy of quilombismo as developed by Brazilian artist, author, and politician Abdias Nascimento.

The first English language translation of Robert Linhart's The Sugar and the Hunger, originally published in 1980. Includes afterword by Luiz Renato Martins, and other materials.

A journal of critical and political poetry

The first major work on the history and current importance of the Biennale of Young Artists, known as the "Biennale de Paris", which took place between 1959 and 1985, bringing together thirty-five texts by international authors, including some testimonies from actors who took part in the Biennale.

Through an extensive investigation of the new searches and work productions of international artists, the new CURA. 41, New World Agency™ raises questions related to the ability of art and artists to have a transformative role as regards the apparent irreversibility of the events that impact our present.

New improvised quartet synthesizer / voice / accordion / saxophone / drums, recorded in concert in Paris then mixed / edited by Jean-Marc Foussat.

Saxophones, voice, electronics and percussions, recorded remotely between France and Australia, with texts/poems by James Worse, and artwork by Steven Stapleton (Nurse With Wound).

The continuation of the sound adventures of the duo after "L'impatience des invisibles". A new studio album plus a second CD including the tracks released on vinyl by Mind Records, on mini-CD by Lenka Lente and with a live track in trio with Richard Franès (Pointe du Lac).

Four artist's posters.

The first book to unveil the main pictorial works (drawings, paintings and collages) of the British film director, the source of his entire cinematic oeuvre (new edition).

Four works based on four performances.

This book documents six years of reflections and productions, that is to say the 47 exhibitions—dedicated to young emerging artists as well as to major actors of the French and international art scene—organized at the Galerie Art & Essai of the University Rennes 2 between 2014 and 2020 under the direction of John Cornu.

Comprehensive documentation on the vast and daring interdisciplinary project conceived and staged by the Swiss artist John Armleder, a programme of exhibitions comprising invitations to other artists as well as presentations of different collections, for the Kanal-Centre Pompidou spaces.

An object book (with CD) featuring 29 concert reviews from the Parisian noise and experimental music scene in 2011 and 2012. It provides insights into a dynamic, radical, and deeply communal music scene (with a selection of photographs by Steeve Bauras, an experimental sound piece by DJ Fusiller created from concert recordings compiled by the author, and period flyers).

Contemporary art and degrowth.

In five chapters, the photographer reflects on the multiple "correspondences", influences and interactions at the heart of his artistic work.

Charles Fourier and the origins of feminism.

A visceral questioning of what a book can or cannot be, and of the positions of author and reader.

For countertenor, parrots, different voices & dead electronics.

The first retrospective volume on the photography of the internationally acclaimed Nigerian filmmaker, photographer and music-video director Andrew Dosunmu: a sensual and kaleidoscopic celebration of the world's cultural diversity.

From his early days with Henry Cow, Fred Frith was seen as a brilliant instrumentalist and improviser, but what has been overlooked is what a first-rate composer he is. This recording offers both aspects. His most complex orchestral composition and two selected improvisations with the Ensemble Musiques Nouvelles.

From his early days with Henry Cow, Fred Frith was seen as a brilliant instrumentalist and improviser, but what has been overlooked is what a first-rate composer he is. This recording offers both aspects. His most complex orchestral composition and two selected improvisations with the Ensemble Musiques Nouvelles.

An overview of the work of the Paris-based American artist, through a series of exhibitions, installations and performances over a dozen years, three essays and two interviews.

Catalogue devoted to Niki de Saint Phalle's Tableaux éclatés (Burst paintings), a vast series of paintings composed of cut-out shapes set in motion by motorized devices as spectators pass by, created as an homage to Jean Tinguely (the book's pop-up cover allows to recompose the pattern of a painting using pull tabs!).

Publishing as a discursive process and the book as a device of (re)formulation and enunciation: the culmination of a research program aimed at extending the notion of writing to all dimensions of editorial practice.

