The second volume of the experimental and electronic music anthology (1937-2005), including unreleased material (Maja Ratkje, Beatriz Ferreyra, Laurie Spiegel, Vibracathedral Orchestra...) and rarities (György Ligeti, François Bayle + Robert Wyatt + Kevin Ayers, Les Rallizes Dénudés...).

Numbered edition of a photography and a poster (Jean-Marc Bustamante fecit), which are added to the special box set by M/M (Paris) containing the last three catalogues of the Printemps de septembre festival.

Two studies on the link between language, art and reality in Marcel Duchamp's work.

An exhaustive documentation on the work of the French artist since 1970, fully illustrated.

A book and a DVD-ROM by Thierry Kuntzel (notes, essays, works, database).

Lavishly illustrated, this monograph contains a collection of texts and interviews with the artist, many of which are unpublished.

A collection of conferences for an exibition.

The Grief's greatest hits, with many unpublished, rarities and remixes.

This first issue commemorates the century of Jules Verne's death with a focus on contemporary scientific narratives dealing with the notion of space.

First monograph.

24 Semaine magazine issues in a box.

An anthology exploring the notion of reality.

Carsten Höller, David Robbins, Thomas Hirschhorn, Philippe Parreno, Jeff Koons, Liam Gillick, Sylvie Fleury, Mike Kelley, Bertrand Lavier, Gary Webb, Gianni Motti, Xavier Veilhan...

A quartet of string and woodwind instruments brings together masters of free improvisation.

Publication on the Walter A. Bechtler Stiftung foundation, which has the particularity of being shown in a public space.

A book conceived as an extension of Melik Ohanian's film Seven Minutes Before, with contributions by Cecil Balmond, Gilles Clément, Beatriz Colomina, Tacita Dean, Richard Drayton, David Elbaz, Patricia Falguières, Medard Gabel, André Gaudreault, Paul Gilroy, Edouard Glissant, Anna Halprin, David Held, Pekka Himanen, Bruno Latour, Charles Musser, Jean-Luc Nancy, Jane Poynter, Jean-Christophe Royoux, Saskia Sassen, Peter Sloterdijk, John Tresch, Eduardo Viveiros de Castro and Robert Whitman.

Projects, texts, drawings, photos and interviews.

Catalogue.

Patate is a magazine dedicaded to graphism and poetry edited by French punk graphic design pionneer Pascal Doury.

24 Semaine magazine issues in a box.

The Populism Catalogue documents the namesake exhibition and features works of fiction as a literary approach to the theme of populism.

Miss Marie le Masson Le Golft (1749-1826) is known as the lady who noted Nature.

Contemporary art French festival catalogue (with Franz Ackermann, Fred Tomaselli, Chloe Piene, David Reed, Siobhan Hapaska, James Rosenquist, Franz West, Jennifer Steinkamp, Jean-Pierre Bertrand, Gerhard Merz, Cindy Sherman, Stephane Calais, Jake & Dinos Chapman, Sigmar Polke, Daniel Schlier, Ger Van Elk, Alice Anderson...).

The most comprehensive publication on the Bresilian artist.

Olivier Mosset's writings and discussions.

Humour as a strategy in art, from Dada to Fluxus and contemporary conceptual art.

An essay on Paul Tisseyre Ananké, the military officer in saharian French colonies and writer, which proposes a linguistic and biographic approach, accompanying the reedition of Ananké's book, denouncing the horrors of the French colonisation in Africa.

A new approach of Duchamp's keywords.

When the personal becomes political.

Writings and drawings.

Mapping collaboration in Swiss art.

An attempt to make out the backgrounds leading to a turn towards documentation in art.

Reference monograph.

82 photos taken in bathrooms (Bettina Rheims, Araki, Jacques-Henri Lartigue, Bertrand Desprez, Giselle Freund, Pierre & Gilles...), with an essay by Jean-Claude Kaufmann, half-way between voyeurism and sociological commentary

Artist's book (photographies).

Catalogue of three exhibitions about interactivity in digital arts: theoretical texts, notes, ionterviews and documents.

DVD-book including all the exhibition films and discussions of 3 workshops at the 2004 International Biennale in Venice, on the theme of sustainable development and urban metamorphoses (a programme of about 2h).

Joe Scanlan, Jeremy Deller, Joep van Lieshout, David Robbins...

Fluxus special issue: texts by theoreticians and artists (Conz, Ucciani, Giroud, Donguy, Martel, Chopin, Heidsieck...), documents (Dupuy, Knowles, Ben, Williams...) .

Reference monograph.

Exhibition catalogue (with John Armleder, Maurizio Cattelan, Stéphane Dafflon, Philippe Decrauzat, Sylvie Fleury, Mike Kelley, Bertrand Lavier, Sherrie Levine, Allan McCollum, Sarah Morris, Olivier Mosset, Olaf Nicolai, Daniel Pflumm, Daan van Golden, Kelley Walker, Lawrence Weiner...).

This book gives life back to 72 aborted projects by publishing the preliminary works—plans, schemes, drawings, graphics, photographs, writings—kept by invited artists.

24 Semaine magazine issues in a box (Fabrice Hybert, Yan Pei-Ming, Boris Achour, Jean-Luc Verna, Dorothea Schulz, Kendell Geers, Olivier Debré, Gérard Collin-Thiébaut, Pierre Joseph, Jean-Baptiste Bruant & Maria Spangaro...)

Marcel Duchamp “laid bare” by Marc Décimo who talks about the creative process in this essay on the father of conceptual art.

Portraits of the workers on the tramway line in Strasbourg, with texts by Philippe Lacoue-Labarthe and Jean-Luc Nancy.

Marcel Duchamp met Lydie Sarazin-Levassor at the end of March 1927. On 7 June, they were married. Francis Picabia acted as a witness and the ceremony was filmed by Man Ray. On 25 January 1928, they divorced. Lydie Sarazin-Levassor tells the story of their marriage, presents us with “her” Marcel, and relates her encounters with Jacques Doucet, Constantin Brancusi, Henri-Pierre Roché, Man Ray and Kiki de Montparnasse, Jean Cocteau, the Ballets Russes, the Duchamp family, Jean Crotti, Mary Rumsey, Katherine Dreier and Robert Desnos, and describes the atmosphere at the Villons' (in Puteaux, just outside Paris), the Picabias' (at Mougins, in the South of France) and the Sarazin-Levassors' (in Étretat, on the Normandy coast).

Conceived as a textbook with images rather than an exhibition catalogue, the book reflects on the diversity of fundamentalisms, a phenomenon that is not confined to particular cultures or modes of thought; its intention is to explore the concept in its many forms and multiple origins.

Artist's book: a series of bank notes brought together, lying on the floor.

Fully illustrated catalogue realized for the 10th edition of the Geneva Biennial, dedicated to artists' film and video.