Interviews with Vivian Xu, Abi Liu, Stephen Cornford, Timo Toots, Egor Kraft; reports: xCoAx 2022, Ars Electronica 2022...

A publication by artist and teacher-researcher Marie Preston on the alternative pedagogies developed in France during the 1970s-1990s in "open" schools working on the question of the relationship between co-creation and co-education.

Weaving fruitful links between the worlds of science and design, this catalog unveils the work of designers who have, in conceptual, technical or poetic ways, questioned the architecture of the Universe and the hidden laws of physics that govern it, bringing to the fore the fundamental questions that drive artists and scientists alike (with a contribution of cosmologist Thomas Hertog).

A story of love, lust and parenthood, born beneath a series of thunderstorms (the script by the acclaimed Welsh film director and screenwriter Peter Greenaway).

Artist's book.

Performance art with a “low artistic coefficient of visibility”.

Leaving aside temporarily his practice of Revox and magnetic tape played live, Jérôme Noetinger proposes two drones: a monolithic vibration, enriched by sputtering and a few electronic elements, and a piece playing with the grain of sound matter, gradually densified before a long lull in a kind of white noise.

Three perspectives (philosophical, sociological and artist's word) on the meaning of the avant-garde, and its relationship to the counter-culture.

At the intersection between theatre, fashion design and poetry, Concours de larmes is a powerful text, both prophetic and unsettling. Based on the play of the same name presented at the TU - Théâtre de l'Usine in Geneva in 2022, it is presented in the form of set of divinatory cards, each character referring to a specific part of the text.

An anthology of 72 texts published by the online French contemporary art journal Lacritique.org.

A wide-ranging panorama of La Réunion's artistic scene, through the works of 34 artists and texts by five authors, art historians, poets, and researchers: an exciting exploration of artistic creations that question postcolonial society, migration, displacement, cultural hybridization, as well as our understanding living together.

Inter #141 invites to approach degrowth as a paradigm of a possible way out of the planetary crisis, and to imagine new ways of living in the world.

Rosemarie Trockel, Mike Nelson, Lygia Pape, Tom Burr, Simone Forti, Deepfake Generation...

The multiple issues of sexual representations in art / the complex relationships between art and the various forms of pornography.

The third issue of Le Signe Design (the Cahiers of the National Graphic Design Center) is about DIY practices and is based on the work of Gilles de Brock, graphic designer who became a ceramic tile manufacturer.

ASMR's low masses, the Russian punk scene's exile in Belgrade, Harry Gruyaert, insurrection and literature in Turin's prisons, Susanne Kennedy, Nicolás Pereda, a sociological analysis of police violence by Paul Rocher...

Malagasy artist Joël Andrianomearisoa explores Moroccan traditional knowledge and engages dialogue with diverse artistic perspectives, for the very first monographic exhibition dedicated to a contemporary artist at MACAAL, Marrakech.

A new milestone in the reflection on the challenges of creation in traditional music, and its recent aesthetic renewal.

The first solo album of the French saxophonist, flutist and visual artist Sakina Abdou is the culmination of a path initiated more than twenty years ago on various aesthetic paths and in different contexts and artistic experiments, of a sound research started in 2021 around the solo saxophone, and of a tour in the United States in the fall of 2022.

An overview of Xavier Veilhan's recent production.

More a book than a magazine, Mousse #83 – The Artist's Artist is a special, collectible issue conceived as a small anthology of seven comprehensive monographs dedicated to influential, yet at times under-represented, artists who spearheaded the languages that are defining our age—the so-called artists' artists.

This issue explores the crossroads, contacts and contrasts between two fields of musical knowledge: ethnomusicology and popular music studies.

The fruitful meeting of the rural world and contemporary art within the framework of the collective experiment led by an art center in the forest trails.

Invited by Molly Warnock, nine artists living in the United States write about the work of Michel Parmentier (1938-2000). A radical founding figure of the BMPT collective who refused all formal and ideological compromise, Parmentier appears here through the diverse prisms of the authors' own artistic commitments and cultures.